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13
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11
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9
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7
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6
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6
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5
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Musical course - Solfege
1
You've selected:
Him
Saxophone Quartet: 4 saxophones
Sheetmusic to print
112 sheet music found
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101
Chim Chim Cher-ee from Walt Disney's MARY POPPINS (SATB or AATB saxophone quartet version)
Saxophone Quartet: 4 saxophones
By Richard M. Sherman. Arranged by James Pybus. Score, Set of Parts. 16 pages. Published b…
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By Richard M. Sherman. Arranged by James Pybus. Score, Set of Parts. 16 pages. Published by James Pybus (H0.183099-131980). - Score,Set of Parts - - James Pybus
$15.00
13.83 €
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Saxophone Quartet: 4 saxophones
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Richard M
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Chim Chim Cher-ee from Walt Disney's MARY POPPINS
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James Pybus
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SheetMusicPlus
Himni i Flamurit
Saxophone Quartet: 4 saxophones
Composed by Ciprian Porumbescu (1853-1883). Arranged by Sam Bateman. 20th Century, World, …
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Composed by Ciprian Porumbescu (1853-1883). Arranged by Sam Bateman. 20th Century, World, European, Patriotic. Score, Set of Parts. 6 pages. Published by Sam Bateman (S0.261441). - Score,Set of Parts - 20th Century,World,European,Patriotic - Sam Bateman
$6.00
5.53 €
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Saxophone Quartet: 4 saxophones
#
Ciprian Porumbescu
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Himni i Flamurit
#
Sam Bateman
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SheetMusicPlus
In the Case of Her and Him
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.832032 Composed by Kaori Nakano. Contest,Festival,Multicultural,Standards,World. 16 pages. T.U.X. People's Music #6413833. Published by T.U.X. People's Music (A0.832032). In the Case of Her and Him provides the perfect balance of technical challenge, time changes, and short duration for any medium-level saxophone quartet looking for ways to exercise their ensemble synchronization.View more of Kaori Nakano's music at www.tuxpeoplesmusic.com.
$20.00
18.44 €
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Saxophone Quartet: 4 saxophones
#
Kaori Nakano
#
In the Case of Her and Him
#
T.U.X. People's Music
#
SheetMusicPlus
Crown Him With Many Crowns (DIADEMATA) - Saxophone Quartet (SET 1)
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1165918 By MARCOS LUIZ MENDES FEITOSA. By George Job Elvey. Arranged by MARCOS LUIZ MENDES FEITOSA. Christian,Christmas,Easter,Praise & Worship,Sacred. 10 pages. Marcos Luiz Mendes Feitosa #766293. Published by Marcos Luiz Mendes Feitosa (A0.1165918). Crown Him With Many Crowns is a beautiful hymn, which is sung at Easter and Christmas celebrations, and is present in countless Christian hymnals. Here, in an arrangement for Saxophone Quartet (SET 1).
$6.99
6.44 €
#
Saxophone Quartet: 4 saxophones
#
MARCOS LUIZ MENDES FEITOSA
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Crown Him With Many Crowns
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Marcos Luiz Mendes Feitosa
#
SheetMusicPlus
Državna himna Bosne i Hercegovine
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.948185 Composed by DuÅ¡an Å estić. Arranged by Sem Bejtman. 20th Century,Contemporary,Patriotic,World. 6 pages. Sam Bateman #3543727. Published by Sam Bateman (A0.948185). Državna himna Bosne i Hercegovine, prepisana za kvartet saksofona.ЋирилÑка верзија: https://www.sheetmusicplus.com/title/--digital-sheet-music/20755706English version: https://www.sheetmusicplus.com/title/the-national-anthem-of-bosnia-and-herzegovina-digital-sheet-mus.......Ako biste željeli Äuti neke od mojih drugih aranžmana, slobodno pogledajte moj Youtube kanal Sam Bateman's Music. Ako me želite kontaktirati zbog nekih pitanja ili prijedloga, slobodno mi se javite e-mailom na adresu sambateman.music@gmail.com, i ja ću vam pokuÅ¡ati odgovoriti u Å¡to kraćem roku.
$6.00
5.53 €
#
Saxophone Quartet: 4 saxophones
#
Dušan Šestić
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Državna himna Bosne i Hercegovine
#
Sam Bateman
#
SheetMusicPlus
Himni i Flamurit
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.948112 Composed by Ciprian Porumbescu. Arranged by Sam Bateman. 20th Century,Patriotic,World. 6 pages. Sam Bateman #3229569. Published by Sam Bateman (A0.948112). Himni kombëtar i Shqipërisë, transkriptuar për kuartet saksofoni.
$6.00
5.53 €
#
Saxophone Quartet: 4 saxophones
#
Ciprian Porumbescu
#
Himni i Flamurit
#
Sam Bateman
#
SheetMusicPlus
Crown Him With Many Crowns and Come Thou Fount
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Lev…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.648132 Composed by Nick Lacanski. Arranged by theupperstaff.com. Christian,Concert,Instructional,Sacred,Standards. 13 pages. Theupperstaff #3055625. Published by theupperstaff (A0.648132). This arrangement is perfect for your developing ensemble. It is at home for a service or in the upcoming recital. It is arranged for two altos, tenor and bari saxes. Thanks for taking a look.
$8.99
8.29 €
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Saxophone Quartet: 4 saxophones
#
Nick Lacanski
#
Crown Him With Many Crowns and Come Thou Fount
#
theupperstaff
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SheetMusicPlus
Drag Him To The Roof
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.583919 By Michael Riesenbeck & Friends. By David Paich, Stanley Lynch, and Steven Lee Lukather. Arranged by Jeff Tincher. Contemporary. 38 pages. Jeff Tincher #5046419. Published by Jeff Tincher (A0.583919). Here is a driving rock song that is a staple in Toto's live performance. In the original key from their Tambu project, this song has a lot of syncopation in it. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
11.98 €
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Saxophone Quartet: 4 saxophones
#
Michael Riesenbeck & Friends
#
Drag Him To The Roof
#
Jeff Tincher
#
SheetMusicPlus
Anna (go To Him)
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.584167 By The Beatles. By Arthur Alexander. Arranged by Jeff Tincher. Rock. 15 pages. Jeff Tincher #5312271. Published by Jeff Tincher (A0.584167). This is the third song from The Beatles' first album. In the original key from their Please Please Me album, this song is one of the many cover songs they recorded during their early years. Duration = 3:04. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
11.98 €
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Saxophone Quartet: 4 saxophones
#
The Beatles
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Anna
#
Jeff Tincher
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SheetMusicPlus
Crown Him with Many Crowns (Sax Quartet)
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.863229 Composed by George Job Elvey. Arranged by Jordan Grigg. Christmas,Concert,Romantic Period,Sacred,Standards. 6 pages. Jordan Grigg #3386625. Published by Jordan Grigg (A0.863229).
$3.95
3.64 €
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Saxophone Quartet: 4 saxophones
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George Job Elvey
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Crown Him with Many Crowns
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Jordan Grigg
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SheetMusicPlus
Let All the Angels of God Worship Him (for Saxophone Quartet SATB or AATB & optional Organ)
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.515294 Com…
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Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.515294 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Easter,Sacred. 14 pages. LINCOLN MUSIC PUBLICATIONS #6248369. Published by LINCOLN MUSIC PUBLICATIONS (A0.515294). Let All the Angels of God Worship - from Messiah by George Frideric Handel transcribed for Saxophone Quartet. This is an Intermediate level work from Part II of Handel’s Messiah and appropriate for Easter as well as many other Religious Services. The Organ part while optional, enhances the arrangement. Playing Time approximately 1:35 without the repeat and 3:05 with. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
$10.99
10.13 €
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Saxophone Quartet: 4 saxophones
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George Frideric Handel
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Let All the Angels of God Worship Him
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Adore Him
Saxophone Quartet: 4 saxophones
Composed by Don Poythress and Tony Wood. Arranged by Stephen DeCesare. Christmas,Con…
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Composed by Don Poythress and Tony Wood. Arranged by Stephen DeCesare. Christmas,Contemporary,Praise & Worship,Sacred. 21 pages. Exultet Music #3219247. Published by Exultet Music
$12.99
11.98 €
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Saxophone Quartet: 4 saxophones
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Don Poythress and Tony Wood
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Worship,Sacred
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Adore Him
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Exultet Music
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SheetMusicPlus
Thou Wilt Keep Him in Perfect Peace (for Saxophone Quartet SATB or AATB)
Saxophone Quartet: 4 saxophones
Composed by Samuel Sebastian Wesley (1810-1876). Arranged by Kenneth Abeling. Classica…
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Composed by Samuel Sebastian Wesley (1810-1876). Arranged by Kenneth Abeling. Classical, Sacred. 14 pages. LINCOLN MUSIC PUBLICATIONS #884022. Published by LINCOLN MUSIC PUBLICATIONS
$12.99
11.98 €
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Saxophone Quartet: 4 saxophones
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Samuel Sebastian Wesley
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Thou Wilt Keep Him in Perfect Peace
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes - SATB
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599−644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708–1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:L’Orgelbüchlein (Le Petit LIvre D‘Orgue) BWV 599−644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitl’organiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Fried’ und Freud’ ich fahr’ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuß den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, bewein’ dein’ Sünde groß, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daß mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heil’ge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heut’ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wend’, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heil’gen zehn Gebot’, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adam’s Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich hab’ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et l’Enterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)
$64.95
59.88 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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J. S. Bach : Orgelbüchlein
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.63 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.63 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.63 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.63 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bach: Wachet auf for Sax Quartet
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
36.83 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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#
Bach: Wachet auf for Sax Quartet
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jmsgu3
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SheetMusicPlus
Un bel dì (One Fine Day) from Madama Butterfly
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764693 Composed by Giacomo Puccini (1858-1924). Arranged by James Pybus. Contest,Festival,Opera,Romantic Period,Wedding. 11 pages. James Pybus #4359253. Published by James Pybus (A0.764693). Un bel dì (One Fine Day) is sung in Act 2 of Puccini's famous 1898 opera Madama Butterfly. In this, the opera's most famous aria (and one of the most popular works in the soprano repertoire, which many critics agree Maria Callas owned), Butterfly says that one beautiful day, they will see a puff of smoke on the far horizon. Then a ship will appear and enter the harbour. She will not go down to meet him but will wait on the hill for him to come. After a long time, she will see in the far distance a man beginning the walk out of the city and up the hill. When he arrives, he will call Butterfly from a distance, but she will not answer, partly for fun and partly not to die from the excitement of the first meeting. Then he will speak the names he used to call her: Little one. Dear wife. Orange blossom. Butterfly promises Suzuki that this will happen. Suzuki departs, as Sharpless and Goro arrive in the garden.This arrangement is playable by either SATB or AATB Saxophone Quartet. The duration is ca. 4:05. Please contact me at james.pybus56@gmail.com.
$17.99
16.59 €
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Saxophone Quartet: 4 saxophones
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Giacomo Puccini
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Un bel dì
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James Pybus
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SheetMusicPlus
The Good, The Bad And The Ugly (Main Title)
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1464593 Composed by Ennio Morricone. Arranged by Harry O'Brien. 20th Century,Classical,Contemporary,Film/TV,Multicultural,World. 14 pages. Harry O'Brien #1043316. Published by Harry O'Brien (A0.1464593). An Intermediate 4 piece saxophone ensemble arrangement of Ennio Morricone's Main Theme from the 1966 film, The Good, The Bad And The Ugly. The spaghetti western's soundtrack has become one of the most iconic soundtracks in film history, and typifies 20th century contemporary classical music.The arrangement for 2 altos, 1 tenor and 1 baritone creatively arranges the once diverse orchestration into a small saxophone ensemble, and can be played by either a quartet, or an ensemble with multiple players per part. a fun piece for any saxophone ensemble.Comes with Full Score and parts for the following instruments:Alto Saxophone 1Alto Saxophone 2Tenor SaxophoneBaritone SaxophoneAbout the arranger:Harry O'Brien is an emerging composer, arranger, guitarist and music educator in Sydney, Australia. His rock/jazz performance background, orchestral and film composition studies at Sydney Conservatorium, along with being an experienced conductor/director of school-level concert bands and guitar ensembles, give him a highly versatile and distinct arranging sound, one which understands the role every instrument can play in a school band. Arrangements for professional orchestras have been performed in venues around Australia including the State Theatre and Her Majesty's Theatre Adelaide. Website: https://obrienharry08.wixsite.com/music
$40.00
36.88 €
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Saxophone Quartet: 4 saxophones
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Ennio Morricone
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The Good, The Bad And The Ugly
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Harry O'Brien
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SheetMusicPlus
Suite from Abdelazer
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1421819 Composed by Henry Purcell. Arranged by Robert Stevens. Baroque,Chamber,Classical,Early Music. 32 pages. SAXpress.com #1003167. Published by SAXpress.com (A0.1421819). Suite from Abdelazer Henry Purcell (1659-1695) SATB Saxophone Quartet Suite from Abdelazer by Henry Purcell, arranged for saxophone quartet SATB. Purcell wrote the incidental music for the play Abdelazer (sometimes spelled 'Abdelazar') in 1695, shortly before his death. It is a lively mix of songs and dances of the time. Typical of the day, several of the movements became well known as popular songs. The rondo was later made famous by Benjamin Britten, who used it as the theme for his set of variations, ‘The Young Person’s Guide to the Orchestra’. The rondo as well as another selection, the Hornpipe, was included in the 2005 film Pride and Prejudice.This transcription for saxophone quartet SATB of Suite from Abdelazar is comprised of five of the ten selections Purcell wrote for the play. The movements are as follows: I. Overture II. Minuet III. Hornpipe IV. Air V. Rondo About the Composer: Henry Purcell (born c. 1659, London, England—died November 21, 1695, London) was an English composer of Baroque music. Purcell's musical style was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is included with John Dunstaple and William Byrd as England's most important early music composers. Later, Purcell's music also had a strong influence on the composers of the English musical renaissance of the early 20th century.The cause of Purcell's untimely death at the age of 36 is unclear. There are many theories, some preposterous (he died from chocolate poisoning), some more likely: he died of tuberculosis. Purcell was universally mourned as a very great master of music.  Following his death, the officials at Westminster honoured him by unanimously voting that he be buried with no expense spared in the north aisle of the Abbey.
$18.95
17.47 €
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Saxophone Quartet: 4 saxophones
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Henry Purcell
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Suite from Abdelazer
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SAXpress.com
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SheetMusicPlus
Brahms: Fugue, WoO 8, for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1416919 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 17 pages. Jmsgu3 #998509. Published by jmsgu3 (A0.1416919). The Fugue in A-flat minor, WoO 8, is one of the early organ works by Brahms, composed around 1856-57. It is an intense, brooding fugue published without an opus number. The fugue is part of a small set of four early organ pieces by Brahms, including the chorale prelude and fugue O Traurigkeit, o Herzeleid (WoO 7). These early organ works demonstrate Brahms' mastery of counterpoint at a young age. While Brahms did not have a close personal relationship with the organ, the genre of the chorale prelude allowed him to pay homage to his musical heritage, following the conventions of the form by paraphrasing and elaborating on pre-existing Lutheran chorale melodies. The Fugue in A-flat minor is considered one of the most significant and high-quality of Brahms' early organ works. It was eventually assigned the posthumous opus number 122, which is still known today. So, in summary, the Fugue in A-flat minor is an essential early organ work by Brahms that demonstrates his mastery of counterpoint, even though the organ was not his primary instrument. It is considered a significant and high-quality piece within Brahms' overall organ output.
$32.95
30.38 €
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Saxophone Quartet: 4 saxophones
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Johannes Brahms
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Brahms: Fugue, WoO 8, for Saxophone Quartet
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jmsgu3
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SheetMusicPlus
Maple Leaf Rag - saxophone quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407624 Composed by Scott Joplin. Arranged by David Warin Solomons. 20th Century,Ragtime. 14 pages. David Warin Solomons #990281. Published by David Warin Solomons (A0.1407624). Instrumental arrangement of Scott Joplin's Maple Leaf RagStory behind the RagJoplin's musical activities in Sedalia brought him in contact with the source of ragtime-piano playing in African-American social establishments. In fact, Joplin's engagements at the popular Maple Leaf Club inspired his most famous tune, The Maple Leaf Rag (1899).The pdf contains score and parts.
$11.00
10.14 €
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Saxophone Quartet: 4 saxophones
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Scott Joplin
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Maple Leaf Rag - saxophone quartet
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David Warin Solomons
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SheetMusicPlus
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