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You've selected:
Lee J
Saxophone Quartet: 4 saxophones
Sheetmusic to print
11 sheet music found
<
1
Nine Christmas Chorales (for saxophone quartet)
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1118397 Composed by Aaron Lee. Baroque,Chamber,Christmas,Instructional,Sacred. 75 pages. J. Aaron Lee #719920. Published by J. Aaron Lee (A0.1118397). This collection includes nine different Christmas carols, all arranged in a four-part chorale style akin to that of baroque composers such as J. S. Bach. Included in this collection are arrangements of the following carols: Veni, Veni, Emmanuel; Es Ist Ein Rose Entsprungen (Lo, how a rose e'er blooming); Coventry Carol; Adeste Fidelis (O Come, All Ye Faithful); In Dulci Jubilo; Good King Wenceslas; God Rest You Merry, Gentlemen; Quelle est cette odeur agréable; and See, amid the Winter's Snow. These arrangements are all fairly easy and should be appropriate for a wide range of skill levels, including school settings. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
$39.99
36.63 €
#
Saxophone Quartet: 4 saxophones
#
Aaron Lee
#
Nine Christmas Chorales
#
J. Aaron Lee
#
SheetMusicPlus
Faux Pas de Deux (for Saxophone Quartet)
Saxophone Quartet: 4 saxophones
Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level…
(+)
Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.612662 Composed by Aaron Lee. 20th Century,Classical,Contemporary. Score and parts. 55 pages. J. Aaron Lee #221852. Published by J. Aaron Lee (A0.612662). A light-hearted, contemporary work for saxophone quartet. This work is inspired by J. S. Bach and makes use of pastiche, metric modulation, and a healthy dose of humour! Faux Pas de Deux re-imagines a Bach prelude as a modern, yet accessible, work for saxophone quartet. The work references and toys with traditional tonal practices to create a comedic, yet challenging piece for chamber ensemble. More from Aaron Lee can be found at musicoflee.com.
$19.99
18.31 €
#
Saxophone Quartet: 4 saxophones
#
Aaron Lee
#
Faux Pas de Deux
#
J. Aaron Lee
#
SheetMusicPlus
Veni, Veni, Emmanuel (for saxophone quartet)
Saxophone Quartet: 4 saxophones
Composed by Traditional Christmas Carol. Arranged by Aaron Lee. Chamber,Christmas,Ho…
(+)
Composed by Traditional Christmas Carol. Arranged by Aaron Lee. Chamber,Christmas,Holiday,Reli gious,Renaissance. 12 pages. J. Aaron Lee #714196. Published by J. Aaron Lee
$9.99
9.15 €
#
Saxophone Quartet: 4 saxophones
#
Traditional Christmas Carol
#
Veni, Veni, Emmanuel
#
J. Aaron Lee
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.53 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.53 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.53 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.53 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Industry Baby
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.574481 By Lil Nas X & Jack Harlow. By David Charles Biral, Denzel Baptiste, Jack Harlow, Kanye Omari West, Mark Carl Stolinski Williams, Montero Lamar Hill, Nicholas Lee, and Raul Ignacio Cubina. Arranged by Márcio Moreira Júnior. Contemporary,Contest,Festival,Hip-Hop,Instructional,Pop,R & B. 15 pages. Márcio M. Júnior #183584. Published by Márcio M. Júnior (A0.574481). Industry Baby is a song by American rappers Lil Nas X and Jack Harlow, released on July 23, 2021 by Columbia Records. It is the third single from Lil Nas X's debut studio album Montero (2021), following the international success of the single Montero (Call Me by Your Name). In this arrangement for Quarteto de Saxophones, the original tonality of the music was maintained, while respecting the texture of the instruments, making its performance easier and more pleasant.
$13.00
11.91 €
#
Saxophone Quartet: 4 saxophones
#
Lil Nas X & Jack Harlow
#
Industry Baby
#
Márcio M. Júnior
#
SheetMusicPlus
Green
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1253642 Composed by Lee Mitchell. Arranged by Josh Trentadue. 21st Century,Contemporary,Contest,Festival. 16 pages. T.U.X. People's Music #847267. Published by T.U.X. People's Music (A0.1253642). Extracted from 7 Colors, Lee Mitchell recounts the childlike joy and wonder of flight in his ode to J.M. Barrie's classic tale Peter Pan, newly arranged for saxophone quartet by Josh Trentadue.
$25.00
22.9 €
#
Saxophone Quartet: 4 saxophones
#
Lee Mitchell
#
Green
#
T.U.X. People's Music
#
SheetMusicPlus
Wannabe
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1399853 By The Spice Girls. By Emma Lee Bunton, Geri Halliwell, Matt Rowe, Melanie Brown, Melanie Chisholm, Richard Stannard, and Victoria Beckham. Arranged by J Swinhoe-Standen. Pop. 15 pages. Judith Swinhoe-Standen #983081. Published by Judith Swinhoe-Standen (A0.1399853). A Spice Girls hit with a saxy twist.
$13.99
12.81 €
#
Saxophone Quartet: 4 saxophones
#
The Spice Girls
#
Wannabe
#
Judith Swinhoe-Standen
#
SheetMusicPlus
Stop
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1304603 By The Spice Girls. By Andy Watkins, Emma Lee Bunton, Geri Halliwell, Melanie Brown, Melanie Chisholm, Paul Wilson, and Victoria Beckham. Arranged by J Swinhoe-Standen. Pop. 14 pages. Judith Swinhoe-Standen #894042. Published by Judith Swinhoe-Standen (A0.1304603).
$13.99
12.81 €
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Saxophone Quartet: 4 saxophones
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The Spice Girls
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Stop
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Judith Swinhoe-Standen
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