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Variations for Wind Quartet
Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Bach: Wachet auf for Sax Quartet
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Saxophone Quartet: 4 saxophones
#
INTERMEDIATE
#
Classical
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Sax Quart
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Ba...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
LA MOLINARA - Theme and Variations for Saxophone Quartet (SATB)
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Saxophone Quartet: 4 saxophones
#
ADVANCED
#
Classical
#
Ludwig van Beethoven
#
Kent S
#
LA MOLINARA - Theme and Variat
#
WINDCREST
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 5 - Digital Download SKU: A0.945061 Composed by Ludwig van Beethoven. Arranged by Kent S. B...
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Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 5 - Digital Download SKU: A0.945061 Composed by Ludwig van Beethoven. Arranged by Kent S. Burchill. Classical,Contest,Festival,Holiday,Opera,Traditional. 19 pages. WINDCREST #6052559. Published by WINDCREST (A0.945061). This arrangement of LA MOLINARA includes a theme and five of six thematic variations from the opera by the same name and has been scored for Saxophone Quartet - Soprano, Alto, Tenor, and Baritone. One aspect which makes this arrangement unique is that each member of the saxophone quartet is featured in one of the variations with accompaniment by the remaining quartet members. The introduction, variation five, and the short coda feature all quartet members. Pitched in the key of F Major (concert) the performance duration is about 4 minutes and 40 seconds using the tempo markings indicated. Difficulty level is about 5.5.
$15.00
Turkish March by Beethoven for Alto Sax Quartet
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Saxophone Quartet: 4 saxophones
#
EASY
#
Classical
#
Classical
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1143530 Composed by Ludwig van Beethoven. Arranged by Ander. Clas...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1143530 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743846. Published by Woods Only, Arrangements (A0.1143530). This arrangement adapted for alto sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
Turkish March by Beethoven for Saxophone Quartet
#
Saxophone Quartet: 4 saxophones
#
EASY
#
Classical
#
Classical
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1143536 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,Marc...
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1143536 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 11 pages. Woods Only, Arrangements #743852. Published by Woods Only, Arrangements (A0.1143536). This arrangement adapted for sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
Turkish March by Beethoven for Baritone Sax Quartet
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Saxophone Quartet: 4 saxophones
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EASY
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Classical
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Classical
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1143533 Composed by Ludwig van Beethoven. Arranged by Ander. ...
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1143533 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743849. Published by Woods Only, Arrangements (A0.1143533). This arrangement adapted for baritone sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
Turkish March by Beethoven for Tenor Sax Quartet
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Saxophone Quartet: 4 saxophones
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EASY
#
Classical
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Classical
#
Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1143532 Composed by Ludwig van Beethoven. Arranged by Ander. Cla...
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1143532 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743848. Published by Woods Only, Arrangements (A0.1143532). This arrangement adapted for tenor sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Saxophone Quartet (AATB or SATB)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Instructional
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Joshua Hauser
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#
Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.784345 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.784345 Composed by Joshua Hauser. Instructional. 110 pages. Slide Ride #5288699. Published by Slide Ride (A0.784345). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50
Nimrod, from the Enigma Variations by Elgar, for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
#
Classical
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Edward Elgar
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David McKeown
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Nimrod, from the Enigma Variat
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David McKeown
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587733 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587733 Composed by Edward Elgar. Arranged by David McKeown. Concert,Contemporary,Romantic Period,Standards,Wedding. 8 pages. David McKeown #4830655. Published by David McKeown (A0.587733). Nimrod, is the ninth of the Enigma Variations composed by Edward Elgar in 1899. Here, the music is arranged for Saxophone Quartet, directly from the orchestral score. Elgar wrote fourteen variations on a theme, each one depicting close friends and family. Nimrod represents his publisher and friend Augustus Jaeger. The biblical character of Nimrod is described as a mighty hunter, and jaeger means hunter in German.The single pdf file contains the full score plus individual parts for Soprano, Alto, Tenor and Baritone Saxophones.The linked youtube performance is the Clarinet version of this Quartet.Musicians at an intermediate level and above will find this ideal for formal and informal performances. All parts require dramatic dynamic contrasts and lyrical legato playing. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Aria from the Goldberg Variations: for sax quartet SATB or AATB
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Saxophone Quartet: 4 saxophones
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EASY
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Classical
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Johann Sebastian Bach
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Meri Dolevski
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Aria from the Goldberg Variati
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Meri Dolevski
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.817841 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.817841 Composed by Johann Sebastian Bach. Arranged by Meri Dolevski. Baroque,Standards. 10 pages. Meri Dolevski #3911817. Published by Meri Dolevski (A0.817841). This is the original theme by JS Bach of the Bach Goldberg Variations, originally for organ for harpsichord. Soprano sax and first alto sax are identical except for a couple octave changes.
$19.99
Fine knacks for ladies (with variations) - for saxophone quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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John Dowland
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David Warin Solomons
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Fine knacks for ladies
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.580383 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.580383 Composed by John Dowland. Arranged by David Warin Solomons. 20th Century,Renaissance. 13 pages. David Warin Solomons #4414749. Published by David Warin Solomons (A0.580383). Instrumental arrangement of John Dowland's famous song (with variations for verses 2 and 3 with various instruments taking the main melody).
$10.00
Nimrod from the Enigma Variations for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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Edward Elgar
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Jeremy Corcoran
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Nimrod from the Enigma Variati
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LPC Publishers
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.715090 Compo...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.715090 Composed by Edward Elgar. Arranged by Jeremy Corcoran. Contemporary,Standards,Wedding. 12 pages. LPC Publishers #6658169. Published by LPC Publishers (A0.715090). The adagio movement from the Enigma Variations is an excellent opportunity for young musicians to work on tone, blend, intonation and dynamics.
$10.00
Drop, drop slow tears, with variations, for saxophone quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
#
Orlando Gibbons
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David Warin Solomons
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Drop, drop slow tears, with va
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.579614 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.579614 Composed by Orlando Gibbons. Arranged by David Warin Solomons. Easter,Renaissance,Sacred. 8 pages. David Warin Solomons #3114459. Published by David Warin Solomons (A0.579614). Arrangement of Orlando Gibbons' Good Friday hymn - I have added a descant in the middle verses which moves between the various instruments.
$8.00
Divertimento for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Contemporary
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Sy Brandon
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Divertimento for Saxophone Qua
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Sy Brandon
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.755222 Composed by Sy Brandon. 20th Century,Contemporary. 95 pages. Sy Brandon #...
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Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.755222 Composed by Sy Brandon. 20th Century,Contemporary. 95 pages. Sy Brandon #3418983. Published by Sy Brandon (A0.755222). Divertimento is in three movements. The first movement Frolic has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic. The second movement Ballad is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines. All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently. The last movement Tarantella is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$14.99
Variations on Joseph Barnby’s Sweet and Low for saxophone quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Joseph Barnby
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David Warin Solomons
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Variations on Joseph Barnby’
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.579938 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.579938 Composed by Joseph Barnby. Arranged by David Warin Solomons. 20th Century,Concert,Romantic Period. 11 pages. David Warin Solomons #3467604. Published by David Warin Solomons (A0.579938). There are (at least) 2 settings of Tennyson's poem Sweet and Low, one by Barnby and one by Stanford.
$12.00
Saget, Saget mir Geschwinde, BWV 249 - Sax Quartet (Individual Parts)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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César Madeira
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Saget, Saget mir Geschwinde, B
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Sheet Music To Play Editions
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1403009 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1403009 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Chamber,Classical,Early Music,Sacred. 16 pages. Sheet Music To Play Editions #986208. Published by Sheet Music To Play Editions (A0.1403009). Saget, Saget mir Geschwinde (Aria) from Oster-Oratorium, BWV249 (Oratorium Festo Pasquali). Arrangement for Saxophone Quartet - Soprano, Alto, Tenor and Baritone. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
Saget, Saget mir Geschwinde, BWV 249 - Sax Quartet (Full Score and Parts)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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César Madeira
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Saget, Saget mir Geschwinde, B
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Sheet Music To Play Editions
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1402999 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1402999 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Chamber,Classical,Early Music,Easter. 27 pages. Sheet Music To Play Editions #986198. Published by Sheet Music To Play Editions (A0.1402999). Saget, Saget mir Geschwinde (Aria) from Oster-Oratorium, BWV249 (Oratorium Festo Pasquali). Arrangement for Saxophone Quartet - Soprano, Alto, Tenor and Baritone. With Full Score and Individual Parts. Enjoy it!Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$14.99
J.S. Bach: Quodlibet from the Goldberg Variations, - SATB saxophone quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Paul Wehage
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J.S. Bach: Quodlibet from the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.534632 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.534632 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 8 pages. Musik Fabrik Music Publishing #4849761. Published by Musik Fabrik Music Publishing (A0.534632). The Quodlibet variation from the Goldberg Variations. A quolibet is a musical form in which various melodies are arranged together in one harmonic structure.
$10.99
Tango Variations
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Tango
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A
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Tango Variations
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Andrew Junttonen
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1007255 Compo...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1007255 Composed by A. Junttonen. Concert,Contemporary,Latin. 34 pages. Andrew Junttonen #4412771. Published by Andrew Junttonen (A0.1007255). A fun Tango for SATB Sax Quartet that features every member of the ensemble differently. This piece can be challenge for those who are new to playing in a quartet, but can be a great introduction to more difficult music. There is a lot of form ideas that can be taught as well as ensemble playing techniques.
$5.99
Saxophone Quartet No. 1
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Andrew Gavin
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Saxophone Quartet No. 1
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Andrew J Gavin
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.980275 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.980275 Composed by Andrew Gavin. Contemporary,Jazz. 30 pages. Andrew J Gavin #3460675. Published by Andrew J Gavin (A0.980275). This awesome saxophone quartet starts as a classical piece, twists its way into jazz, and then winds its way back to classical. A series of theme and variations, this piece will be equally as exciting for the players as it will for the audience!
$14.99
Elgar – Nimrod (for Saxophone Quartet and optional Organ)
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Saxophone Quartet: 4 saxophones
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Classical
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Edward Elgar
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Harry Walker
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Elgar – Nimrod
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SCORE EDITIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Digital Download SKU: A0.775527 Composed by Edward Elgar. Arranged by Harry Walker. Classical,Standards. 9 pages. SC...
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Woodwind Ensemble,Woodwind Quartet - Digital Download SKU: A0.775527 Composed by Edward Elgar. Arranged by Harry Walker. Classical,Standards. 9 pages. SCORE EDITIONS #5301661. Published by SCORE EDITIONS (A0.775527). Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme. The variations No.9 - Nimrod from Edward Elgar’s Enigma Variations, was transcribed here for Saxophone Quartet and optional Organ by Harry Walker.
$9.99
Variations on a Well-Known Hymn - Saxophone Quartet AATB
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
#
Chris Kamerling
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Variations on a Well-Known Hym
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Phantom K Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1012287 Arranged by Chris Kamer...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1012287 Arranged by Chris Kamerling. 20th Century,Concert,Contemporary,Sacred. 12 pages. Phantom K Music #6272391. Published by Phantom K Music (A0.1012287). Variations on a Well-Known Hymn is a setting of Holy, Holy, Holy for saxophone quartet (AATB). It begins with a beautiful statement of the hymn in homophonic texture. It is then gradually sent through variations which isolate the melodic components of the hymn while changing the harmonic structure, meter, and texture. This can be played by a medium-advanced set of players. This arrangement won composition honors at the 1996 MENC Biennial Convention. Duration is approximately 5:30. Chris Kamerling is a member of ASCAP and can be found on Facebook and YouTube at the following locations...Facebook: https://www.facebook.com/KamerlingComposer and on YouTube: https://www.youtube.com/user/ckamerling93 If you should need to contact Mr. Kamerling, please send correspondence to phantomkmusic@gmail.com
$15.00
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