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OTHERS
You've selected:
End Of Me
Flute (band part)
Sheetmusic to print
6 sheet music found
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1
Recorda me: Flute
Flute (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016292_F1 Flute. Composed by…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016292_F1 Flute. Composed by Joe Henderson. Arranged by Kris Berg. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016292_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016292_F1). UPC: 038081474410.A samba performed at 170 BPM, this chart has a lot of energy. Written-out solos provided for all saxes and brass, a great sax soli, a developing interlude, and lead trumpet range to written B above the staff. Includes optional vibraphone and flute parts. (5:08) This title is available in SmartMusic.
$3.00
2.76 €
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Flute (band part)
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Joe Henderson
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Recorda me: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
You Raise Me Up: 1st & 2nd Flute
Flute (band part)
1st & 2nd Flute - Digital Download SKU: AX.00-PC-0015382_F12 1st & 2nd Flute…
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1st & 2nd Flute - Digital Download SKU: AX.00-PC-0015382_F12 1st & 2nd Flute. Composed by Brendan Graham and Rolf Lovland. Arranged by Mark Hayes. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015382_F12. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015382_F12). UPC: 038081425924.Josh Groban's blockbuster hit has received the most powerful and moving choral treatment to date. The song, based on a traditional Irish tune, has been recorded by dozens of pop and Christian artists. Enjoy Mark's stunning, lush treatment, with optional orchestra.Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
2.76 €
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Flute (band part)
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Brendan Graham and Rolf Lovland
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Recorded Acc. Available.
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You Raise Me Up: 1st & 2nd Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Josh Groban Gold: 2nd Flute
Flute (band part)
Full Orchestra - Digital Download SKU: AX.00-PC-0016903_F2 2nd Flute. By Jos…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016903_F2 2nd Flute. By Josh Groban. Arranged by Jerry Brubaker. Pop. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016903_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016903_F2). UPC: 038081496825.The beauty and splendor of three hit songs, The Prayer, You Raise Me Up, and To Where You Are, will delight audiences and players. Perfect for the sentimentality of a spring concert or graduation. (6:00).
$3.00
2.76 €
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Flute (band part)
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Josh Groban
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Josh Groban Gold: 2nd Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
Flute (band part)
Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry …
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Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Flute (band part)
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
Flute (band part)
Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry …
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Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Flute (band part)
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Flute 2
Flute (band part)
Flute Solo - Level 4 - Digital Download SKU: A0.1018943 Composed by Benjamin Harry …
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Flute Solo - Level 4 - Digital Download SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Published by Benjamin Sajo (A0.1018943). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Flute (band part)
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
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