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You've selected:
Out Of The Blue
Clarinet Quintet: 5 clarinets
Sheetmusic to print
8 sheet music found
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1
Who has got the blues? - You & you & you :-) - Clarinet Quintet
Clarinet Quintet: 5 clarinets
Clarinet Quintet,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.568028…
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Clarinet Quintet,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.568028 Composed by Thomas Graf. Arranged by Thomas Graf. Blues,Instructional,Jazz. 25 pages. Thomas Graf - the-hit-factory.com #2343279. Published by Thomas Graf - the-hit-factory.com (A0.568028). Real Blues feeling - Learn the bluesy lines and have tons of fun while playing them! All parts are featured - Not difficult. Instrumentation: Clarinet 1/2/3 in Bb, Basset Horn/Clarinet 4 in Bb, Bass Clarinet in Bb Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalog included (2016,9 pages) Video: https://youtu.be/sjG1xSJ9ceA
$14.99
13.58 €
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Clarinet Quintet: 5 clarinets
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Thomas Graf
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Who has got the blues? - You & you & you :-) - Clarinet Quintet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
C Jam Blues for Clarinet Quintet
Clarinet Quintet: 5 clarinets
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.The Eb & Bb Clarinet 4 are optional.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.
$11.99
10.86 €
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Clarinet Quintet: 5 clarinets
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Duke Ellington/Barney Bigard
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Bb Clarinet 4 are optional
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C Jam Blues for Clarinet Quintet
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Keith Terrett
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Clarinet Quintet: 5 clarinets
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.58 €
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Clarinet Quintet: 5 clarinets
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Herbie Hancock
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
The Blue Bird for clarinet quintet
Clarinet Quintet: 5 clarinets
Clarinet Solo - Level 2 - Digital Download SKU: A0.579929 Composed by Charles Villi…
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Clarinet Solo - Level 2 - Digital Download SKU: A0.579929 Composed by Charles Villiers Stanford. Arranged by David Warin Solomons. 20th Century,Romantic Period. Individual part. 8 pages. David Warin Solomons #3464705. Published by David Warin Solomons (A0.579929). Instrumental arrangement of Stanford's choral piece about seeing a blue bird flying across a lake.
$8.00
7.25 €
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Clarinet Quintet: 5 clarinets
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Charles Villiers Stanford
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The Blue Bird for clarinet quintet
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David Warin Solomons
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SheetMusicPlus
Pennsylvania 6-5000
Clarinet Quintet: 5 clarinets
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1437299 Composed by Carl Sigman and Jerry Gray. Arranged by Keith Terrett. Instructional,Jazz,Multicultural,Standards,World. 27 pages. Keith Terrett #1017368. Published by Keith Terrett (A0.1437299). An arrangement of Pennsylvania 6-5000 for Clarintet Quintet. By Jerry Gray, Carl Sigma.Pennsylvania 6-5000 (also written Pennsylvania Six-Five Thousand) is a 1940 swing jazz and pop standard recorded by Glenn Miller and His Orchestra as a Bluebird 78 rpm single. The music was by Jerry Gray and the lyrics by Carl Sigman.Many big band musicians played in Hotel Pennsylvania's Cafe Rouge in New York City, including the Glenn Miller Orchestra.The hotel's telephone number, Pennsylvania 6-5000, inspired the Glenn Miller 1940 Top 5 Billboard hit of the same name, which had a 12-week chart run.[2] The instrumental was recorded on April 28, 1940 at the RCA Victor Studios at 155 East 24th Street in New York City. The 78 single was released in June, 1940 as RCA Victor Bluebird 78 B-10754-A backed with Rug Cutter's Swing. The song was also an advertisement for attendance at the band's live performances, as a call could be put through to Hotel Pennsylvania’s venue the Cafe Rouge for a reservation.Johnny Best played the improvised trumpet solo on the recording. The Carl Sigman lyrics were not used, only the refrain was shouted by the band after the ringing of the telephone.Two different sheet music covers were released with different photos of Glenn Miller.The song became a jazz and big band standard also recorded by the Andrews Sisters, Judy Garland and Martha Raye in a duet, the Brian Setzer Orchestra, Jimmy Mundy and His Orchestra (1959), Louise Gold, Kathy Miller, Martin Brushane Big Band, the Blue Moon Big Band (1999), in a 1976 Carol Burnett Show episode in a tribute to Glenn Miller, Syd Lawrence, Michael Maxwell and His Orchestra, Richard Hunt and Jerry Nelson (Bobby Benson and the Baby Band) in The Muppet Show (1979, Episode 319), Fud Candrix and His Orchestra, Jerry Gray, Mina, Lou Haskins, Jack Livingston, Raquel Rastenni (1941) in Copenhagen, Starlight Orchestra, Klaus Wunderlich, New 101 Strings Orchestra, Heptet, Meco, Tex Beneke, The Modernaires, Jack Million Band, Al Pierson Big Band, BBC Big Band Orchestra, SWR Big Band, and by Captain Cook und seine singenden Saxophone in 2012.Fats Waller's arrangement of the song for piano was published in the UK songbook Francis & Day's Album of Fats Waller: Musical Rhythms in the 1940s.
$14.99
13.58 €
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Clarinet Quintet: 5 clarinets
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Jerry Gray, Carl Sigma
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Carl Sigman and Jerry Gray
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Pennsylvania 6-5000
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Keith Terrett
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SheetMusicPlus
It Ain't Necessarily So
Clarinet Quintet: 5 clarinets
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.485133…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.485133 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by John Benoit. Blues,Broadway,Jazz,Musical/Show,Opera,Standards. 21 pages. John Benoit Music #104139. Published by John Benoit Music (A0.485133). “It Ain’t Necessarily So†is a show-stopper when sung by the character Sportin’ Life in George Gershwin’s opera PORGY AND BESS (1935). This arrangement for clarinet quintet captures all of the swagger of the original song in a swinging setting that builds from a simple tenor melody to a grand shout section. Alternative transpositions of the fourth part are provided for Bb, alto, and bass clarinets. Instrumentation: 4 Bb clarinets (alternate alto/bass 4th part), bass clarinet. Duration: c. 2:30â€. Grade 3.
$15.99
14.48 €
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Clarinet Quintet: 5 clarinets
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Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin
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It Ain't Necessarily So
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John Benoit Music
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SheetMusicPlus
Muss i denn, muss i denn, zum Städele hinaus - Wooden Heart (Elvis Presley) - Clarinet Quintet
Clarinet Quintet: 5 clarinets
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.56…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.568471 Composed by Traditional. Arranged by Thomas Graf. Folk,Multicultural,Pop,World. 18 pages. Thomas Graf - the-hit-factory.com #2961055. Published by Thomas Graf - the-hit-factory.com (A0.568471). Muss i' denn zum Städtele hinaus - is a German folk song by Friedrich Silcher, originating from the Rems Valley in Württemberg, southwest Germany. A famous cover version called Wooden Heart is a song best known for its use in the 1960 Elvis Presley film G.I. Blues. Here you have a richly contrapuntal and rewarding arrangement to play which features all players. Not technically difficult, confident players of grade 3 standard should be able to get much from this music. Your audience will love it, too! Instrumentation: Clarinet 1/2/3 in Bb, Basset Horn/Clarinet 4 in Bb, Bass Clarinet in Bb Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalogue includedVideo: https://www.youtu.be/NsHg6upe5Cs
$14.99
13.58 €
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Clarinet Quintet: 5 clarinets
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Traditional
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Muss i denn, muss i denn, zum Städele hinaus - Wooden Heart
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Out Back Of The Barn (Bari Sax Feature) - Piano
Clarinet Quintet: 5 clarinets
By Gerry Mulligan. Arranged by Mark Taylor. Blues; Jazz. Jazz Band. 4 pages. Published by …
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By Gerry Mulligan. Arranged by Mark Taylor. Blues; Jazz. Jazz Band. 4 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
5.43 €
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Clarinet Quintet: 5 clarinets
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Gerry Mulligan
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Jazz
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Out Back Of The Barn
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Hal Leonard - Digital Sheet Music
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