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CONTEMPORARY - 20-21TH CENTURY
Oboe (band part)
Sheetmusic to print
2 sheet music found
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1
Lost My Marbles
Oboe (band part)
Oboe Solo - Level 4 - Digital Download SKU: A0.1015074 Composed by Kimberly S. Merk…
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Oboe Solo - Level 4 - Digital Download SKU: A0.1015074 Composed by Kimberly S. Merkert. 20th Century,Contemporary,New Age. Individual part. 3 pages. Kimberly S. Merkert #4614459. Published by Kimberly S. Merkert (A0.1015074). Lost My Marbles is a whimsical piece by Kimberly S. Merkert for unaccompanied oboe solo. This piece was inspired by marbles in a Rube Goldberg machine, first flowing smoothly through the machine, but then gradually getting faster and more chaotic until the end of the piece when one lone marble rolls away. Appropriate for intermediate to advanced musicians in a school or community setting. Composer may be reached at kimmerkert@gmail.com.
$3.99
3.63 €
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Oboe (band part)
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Kimberly S
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Lost My Marbles
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Kimberly S. Merkert
#
SheetMusicPlus
The Cry of Beltane (for solo oboe)
Oboe (band part)
Oboe Solo - Level 4 - Digital Download SKU: A0.927664 Composed by Joseph Hollings. …
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Oboe Solo - Level 4 - Digital Download SKU: A0.927664 Composed by Joseph Hollings. 20th Century,Contemporary. Individual part. 3 pages. Joseph Hollings Publishing #6683341. Published by Joseph Hollings Publishing (A0.927664). Duration: approx 4:00The Cry of Beltane for solo oboe was written for and premiered by an advanced, young oboe student, Leo Sherwood, and first performed in May 2017 as part of the Cleveland Composers Guild’s Creativity: Learning through Experience program. The piece was the program opener and is ideally suited to open a recital.Beltane is the anglicized name of the Celtic festival held on May Day, a pagan festival signifying the beginning of summer. The piece is intended to evoke a ritualistic, call to summer; a crying out and calling forth of sun and growth. The piece should sound aggressive and the oboe should aim to make the most of its harder-edged timbre, rather than its lyrical qualities. While the notation is precise, the piece should sound as if the performer had improvised it. The bigger the contrast in dynamics the better.Joseph Hollings (ASCAP) is a composer, arranger and music educator, and has taught music to students of all levels for over twenty five years. His arrangements have been performed internationally, including in London's West End, and have been recorded by the Onyx Brass Quintet and members of the Cleveland Orchestra. He studied composition with Harrison Birtwistle at King's College London, worked for the D'Oyly Carte Opera Company, and established Really Nearly Records with the ever-imaginative Tim Ten Yen. Joseph Hollings is a member of ASCAP. Learn more about the composer at www.josephhollings.com Follow on TikTok @TikTokComposerFollow on Instagram @josephhollings
$4.99
4.54 €
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Oboe (band part)
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Joseph Hollings
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The Cry of Beltane
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Joseph Hollings Publishing
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SheetMusicPlus
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