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If I Ain
Saxophone Quartet: 4 saxophones
Sheetmusic to print
21 sheet music found
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1
If I Were A Rich Man
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.743369 Composed by Jerry Bock. Arranged by Josef STASTNY. Broadway. 12 pages. Josef STASTNY #3416607. Published by Josef STASTNY (A0.743369). If I Were a Rich Man is a show tune from the 1964 musical Fiddler on the Roof. It was written by Sheldon Harnick and Jerry Bock. The song is performed by Tevye, the main character in the musical, and reflects his dreams of glory. One of the most known musical songs at all.Some other SAX quartets arrangements:http://www.sheetmusicplus.com/search?Ntt=josef+stastny+sax
$15.99
14.72 €
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Saxophone Quartet: 4 saxophones
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Jerry Bock
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If I Were A Rich Man
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Josef STASTNY
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SheetMusicPlus
If I Ain't Got You
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1390456 By Alicia Keys. By Alicia Augello Cook. Arranged by Paulo Galvão Filho. Classical,Pop,R & B,Soul,Wedding. 13 pages. Paulo Galvao Filho #973980. Published by Paulo Galvao Filho (A0.1390456).
$13.99
12.88 €
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Saxophone Quartet: 4 saxophones
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Alicia Keys
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If I Ain't Got You
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Paulo Galvao Filho
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SheetMusicPlus
I Love Lucy
Saxophone Quartet: 4 saxophones
Small Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Drum Set,Soprano Saxopho…
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Small Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Drum Set,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.734611 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music #6669321. Published by Chicory Music (A0.734611). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster. This arrangement for sax quartet (SATB) plus optional Acoustic Bass and Drum Set parts remains faithful to the original.The Soprano Sax part may be played by clarinet if no soprano sax player or instrument is available.Performance Time Approx. 1 minute 25 seconds
$12.99
11.96 €
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Saxophone Quartet: 4 saxophones
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Eliot Daniel
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I Love Lucy
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Chicory Music
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SheetMusicPlus
Turn It On Again
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.583447 By Genesis. By Mike Rutherford, Phil Collins, and Tony Banks. Arranged by Jeff Tincher. Rock. 24 pages. Jeff Tincher #3893137. Published by Jeff Tincher (A0.583447). If there ever was a rock song that would train you to count beats to a measure, it is this one. And what I like about it is that the song is a danceable tune even with all the time signature changes. In the original key from Genesis' Duke project, this song is as much fun to perform as it is to listen to. This arrangement uses the live ending from their Three Sides Live CD. Duration = 4:04. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
11.96 €
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Saxophone Quartet: 4 saxophones
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Genesis
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Turn It On Again
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Jeff Tincher
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SheetMusicPlus
The Swan (Saint-Saens) - Saxophone Quartet SATB
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.936680 Composed by Camille Saint-Saens. Arranged by Jonathan Eno BEM. Classical. 9 pages. Jonathan Eno #5820839. Published by Jonathan Eno (A0.936680). This is a beautiful arrangement of one of the most recognisable songs from the classical repertoire. The Swan is a tour de force for your soprano player. They will need lots of support from the other musicians and encourage them to set the tempo and level of rubato. If you enjoy this arrangement, why not check out some of the other titles from the Saxophonix Series including:Don't Stop Me Now - QueenHold My Hand - Jess GlynneSuper Mario Theme - Nintendo You can listen to the world famous Hot House Saxophonix perform on all streaming platforms including: https://open.spotify.com/artist/0yJpRZxHG1GA38gv43QM5d?si=Bz9kCSaGRam4AsA1mOk_wQhttps://music.apple.com/gb/album/get-lucky/1518278864?i=1518278866This is perfect for schools and students!Coming soon...Hot House Tutor Boox - inspirational NEW beginner tutor books for all jazz instruments!!!www.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.ukwww.facebook.com/derbysaxophonix
$9.99
9.2 €
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Saxophone Quartet: 4 saxophones
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Camille Saint-Saens
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The Swan
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Jonathan Eno
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SheetMusicPlus
Take Me To Your Heart Again
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1105045 By Edith Piaf. By Edith Piaf and Louiguy. Arranged by James Pybus. Contest,Festival,Pop,Singer/Songwriter,Standards. 54 pages. James Pybus #708289. Published by James Pybus (A0.1105045). Édith Piaf, also known as “The Little Sparrow,†rose to international stardom in the late 1930s as a symbol of French passion and tenacity. Of Piaf’s many ballads, La Vie en Rose, which she wrote, is remembered as her signature song. Other favorites among the singer's repertoire include Milord, Padam Padam, Mon Dieu, the charming Mon Manège à Moi and the anthemic Non, Je Ne Regrette Rien. Having a life beset by addictions and related health issues, Piaf died in France in 1963 at the age of 47. She continues to be revered as a national treasure. This arrangement for SATB Saxophone Quartet is a medley of some of Piaf's most well-known songs and may be performed in its entirety, or each song may be played individually. If you choose the latter option do not play the transition measures between songs. In order, the songs are La Vie en rose (Take Me To Your Heart Again), Piaf’s signature song; Milord (or Ombre de la Rue [Shadow of the Street]); Sous le ciel de Paris; Padam, padam and Non, je ne regrette rien (No, I do not regret anything). This arrangement is suitable for a wide variety of performance and concert settings. The duration is 10:02. Contact me at james.pybus56@gmail.com.
$28.00
25.78 €
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Saxophone Quartet: 4 saxophones
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Edith Piaf
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Take Me To Your Heart Again
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James Pybus
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SheetMusicPlus
Bohemian Rhapsody
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1468324 By Queen. By Freddie Mercury. Arranged by Hideyuki Suzuki. 20th Century,Opera,Rock,Standards. 24 pages. Studio Pon #1046635. Published by studio Pon (A0.1468324). Queen “Bohemian Rhapsody” Saxophone Quartet Version・There are few rests overall, so please maintain your physical strength and play with a good balance. I get tired if I try my best to play everything.・Be conscious of changing scenes so that the melody changes clearly.・HardRock's baritone is based on drums and bass, so play the accents on the second and fourth beats firmly, as if you were playing a snare drum.
$12.99
11.96 €
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Saxophone Quartet: 4 saxophones
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Queen
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Bohemian Rhapsody
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studio Pon
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Saxophone Quartet (AATB or SATB)
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.784345 Composed by Joshua Hauser. Instructional. 110 pages. Slide Ride #5288699. Published by Slide Ride (A0.784345). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50
11.51 €
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Saxophone Quartet: 4 saxophones
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Saxophone Quartet
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Slide Ride
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
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Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Air (Orchestral Suite No. 3 in D major), BWV 1068
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopra…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.946354 Composed by Johann Sebastian Bach. Arranged by Benjamin Karaca. Baroque,Chamber,Christian,Classical,Multicultural,World. 11 pages. Benjamin Karaca #6342517. Published by Benjamin Karaca (A0.946354). This piece is also known as Air on the G String. It is the second movement from Bach's Orchestral Suite No. 3 and is one of Bach's most famous compositions. Originally composed for two violins, viola, and basso continuo.I originally wrote this arrangement for a Saxophone Quartet in the classical SATB lineup (Soprano, Alto, Tenor, and Baritone Sax). However, the second part also works well for Soprano Sax, and the third part can be played by an Alto Saxophone. Apart from a few minor changes, I stayed very true to the original composition. I haven't added any articulations and have retained the key of D major.Note: Having two Sopranos in a Sax Quartet is highly unusual. If you have the opportunity, I strongly recommend giving it a try. Especially in the SSAB lineup, this piece has a lot of potential.Saxophone Quartet SATB (and other lineups). Duration: 5:00 min. Level: 2/5.Part 1: Soprano SaxPart 2: Soprano Sax / Alto SaxPart 3: Alto Sax / Tenor SaxPart 4: Baritone Sax / Bass SaxScore in CA high-quality arrangement by a professional musician. It also includes interesting information about the piece and helpful tips for interpretation. For more information, please visit my website: www.benjaminkaraca.com.
$17.45
16.07 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Air
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Benjamin Karaca
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SheetMusicPlus
Diggin' On James Brown
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.583655 By Tower Of Power. By Emilio Castillo, Ken Kessie, and Stephen Kupka. Arranged by Jeff Tincher. Rock,Soul. 39 pages. Jeff Tincher #4626611. Published by Jeff Tincher (A0.583655). I just can't help myself !!!!! If you like funk with great horns, this is the song for you. In the original key from Soul Vacination: Tower of Power Live project, this song is a mainstay of their live concerts. This arrangement is as close to the record as I can get it. If there was ever a song that would go great with a Sax quartet, it's this one. I hope you enjoy this as much as I do! This song will have your audience dancing in the aisles and moving in their seats ! Duration = 4:42. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
11.96 €
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Saxophone Quartet: 4 saxophones
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Tower Of Power
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Diggin' On James Brown
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Jeff Tincher
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SheetMusicPlus
Goodnight, Sweetheart, Goodnight (goodnight, It's Time To Go)
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1195850 By The Tokens. By Calvin Carter and James Hudson. Arranged by Kevin Hall. Barbershop,Hip-Hop,Pop,R & B,Rock,Standards. 8 pages. Eine kleine Saxmusik #795015. Published by Eine kleine Saxmusik (A0.1195850). One of the most recognizable Doo-Wop songs from the mid-50s, your audience will be singing along as you end your set or gig with this old classic. As soon as people hear the signature bass line played on the bari that starts the song, they'll start tapping their toes and coming over to hear the group perform. This arrangement includes an alternate soprano part for the lead, and an alternate bass sax part for the bari to be able to fit almost any sax quartet configuration. Enjoy!(Copyrighted pieces apparently have some diff. policies from original/public domain:I apologize for the minimum price--it's set by ArrangeMe. Contact me at kevinqhall at netscape dot net, and I'll be happy to give you credit toward another piece.Also, the sample cuts off at 30 secs. I loaded the whole song. If you'd like to hear more of the sample, email me (at the address above), and I'll be happy to send you the sound sample.In addition, I'm unable to edit the title or performer. My preferences (the original title/performer!!) would be:Title: Goodnite, Sweetheart, Goodnite (Goodnight, It's Time To Go) - arr. for Sax Quartet A(S)ATB(Bs)Original Performer: The Spaniels).
$12.99
11.96 €
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Saxophone Quartet: 4 saxophones
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The Tokens
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Goodnight, Sweetheart, Goodnight
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Eine kleine Saxmusik
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SheetMusicPlus
'Contrapunctus 11' By J.S.Bach BWV 1080 from 'The Art of the Fugue' for Saxophone Quartet.
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.891850 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Concert. 26 pages. Stephen Davies #3465638. Published by Stephen Davies (A0.891850). CONTRAPUNCTUS XI is taken from Bach's seminal work 'The Art Of The Fugue', and if you like fugues as I do, this one certainly does not disappoint! Its complex and almost defies analysis but ultimately satisfying to play. In the words of Schopenhauer The be-all and end-all of the fugue, three subjects, each of them inverted, all of them combined, the first subject even enters in hyper-stretto with its own inversion I'm sure he knew his stuff! Praise indeed!
$1.99
1.83 €
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Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
'Contrapunctus 11' By J.S.Bach BWV 1080 from 'The Art of the Fugue' for Saxophone Quartet.
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Stephen Davies
#
SheetMusicPlus
Stronger (What Doesn't Kill You)
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.942707 By Kelly Clarkson. By Alexandra Tamposi, David Gamson, Greg Kurstin, and Jorgen Elofsson. Arranged by Frank Pugh. Pop. 24 pages. Frank Pugh #3446223. Published by Frank Pugh (A0.942707). This Kelly Clarkson hit is a great choice to connect to a more youthful audience, and it's fun for younger players too! Written for saxophone quintet, it retains all the energy of the original song. Add a player on the optional drum set part for even more excitement! If you don't have all the saxes needed, then these substitute parts are included: the soprano part may be played on alto, and the alto 2 part may be played on tenor sax. The song comes in at around 3:14 in length.This arrangement is written in the same key as my brass quintet arrangement of Stronger, and so both arrangements are compatible with each other.You can check out my other titles here at Sheet Music Plus, or visit my Facebook page: Frank Pugh, music , and my LinkeIn page: Frank Pugh composer / arranger , to learn more about me and what I do. Thanks!
$15.99
14.72 €
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Saxophone Quartet: 4 saxophones
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Kelly Clarkson
#
Written for
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Stronger
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Frank Pugh
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SheetMusicPlus
Star Spangled Banner - Saxophone Quartet SATB
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.936686 Composed by John Stafford Smith. Arranged by Jonathan Eno BEM. 20th Century,Graduation,Holiday,Patriotic. 5 pages. Jonathan Eno #5866977. Published by Jonathan Eno (A0.936686). This is a beautiful arrangement that features some gorgeous reharmonisations. Star Spangled Banner works really well if all the musicians view themselves as vocalists at the #superbowl. Take the time to enjoy each phrase and work on balancing the ensemble. If you enjoy this arrangement, why not check out some of the other titles from the Saxophonix Series including:The Swan - Saint-SaensHold My Hand - Jess GlynneSuper Mario Theme - Nintendo You can listen to the world famous Hot House Saxophonix perform on all streaming platforms including: https://open.spotify.com/artist/0yJpRZxHG1GA38gv43QM5d?si=Bz9kCSaGRam4AsA1mOk_wQhttps://music.apple.com/gb/album/get-lucky/1518278864?i=1518278866This is perfect for schools and students!Coming soon...Hot House Tutor Boox - inspirational NEW beginner tutor books for all jazz instruments!!!www.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.ukwww.facebook.com/derbysaxophonix
$4.99
4.59 €
#
Saxophone Quartet: 4 saxophones
#
John Stafford Smith
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works really
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Star Spangled Banner - Saxophone Quartet SATB
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Jonathan Eno
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SheetMusicPlus
Amazing Grace - Saxophone Ensemble SAATTB
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.936683 Composed by John Newton. Arranged by Jonathan Eno BEM. Classical. 19 pages. Jonathan Eno #5820867. Published by Jonathan Eno (A0.936683). This is a beautiful arrangement features two of the most recognisable songs from the classical repertoire. Amazing Grace is being supported by Pachabel's Canon in an arrangement that requires finesse and stamina from all musicians. We would like you to try a few other song additions too. Let It Be and The First Nowell also fit over the same chord sequence, so have some fun and get creative. If you enjoy this arrangement, why not check out some of the other titles from the Saxophonix Series including:The Swan - Saint-SaensHold My Hand - Jess GlynneSuper Mario Theme - Nintendo You can listen to the world famous Hot House Saxophonix perform on all streaming platforms including: https://open.spotify.com/artist/0yJpRZxHG1GA38gv43QM5d?si=Bz9kCSaGRam4AsA1mOk_wQhttps://music.apple.com/gb/album/get-lucky/1518278864?i=1518278866This is perfect for schools and students!Coming soon...Hot House Tutor Boox - inspirational NEW beginner tutor books for all jazz instruments!!!www.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.ukwww.facebook.com/derbysaxophonix
$9.99
9.2 €
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Saxophone Quartet: 4 saxophones
#
John Newton
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is
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Amazing Grace - Saxophone Ensemble SAATTB
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Jonathan Eno
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SheetMusicPlus
Winchester Cathedral
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1282942 By New Vaudeville Band. By Geoff Stephens. Arranged by Jeff Tincher. Comedy,Contemporary,Pop. 16 pages. Jeff Tincher #874211. Published by Jeff Tincher (A0.1282942). Here is a novelty song that I totally forgot about. It was one of my favorites. In the original key from their single, this is vaudeville parody at it's finest. If you need a short song for a concert that will entertain your audience (suggest watching the youtube version of the song), this is it. Duration = 2:31. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
11.96 €
#
Saxophone Quartet: 4 saxophones
#
New Vaudeville Band
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Winchester Cathedral
#
Jeff Tincher
#
SheetMusicPlus
What A Wonderful World (saxophone quartet)
Saxophone Quartet: 4 saxophones
By Louis Armstrong, Louis Armstrong With Kenny G., Rod Stewart Feat. Stevie Wonder. Arr…
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By Louis Armstrong, Louis Armstrong With Kenny G., Rod Stewart Feat. Stevie Wonder. Arranged by Bisdre Santos. Individual Part, Set of Parts. 8 pages. Published by Bisdré Santos
Saxophone quartet - digital download By Louis Armstrong, Louis Armstrong With Kenny G., Rod Stewart Feat. Stevie Wonder. Organized by Bisdre Santos. -Ready to play. Write your own articulation and expression. -Advice for the soprano sax: in the score the base rhythm is written, you can play rhythms freely, if you listen to different artists like Louis Armstrong, Rod Stewart, etc. -Great to play over and over again. -I recommend at least intermediate musicians. -Listen to the original song (with Louis Armstrong) before your rehearsal. It can help a lot if you have the music in your ear and in your head before you start reading the parts. Enjoy :) One more thing: let's save some trees together! All my arrangements are optimized to use less paper :)
$12.99
11.96 €
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Saxophone Quartet: 4 saxophones
#
Louis Armstrong, Louis Armstrong With Kenny G
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What A Wonderful World
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Bisdré Santos
#
SheetMusicPlus
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