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Oboe (band part)
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5 sheet music found
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1
Symphony No. 5: Oboe
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Oboe (band part)
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Classical
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Ludwig van Beethoven
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Richard Rigg
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Festival.
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Symphony No. 5: Oboe
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0016462_O1 Oboe. Composed by Ludwig van Beethoven. Arranged by Richard Rigg. Classical. Part. 2 pa...
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Full Orchestra - Digital Download SKU: AX.00-PC-0016462_O1 Oboe. Composed by Ludwig van Beethoven. Arranged by Richard Rigg. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016462_O1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016462_O1). UPC: 038081484174.In D minor, this arrangement is a very approachable version of this masterwork. Strings will use a variety of bowings, and some position work is required of first violins and cellos. Winds, brass, and percussion will enjoy this symphonic experience. Scored for either full or string orchestra, with optional percussion. (4:00) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
Symphony No. 36, The "Linz": Oboe
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Oboe (band part)
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Classical
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Wolfgang Amadeus Mozart
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Richard Meyer
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Festival.
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Symphony No. 36, The "Linz": O
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0017370_O1 Oboe. Composed by Wolfgang Amadeus Mozart. Arranged by Richard Meyer. Masterwork Arrang...
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Full Orchestra - Digital Download SKU: AX.00-PC-0017370_O1 Oboe. Composed by Wolfgang Amadeus Mozart. Arranged by Richard Meyer. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017370_O1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017370_O1). UPC: 038081518589.The Linz Symphony is included among Mozart's best. The first movement is cheerful and buoyant in mood, yet retains an air of dignity and poise reflective of a true master of the genre. Richard Meyer's full orchestra arrangement of this classic is a terrific addition for any concert or contest. (5:20)List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
James Bond Medley: Oboe
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Oboe (band part)
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Instructional
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Monty Norman
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Victor Lopez
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James Bond Medley: Oboe
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0015659_O1 Oboe. Composed by Monty Norman. Arranged by Victor Lopez. Instructional. Part. 3 pages....
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Full Orchestra - Digital Download SKU: AX.00-PC-0015659_O1 Oboe. Composed by Monty Norman. Arranged by Victor Lopez. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015659_O1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015659_O1). UPC: 038081280899.In his James Bond Medley arrangement, Victor LA3pez shows that the 007 agent is alive and well. The medley features five classic hits, the James Bond Theme, For Your Eyes Only, Goldfinger, Live and Let Die, and No Body Does It Better. Although this arrangement is written for intermediate full orchestra, it has been scored in such a way that it will also sound as effective with strings only. Careful considerations have been given to tonality and rhythmical issues as related to the strings. Bowings have also been included to facilitate playability. For more additional flexibility, solo parts have been cued throughout. With solid scoring, adequate ranges and classic selections, this James Bond Medley is a sure winner! (9:23).
$3.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
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Oboe (band part)
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Saj...
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Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
#
Oboe (band part)
#
ADVANCED
#
Contemporary
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Saj...
(+)
Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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1
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