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For Four in Five Four
Clarinet Quintet: 5 clarinets
Sheetmusic to print
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Watermelon Man for Clarinet Quintet & Opt. Drumset
Clarinet Quintet: 5 clarinets
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.48 €
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Clarinet Quintet: 5 clarinets
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Herbie Hancock
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
Jesu, meine Freude - Part 3, by J.S. Bach for Clarinet Quintet
Clarinet Quintet: 5 clarinets
Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Digital Download SKU: A0.830789 …
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Digital Download SKU: A0.830789 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 39 pages. Richard Byrnes #5726121. Published by Richard Byrnes (A0.830789). The motet, Jesu, meine Freude (Jesus, my joy) is structured in eleven sections. In this collection, they have been grouped into 4 parts. Part Three, section 1 begins with a five-part fugue. The second is a four-part setting of the hymn. The third section is a trio for the lower three voices. The fourth section is a four-part chorale fantasia using the hymn melody as a cantus firmus.This clarinet quintet arrangement is for (4Cl,BCl).In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$24.99
22.47 €
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Clarinet Quintet: 5 clarinets
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Johann Sebastian Bach
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Jesu, meine Freude - Part 3, by J.S. Bach for Clarinet Quintet
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Richard Byrnes
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SheetMusicPlus
"St Anne" Fugue in E-flat BWV 552 for quintet of clarinets
Clarinet Quintet: 5 clarinets
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 3 - Di…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1238827 Composed by Johann Sebastian Bach. Arranged by Richard J. Alder, Jr. Baroque,Chamber,Classical,Early Music,Historic. 31 pages. AMA Editions #834246. Published by AMA Editions (A0.1238827). Johann Sebastian Bach’s five-voice triple fugue in E♠major from BWV 552 became known as the “St. Anne†fugue due to its similarity to the hymn of the same name by William Croft. It is presented here for five clarinets. If an alto clarinet or basset horn is not available, a fourth B-flat clarinet part has also been included. The bass clarinet uses the extended low C range in the end section, but an 8va ossia is provided if an instrument with this range is not available. The arrangement can also be played as a larger clarinet ensemble or choir with the additional contra-alto and contrabass clarinet parts. Extended ranges are not necessary for the contra clarinets.Instrumentation:B-flat clarinet 1B-flat clarinet 2B-flat clarinet 3Alto clarinet/Basset Horn/B-flat clarinet 4Bass clarinetopt.E-flat contra-alto clarinetB-flat contrabass clarinetLength: 6-8 minutesDifficulty: Intermediate.
$17.00
15.29 €
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Clarinet Quintet: 5 clarinets
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Johann Sebastian Bach
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"St Anne" Fugue in E-flat BWV 552 for quintet of clarinets
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AMA Editions
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SheetMusicPlus
Ma mére l'Oye, III. "Laideronette, impératrice des pagodes"
Clarinet Quintet: 5 clarinets
Woodwind Ensemble,Woodwind Quintet Clarinet - Digital Download SKU: A0.486239 Compo…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Digital Download SKU: A0.486239 Composed by Maurice Ravel. Arranged by John Benoit. 20th Century,Classical,Contemporary. 43 pages. John Benoit Music #104644. Published by John Benoit Music (A0.486239). The five movements of Maurice Ravel’s Ma mére l’Oye (1910-11) were originally written as a piano duet for children. The virtuosity of the latter movements, however, would require the skills of child prodigies. The third movement – “Laideronette, impératrice des pagodes†– is evocative of the virtuosic performances of xylophone-like instruments in some Eastern musical traditions. This setting for clarinette quintet includes alternate fourth parts for clarinet in Bb, alto clarinet, and bass clarinet. Instrumentation: 4 Bb clarinets (alternate alto/bass for 4th part), bass clarinet. Duration: c. 3:30â€. Grade 4.
$15.99
14.38 €
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Clarinet Quintet: 5 clarinets
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Maurice Ravel
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Ma mére l'Oye, III. "Laideronette, impératrice des pagodes"
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John Benoit Music
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SheetMusicPlus
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