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Evening
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You've selected:
Evening
Saxophone Quartet: 4 saxophones
Sheetmusic to print
20 sheet music found
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1
Good evening, good evening, it's already Christmas for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Sacred music
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Folk Tune from Carinthia
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Jörg Richter
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Good evening, good evening, it
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Jörg Richter
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.798974 Composed by Folk Tune f...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.798974 Composed by Folk Tune from Carinthia. Arranged by Jörg Richter. Christmas,Folk,Praise & Worship,Sacred,Traditional. 6 pages. Jörg Richter #6096203. Published by Jörg Richter (A0.798974). The famous German Christmas Carol Good evening, good evening, it's already Christmas (Guten Abend, schön Abend, es weihnachtet schon) in an arrangement for Saxophone Quartet (Alto 1 + 2, Tenor, Baritone).
$4.99
Evening Prayer (Abendsegen), Humperdinck - SATB saxophone quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Englebert Humperdinck
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Mike Brogan
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Evening Prayer
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Mike Brogan
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.984827 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.984827 Composed by Englebert Humperdinck. Arranged by Mike Brogan. 20th Century,Romantic Period. 7 pages. Mike Brogan #4783939. Published by Mike Brogan (A0.984827). An arrangement of Englebert Humperdinck's Abendsegen ('Evening Prayer' from his opera 'Hansel and Gretel') for SATB saxophone quartet.
$12.99
Beau Soir (Beautiful Evening) for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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Claude Debussy
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Heita Yui
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Beau Soir
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Studio Huit
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1208095 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1208095 Composed by Claude Debussy. Arranged by Heita Yui. 19th Century,20th Century,Classical. 8 pages. Studio Huit #806212. Published by Studio Huit (A0.1208095). Beau Soir (Beautiful Evening) is a song piece written by Claude Debussy when he was 18 years old. It has also been arranged and performed for a variety of instruments, including a violin arrangement by Heifetz. This arrangement of the work for saxophone quartet (soprano, alto, tenor, and baritone).The arrangement is in the original key (E major).
$8.00
Evening Prayer from Hansel and Gretel (saxophone quartet)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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Engelbert Humperdinck
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Alastair Penman
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Evening Prayer from Hansel and
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Penman Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1276869 Compo...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1276869 Composed by Engelbert Humperdinck. Arranged by Alastair Penman. Classical,Romantic Period. 8 pages. Penman Publications #868560. Published by Penman Publications (A0.1276869). Evening Prayer from Hansel and Gretel by Engelbert Humperdinck arr. Alastair PenmanInstrumentation: Saxophone Quartet (SATB)Length: 3'00A beautiful arrangement for saxophone quartet of this sublime piece.
$10.99
Evening Prayer (Abendsegen), Humperdinck - flexible saxophone quartet (SATB, AATB, AAAB, AAAT, AATT)
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Saxophone Quartet: 4 saxophones
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EASY
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Englebert Humperdinck
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Mike Brogan
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Evening Prayer
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Mike Brogan
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1305659 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1305659 Composed by Englebert Humperdinck. Arranged by Mike Brogan. Chamber,Romantic Period. 11 pages. Mike Brogan #895114. Published by Mike Brogan (A0.1305659). An arrangement of Englebert Humperdinck's Abendsegen ('Evening Prayer' from his opera 'Hansel and Gretel') for flexible saxophone quartet.
$12.99
EVENING PRAYER from "Hansel and Gretel" (for Saxophone Quartet)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
#
Sacred music
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Engelbert Humperdinck
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Ralph Raymond Hays
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EVENING PRAYER from "Hansel an
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Ralph Raymond Hays
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SheetMusicPlus
Composed by Engelbert Humperdinck (1854-1921). Arranged by Ralph Raymond Hays. Romantic Period, Spiritual, Standards. 6 pages. Ralph Raymond Hays #321...
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Composed by Engelbert Humperdinck (1854-1921). Arranged by Ralph Raymond Hays. Romantic Period, Spiritual, Standards. 6 pages. Ralph Raymond Hays #3210977. Published by Ralph Raymond Hays
$7.99
An Evening in the Village - Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
#
Contemporary
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Bela Bartok
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Andrew Middleton
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An Evening in the Village - Sa
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SheetMusicPlus
Composed by Bela Bartok (1881- 1945). Arranged by Andrew Middleton. 20th Century, Folk, World. 10 pages. Andrew Middleton #4822081. Published by Andrew...
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Composed by Bela Bartok (1881- 1945). Arranged by Andrew Middleton. 20th Century, Folk, World. 10 pages. Andrew Middleton #4822081. Published by Andrew Middleton
$7.99
Late In The Evening
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Rock
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Paul Simon
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Wayne Land
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B
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Late In The Evening
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Kenneth Wayne Land
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SheetMusicPlus
By Paul Simon. By Paul Simon. Arranged by Wayne Land. Hip- Hop, Jazz, Pop, R & B. 27 pages. Kenneth Wayne Land #526615. Published by Kenneth Wayne ...
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By Paul Simon. By Paul Simon. Arranged by Wayne Land. Hip- Hop, Jazz, Pop, R & B. 27 pages. Kenneth Wayne Land #526615. Published by Kenneth Wayne Land
$17.99
Figaro's Revelry (saxophone quartet - SATB)
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Saxophone Quartet: 4 saxophones
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Christopher Frost
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Christopher Frost
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Figaro's Revelry
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Christopher Frost
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.1488519 By Christopher Frost. By Christo...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.1488519 By Christopher Frost. By Christopher Frost. Arranged by Christopher Frost. Chamber,Comedy,Contemporary,Jazz. 17 pages. Christopher Frost #1065408. Published by Christopher Frost (A0.1488519). Figaro’s Revelry - the morning after the night before ... is a light-hearted swing arrangement for saxophone quartet (SATB) based on Mozart's The Marriage of Figaro Overture. The music depicts the morning after the night before reflecting on the wedding party's drunken revelry. It starts subtone as if waking early in the morning with, perhaps, a hangover. It goes on to reminisce about the rest of the evening's tomfoolery, drunken swaying and general shenanigans.Recordings of Christopher Frost's saxophone quartets can be found on his YouTube channel playlist:Saxophone Quartetswww.chrisfrostmusic.comchris@chrisfrostmusic.com.
$15.24
Christmas Story
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Saxophone Quartet: 4 saxophones
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EASY
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Christmas
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Alexis Ffrench
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Jeff Tincher
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Christmas Story
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.584710 By Ale...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.584710 By Alexis Ffrench. By Alexis Ffrench. Arranged by Jeff Tincher. Soul. 9 pages. Jeff Tincher #6022103. Published by Jeff Tincher (A0.584710). This is a beautiful ballad from Alexis Ffrench. In the original key from his Together At Last project, this song just reminds you of a warm evening in front of the fire with snow outside. Duration = 2:39. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Poem
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Alois Bouda
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Alois Bouda
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Poem
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Alois Bouda
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1328833 By A...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1328833 By Alois Bouda. By Zdenek Fibich. Arranged by Alois Bouda. 19th Century,Chamber,Romantic Period. 10 pages. Alois Bouda #916854. Published by Alois Bouda (A0.1328833). Zdenek Fibich's Poem is a famous part of his larger work V podveÄer (In the Early Evening). This part was already arranged for various groups of instruments, like violin or another solo instrument & piano, for a string quartet and so on, but not for a saxophone quartet yet. Recently I arranged it for a vocal with big band and for a saxophone quartet. This quartet arrangement is now available here.
$10.99
"Saxophone Quartet" [Score & Parts]
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Contemporary
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Lior Navok
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Recitative No
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"Saxophone Quartet" [Score & P
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Lior Navok Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.976041 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.976041 Composed by Lior Navok. 20th Century,Contemporary. 108 pages. Lior Navok Music #4725323. Published by Lior Navok Music (A0.976041). SAXOPHONE QUARTET (1999) INSTRUMENTATION: SATB Saxophones DURATION: 15 minutes MOVEMENTS: Introduction Recitative No. 1 - AltoCirclesrecitative No. 2 - TenorEvening ThoughtsRecitative No.3 - BaritoneScherzo; Recitative No. 4 - SopranoFinalePROGRAM NOTES: The composer writes about his work:The saxophone quartet as a musical medium is one of the richest in its contrasting colors, versatility and expressions. For me, Saxophone Quartet music is also the closest to the human choir. While writing my saxophone quartet I was intrigued to explore the ensemble's technical, timbrel, rhythmical and lyrical aspects. The four saxophones can create a homogeneous texture, but can also express their own individuality and uniqueness. Therefore, the quartet consists of five movements, and four recitatives, one for each saxophone. The recitatives' purpose is double: to feature one saxophone a time on one hand, and lead to the next movement on the other. Saxophone Quartet was commissioned by the Fromm Music Foundation and received its first performance by the Raschèr Saxophone Quartet. INFO:Item: Full Score & Set of Parts Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: Score: 37 Parts: 68 Ink: Black & White Paper Size: DIN A4 / Letter.
$35.00
Calling Occupants (of Interplanetary Craft)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Rock
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The Carpenters
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Spence Bundy
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Calling Occupants
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Spencer Bundy
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.838031 By The...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.838031 By The Carpenters. By John Woloschuk and Terry Draper. Arranged by Spence Bundy. Pop,Rock. 14 pages. Spencer Bundy #6661807. Published by Spencer Bundy (A0.838031). This song was originally released by a group called Klaatu in 1976, it went on to become the song broadcast at the start of every evening broadcast by the pirate radio station, Radio Caroline. A year later it was covered by The Carpenters using a reported 106 musicians, this version only requires four. This still popular song, which reached the top ten in the UK & Canada will be enjoyed by audiences everywhere. .
$12.99
After Dark for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Gabrielle Liriano
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After Dark for Saxophone Quart
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Art Haus Music Publishing
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1183117 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1183117 Composed by Gabrielle Liriano. Classical,Contemporary,Jazz. 35 pages. Art Haus Music Publishing #782839. Published by Art Haus Music Publishing (A0.1183117). A fictionalized and romanticized scene of the noir city night life. This piece is an attempt to provoke the fantasy nostalgia for an exciting evening amongst the glowing neon signs of seedy dim lit bars, cigars, yellow cabs, and expensive cocktails. Dressed in pearls, black tights, and stilettos, trench coats, and an assortment of fashionable hats. This piece is set in flickering alley ways and wide windy lamp lit streets under a dark sky where bright busses whip by. The night is young and under the looming moon troublemakers make questionable plans. Those observing will wonder with intrigue.What are they up to?Instrumentation: Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone SaxophoneDuration: Approximately 2 minutes and 30 seconds.
$50.00
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
La donna è mobile from Rigoletto
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Opera
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Classical
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Giuseppe Verdi
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James Pybus
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La donna è mobile from Rigole
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.764643 Compo...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.764643 Composed by Giuseppe Verdi. Arranged by James Pybus. Opera,Romantic Period. 11 pages. James Pybus #34867. Published by James Pybus (A0.764643). La donna è mobile (The woman is fickle) is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The inherent irony is that the Duke, a callous playboy, is the one who is mobile (inconstant). The canzone is famous as a showcase for tenors. Raffaele Mirate's performance of the bravura aria at the opera's 1851 premiere was hailed as the highlight of the evening. Before its first public performance (in Venice), it was rehearsed under tight secrecy: a necessary precaution, because it proved to be catchy and soon after its first public performance every gondolier in Venice was singing it. The present arrangement written in 2011 for Saxophone Quartet has been transposed to the more saxophone-friendly key of Bb from the original B major. Duration 2:37 contact me at james.pybus56@gmail.com.
$15.00
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
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