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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Which
Sheetmusicplus
Not classified
7,670
Piano & keyboards
Piano solo
4,759
Piano, Voice
1,245
Piano, Vocal and Guitar
1,070
Easy Piano
775
Organ
549
C Instruments
291
1 Piano, 4 hands
146
Piano Accompaniment
73
Accordion
71
Piano Trio: piano, violin, cello
70
2 Pianos, 4 hands
33
Organ, Trumpet (duet)
19
Piano Quartet: piano, 2 violins, cello
18
Organ, Piano (duet)
17
Piano Quintet: piano, 2 violins, viola, cello
16
Harpsichord
15
Piano Quartet: piano, violin, viola, cello
13
Piano (band part)
7
Keyboard
3
Fake Book
2
2 Pianos, 8 hands
2
Piano ensembles
1
Big Note Piano
1
Accordion ensemble
1
2 Accordions
1
+ 20 instrumentations
-
Retract
Guitars
Guitar
409
Guitar notes and tablatures
407
Melody line, (Lyrics) and Chords
69
Ukulele
68
2 Guitars (duet)
62
4 Guitars (Quartet)
31
Bass guitar
30
Dulcimer
22
Mandolin
21
Piano, Guitar (duet)
15
Guitar Ensemble
14
Banjo
13
Lyrics and Chords
13
Guitar (band part)
12
Mandolin, Piano (duet)
10
3 Guitars (trio)
10
Guitar, Violin, Cello (trio)
4
2 Dulcimers (duet)
3
2 Mandolins (duet)
2
Baritone Ukulele
1
Guitar, String Quartet
1
Dobro
1
Mandolin, Guitar (duet)
1
2 Ukuleles
1
Plectrum Orchestra
1
+ 20 instrumentations
-
Retract
Voice
Choral SATB
2,234
Choral 3-part
864
Choral 2-part
807
Choral Unison
422
Vocal duet, Piano
271
Choral TTBB
244
Choral SSAA
159
Vocal duet
148
Soprano voice, Piano
94
Tenor voice, Piano
48
Alto voice, Piano
48
Baritone voice, Piano
46
High voice
37
Choral SSAATTBB
22
Voice solo
20
Medium voice, Piano
15
Low voice, Piano
13
Mezzo-Soprano voice, Piano
10
Tenor voice
10
Choral
9
Choral SSATB
8
Soli, Mixted choir and accompaniment
6
Soprano voice
4
Choral SSATTB
4
Low voice
3
Voice, Guitar
2
Choral SSAB a cappella
2
Choral SATBB
1
Vocal duet, Organ
1
Choral SAATB A Cappella
1
Choral SATTBB A Cappella
1
Choral SSAB, Piano
1
+ 27 instrumentations
-
Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
495
Saxophone Quartet: 4 saxophones
406
Flute and Piano
387
Clarinet and Piano
301
Clarinet Quartet: 4 clarinets
286
Flute, Oboe, Clarinet, Bassoon
265
Alto Saxophone and Piano
241
Saxophone Quintet: 5 Saxophones
233
Oboe, Piano (duet)
208
Flute
202
Flute Quartet: 4 flutes
198
2 Saxophones (duet)
194
Tenor Saxophone and Piano
178
Soprano Saxophone and Piano
166
Saxophone ensemble
160
2 Flutes (duet)
157
Clarinet Ensemble
144
Clarinet
142
Alto Saxophone
130
2 Clarinets (duet)
126
3 Clarinets (trio)
100
Flute ensemble
95
Clarinet Quintet: 5 clarinets
89
Saxophone (band part)
84
Flute and Guitar
81
Oboe (band part)
75
Tenor Saxophone
75
Flute, Violin, Piano
58
Flute Trio: 3 flutes
56
Flute, Clarinet (duet)
54
3 Saxophones (trio)
53
Clarinet, Guitar (duet)
46
Flute Quintet : 5 flutes
46
Baritone Saxophone, Piano
44
Saxophone, Clarinet (duet)
38
English horn, Piano
37
Clarinet, Violin (duet)
31
Flute, Clarinet and Bassoon.
29
2 Oboes (duet)
29
Recorder Ensemble
28
Flute, Oboe, Clarinet (trio)
26
Bass Clarinet, Piano
25
Flute, Oboe, Bassoon
24
Recorder Quartet
23
2 Recorders (duet)
22
Flute, Violin
22
Clarinet (band part)
21
Oboe, Bassoon (duet)
21
Clarinet, Trumpet (duet)
20
Flute, Saxophone (duet)
15
Descant (Soprano) Recorder
15
Oboe, Flute
15
Oboe, Clarinet (duet)
14
English Horn, Guitar (duet)
13
Oboe
13
Oboe, Clarinet, Bassoon (trio)
13
Clarinet and Viola
13
Flute, Harp and Cello
12
Harmonica
12
Flute, Trumpet (duet)
11
Saxophone and Guitar
11
Clarinet, Bassoon (duet)
11
Treble (Alto) Recorder
11
Recorder
11
Flute (band part)
10
Flute, Clarinet, Piano (trio)
9
2 Flutes, Piano
9
Flute, Viola (duet)
9
Flute, Organ (duet)
8
Soprano Saxophone
8
Flute, Violoncello
8
Flute, Cello, Piano (trio)
7
Saxophone
7
3 Recorders (trio)
6
Descent (Soprano) Recorder, Piano
6
2 Clarinets, Bassoon
6
Saxophone and Organ
6
Clarinet, Cello (duet)
5
Flute, Violin and Violoncello
5
Oboe, Guitar (duet)
5
English Horn
5
Ocarina
5
5 Recorders
5
Saxophone and Harp
4
Piccolo, Piano
4
Piccolo
4
Treble (Alto) Recorder, Piano
4
Tenor Recorder
4
2 Clarinets, Piano
4
Flute and Strings Trio
3
2 Saxophones, Piano
3
Flute, Clarinet, Horn and Bassoon (Quartet)
3
Oboe, Harp
3
Flute, harp and violin
3
Pennywhistle
3
Clarinet, Harp (duet)
3
Clarinet, Trombone (duet)
3
Flute, Basso continuo
3
Oboe, Cello
2
Flute, Oboe (duet)
2
Flute, French horn (duet)
2
2 English horns and Pianoforte
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Baritone Saxophone
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
Flute, Bassoon, and Piano
2
Treble (Alto) Recorder, Basso continuo
2
Flute, Viola and Piano
2
Bass Clarinet
2
Clarinet Quintet: Clarinet, String Quartet
2
Flute, Trombone (duet)
2
4 Oboes
2
Clarinet, Cello, Piano (trio)
2
Recorder, Piano
2
Oboe ensemble
1
Flute, Violin, Violoncello and Piano
1
Oboe, Bassoon and Piano
1
Descant (Soprano) Recorder, Basso continuo
1
Flute, Clarinet, Violin (trio)
1
2 Recorders, Guitar
1
Eb Instruments
1
Wind ensemble
1
Flute, Orchestra
1
2 Oboes, 2 Horns and 2 Bassoons
1
Flute, Oboe, Piano (trio)
1
Oboe, Violin, Piano
1
Clarinet, Organ
1
Oboe, Clarinet and Piano (Trio)
1
Clarinet, Bassoon, Piano (trio)
1
Flute, Cello, Guitar
1
Bagpipe
1
+ 126 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
487
Brass quartet : 2 trumpets, trombone, tuba
327
Trombone and Piano
224
Trumpet
222
Trumpet, Piano
214
French Horn and Piano
135
Brass Quartet: 2 trumpets, horn, trombone
113
Trumpet ensemble
102
Trombone
95
Trombone ensemble
67
Tuba and Piano
66
2 Trombones (duet)
57
Brass Quartet
56
French horn
56
Trombone (band part)
53
Brass Quartet: 4 trombones
51
Euphonium, Piano (duet)
49
2 Trumpets (duet)
43
Trumpet (band part)
41
Tuba
41
English horn, Piano
37
Brass Quartet: 4 horns
29
Trumpet, Trombone (duet)
28
Trumpet, Horn (duert)
26
Trumpet, Saxophone (duet)
26
2 French horns (duet)
24
Horn Ensemble
20
French horn (band part)
15
3 Trumpets (trio)
14
English Horn, Guitar (duet)
13
Brass Quartet: 4 trumpets
12
2 Tubas (duet)
11
3 Trombones (trio)
9
Euphonium
8
Tuba (band part)
8
Trombone, Organ
7
4 Tubas
7
Tuba and Organ
7
Brass Trio
6
2 Euphoniums (duet)
5
English Horn
5
Brass Quartet: 2 trumpets, 2 trombones
5
Trumpet and Guitar
4
3 French horns (trio)
4
2 Euphoniums and 2 Tubas
4
3 Tubas (trio)
3
Clarinet, Horn (duet)
3
Bb Instruments
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
French Horn and Harp
2
Trombone, Tuba (duet)
2
2 English horns and Pianoforte
2
Bass Trombone
2
Bass Clef Instruments
2
2 Trumpets, Keyboard (piano or organ)
2
Trombone, Horn (duet)
1
Trumpet, Harp
1
Euphonium, Tuba (duet)
1
Horn and Organ
1
Trumpet, Trombone, Piano
1
Tuba ensemble
1
3 Euphoniums
1
Horn, Cello (duet)
1
+ 58 instrumentations
-
Retract
Strings
Harp
1,035
String Quartet: 2 violins, viola, cello
1,024
Violin and Piano
511
Cello, Piano
332
Violin
273
Viola, Piano
269
String Trio: violin, viola, cello
205
Cello
155
Violin, Cello (duet)
151
2 Violins (duet)
117
Viola
80
Violin (band part)
59
2 Cellos (duet)
56
Piano Trio: Violin, Viola, Piano
53
2 Violas (duet)
51
String Trio: 2 violins, cello
50
Violin, Viola (duet)
47
Violin, Guitar (duet)
46
String Quintet: 2 violins, viola, cello, bass
46
2 Harps (duet)
46
Double Bass
45
Viola (band part)
43
Double bass, Piano (duet)
43
4 Cellos
35
Violin ensemble
31
Viola ensemble
29
Doublebass (band part)
25
Cello, Guitar (duet)
24
Viola, Cello (duet)
18
Cello (band part)
16
String Quartet : 4 violas
16
String Trio: 3 violins
15
Viola, Guitar (duet)
15
Harp, Flute (duet)
13
Harp, Violin (duet)
12
Harp and mandolin
11
String Quintet: 2 violins, 2 violas, cello
11
String Trio: 3 cellos
11
String quartet: 4 violins
9
Violin, Organ
7
Violin, Bassoon (duet)
6
Harp, Voice
6
String Trio: 3 violas
5
Cello, Organ
5
String Trio: 2 violins, viola
4
Harp, Cello (duet)
4
Violoncello, Basso continuo
4
Cello, String Bass (duet)
4
Cello Ensemble
4
Viola and Bassoon
3
2 Violins, Piano
3
Cello, Orchestra
3
4 Double Basses
3
Viola, Organ
2
Viola and Harp
2
Harp, Trombone (duet)
2
Harp and Piano
2
2 Double basses (duet)
2
Violin, Clarinet, Piano (trio)
1
Harp, Violin, Violoncello
1
Violin, Tuba (duet)
1
Harp and Organ
1
4 Harps
1
Autoharp
1
+ 59 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,889
String Orchestra
552
Orchestra
544
Brass ensemble
389
Handbells
307
Jazz Ensemble
281
Chamber Orchestra
247
Marching band
128
Jazz combo
91
Percussion Ensemble
48
Drums
40
Percussion (band part)
16
Marimba
11
School Ensemble
9
Vibraphone
7
Drum (band part)
6
Orchestra, Violin
5
Piano and Orchestra
5
Xylophone, Piano
4
Xylophone
3
Vibraphone and Marimba
2
Snare drums
2
Brass Quintet: other combinaisons
2
2 Marimbas
1
2 Xylophones
1
Percussion
1
Marimba and Organ
1
+ 22 instrumentations
-
Retract
Others
Musical course - Solfege
2
Music Theory
1
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401
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Jingle Bells in Different Styles for Tenor Sax Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Christmas
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James Lord Pierpont
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Ander
#
Jingle Bells in Different Styl
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Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 4 - Digital Download SKU: A0.1313887 Composed by James Lord Pierpont. Arranged by Ander. Chil...
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 4 - Digital Download SKU: A0.1313887 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 31 pages. Woods Only, Arrangements #902609. Published by Woods Only, Arrangements (A0.1313887). Are you looking for a fun and creative way to play Jingle Bells, the famous Christmas song? Then you will love this arrangement for Tenor Saxophone Quartet, which explores the theme in different styles, from waltz to samba. In this arrangement, you will find a slow and gentle opening, which introduces the theme of the melody with delicacy and elegance, followed by a cheerful and lively version, which follows the original version of the song, with striking rhythm and simple harmony. Then, you will be charmed by a waltz version, which gives a different charm to the music, with smooth and graceful movements, and be infected by a samba version, which brings a Brazilian touch to the music, with dancing beat and elements of the samba root. Next, you will be moved by a sad and melancholic version, in minor tone, which shows a touching side of the music, with expressiveness and sensitivity. Finally, you will have fun with a return of the cheerful version, which explores the theme in different tones, with solos divided among all the voices of the arrangement, creating an impression of jumping party. This arrangement is ideal for Christmas parties, in chamber music groups, and can be used in recitals and concerts, inside or outside the academy. It is a different and innovative way to perform this beautiful music, which will surprise and delight your audience. Do not miss this opportunity to acquire this exclusive and fun arrangement of Jingle bells in Different Styles!
$7.99
Jingle Bells in Different Styles for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
#
Christmas
#
James Lord Pierpont
#
Ander
#
Jingle Bells in Different Styl
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Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1313577 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. ...
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Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1313577 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 31 pages. Woods Only, Arrangements #902313. Published by Woods Only, Arrangements (A0.1313577). Are you looking for a fun and creative way to play Jingle Bells, the famous Christmas song? Then you will love this arrangement for Sax Quartet, which explores the theme in different styles, from waltz to samba. In this arrangement, you will find a slow and gentle opening, which introduces the theme of the melody with delicacy and elegance, followed by a cheerful and lively version, which follows the original version of the song, with striking rhythm and simple harmony. Then, you will be charmed by a waltz version, which gives a different charm to the music, with smooth and graceful movements, and be infected by a samba version, which brings a Brazilian touch to the music, with dancing beat and elements of the samba root. Next, you will be moved by a sad and melancholic version, in minor tone, which shows a touching side of the music, with expressiveness and sensitivity. Finally, you will have fun with a return of the cheerful version, which explores the theme in different tones, with solos divided among all the voices of the arrangement, creating an impression of jumping party. This arrangement is ideal for Christmas parties, in chamber music groups, and can be used in recitals and concerts, inside or outside the academy. It is a different and innovative way to perform this beautiful music, which will surprise and delight your audience. Do not miss this opportunity to acquire this exclusive and fun arrangement of Jingle bells in Different Styles!
$7.99
Jingle Bells in Different Styles for Alto Sax Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
#
Christmas
#
James Lord Pierpont
#
Ander
#
Jingle Bells in Different Styl
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 4 - Digital Download SKU: A0.1313885 Composed by James Lord Pierpont. Arranged by Ander. Chil...
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 4 - Digital Download SKU: A0.1313885 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 31 pages. Woods Only, Arrangements #902607. Published by Woods Only, Arrangements (A0.1313885). Are you looking for a fun and creative way to play Jingle Bells, the famous Christmas song? Then you will love this arrangement for Alto Saxophone Quartet, which explores the theme in different styles, from waltz to samba. In this arrangement, you will find a slow and gentle opening, which introduces the theme of the melody with delicacy and elegance, followed by a cheerful and lively version, which follows the original version of the song, with striking rhythm and simple harmony. Then, you will be charmed by a waltz version, which gives a different charm to the music, with smooth and graceful movements, and be infected by a samba version, which brings a Brazilian touch to the music, with dancing beat and elements of the samba root. Next, you will be moved by a sad and melancholic version, in minor tone, which shows a touching side of the music, with expressiveness and sensitivity. Finally, you will have fun with a return of the cheerful version, which explores the theme in different tones, with solos divided among all the voices of the arrangement, creating an impression of jumping party. This arrangement is ideal for Christmas parties, in chamber music groups, and can be used in recitals and concerts, inside or outside the academy. It is a different and innovative way to perform this beautiful music, which will surprise and delight your audience. Do not miss this opportunity to acquire this exclusive and fun arrangement of Jingle bells in Different Styles!
$7.99
Jingle Bells in Different Styles for Baritone Sax Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
#
Christmas
#
James Lord Pierpont
#
Ander
#
Jingle Bells in Different Styl
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 4 - Digital Download SKU: A0.1313642 Composed by James Lord Pierpont. Arranged by Ander. C...
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 4 - Digital Download SKU: A0.1313642 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 31 pages. Woods Only, Arrangements #902365. Published by Woods Only, Arrangements (A0.1313642). Are you looking for a fun and creative way to play Jingle Bells, the famous Christmas song? Then you will love this arrangement for Baritone Saxophone Quartet, which explores the theme in different styles, from waltz to samba. In this arrangement, you will find a slow and gentle opening, which introduces the theme of the melody with delicacy and elegance, followed by a cheerful and lively version, which follows the original version of the song, with striking rhythm and simple harmony. Then, you will be charmed by a waltz version, which gives a different charm to the music, with smooth and graceful movements, and be infected by a samba version, which brings a Brazilian touch to the music, with dancing beat and elements of the samba root. Next, you will be moved by a sad and melancholic version, in minor tone, which shows a touching side of the music, with expressiveness and sensitivity. Finally, you will have fun with a return of the cheerful version, which explores the theme in different tones, with solos divided among all the voices of the arrangement, creating an impression of jumping party. This arrangement is ideal for Christmas parties, in chamber music groups, and can be used in recitals and concerts, inside or outside the academy. It is a different and innovative way to perform this beautiful music, which will surprise and delight your audience. Do not miss this opportunity to acquire this exclusive and fun arrangement of Jingle bells in Different Styles!
$7.99
5 Famous Songs by Bach for Baritone Sax Quartet
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Saxophone Quartet: 4 saxophones
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EASY
#
Classical
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Bar
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Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach,...
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738138. Published by Woods Only, Arrangements (A0.1137884). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Saxophone Quartet
#
Saxophone Quartet: 4 saxophones
#
EASY
#
Classical
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Sax
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther....
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738143. Published by Woods Only, Arrangements (A0.1137887). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Tenor Sax Quartet
#
Saxophone Quartet: 4 saxophones
#
EASY
#
Classical
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Ten
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, an...
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738132. Published by Woods Only, Arrangements (A0.1137878). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
5 Famous Songs by Bach for Alto Sax Quartet
#
Saxophone Quartet: 4 saxophones
#
EASY
#
Classical
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Alt
#
Woods Only, Arrangements
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738125. Published by Woods Only, Arrangements (A0.1137872). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
J. S. Bach: The Art of The Fugue, - SATB saxophone quartet
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: The Art of The Fug
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534350 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534350 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 242 pages. Musik Fabrik Music Publishing #3368447. Published by Musik Fabrik Music Publishing (A0.534350). The Art of the Fugue is considered to be one of the greatest musical creations everundertaken. A series of fourteen fugues (last of which is not complete) and four canonswhich are all based on the same d minor theme would perhaps seem, at first glance, to be apendantic academic exercise. However, in the hands of a composer such as Bach, themonothematic material is magnified through repetion which creates a sound universe whichis all it’s own.The work is also shrouded in mystery, as there are no tempo indications in the manuscript,no indications of the instrumentation which Bach intended and no clear indication as to theorder of the movements. An ordering was given to the work after the composer’s death bythe composer’s son, C. P. E. BACH which attempted to underline the pedogogical aspects ofthe composition (as a sort of a textbook for studying fugues and counterpoint). The orderused in this arrangement respects this ordering as it was given by Bach’s heirs. It wouldseem probable however, that this order was not that intended by Bach.The editor hopes that this new version of the Art of the Fugue will be useful in allowingSaxophonists everywhere to perform this great work. For those who might have scruplesabout performing this work on the saxophone, it is best to follow the example of our pianistfriends, who perform this work and others on an instrument that Bach himself said that hedisliked.
$64.95
Kyrie (Durante) (Saxophone Quartet - 2 Alto, 2 Tenor)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1092467 Composed by Francesco Durante. Arranged b...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1092467 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696560. Published by Regis Bookshar (A0.1092467). Kyrie - by Francesco Durante; Saxophone Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Saxophone Quartet, consisting of 2 Alto Saxophones and 2 Tenor Saxophones. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Saxophone Quartet - 2 Alto, 1 Tenor, 1 Bari)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1092464 Composed by Francesco ...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1092464 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696556. Published by Regis Bookshar (A0.1092464). Kyrie - by Francesco Durante; Saxophone Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Saxophone Quartet, consisting of 2 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
St. Paul's Suite Op. 29
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Gustav Holst
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James Pybus
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a muted Ostinato (Presto)
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St. Paul's Suite Op. 29
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James Pybus
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SheetMusicPlus
Saxophone quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764653 Composed by Gustav Hols...
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Saxophone quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764653 Composed by Gustav Holst (1874-1934). Arranged by James Pybus. 20th Century,Contemporary,Contest,Festival. 97 pages. James Pybus #36481. Published by James Pybus (A0.764653). In 1905 Gustav Holst became Director of Music at St. Paul’s Girls’ School in Hammersmith, London, a post which he retained right up until his death in 1934. St. Paul's Suite was written for the school’s string orchestra in 1912. The work is in four movements: a Jig, reminiscent of English fiddle tunes; a muted Ostinato (Presto); an Intermezzo which starts fairly slowly and softly, switching abruptly to a short Vivace section. The rhythmic tune here is based on an Arab song which Holst had noted in his sketchbook a few years earlier while on holiday in Algeria. After this brief interlude, the music returns to the slower opening tempo, and in the very last bars of the movement ‘the descending chromatic sixths are like a gesture of farewell to the good old days: never again did [Holst] indulge in such an unblushing display of nineteenth-century romanticism’--- these rather severe words are his daughter’s, quoted from her biography of her father. The Finale is framed around a familiar English folk tune (the Dargason), which, in the course of the movement, is used as a counter-melody to the even more familiar Greensleeves. Holst was evidently fond of this tune, as he also used it as the concluding movement of his well-known Suite No. 2 in F, Op. 28b for Military Band. Durations: 1. Jig 4:00; 2. Ostinato 1:28; 3. Intermezzo 3:41; 4. Finale (The Dargason) 4:00; Total time 13:09 I wrote this arrangement for SATB Saxophone Quartet in 2004, with revisions in 2015. It is a challenging yet ultimately rewarding piece for both audiences and players. contact me at james.pybus56@gmail.com.
$30.00
Kyrie (Durante) (Saxophone Quartet - 1 Sop, 1 Alto, 1 Tenor, 1 Bari)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1092461 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1092461 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696553. Published by Regis Bookshar (A0.1092461). Kyrie - by Francesco Durante; Saxophone Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Saxophone Quartet, consisting of 1 Soprano Saxophone, 1 Alto Saxophone, 1 Tenor Saxophone and 1 Baritone Saxophone. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Alto Saxophone Quartet)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0.1092502 Composed by Francesco Durante. Arranged by Regis Bookshar...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0.1092502 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 8 pages. Regis Bookshar #696526. Published by Regis Bookshar (A0.1092502). Kyrie - by Francesco Durante; Alto Saxophone Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for an Alto Saxophone Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for an Alto Saxophone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Quartet Opus76 no 3 'Emperor Quartet'
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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Franz Joseph Haydn
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Robert Rainford
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Quartet Opus76 no 3 'Emperor Q
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Forton Music - Digital
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SheetMusicPlus
Saxophone Quartet SATB - Intermediate-Advanced - Digital Download SKU: F2.FM135 Composed by Franz Joseph Haydn. Arranged by Robert Rainford. Score and pa...
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Saxophone Quartet SATB - Intermediate-Advanced - Digital Download SKU: F2.FM135 Composed by Franz Joseph Haydn. Arranged by Robert Rainford. Score and parts. 56 pages. Forton Music - Digital #FM135. Published by Forton Music - Digital (F2.FM135). ISBN 9790570480340.Saxophone Quartet SATB. One of Haydn's last string quartets arranged for saxophone quartet - the height of elegant and sophisticated writing for a small group of instruments. It takes its name from the second movement, in which Haydn uses the anthem 'God Save Emperor Francis' (which he wrote for Emperor Francis II) as the theme for a set of variations. This tune later became the German National Anthem, and is also well known as the melody for the hymn 'Glorious Things Of Thee Are Spoken'. In four movements, the first and last of which are extended compositions in sonata form. The second movement is the set of variations mentioned above, in which each instrument takes a turn at stating the tune, while the other instruments weave their variations round it. The third movement is a boisterous Minuett. An extended work, requiring neat playing from all musicians. The soprano part is particularly challenging, requiring nimble fingering and some rapid tonguing. The minuet and trio is easier but still rewarding. A chance for a sax quartet to try music from a different historical period.
$15.95
La Waltz Triste (Saxophone Quartet version)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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James Pybus
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La Waltz Triste
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.764635 Compo...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.764635 Composed by James Pybus. Contemporary,Contest,Festival. 27 pages. James Pybus #34115. Published by James Pybus (A0.764635). La Waltz Triste is an original composition playable by either SATB or AATB Saxophone Quartet, both with an optional Bass Saxophone part which doubles the Baritone part. Performance time is 3:10. As the title would suggest, it has a rather sad and melancholic feel. Several events in my personal life of a tragic nature which occurred during the year it was written (2014) have subconsciously contributed to this feeling, including in May 2014 the loss of a friend and colleague, followed in September by the loss of my father-in-law. An ongoing health issue which began in April prevented me from playing and performing to the best of my ability. Thankfully this issue has resolved itself; there is a ray of hope for the future. Not wanting to wallow in self-pity, I look forward to more cheerful days ahead. Contact me at james.pybus56@gmail.com.
$15.00
The Boar's Head Carol - Saxophone Quartet (SATB or AATB) - Intermediate
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Christmas
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Traditional English Carol
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Dennis Ruello
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Noel
This
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The Boar's Head Carol - Saxoph
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Chicory Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.736656 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.736656 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Renaissance,Standards,World. 8 pages. Chicory Music #5327015. Published by Chicory Music (A0.736656). The Boar's Head CarolThis Christmas carol talks about a feast during midwinter in which a wild boar was served as the main dish and its head placed in a situated position to symbolize bravery and abundance. Closely related to the Norse tradition of boar sacrifice to their goddess Freyja during the feast of Winter Solstice, this song originated from an urban legend in Queen's College, Oxford back in the 15th century which tells of how a scholar from Queen’s College managed to kill an attacking boar and offered it at dinner.The song was first published in English during the 1520’s in a book entitled Christmase Carolles Newly Emprynted at London in the flete street, which was written by Jan van Wynken de Worde. It is also said to be the very 1st Christmas carol to ever be publish in English because it dates back that early.Although the modern versions of the song makes no mention of Christmas, the original verses does so in The boar's head we bring with song, in worship of Him that thus sprung, of a Virgin to redress all wrong; NoelThis Intermediate Level arrangement starts out in Ab Major and modulates to Bb Major for the final chorus. Performance time approx. 1 minute 45 seconds. .
$7.99
Scott Joplin's New Rag
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Scott Joplin
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Tetsuya Watanabe
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Scott Joplin's New Rag
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N MusicPress
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1394542 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1394542 Composed by Scott Joplin. Arranged by Tetsuya Watanabe. 20th Century,Chamber,Ragtime. 14 pages. N MusicPress #978026. Published by N MusicPress (A0.1394542). This piece was written in 1912 by African American composer and pianist Scott Joplin. He was a famous performer and composer who established Ragtime as a musical genre that combines European classical music and African American harmonies and rhythms, and many people refer to him as the King of Ragtime. (King of Ragtime). This arrangement was made for Saxophone Quartet, and is an orchestration that uses each instrument's wide range. Ossia is written on the sheet music, so you can play whichever you like.-----♬Instrumentation・Soprano Saxophone in Bb・Alto Saxophone in Eb・Tenor Saxophone in Bb・Baritone Saxophone in Eb.
$19.99
Parklife
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Pop music
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Blur
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Austin Ralphson
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Parklife
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Austin Ralphson
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.563942 By Blur. By Alex James, Damon Albarn, Dave Rowntree, and Graham Coxon. Ar...
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Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.563942 By Blur. By Alex James, Damon Albarn, Dave Rowntree, and Graham Coxon. Arranged by Austin Ralphson. Pop. 20 pages. Austin Ralphson #5720303. Published by Austin Ralphson (A0.563942). This massive britpop hit from the 90s is presented here as a fun piece to fit into your repertoire. You have 2 options for performing it: 1) Play it as an instrumental piece with improvised solos covering the two verses (chords are provided) 2) Employ a vocalist (compere?) to speak the verses and optionally sing the choruses as well. Full lyrics are provided.Whichever you choose, the audience will join in with the chorus and the Parklife occurrences anyway! Enjoy!
$14.99
Joy to the World by for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Lowell Mason, Isaac Watts
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Ander
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Joy to the World by for Saxoph
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1510633 Composed by Lowell Mason, Isaac Watts. Arranged by Ander. Chamber,Christ...
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Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1510633 Composed by Lowell Mason, Isaac Watts. Arranged by Ander. Chamber,Christian,Christmas. 12 pages. Woods Only, Arrangements #1085834. Published by Woods Only, Arrangements (A0.1510633). If you are looking for a sheet music of an arrangement of Joy to the World for Sax Quartet, then you will love this version that we made, which brings a new look to this classic Christmas carol. Joy to the World is one of the most famous and oldest Christian songs, written by the poet, preacher, theologian and pedagogue Isaac Watts in 1719, based on Psalm 98 of the Bible. The melody that we know today was adapted by the American composer Lowell Mason in 1848, from a work by George Frideric Handel. In this arrangement, we have some fun with the melody, changing rhythms, harmonies and counterpoints, to give a new and magical air to the song, but without losing the essence of the original work. This arrangement is perfect for use in any Christmas event, such as chamber music in recitals, concerts, public shows, or as teaching material and incentive for music students. You will be amazed by the beauty and creativity of this arrangement, which will delight everyone who listens. Do not waste time and get your sheet music of Joy to the World, and be part of the history of this wonderful song.
$7.99
Joy to the World by for Baritone Sax Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Isaac Watts and Lowell Mason
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Ander
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Joy to the World by for Barito
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Woods Only, Arrangements
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 3 - Digital Download SKU: A0.1514998 Composed by Isaac Watts and Lowell Mason. Arranged by...
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 3 - Digital Download SKU: A0.1514998 Composed by Isaac Watts and Lowell Mason. Arranged by Ander. Chamber,Christian,Christmas. 12 pages. Woods Only, Arrangements #1089496. Published by Woods Only, Arrangements (A0.1514998). If you are looking for a sheet music of an arrangement of Joy to the World for Baritone Saxophone Quartet, then you will love this version that we made, which brings a new look to this classic Christmas carol. Joy to the World is one of the most famous and oldest Christian songs, written by the poet, preacher, theologian and pedagogue Isaac Watts in 1719, based on Psalm 98 of the Bible. The melody that we know today was adapted by the American composer Lowell Mason in 1848, from a work by George Frideric Handel. In this arrangement, we have some fun with the melody, changing rhythms, harmonies and counterpoints, to give a new and magical air to the song, but without losing the essence of the original work. This arrangement is perfect for use in any Christmas event, such as chamber music in recitals, concerts, public shows, or as teaching material and incentive for music students. You will be amazed by the beauty and creativity of this arrangement, which will delight everyone who listens. Do not waste time and get your sheet music of Joy to the World, and be part of the history of this wonderful song.
$7.99
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