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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
C Instrument
Not classified
9,911
Piano & keyboards
C Instruments
13,712
Piano solo
6,286
Easy Piano
2,337
Piano, Voice
696
Piano, Vocal and Guitar
401
Piano Accompaniment
243
Big Note Piano
210
1 Piano, 4 hands
161
Organ
104
Piano Trio: piano, violin, cello
82
Organ, Trumpet (duet)
66
Accordion
52
Piano Quartet: piano, 2 violins, cello
43
Melody line, Piano
25
Piano (band part)
24
Organ, Piano (duet)
14
Harpsichord
12
2 Pianos, 4 hands
9
Accordion, Voice
9
Piano Quartet: piano, violin, viola, cello
3
2 Accordions
2
All Instruments
2
Fake Book
2
Piano Quintet: piano, 2 violins, viola, cello
1
2 Pianos, 8 hands
1
Solo instrument and Organ
1
1 Piano, 6 hands
1
+ 22 instrumentations
-
Retract
Guitars
Melody line, (Lyrics) and Chords
14,956
Ukulele
1,398
Guitar
662
Guitar notes and tablatures
625
Bass guitar
143
2 Guitars (duet)
89
Mandolin
48
Guitar (band part)
39
Piano, Guitar (duet)
6
Banjo
5
Dulcimer
4
3 Guitars (trio)
2
Baritone Ukulele
2
Lyrics and Chords
2
Mandolin, Guitar (duet)
1
4 Guitars (Quartet)
1
Ukulele Ensemble
1
Guitar Ensemble
1
2 Ukuleles
1
+ 14 instrumentations
-
Retract
Voice
Choral SATB
673
Choral Instrumental Pak
163
Choral Unison
147
Choral 3-part
128
Choral 2-part
96
Vocal duet, Piano
55
Choral TTBB
25
Choral SSAA
17
Soprano voice, Piano
11
Tenor voice, Piano
9
Voice solo
7
Choral
6
Vocal duet
6
Baritone voice, Piano
6
Medium voice, Piano
5
Alto voice, Piano
5
Choral SSATB
4
High voice
3
Mezzo-Soprano voice, Piano
2
Voice, Guitar
2
Choral SSATTB
1
Soprano voice
1
Soli, Mixted choir and accompaniment
1
+ 18 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
394
Flute and Piano
276
Tenor Saxophone and Piano
217
Flute, Clarinet (duet)
200
Flute
159
2 Flutes (duet)
158
Flute, Oboe, Clarinet, Bassoon
135
Alto Saxophone and Piano
132
Saxophone (band part)
128
Oboe, Piano (duet)
107
Flute and Guitar
101
2 Saxophones, Piano
101
Clarinet and Piano
101
Harmonica
95
Eb Instruments
91
2 Clarinets (duet)
89
Alto Saxophone
86
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
85
Clarinet
74
Saxophone Quartet: 4 saxophones
72
Oboe, Bassoon (duet)
66
Tenor Saxophone
58
Flute Quartet: 4 flutes
43
Clarinet Quartet: 4 clarinets
40
2 Clarinets, Piano
38
Flute ensemble
38
Flute, Violin, Piano
36
Saxophone Quintet: 5 Saxophones
36
2 Recorders (duet)
35
3 Saxophones (trio)
32
Soprano Saxophone and Piano
29
Oboe (band part)
28
Flute (band part)
26
Baritone Saxophone
26
Flute Trio: 3 flutes
26
Oboe, Clarinet (duet)
24
Clarinet, Bassoon (duet)
24
Flute, Violin
21
Soprano Saxophone
18
English horn, Piano
17
3 Clarinets (trio)
16
Clarinet, Guitar (duet)
16
2 Oboes (duet)
15
Flute, Violoncello
15
Clarinet Ensemble
14
Clarinet, Cello (duet)
13
Flute, Oboe (duet)
13
Flute, Cello, Piano (trio)
13
Oboe
13
Clarinet, Violin (duet)
13
Oboe, Flute
13
Baritone Saxophone, Piano
12
Flute, Oboe, Clarinet (trio)
12
Clarinet Quintet: 5 clarinets
11
Clarinet (band part)
10
Recorder Quartet
9
Flute, Clarinet and Bassoon.
9
2 Flutes, Piano
9
Flute Quintet : 5 flutes
9
Saxophone and Guitar
8
Bass Clarinet, Piano
8
Flute, Violin and Violoncello
8
3 Recorders (trio)
8
Oboe, Cello
8
Flute, Trumpet (duet)
7
Treble (Alto) Recorder
7
Flute, Clarinet, Piano (trio)
7
Saxophone, Clarinet (duet)
7
Oboe, Violin (duet)
6
Oboe, Trumpet (duet)
6
English Horn, Guitar (duet)
6
Descant (Soprano) Recorder
6
Flute, Trombone (duet)
5
Oboe, Clarinet, Bassoon (trio)
5
Recorder Ensemble
5
2 English horns and Pianoforte
5
Flute, Oboe, Bassoon
5
Clarinet, Harp (duet)
5
Harmonica, Piano
4
Flute, Bassoon, and Piano
4
Piccolo
4
Saxophone, Violin (duet)
4
Saxophone
4
Flute, harp and violin
3
Oboe, Guitar (duet)
3
Pennywhistle
3
Bass Clarinet
3
Clarinet, Trumpet (duet)
3
Clarinet and Viola
3
Flute, Violin, Violoncello and Piano
2
Descent (Soprano) Recorder, Piano
2
Recorder, Piano
2
Saxophone and Harp
2
Oboe, Harp
2
Piccolo, Piano
2
Recorder
2
Saxophone ensemble
2
Flute, Organ (duet)
2
Ocarina
2
Tenor Recorder
2
Oboe ensemble
1
Flute and Strings Trio
1
Recorder, Harp
1
Treble (Alto) Recorder, Piano
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Clarinet, Cello, Piano (trio)
1
Flute, Oboe, Piano (trio)
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
English horn, Harp (duet)
1
Flute, Viola and Piano
1
Clarinet, Double bass (duet)
1
Flute, Cello, Guitar
1
Flute, Viola (duet)
1
Clarinet, Orchestra
1
Oboe, Trombone (duet)
1
English Horn
1
Flute, Tuba (duet)
1
5 Recorders
1
Clarinet Quintet: Clarinet, String Quartet
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Oboe and viola (duet)
1
2 Recorders, Piano
1
Flute, French horn (duet)
1
Flute, Saxophone (duet)
1
Pan Flute
1
Clarinet, Trombone (duet)
1
Flute, Violin, Guitar
1
Wind ensemble
1
Clarinet, Tuba
1
Saxophone and Organ
1
+ 125 instrumentations
-
Retract
Woodbrass
Bass Clef Instruments
376
Trumpet, Trombone (duet)
337
Trumpet, Piano
253
Brass Quintet: 2 trumpets, horn, trombone, tuba
229
Trombone (band part)
181
Trumpet
166
Tuba or Euphonium or Saxhorn
154
Trumpet (band part)
117
Trombone and Piano
94
Bb Instruments
93
Brass quartet : 2 trumpets, trombone, tuba
80
Tuba and Piano
63
Trombone, Tuba (duet)
47
2 Trumpets (duet)
47
2 Trombones (duet)
47
F Instruments
44
French horn
38
French Horn and Piano
36
Trumpet, Tuba (duet)
33
Brass Quartet: 2 trumpets, horn, trombone
33
2 French horns (duet)
26
Trombone
24
Tuba
20
Brass Quartet
19
English horn, Piano
17
Euphonium, Piano (duet)
17
Trumpet ensemble
15
2 Tubas (duet)
14
Horn, Tuba (duet)
11
French horn (band part)
11
Trumpet, Horn (duert)
11
Trombone, Horn (duet)
10
Tuba (band part)
9
Brass Quartet: 4 horns
9
Trumpet, Saxophone (duet)
8
Trombone, Organ
7
Brass Trio
7
English Horn, Guitar (duet)
6
Euphonium, Tuba (duet)
6
2 English horns and Pianoforte
5
3 Trombones (trio)
4
Horn Ensemble
4
Trombone, cello (duet)
4
Horn, Cello (duet)
4
Trumpet, violin (duet)
4
2 Euphoniums (duet)
4
Euphonium
4
Brass Quartet: 4 trombones
4
Trumpet, Bassoon (duet)
4
Trombone ensemble
3
3 Trumpets (trio)
3
Brass Quartet: 4 trumpets
3
Tuba and Organ
2
4 Tubas
2
French Horn and Harp
2
Trumpet, Euphonium (duet)
2
3 Tubas (trio)
2
Trumpet, Cello (duet)
1
French horn and Basson (duet)
1
English horn, Harp (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
Trumpet, Harp
1
Clarinet, Horn (duet)
1
Bass Trombone and Piano
1
English Horn
1
3 French horns (trio)
1
Trumpet, Cello, Piano
1
Trumpet, Trombone, Piano
1
2 Trumpets, Keyboard (piano or organ)
1
+ 64 instrumentations
-
Retract
Strings
Harp
507
Violin and Piano
411
Violin, Cello (duet)
401
String Quartet: 2 violins, viola, cello
273
Violin
266
Cello, Piano
244
Violin, Viola (duet)
192
Cello
120
Viola, Piano
108
Viola, Cello (duet)
108
2 Harps (duet)
104
Viola
93
2 Cellos (duet)
72
Piano Trio: Violin, Viola, Piano
72
Violin (band part)
70
2 Violins (duet)
66
String Trio: violin, viola, cello
46
String Quintet: 2 violins, viola, cello, bass
45
Violin, Guitar (duet)
28
2 Violas (duet)
26
Doublebass (band part)
21
Cello, Guitar (duet)
21
Viola, Guitar (duet)
18
Viola (band part)
16
Double Bass
15
Harp, Flute (duet)
15
String Trio: 2 violins, cello
13
Harp, Voice
11
2 Double basses (duet)
10
Double bass, Piano (duet)
9
String Quintet: 2 violins, 2 violas, cello
9
Cello, String Bass (duet)
8
Cello (band part)
8
2 Violins, Piano
7
Harp, Cello (duet)
4
Harp, Violin (duet)
4
String Trio: 3 violins
4
Harp, Trombone (duet)
3
String Trio: 3 violas
3
String Trio: 3 cellos
3
Viola and Bassoon
3
Violin, Bassoon (duet)
3
Violin, Organ
3
Cello, Organ
2
Harp, Violin, Violoncello
2
Flute, Doublebass (duet)
2
String quartet: 4 violins
2
Violoncello, Basso continuo
2
String Quartet : 4 violas
1
String Trio: 2 violins, viola
1
4 Cellos
1
String Quintet: 2 violins, viola, 2 cellos
1
String trio
1
Viola and Harp
1
Harp and Piano
1
Cello, Orchestra
1
+ 51 instrumentations
-
Retract
Orchestra & Percussion
Concert band
2,067
Jazz Ensemble
371
Marching band
273
Orchestra
256
Brass ensemble
215
String Orchestra
193
Jazz combo
123
Handbells
121
Chamber Orchestra
81
Percussion Ensemble
33
Drum (band part)
20
Flexible Instrumentation
9
Marimba
8
School Ensemble
6
Vibraphone
4
Drums
4
Xylophone
3
3 Marimbas
2
Percussion
2
Percussion (band part)
2
Woodwind Quintet
1
Piano and Orchestra
1
Brass Quintet: other combinaisons
1
+ 18 instrumentations
-
Retract
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Musical course - Solfege
1
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C Instrument
Saxophone Quartet: 4 saxophones
Sheetmusic to print
72 sheet music found
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51
The Swan (C. Saint-Saëns) - Saxophone quartet with Piano - Score and parts
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Saxophone Quartet: 4 saxophones
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EASY
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André Alberto Santos
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André Alberto Santos
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The Swan
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Soul - Musical Creations
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1182288 By A...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1182288 By André Alberto Santos. By Camille Saint-Saens. Arranged by André Alberto Santos. Chamber,Classical,Film/TV,Romantic Period,Wedding. 20 pages. Soul - Musical Creations #782034. Published by Soul - Musical Creations (A0.1182288). If you're looking for music that can touch your heart directly, the sheet music The Swan by Camille Saint-Saëns is exactly what you need. This masterpiece of classical music is one of the most beautiful and moving pieces ever written.With its soft and enveloping melody, The Swan is able to calm the mood and relax the mind, providing a moment of peace and tranquility. Its arrangement is simple and elegant, which makes this piece accessible to beginners and experienced players alike.Additionally, The Swan is a versatile piece that can be played on a variety of instruments, including violin, piano, and cello. This means that, regardless of your instrument, you can enjoy the beauty and depth of this timeless music.If you're new to The Swan by Camille Saint-Saëns, it's time to give it a try and find out why it's one of the most popular pieces in classical music. Buy the sheet music now and start exploring the beauty and emotion of this unforgettable masterpiece.
$12.99
Mendelssohn - Wedding March in C Major - Intermediate
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Saxophone Quartet: 4 saxophones
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EASY
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Classical
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Felix Bartholdy Mendelssohn
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Piacere Music Sheets
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Mendelssohn - Wedding March in
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Piacere Music Sheets
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1099062 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1099062 Composed by Felix Bartholdy Mendelssohn. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards,Wedding. 13 pages. Piacere Music Sheets #702924. Published by Piacere Music Sheets (A0.1099062). Opus/Catalog Number: Op. 61 Key/Tone: C Major Movements/Sections: Allegro vivace Year/Date of Composition: 1842 Difficulty: Grade 3/12 (Early intermediate) Obs.: This piece is the tenth of 14 movements in Mendelssohn's Musik zu Ein Sommernachtstraum, Op. 61 Incidental Music for A Midsummer Night's Dream. This score is an arrangement for Saxophone quartet (Soprano, Alto, Tenor and Baritone). Included: Full Score and separated parts for each instrument.
$8.95
Canon Marziale by T.C. Salome - Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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T
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Jesse Audelo
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Canon Marziale by T.C. Salome
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Jesse Audelo
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.961815 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.961815 Composed by T.C. Salome. Arranged by Jesse Audelo. Baroque. 18 pages. Jesse Audelo #6214079. Published by Jesse Audelo (A0.961815). Canon Marziale by T.C. SalomeArranged for Saxophone Quartet by Jesse AudeloInstrumentation- Soprano Sax- 1st Alto substitute for Soprano Sax- Alto Sax (or 2nd Alto Sax)- Tenor Sax- Baritone Sax.
$39.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Saxophone Quartet (AATB or SATB)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.784345 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.784345 Composed by Joshua Hauser. Instructional. 110 pages. Slide Ride #5288699. Published by Slide Ride (A0.784345). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50
J. S. Bach: The Well-Tempered Clavier, Book 1 BWV 846-869 24 preludes and fugues - SATB s
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: The Well-Tempered
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534500 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534500 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 429 pages. Musik Fabrik Music Publishing #3573587. Published by Musik Fabrik Music Publishing (A0.534500). J. S. Bach completed the 24 preludes and fugues that make up the first book of the Well-Tempered Clavier in 1722 in Cöthen, where much of his other important instrumentalchamber music was written. The twenty-four segments go through all of the major and minor keys, with an prelude which explores a single texture or figuration and a contrasting fugue in either 2, 3, 4 or 5 voices. In this arrangement, the different voices are either shared by the four instruments or, in the case of the five voices of the Fugue in Bb minor, implied through arpeggios in the alto and tenor voices. Care must be taken to make these implied chordssound through discretely sustaining these voices through resonance.The preludes are generally in relatively free improvisatory forms which explore different types of baroque devises, including italianate keyboard figuration, “arioso†ornamented melodies with ostinato accompaniments, and more abstract forms. Two of the preludes are especially notable: the stately harmonic progression of the First prelude in C major, one of Bach’s most well-known works, and the gigantic prelude and double fugue of the Eb Major prelude.The fugues represent an exploration of all styles, ranging from the Ricacare in the Fugue no. 4 in c# minor and the use of augmentation, canon and inversion in no. 8 in Eb minor.
$77.95
5 Famous Songs by Bach for Baritone Sax Quartet
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Saxophone Quartet: 4 saxophones
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EASY
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Classical
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Bar
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach,...
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738138. Published by Woods Only, Arrangements (A0.1137884). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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EASY
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Classical
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Sax
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther....
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738143. Published by Woods Only, Arrangements (A0.1137887). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Tenor Sax Quartet
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Saxophone Quartet: 4 saxophones
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EASY
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Classical
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Ten
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, an...
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738132. Published by Woods Only, Arrangements (A0.1137878). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Alto Sax Quartet
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Saxophone Quartet: 4 saxophones
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EASY
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Classical
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Alt
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738125. Published by Woods Only, Arrangements (A0.1137872). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
Solstice Magnifica - Saxophone Quartet (SATB)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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James A
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James A
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Solstice Magnifica - Saxophone
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James A. C. Glass
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.946310 Compo...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.946310 Composed by James A. C. Glass. Arranged by James A. C. Glass. Baroque. 16 pages. James A. C. Glass #6322007. Published by James A. C. Glass (A0.946310). Arranged for SATB Saxophone Quartet. Runtime 2:25.A fugue in concert A minor, the tenor saxophone presents the melody that is then repeated throughout the piece. As each instrument takes over the main melody the previous performers add counter point and harmonies to drive the piece forward. This is a dynamic composition that is wonderful for any venue.
$4.99
MY COUNTRY TIS OF THEE - AATB SAXOPHONE QUARTET (unaccompanied)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Glen Poehlmann
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MY COUNTRY TIS OF THEE - AATB
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arrangements by GPoehlmann
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.807112 Arranged by Glen Poehlma...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.807112 Arranged by Glen Poehlmann. Holiday,Patriotic. 7 pages. Arrangements by GPoehlmann #6320829. Published by arrangements by GPoehlmann (A0.807112). MY COUNTRY 'TIS OF THEE - SAXOPHONE QUARTET (unaccompanied)An exciting arrangement of the patriotic favorite for AATB Saxophones.55 measures. Performance Time approx 2:13. Medium in Difficulty (Grade 3+)Key:F - Bb. Meter: 3/4. Instrument Ranges (C4=middle C): Alto 1 E4 - D6 (written). Alto 2 C#4 - A5 (written). Tenor D4 - B5 (written). Baritone D4 - C#6 (written).
$5.00
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
J. S. Bach: The Art of The Fugue, - SATB saxophone quartet
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: The Art of The Fug
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534350 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534350 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 242 pages. Musik Fabrik Music Publishing #3368447. Published by Musik Fabrik Music Publishing (A0.534350). The Art of the Fugue is considered to be one of the greatest musical creations everundertaken. A series of fourteen fugues (last of which is not complete) and four canonswhich are all based on the same d minor theme would perhaps seem, at first glance, to be apendantic academic exercise. However, in the hands of a composer such as Bach, themonothematic material is magnified through repetion which creates a sound universe whichis all it’s own.The work is also shrouded in mystery, as there are no tempo indications in the manuscript,no indications of the instrumentation which Bach intended and no clear indication as to theorder of the movements. An ordering was given to the work after the composer’s death bythe composer’s son, C. P. E. BACH which attempted to underline the pedogogical aspects ofthe composition (as a sort of a textbook for studying fugues and counterpoint). The orderused in this arrangement respects this ordering as it was given by Bach’s heirs. It wouldseem probable however, that this order was not that intended by Bach.The editor hopes that this new version of the Art of the Fugue will be useful in allowingSaxophonists everywhere to perform this great work. For those who might have scruplesabout performing this work on the saxophone, it is best to follow the example of our pianistfriends, who perform this work and others on an instrument that Bach himself said that hedisliked.
$64.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Saxophonic Variability
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Saxophone Quartet: 4 saxophones
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Contemporary
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Zachary C
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Saxophonic Variability
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Divisi Labs
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.1010677 Composed by Zac...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.1010677 Composed by Zachary C. Daniels. Contemporary. 41 pages. Divisi Labs #6563895. Published by Divisi Labs (A0.1010677). Score and PartsSaxophonic Variability is written with the intent of demonstrating the full set of colors and technical possibilities of a saxophone quartet. The opening movement, slow and sombre, reminds us of the time when saxophones were first brought to the public eye regularly, the late 1800s. The continual flow between harmony, and dissonance is representative of what is to come in the remaining movements. The second movement takes off immediately, and departs on a musical journey of its' own. The rhythmic drive being heavily inspired by bebop jazz, and similar styles of the mid-twentiethcentury. Listen, as moments of solace break out in reverence of the great ballads written for the instrument by many jazz composers of this era. This movement ends as abrubtly as it began as we enter the slow, lyrical third movement. This next movement is incredibly slow, and brings out the lyrical, singing quality of the instrument given the right timbre. The piece concludes with a fiery finale that develops ideas introduced earlier in the piece.This is a great piece to showcase the flexibility of an ensemble, and makes for a good finisher.
$4.99
O HOLY NIGHT - Alto Saxophone Quartet - unaccompanied (or SAAA or SAAB)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Christmas
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Adolphe-Charles Adam
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Glen Poehlmann
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O HOLY NIGHT - Alto Saxophone
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arrangements by GPoehlmann
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1080869 Composed by Adolphe-...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1080869 Composed by Adolphe-Charles Adam. Arranged by Glen Poehlmann. Christmas,Sacred. 16 pages. Arrangements by GPoehlmann #685086. Published by arrangements by GPoehlmann (A0.1080869). O HOLY NIGHT - Alto Saxophone Quartet (unaccompanied) Part 1 can also be Soprano Sax. Part 4 can be Baritone Sax. Hymn Tune CANTIQUE DE NOEL Medium Difficult (Grade 4-) 74 measures. Performance Time approx. 5:20 Key: C - F (written). Meter: 12/8 Instrument Ranges (C4=middle C): Alto Saxophone 1 G4 - F6 (written) Alto Saxophone 2 C4 - F6 (written) Alto Saxophone 3 C4 - D6 (written) Alto 4 or Baritone Saxophone Bb3 - F6 (written) Parts included (PDF): Score, Alto Saxophone 1, Alto Saxophone 2, Alto Saxophone 3, Alto Saxophone 4, Soprano Saxophone (Alto 1).
$5.00
Silent Night (Sax Quartet: SATB)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Sacred music
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Franz Xaver Gruber, Enrique Gr
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John A
#
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Silent Night
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John A. Dempsey
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524158 Compo...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524158 Composed by Franz Xaver Gruber, Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Praise & Worship,Sacred,Traditional. 21 pages. John A. Dempsey #4845657. Published by John A. Dempsey (A0.524158). A classic Christmas carol reimagined as a festive woodwind quartet for soprano sax, alto sax, tenor sax and baritone sax, this arrangement of Silent Night begins simply but builds in intensity as it progresses, with ornamentation, dynamic shading, variation and incidental music by Enrique Granados. Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events. Suggested worship uses: prelude, postlude, offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. 17 pages of music (that includes the score and separate two-page pullout parts for each instrument). Concert Key: Bb major. Soprano Sax Key: C major. Alto Sax Key: G major. Tenor Sax Key: C major. Baritone Sax Key: G major Silent night, holy night / All is calm, all is bright / Round yon virgin, mother and child / Holy infant so tender and mild / Sleep in Heavenly peace / Sleep in Heavenly peace.
$11.99
STEPHEN FOSTER MEDLEY for AATB SAXOPHONE QUARTET (unaccompanied)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Folkloric/Traditional
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Stephen Foster
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Glen Poehlmann
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Beautiful Dreamer
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STEPHEN FOSTER MEDLEY for AATB
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arrangements by GPoehlmann
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.806849 Composed by Stephen Fost...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.806849 Composed by Stephen Foster. Arranged by Glen Poehlmann. Folk. 15 pages. Arrangements by GPoehlmann #6017993. Published by arrangements by GPoehlmann (A0.806849). STEPHEN FOSTER MEDLEY for AATB SAXOPHONE QUARTET (unaccompanied)Delightful medley of Stephen Foster tunes that includes: Oh! Susanna; Beautiful Dreamer; Camptown Races; & My Old Kentucky Home.77 measures. Performance Time approx. 3:18. Medium Difficult (Grade 3+).Key: F - G (concert). Meter: 4/4 - 9/8. Instrument Ranges (C4=middle C):Alto 1 F#4 - E6 (written). Alto 2 D4 - C#6 (written). Tenor D4 - A5 (written). Bari A3 - B5 (written).
$6.00
PRELUDE & FUGUE IN G MINOR - SATB SAX QUARTET (based on Organ solo by J.S. Bach)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Glen Poehlmann
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PRELUDE & FUGUE IN G MINOR - S
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arrangements by GPoehlmann
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.806952 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.806952 Composed by Johann Sebastian Bach. Arranged by Glen Poehlmann. Baroque. 14 pages. Arrangements by GPoehlmann #6168909. Published by arrangements by GPoehlmann (A0.806952). PRELUDE and FUGUE in G Minor - SATB SAXOPHONE QUARTET (unaccompanied)J.S. Bach's Organ Solo has been arranged forSaxophone Quartet.Total Performance Time approx. 4:30. Medium in Difficulty (Grade 3). Key: G minorPRELUDE - 37 measures. Meter: 6/4FUGUE - 45 measures. Meter: 4/4Instrument Ranges (C4=middle C):Soprano Sax C#4 - B5 (written). Alto Sax F#4 - E6 (written).Tenor Sax C4 - A5 (written). Baritone Sax B3 - A5 (written).
$5.00
Silent Night (Sax Quartet: SAAT)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Sacred music
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Franz Xaver Gruber, Enrique Gr
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John A
#
#
Silent Night
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John A. Dempsey
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524159 Composed by Franz Xaver ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524159 Composed by Franz Xaver Gruber, Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Praise & Worship,Sacred,Traditional. 21 pages. John A. Dempsey #4846607. Published by John A. Dempsey (A0.524159). A classic Christmas carol reimagined as a woodwind quartet for soprano sax, two alto saxes and tenor sax, this arrangement of Silent Night begins simply but builds in intensity as it progresses, with ornamentation, variation, dynamic shading and incidental music by Enrique Granados. Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. 17 pages of music (that includes the score and separate two-page pullout parts for each instrument). Concert Key: Bb major. Soprano Sax Key: C major. Alto Sax Key: G major. Tenor Sax Key: C major Silent night, holy night / All is calm, all is bright / Round yon virgin, mother and child / Holy infant so tender and mild / Sleep in Heavenly peace / Sleep in Heavenly peace.
$11.99
MOTHER MACHREE - SAXOPHONE QUARTET with Piano Accompaniment
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Ernest Ball
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Glen Poehlmann
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MOTHER MACHREE - SAXOPHONE QUA
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arrangements by GPoehlmann
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1074135 Composed by Ernest Bal...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1074135 Composed by Ernest Ball. Arranged by Glen Poehlmann. Broadway,Celtic,Film/TV,Irish,Musical/Show,Standards. 13 pages. Arrangements by GPoehlmann #678417. Published by arrangements by GPoehlmann (A0.1074135). MOTHER MACHREE (1910 American-Irish Song) for Alto Sax, Tenor Sax, Baritone Sax and Baritone TC (or Trombone or Tenor Sax 2) with Piano accompaniment Medium in Difficulty (Grade 3) 65 measures. Performance Time approx 2:30 Key: C. Meter:3/4 - 6/8 Instrument Ranges (C4=middle C) Alto Sax F#4 - E6 (written) Tenor Sax D4 - E6 (written) Bari Sax A3 - E6 (written) Baritone BC C3 - G4 (or Trombone) Baritone TC/Tenor Sax 2 D4 - A5 (written) Includes (PDF): Score, Alto Sax, Tenor Sax, Baritone Sax, Baritone BC/Trombone, Baritone TC/Tenor Sax 2, Piano,.
$5.00
ANGELS WE HAVE HEARD ON HIGH - SATB or AATB SAXOPHONE QUARTET (unaccompanied)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Christmas
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Traditional French Carol
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Glen Poehlmann
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ANGELS WE HAVE HEARD ON HIGH -
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arrangements by GPoehlmann
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.806851 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.806851 Composed by Traditional French Carol. Arranged by Glen Poehlmann. Christian,Christmas,Sacred. 18 pages. Arrangements by GPoehlmann #6027173. Published by arrangements by GPoehlmann (A0.806851). ANGELS WE HAVE HEARD ON HIGH for unaccompanied SAXOPHONE QUARTETThis is a challenging and flexible arrangement for SATB or AATB Saxophones. You can perform one or both sections of the arrangement. The Tenor & Bari parts have optional percussion.112 measures. Performance Time 2:15 (part 1). 2:45 (part 2). 5:00 (entire piece).Medium Difficult (Grade 4). Key: Eb - F - Gb - G - Bb - Db - Eb. Meter: 12/8 - 9/8 - 15/8 - 4/4.Instrument Ranges (C4=middle C): Alto 1 D4 - F#6 (written). Alto 2 D4 - C#6 (written).Tenor D4 - D6 (written) optional Triangle. Baritone B3 - D#6 (written). optional Sleigh Bells
$6.00
I Did It My Way
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Saxophone Quartet: 4 saxophones
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EASY
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Jay-Z
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Glauco Fernandes
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I Did It My Way
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Glauco Fernandes
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1348411 By J...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1348411 By Jay-Z. By Claude Francois, Francois Revaud, Gilles Thibaut, Jacques Revaux, Jimmy Kendrix, Paul Anka, Sean Carter, and Shawn C. Carter. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Rock,Wedding. 6 pages. Glauco Fernandes #933187. Published by Glauco Fernandes (A0.1348411). Exclusive Sheet Music for My Way - Saxophone Quartet---Awaken the Musician in You! Exclusive Sheet Music for Frank Sinatra's My WayWhether you're a dedicated student or an experienced teacher, we present a unique opportunity! Acquire now the customized sheet music for the classic My Way by Frank Sinatra, featuring a carefully crafted arrangement for a Saxophone Quartet.Stand Out at Special Events: Weddings, Birthdays, Corporate Events!With this sheet music, musicians and instrumentalists, including a saxophone quartet, will have in their hands a captivating interpretation, perfect for memorable moments. Surprise your audience with a unique performance, adding a touch of elegance and emotion to any special occasion.If you're intrigued by diverse interpretations, consider exploring Jay-Z's version of this timeless classic. His unique take on My Way adds a contemporary flair, demonstrating the song's enduring appeal across genres. Feel free to delve into Jay-Z's rendition to discover a fresh perspective on this iconic piece. If you're interested in incorporating elements from his version, let your creativity flow and make the music truly your own.Furthermore, for a classical perspective, discover the iconic rendition by Elvis Presley. The King of Rock immortalized My Way with his unique interpretation, adding an unparalleled shine to the melody. Explore the depth of this song through Elvis Presley's singular interpretation and further enrich your musical experience.No less impressive, the renowned Celine Dion offers an emotionally charged interpretation of My Way. Her powerful and emotive voice transforms the song into a compelling experience. Discover the unique beauty that Celine Dion brings to this timeless melody.For more quality sheet music, search for Glauco Fernandes in the site's search bar. Contact: glaucofernandes.arrangements@gmail.com.
$13.99
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