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You've selected:
Can You Feel It
Clarinet Quintet: 5 clarinets
Sheetmusic to print
6 sheet music found
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1
Intermezzo from Cavalleria Rusticana by Mascagni for Clarinet Quintet
Clarinet Quintet: 5 clarinets
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1292312 Composed by Pietro Mascagni. Arranged by Ander. 19th Century,Opera,Romantic Period,Wedding. 8 pages. Woods Only, Arrangements #882924. Published by Woods Only, Arrangements (A0.1292312). In this arrangement, you will play the Intermezzo from the Opera Cavalleria Rusticana by Pietro Mascagni for Clarinet Quintet, one of the most beautiful and exciting works of classical music. You will preserve all the fidelity and expressiveness of the original score, adapting it to a smaller ensemble. You will be enchanted by the beauty and delicacy of this piece, which represents a moment of calm and reflection in the opera. This arrangement is ideal for performance events or didactic material, as well as for weddings, concerts or public presentations. It is an accessible and rewarding piece, that will make you feel like a true artist. Do not miss this opportunity to acquire this exclusive and wonderful arrangement of the Intermezzo from the opera Cavalleria Rusticana by Pietro Mascagni for Quintet!
$9.99
9.17 €
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Clarinet Quintet: 5 clarinets
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Pietro Mascagni
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Intermezzo from Cavalleria Rusticana by Mascagni for Clarinet Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Can You Feel The Love Tonight
Clarinet Quintet: 5 clarinets
By Elton John. By Elton John. Arranged by Brian Monroe. Pop, Rock. 11 pages. BLM Music…
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By Elton John. By Elton John. Arranged by Brian Monroe. Pop, Rock. 11 pages. BLM Music Publications #6858681. Published by BLM Music Publications
Scored for Clarinet Quintet or Clarinet Choir, Can You Feel the Love Tonight is a wonderful arrangement for Woodwinds. Scoring Includes 4 Bb Clarinets and a Bass Clarinet. An optional Oboe part has been included. Must of the time it doubles the Clarinet 1, however in some cases it has it own line. This part only enhances the ensemble and is not necessary to perform it. The option Bassoon part, doubles the bass clarinet and also provides some additional bass notes, not possible in the bass clarinet. Ranges are within the staff and below. Grade 3
$15.00
13.77 €
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Clarinet Quintet: 5 clarinets
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Elton John
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Can You Feel The Love Tonight
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BLM Music Publications
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SheetMusicPlus
Made You Look
Clarinet Quintet: 5 clarinets
Clarinet Quintet,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.124947…
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Clarinet Quintet,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1249478 By Meghan Trainor. By Luis Federico Vindver, Megan Trainor, and Sean Douglas. Arranged by Lisa Ochoco. 21st Century,Contemporary,Pop. 18 pages. Lisa L Ochoco #843912. Published by Lisa L Ochoco (A0.1249478). This catchy doo-wop song resonates with people with its familiar chord progressions and beat.  Trainor co-wrote this song as part of a therapy exercise after she became insecure about her body after her pregnancy. While this is an instrumental version, the lyrics of this song promote self-love and self-confidence.  The tune is quite repetitive, but it's fun to play and, if anything, is a good filler in between your more technically challenging pieces in your recital. Scored for clarinet quartet - 4 Bb.  There are also 2 percussion parts that are optional, but they are there if in case there is a person at your disposal who can play them along with you. This song is just a feel-good, toe-tapping piece that is not difficult and quite entertaining.Duration: 2.25 minutes.
$15.00
13.77 €
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Clarinet Quintet: 5 clarinets
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Meghan Trainor
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Made You Look
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Lisa L Ochoco
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SheetMusicPlus
California Dreamin'
Clarinet Quintet: 5 clarinets
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1448334 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Sean Sullivan. 20th Century,Pop,Rock. 15 pages. Sean Sullivan #1028271. Published by Sean Sullivan (A0.1448334). Dude, like, are you ready to experience the ultimate California vibe with your clarinet quintet? I've got just the thing for you, man! I've arranged the classic tune California Dreamin' by The Mamas and The Papas for clarinet quintet, and it's totally far out, bro! This arrangement is totally chill, man. You'll get to play the catchy, bouncy bass line and the lush, harmony-rich chords that will make you feel like you're floating on a cloud. And if you want to get really adventurous, you can add in that optional alto clarinet part to give your performance an extra layer of depth and complexity. You can almost smell the saltwater and feel the mist of the ocean on your skin as you play this tune. Order now and get ready to experience the ultimate California dreamin' session with your clarinet quintet!
$14.99
13.76 €
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Clarinet Quintet: 5 clarinets
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The Mamas And The Papas
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California Dreamin'
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Sean Sullivan
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SheetMusicPlus
A Night In Tunisia
Clarinet Quintet: 5 clarinets
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827845. Published by Keith Terrett (A0.746990). A great sounding arrangement of A Night in Tunisia, your Clarinet Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
13.76 €
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Clarinet Quintet: 5 clarinets
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Clarinet Quintet: 5 clarinets
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.76 €
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Clarinet Quintet: 5 clarinets
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Herbie Hancock
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
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