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J.Tan
Clarinet Quintet: 5 clarinets
Sheetmusic to print
6 sheet music found
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1
Prelude & Fugue No.4 in C# Minor from The Well-Tempered Clavier Book 1 by J.S.Bach for Clarinet Quin
Clarinet Quintet: 5 clarinets
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.891941…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.891941 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. 29 pages. Stephen Davies #5362675. Published by Stephen Davies (A0.891941). In this arrangement the key has been altered to suit the instruments range, and is unusually scored with an A clarinet playing the first part, which adds a little tonal softness to the upper parts (imho!). Programme Notes: THE PRELUDE The solemn and expressive character of the melody line is somewhat reminiscent of much of Bach's passion music, and weaves between the players with utmost ease. The Preludes most prominent melodic feature is the octave leap heard on all parts throughout the music, which leads to a satifying conclusion. THE FUGUE Coming in at a whopping 115 bars, this is one of Bach's longest and most complex fugues. With three themes woven through together in five voices as only Bach can, this fugue offers a competent group of instrumentalists with many technical and interpretive challenges! Also available here in Wind Quintet and Saxophone Quintet flavours!
$15.99
14.74 €
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Clarinet Quintet: 5 clarinets
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Johann Sebastian Bach
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Prelude & Fugue No.4 in C# Minor from The Well-Tempered Clavier Book 1 by J.S.Bach for Clarinet Quin
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Stephen Davies
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SheetMusicPlus
Louisiana Fairy Tale
Clarinet Quintet: 5 clarinets
Clarinet Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1268326 Com…
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Clarinet Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1268326 Composed by Fred Coots J, Haven Gillespie, and Mitchell Parish. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,Pop,Standards. 12 pages. Chicory Music #860722. Published by Chicory Music (A0.1268326). Louisiana Fairy Tale (or Louisiana Fairytale) is a song written in 1935 by Haven Gillespie, with lyrics by Mitchell Parish and J. Fred Coots, and was originally popularized by Fats Waller. Waller's version opens with him playing a four-bar solo piano lead-in to a clarinet melody backed by drums, guitar, clarinet, trumpet and piano. A muted trumpet bridge precedes Waller's vocal verses, and a Dixieland-style improvisational instrumental jam closes the recording. This arrangement for Clarinet Quintet (SSSSB) plus optional Acoustic Bass and Drum Set, at the Intermediate Level, is written at a slow swing tempo featuring 1st Clarinet.
$12.99
11.98 €
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Clarinet Quintet: 5 clarinets
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Fred Coots J, Haven Gillespie, and Mitchell Parish
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(or "
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Louisiana Fairy Tale
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Chicory Music
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SheetMusicPlus
'7 Characteristic Pieces' by Felix Mendelssohn-Bartholdy for Clarinet Quintet.
Clarinet Quintet: 5 clarinets
Bass Clarinet Solo - Level 5 - Digital Download SKU: A0.891965 Composed by Felix Ba…
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Bass Clarinet Solo - Level 5 - Digital Download SKU: A0.891965 Composed by Felix Bartholdy Mendelssohn. Arranged by Stephen Davies. Romantic Period,Standards. Individual part. 167 pages. Stephen Davies #6232995. Published by Stephen Davies (A0.891965). '7 Characteristic Pieces' by Felix Mendelssohn-Bartholdy Op.7, Nos.1-7 Mendelssohn's genius for counterpoint in the style of J.S.Bach is abundantly displayed in this bravura piece. But also Mendelssohn's individual melodic signature is written loud and clear in each of the virtuosic movements. Adapted here for the well versed Clarinettist, this arrangement certainly has the Wow, what the hell was that? factor!!
$29.99
27.65 €
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Clarinet Quintet: 5 clarinets
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Felix Bartholdy Mendelssohn
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'7 Characteristic Pieces' by Felix Mendelssohn-Bartholdy for Clarinet Quintet.
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Stephen Davies
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SheetMusicPlus
"Rejoice Greatly, o my Soul" for Clarinet Quintet
Clarinet Quintet: 5 clarinets
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.963306…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.963306 Composed by Louis Bourgeois. Arranged by Cristiano Vecchi. Contemporary,Instructional,Jazz,Sacred,Standards. 8 pages. Cristiano Vecchi #4742205. Published by Cristiano Vecchi (A0.963306). A completely brand new remake of this famous Choral, several times arranged by J.S.Bach.The musical language uses jazz chords and scales, but also takes the lesson from the Neo-Classical music (Stravinsky, Hindemith, Honegger, Milhaud). SCORE and PARTS for Clarinet Quintet (Eb, Bb 1, Bb 2, Bb 3, Bass Bb).Also available for Brass Quintet, Flute Quintet and Woodwind Quintet.
$2.99
2.76 €
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Clarinet Quintet: 5 clarinets
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Louis Bourgeois
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"Rejoice Greatly, o my Soul" for Clarinet Quintet
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Cristiano Vecchi
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SheetMusicPlus
Camp Swan Quick Step for Clarinet Quintet
Clarinet Quintet: 5 clarinets
Composed by J C Adams. Arranged by Martin Todd. Contemporary,Holiday,Romantic Period…
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Composed by J C Adams. Arranged by Martin Todd. Contemporary,Holiday,Romantic Period,Standards,Wedding. 11 pages. Madecroft Publishing #32369. Published by Madecroft Publishing
$9.99
9.21 €
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Clarinet Quintet: 5 clarinets
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J C Adams
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Camp Swan Quick Step for Clarinet Quintet
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Madecroft Publishing
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Clarinet Quintet: 5 clarinets
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.82 €
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Clarinet Quintet: 5 clarinets
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Herbie Hancock
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
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