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10
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102
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98
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76
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66
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55
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54
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52
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43
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42
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41
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40
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40
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38
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25
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11 sheet music found
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1
Kommos (Lamentation) / "When the World Moved On" - Flute 2
#
Flute (band part)
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Flute Solo - Level 4 - Digital Download SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sa...
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Flute Solo - Level 4 - Digital Download SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Published by Benjamin Sajo (A0.1018943). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
When the Saints Go Marching In: Flute
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Flute (band part)
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Jazz
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James M
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Mike Lewis
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When the Saints Go Marching In
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017544_F1 Flute. Composed by James M. Black. Arranged by Mike Lewis. Jazz. Part. 2 pages. Alfred M...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017544_F1 Flute. Composed by James M. Black. Arranged by Mike Lewis. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017544_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017544_F1). UPC: 654979058007.New in the Jazz Expressionsa,,C/ Series, When the Saints Go Marching In is well-known as a jazz classic. The focus in this chart is on melodic improvisation and the second-line New Orleans style at the medium-easy level. This arrangement begins with a slow funeral-like march then breaks into a spirited swing. Mike Lewis has crafted this chart to include the following: modest ranges, easy rhythms, plenty of section and ensemble work, a solo section for all wind players, optional parts for flute, clarinet, horn, baritone horn, and tuba. And check this out: STRING PARTS include violin (2), viola, and cello. The jazz band can include everyone!
$3.00
Over the Rainbow: Flute
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Flute (band part)
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Broadway
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Film/TV
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Harold Arlen
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Alan Baylock
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Movie
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Over the Rainbow: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017174_F1 Flute. Composed by Harold Arlen. Arranged by Alan Baylock. Jazz; Movie. Part. 1 pages. A...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017174_F1 Flute. Composed by Harold Arlen. Arranged by Alan Baylock. Jazz; Movie. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017174_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017174_F1). UPC: 038081378442.Do you have two trumpet players to showcase? Here is a ballad everybody knows, scored as a trumpet duet. Everything is written, no improvised solo, the lead trumpet range is to C above the staff, and the second part is to written A. Lyrical and melodic, it's a sure-fire crowd pleaser. (2:40).
$3.00
A Salute to the Big Apple: 2nd Flute
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Flute (band part)
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Instructional
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Calvin Custer
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A Salute to the Big Apple: 2nd
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0016098_F2 2nd Flute. Arranged by Calvin Custer. Instructional. Part. 4 pages. Alfred Music - Digi...
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Full Orchestra - Digital Download SKU: AX.00-PC-0016098_F2 2nd Flute. Arranged by Calvin Custer. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016098_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016098_F2). UPC: 029156208528.The Big Apple! There can be no doubt in anyone's mind about which city we are referring. The glamour, the vibrant life that is like no other city on the earth. Musically, our salute includes Theme from New York, New York, Forty-Second Street, Lullaby of Broadway, and New York, New York. Audiences and musicians will be thrilled with this stunning work that contains sophisticated and supremely atmospheric sounds! (6:48).
$3.00
Second Line (Joe Avery Blues): Flute
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Flute (band part)
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Instructional
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Victor Goines
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Second Line
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014738_F1 Flute. Arranged by Victor Goines. Instructional. Part. 2 pages. Alfred Music - Digital S...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0014738_F1 Flute. Arranged by Victor Goines. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014738_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014738_F1). UPC: 654979094272.For the new Jazz For Young People Series, well-known educator and jazz artist Victor Goines arranged Second Line as a medium bright swing. Sometimes called The Joe Avery Blues, this tune dates back to the early New Orleans style and was recorded by the Preservation Hall Jazz Band. For flexibility, solos are provided for the entire trumpet, saxophone, and trombone sections and can be performed as a section or individually. Includes all the usual optional parts. Correlated to the Jazz at Lincoln Center Jazz for Young People Curriculum. (4:02) This title is available in SmartMusic.
$3.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flute (band part)
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ADVANCED
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sa...
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Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
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Flute (band part)
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ADVANCED
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sa...
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Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Germaine Tailleferre : Choral et Fugue, - concert band by Paul Wehage - flute 2 part
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Flute (band part)
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INTERMEDIATE/ADVANCED
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Germaine Tailleferre
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Paul Wehage
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Germaine Tailleferre : Choral
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.533016 Composed by Germaine Tailleferre. Arranged by Paul Wehage. 20th Century,Contemporary,Instruction...
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Concert Band - Level 4 - Digital Download SKU: A0.533016 Composed by Germaine Tailleferre. Arranged by Paul Wehage. 20th Century,Contemporary,Instructional. Score and parts. 4 pages. Musik Fabrik Music Publishing #432285. Published by Musik Fabrik Music Publishing (A0.533016). The second flute part for this arrangement for concert band for this work by Germaine Tailleferre.
$3.99
The Second Storm (Ivan): Flute
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Flute (band part)
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Instructional
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Robert W
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The Second Storm
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Arranged by Robert W. Smith. For Full Orchestra. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music ...
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Arranged by Robert W. Smith. For Full Orchestra. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
Twelve Seconds to the Moon: 2nd Flute
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Flute (band part)
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Instructional
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Robert W
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Twelve Seconds to the Moon: 2n
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Robert W. Smith. For Concert Band. Instructional. Part. 8 pages. Published by Alfred Music. Digital Sheet Music...
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By Robert W. Smith. For Concert Band. Instructional. Part. 8 pages. Published by Alfred Music. Digital Sheet Music
$4.00
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