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117968
PIANO & KEYBOARDS
Piano solo
181777
Piano, Vocal and Guitar
121173
Piano, Voice
79096
Easy Piano
39581
Organ
11190
Big Note Piano
7133
C Instruments
6843
1 Piano, 4 hands
5264
Piano Accompaniment
5181
Accordion
4151
Piano Trio: piano, violin, cello
1423
2 Pianos, 4 hands
929
Piano (band part)
547
Piano Quartet: piano, violin, viola, cello
394
Organ, Trumpet (duet)
341
Piano Quartet: piano, 2 violins, cello
307
Organ, Piano (duet)
225
Accordion, Voice
209
Melody line, Piano
206
Piano Quintet: piano, 2 violins, viola, cello
205
Harpsichord
166
1 Piano, 6 hands
117
Keyboard
98
2 Accordions
51
Solo instrument and Organ
44
2 Pianos, 8 hands
39
Accordion ensemble
22
All Instruments
17
Organ, Voice
16
Fake Book
13
Accordion, Piano
12
2 Organs (duet)
8
Accordion and Orchestra
6
Piano Quintet: piano, violin, viola, cello, double bass
6
Accordion, String(s)
5
Piano ensembles
5
Organ and Orchestra
4
Concertina
3
3 Pianos
2
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GUITARS
Guitar notes and tablatures
56494
Melody line, (Lyrics) and Chords
30219
Guitar
20327
Lyrics and Chords
13763
Ukulele
10159
Bass guitar
8542
2 Guitars (duet)
1504
Guitar (band part)
1294
Mandolin
739
Piano, Guitar (duet)
723
4 Guitars (Quartet)
689
Banjo
660
Guitar Ensemble
489
Dulcimer
445
3 Guitars (trio)
292
Band Scores
280
Baritone Ukulele
257
Lap Steel Guitar
155
Electric Bass (band part)
117
Ukulele Ensemble
114
Mandolin, Piano (duet)
57
Guitar, Violin, Cello (trio)
38
Mandolin, Guitar (duet)
37
Dobro
36
2 Dulcimers (duet)
25
2 Ukuleles
19
Guitar, Flute, Clarinet
14
Guitar, Orchestra
7
Zither
7
2 Mandolins (duet)
6
Guitar, String Quartet
6
Plectrum Orchestra
5
Lute
4
Guitar, Harp
2
Guitar Tab, Voice, Bass, Drum
2
2 Guitars and Orchestra
1
2 Guitars, Clarinet (trio)
1
Instrumentations suivantes
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VOICE
Choral SATB
41578
Choral 3-part
16977
Choral 2-part
12078
Choral
7066
Voice solo
7026
Choral TTBB
6908
Choral Unison
4613
Choral SSAA
3937
Vocal duet, Piano
3229
Choral Instrumental Pak
1324
Vocal duet
1281
High voice
1191
Soprano voice, Piano
1020
Alto voice, Piano
660
Tenor voice, Piano
613
Low voice, Piano
610
Baritone voice, Piano
427
Voice, Guitar
260
Medium voice, Piano
259
Medium Voice
240
Choral SSATB
126
Tenor voice
117
Mezzo-Soprano voice, Piano
112
Choral SSAATTBB
104
Soprano voice
70
Soli, Mixted choir and accompaniment
68
Choral, Organ
59
Choral SSATBB
50
Choral SSATTB
47
Choral SSAB a cappella
46
Low voice
43
Children choir
42
Choral SSAB, Piano
39
Baritone voice
17
High voice, Piano
17
Choral SSAATB
11
Voix Masculines
10
Choral SATBB
10
Vocal duet, Organ
7
Soprano voice, Orchestra
5
Choral SAATB A Cappella
4
Choral SATTBB A Cappella
4
Lyrics only
3
Choral SATTBB, keyboard
2
Choral SATTB
2
Children choir, Piano
2
Voice, Basso continuo
2
Choral SSAATB A Cappella
2
Instrumentations suivantes
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WOODWIND
Flute
16999
Saxophone
16955
Clarinet
15031
Saxophone (band part)
14856
Flute and Piano
10354
Clarinet (band part)
9035
Alto Saxophone
8953
Clarinet and Piano
7919
Saxophone Quartet: 4 saxophones
7696
Tenor Saxophone
7668
Oboe, Piano (duet)
5969
Alto Saxophone and Piano
5857
2 Saxophones (duet)
5773
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
5747
2 Flutes (duet)
5059
Clarinet Quartet: 4 clarinets
4869
Flute, Oboe, Clarinet, Bassoon
4851
Oboe (band part)
4439
2 Clarinets (duet)
4332
Tenor Saxophone and Piano
4326
Flute (band part)
3695
Flute Quartet: 4 flutes
2767
Soprano Saxophone and Piano
2572
Saxophone Quintet: 5 Saxophones
2241
Recorder
2109
3 Saxophones (trio)
2069
Oboe
2068
3 Clarinets (trio)
2032
Flute, Clarinet (duet)
1799
Flute and Guitar
1762
Clarinet Ensemble
1504
Flute Trio: 3 flutes
1443
Flute ensemble
1214
Soprano Saxophone
1164
Baritone Saxophone, Piano
1113
2 Oboes (duet)
1084
Saxophone ensemble
1022
Clarinet Quintet: 5 clarinets
970
English horn, Piano
959
Eb Instruments
892
Recorder Quartet
851
Flute, Violin
804
Oboe, Bassoon (duet)
786
2 Recorders (duet)
772
Clarinet, Violin (duet)
761
Ocarina
675
Descant (Soprano) Recorder
672
Oboe, Clarinet (duet)
660
Saxophone, Clarinet (duet)
633
Harmonica
606
Flute, Clarinet and Bassoon.
550
Flute, Oboe, Clarinet (trio)
546
Flute, Violin, Piano
513
Clarinet, Guitar (duet)
480
Bass Clarinet, Piano
461
Treble (Alto) Recorder
461
Clarinet, Bassoon (duet)
458
Flute, Violoncello
436
Flute, Oboe, Bassoon
429
3 Recorders (trio)
423
Flute, Oboe (duet)
390
Flute Quintet : 5 flutes
390
Oboe, Clarinet, Bassoon (trio)
361
Piccolo
335
Oboe, Flute
334
Clarinet, Trumpet (duet)
324
Flute, Clarinet, Piano (trio)
312
English Horn
311
Flute, Viola (duet)
300
Flute, Trumpet (duet)
299
Clarinet, Cello (duet)
290
Clarinet and Viola
267
5 Recorders
264
Flute, Saxophone (duet)
259
Clarinet, Harp (duet)
256
Flute, Cello, Piano (trio)
246
Baritone Saxophone
230
Flute, Violin and Violoncello
229
Recorder Ensemble
221
2 Saxophones, Piano
212
Oboe, Cello
207
Bass Clarinet
195
2 Flutes, Piano
195
2 Clarinets, Piano
180
Oboe, Violin (duet)
177
3 Oboes
164
Descent (Soprano) Recorder, Piano
153
Flute, Trombone (duet)
147
Saxophone and Piano
146
Treble (Alto) Recorder, Piano
138
Flute, Oboe, Violin
122
Saxophone and Guitar
117
Oboe, Guitar (duet)
115
Flute, Bassoon, and Piano
111
Pennywhistle
111
Recorder, Piano
111
Clarinet, Cello, Piano (trio)
108
Flute, Clarinet, Violin (trio)
104
English Horn, Guitar (duet)
100
Flute, Oboe, Piano (trio)
91
Tenor Recorder
89
Clarinet, Trombone (duet)
87
Saxophone, Violin (duet)
85
2 Clarinets, Bassoon
85
Wind ensemble
79
Flute, Harp and Cello
79
Flute, harp and violin
77
Oboe, Trumpet (duet)
76
Oboe and viola (duet)
73
4 Oboes
73
Flute, Organ (duet)
69
Flute, Viola and Piano
67
Recorder, Guitar (duet)
61
Saxophone and Organ
61
Piccolo, Piano
56
Bagpipe
55
Flute, Violin, Violoncello and Piano
53
Flute, Clarinet, Horn and Bassoon (Quartet)
52
Oboe, Harp
46
Flute, Tuba (duet)
45
Saxophone and Harp
44
Treble (Alto) Recorder, Basso continuo
43
Saxophone, Bassoon (duet)
43
Harmonica, Piano
42
Flute and Strings Trio
38
Oboe, Trombone (duet)
36
Clarinet, Bassoon, Piano (trio)
36
Flute, trombone and piano
33
Clarinette, Viola and Piano (trio)
33
Clarinet Quartet: Clarinet, Violin, Viola, Cello
31
Clarinet, Tuba
29
Clarinet Quintet: Clarinet, String Quartet
28
2 English horns and Pianoforte
28
Flute, Cello, Guitar
26
Flute, Violin, Guitar
26
Flute, French horn (duet)
25
Clarinet, trumpet and piano
23
Clarinet, Organ
21
Oboe, Cello and Piano
20
Flute, Orchestra
20
Saxophone and cello
19
Oboe, Bassoon and Piano
17
2 Oboes, Piano
17
Flute and String Quartet
17
Clarinet, Double bass (duet)
16
Flute, Viola and harp
16
2 Recorders, Piano
14
2 Flutes and Guitar
13
Oboe, Violin, Piano
13
Clarinet, Orchestra
12
Oboe, Clarinet and Piano (Trio)
12
Oboe ensemble
11
Recorder, Harp
10
English horn, Harp (duet)
9
Saxophone, Tuba (duet)
9
Oboe, Violin, Viola and Violoncello (Quartet)
8
Flute, Viola and Cello
7
Oboe, Organ
7
Flute, Basso continuo
7
Descant (Soprano) Recorder, Basso continuo
6
Clarinet, String quartet and Piano
6
Pan Flute
6
2 Oboes and English horn
5
2 Oboes and Basson
4
Oboe and String quartet
3
2 Flutes and Harp
3
2 Flutes, 2 Clarinets (Quartet)
3
Oboe, Clarinet, Bassoon and Piano
2
2 Recorders, Guitar
2
Melodica
2
Oboe and Orchestra
2
Flute, viola, cello and guitar
1
2 Flutes, Basso continuo
1
2 Oboes, 2 Horns and 2 Bassoons
1
Flute, Guitar, Piano
1
2 clarinets, 2 bassoons
1
Clarinet, Saxophone, Piano
1
3 Recorders, Piano
1
Instrumentations suivantes
Retracter
WOODBRASS
Trumpet
14496
Trombone
11713
Trombone (band part)
11149
Brass Quintet: 2 trumpets, horn, trombone, tuba
7555
Trumpet (band part)
7548
French horn
5779
Trumpet, Piano
5454
Trombone and Piano
4573
French horn (band part)
4041
Tuba (band part)
3494
French Horn and Piano
3288
Brass quartet : 2 trumpets, trombone, tuba
3148
2 Trumpets (duet)
2463
Tuba
2428
2 Trombones (duet)
2143
Brass Quartet: 2 trumpets, horn, trombone
1545
Tuba and Piano
1534
Brass Quartet
1430
Trumpet, Trombone (duet)
1231
Euphonium
1104
Brass Quartet: 4 trombones
1047
Bass Clef Instruments
981
2 French horns (duet)
978
English horn, Piano
959
Bb Instruments
919
Euphonium, Piano (duet)
898
Brass Quartet: 4 horns
753
Trumpet, Saxophone (duet)
598
4 Tubas
557
Brass Trio
487
Trumpet, Horn (duert)
484
Trombone ensemble
416
Cornet
358
3 Trombones (trio)
357
2 Tubas (duet)
315
English Horn
311
F Instruments
296
3 Trumpets (trio)
276
Brass Quartet: 4 trumpets
231
Trumpet ensemble
229
2 Euphoniums and 2 Tubas
225
Horn Ensemble
209
Tuba or Euphonium or Saxhorn
203
Euphonium, Tuba (duet)
129
2 Trumpets, Keyboard (piano or organ)
125
Trumpet, violin (duet)
110
Trumpet, Tuba (duet)
109
Bass Trombone
103
English Horn, Guitar (duet)
100
Trumpet, Bassoon (duet)
100
Brass Quartet: 2 trumpets, 2 trombones
99
Trombone, cello (duet)
97
Tuba and Organ
92
Horn, Cello (duet)
87
Trombone, Tuba (duet)
81
Trombone, Horn (duet)
80
Bass Trombone and Piano
79
3 French horns (trio)
77
Trombone, Violin (duet)
76
2 Euphoniums (duet)
76
Trumpet, Cello (duet)
72
Tuba ensemble
66
Horn, Tuba (duet)
59
Trombone, Organ
57
French Horn and Harp
52
Trumpet, Cello, Piano
39
Trumpet, Harp
39
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
37
Trumpet, Trombone, Piano
36
French horn and Basson (duet)
35
Clarinet, Horn (duet)
31
2 English horns and Pianoforte
28
Horn and Organ
22
3 Tubas (trio)
20
Horn, Trumpet, Trombone (trio)
19
Trumpet and Guitar
17
2 Trombones, Piano
15
Trombone, Viola (duet)
14
Euphonium (band part)
14
Trumpet, Orchestra
12
2 French horns, Piano
11
3 Euphoniums
11
Cornet and Piano
11
English horn, Harp (duet)
9
Brass Quintet: 2 trumpets, horn, 2 trombones
9
Flügelhorn
7
Trombone and Orchestra
6
Horn, Cello and Piano
6
Trumpet, Euphonium (duet)
5
Instruments en Sol
4
4 Euphoniums
4
Horn and Orchestra
3
Bass Saxhorn or Euphonium or Tuba and Piano
2
Cornet and Orchestra
2
Euphonium or Saxhorn and Piano
2
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
19836
Violin
16914
Violin and Piano
13424
Cello
10951
Viola
9631
Cello, Piano
8529
Harp
6484
Viola, Piano
6307
Violin (band part)
5398
2 Violins (duet)
4448
Violin, Cello (duet)
4194
String Trio: violin, viola, cello
3422
2 Cellos (duet)
3109
Doublebass (band part)
3093
Violin, Viola (duet)
2142
Cello (band part)
2076
Viola (band part)
1788
Double Bass
1702
2 Violas (duet)
1695
String Quintet: 2 violins, viola, cello, bass
1588
Double bass, Piano (duet)
1274
String Trio: 2 violins, cello
1197
Viola, Cello (duet)
942
String Trio: 3 violins
795
4 Cellos
781
Violin, Guitar (duet)
737
Piano Trio: Violin, Viola, Piano
709
Harp, Flute (duet)
681
Cello, Guitar (duet)
568
String trio
512
String Trio: 3 cellos
481
2 Harps (duet)
459
String quartet: 4 violins
374
Harp, Violin (duet)
360
Viola, Guitar (duet)
340
String Trio: 3 violas
271
String Trio: 2 violins, viola
268
2 Double basses (duet)
263
Cello, String Bass (duet)
238
String Quartet : 4 violas
231
Violin, Bassoon (duet)
194
2 Violins, Piano
151
Viola and Bassoon
116
Harp, Cello (duet)
115
String Quintet: 2 violins, 2 violas, cello
92
Viola and Harp
68
Cello Ensemble
66
4 Double Basses
66
Violin, Organ
63
Harp, Voice
61
Violin, Clarinet, Piano (trio)
58
Flute, Doublebass (duet)
53
Cello, Organ
51
2 Cellos, Piano
50
String Quintet: 2 violins, viola, 2 cellos
46
Violin ensemble
41
Harp, Violin, Violoncello
39
Cello, Orchestra
34
Violin, Tuba (duet)
32
Viola ensemble
31
Harp and Piano
29
3 Harps
29
Harp and mandolin
22
3 double basses
20
Autoharp
18
2 Violas, Piano
17
Violin, Cello, Clarinet
15
Cello and Marimba
15
Viola, Organ
14
Harp (band part)
14
Harp, Trombone (duet)
14
Viola and orchestra
11
Violin, Basso continuo
10
4 Harps
10
Violin, Trumpet and Piano
10
Harp and Organ
7
Harp, Orchestra
7
Violoncello, Basso continuo
7
5 Harps
6
Harp, String quartet
5
Double basses ensemble
3
2 Violins and Basso
3
Violin, Double bass (duet)
2
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
37584
Orchestra
14770
String Orchestra
13132
Jazz Ensemble
9738
Drums
8360
Percussion (band part)
4800
Handbells
4627
Marching band
4401
Brass ensemble
4303
Chamber Orchestra
2884
Percussion
2584
Jazz combo
1663
Timpani (band part)
1601
Percussion Ensemble
1036
Drum (band part)
984
Marimba
432
Xylophone
366
Vibraphone
299
Timpani
286
Snare drums
159
Woodwind Quintet
141
Xylophone, Piano
115
Piano and Orchestra
89
Woodwind Quartet: any 4 woodwinds
74
2 Xylophones
55
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
46
Orchestra, Violin
44
Big band
30
Vibraphone and Marimba
29
Vibraphone, Piano
27
Brass Quintet: other combinaisons
27
Flexible Instrumentation
25
School Ensemble
23
Xylophone or Marimba or Vibraphone
10
2 Marimbas
9
Marimba, Piano (duet)
9
3 Marimbas
8
Marimba and Organ
6
Bongos
6
Woodwind Trio: any 3 woodwinds
5
Mariachi
4
Cajon
4
Voice and Orchestra
3
3 Percussions
3
2 Snare Drums (duet)
3
Vibraphone (band part)
2
Symphonic Band
2
Bodhran
2
Xylophone (band part)
2
Marimba or Xylophone and Piano
2
Conga
2
2 Percussions
2
Snare drums, Piano
1
Voice Mezzo-Soprano, Orchestra
1
Marimba, Saxophone (duet)
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
277
Music Theory
14
Stationery
5
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Saxophone Quartet: 4 saxophones
Sheetmusic to print
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7676
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.47 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.47 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.47 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.47 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Bach: Wachet auf for Sax Quartet
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
36.46 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Bach: Wachet auf for Sax Quartet
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jmsgu3
#
SheetMusicPlus
Don't Forget
Saxophone Quartet: 4 saxophones
Saxophone Quartet - Level 5-6 - Digital Download SKU: F2.FM1094 Composed by Frank G…
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Saxophone Quartet - Level 5-6 - Digital Download SKU: F2.FM1094 Composed by Frank Griffith. A medium tempo swinger. Classical. Score and Parts. 16 pages. Forton Music - Digital #FM1094. Published by Forton Music - Digital (F2.FM1094). ISBN 9790570489930. 8.25 x 11.75 inches.
$14.95
13.64 €
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Saxophone Quartet: 4 saxophones
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Frank Griffith
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Don't Forget
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Forton Music - Digital
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SheetMusicPlus
Turkish March by Beethoven for Alto Sax Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1143530 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743846. Published by Woods Only, Arrangements (A0.1143530). This arrangement adapted for alto sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.29 €
#
Saxophone Quartet: 4 saxophones
#
Ludwig van Beethoven
#
Turkish March by Beethoven for Alto Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Turkish March by Beethoven for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1143536 Co…
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1143536 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 11 pages. Woods Only, Arrangements #743852. Published by Woods Only, Arrangements (A0.1143536). This arrangement adapted for sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.29 €
#
Saxophone Quartet: 4 saxophones
#
Ludwig van Beethoven
#
Turkish March by Beethoven for Saxophone Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Turkish March by Beethoven for Baritone Sax Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU…
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1143533 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743849. Published by Woods Only, Arrangements (A0.1143533). This arrangement adapted for baritone sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.29 €
#
Saxophone Quartet: 4 saxophones
#
Ludwig van Beethoven
#
Turkish March by Beethoven for Baritone Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Turkish March by Beethoven for Tenor Sax Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A…
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1143532 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743848. Published by Woods Only, Arrangements (A0.1143532). This arrangement adapted for tenor sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.29 €
#
Saxophone Quartet: 4 saxophones
#
Ludwig van Beethoven
#
Turkish March by Beethoven for Tenor Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Ode to Joy by Beethoven for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1140803 Co…
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Saxophone Quartet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1140803 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741060. Published by Woods Only, Arrangements (A0.1140803). This arrangement adapted for sax quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.29 €
#
Saxophone Quartet: 4 saxophones
#
Ludwig van Beethoven
#
Ode to Joy by Beethoven for Saxophone Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Ode to Joy by Beethoven for Tenor Sax Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A…
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1140800 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741056. Published by Woods Only, Arrangements (A0.1140800). This arrangement adapted for tenor sax quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.29 €
#
Saxophone Quartet: 4 saxophones
#
Ludwig van Beethoven
#
Ode to Joy by Beethoven for Tenor Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Ode to Joy by Beethoven for Alto Sax Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1140798 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741054. Published by Woods Only, Arrangements (A0.1140798). This arrangement adapted for alto sax quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.29 €
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Saxophone Quartet: 4 saxophones
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Ludwig van Beethoven
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Ode to Joy by Beethoven for Alto Sax Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Ode to Joy by Beethoven for Baritone Sax Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU…
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1140801 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741057. Published by Woods Only, Arrangements (A0.1140801). This arrangement adapted for baritone sax quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.29 €
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Saxophone Quartet: 4 saxophones
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Ludwig van Beethoven
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Ode to Joy by Beethoven for Baritone Sax Quartet
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Woods Only, Arrangements
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SheetMusicPlus
16 Favourite Easter Hymns for Saxophone Quartet SATB, Soprano, Alto, Tenor and Baritone Saxophones
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587865 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. 64 pages. David McKeown #5031045. Published by David McKeown (A0.587865). 16 Favourite Easter Hymns for Saxophone Quartet SATB is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for Soprano, Alto, Tenor and Baritone Saxophone. Separate parts are included with the score in one single pdf file. You can watch and listen to two of these hymns (the AAAT version), via the youtube link above. 16 Favourite Easter Hymns for Saxophone Quartet SATB are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Saxophone Quartet SATB useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.12 €
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Saxophone Quartet: 4 saxophones
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Various
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16 Favourite Easter Hymns for Saxophone Quartet SATB, Soprano, Alto, Tenor and Baritone Saxophones
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David McKeown
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SheetMusicPlus
16 Favourite Easter Hymns for Saxophone Quartet AAAT, three Alto and one Tenor Saxophone
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Tenor Saxophone - Level 2 - Digital Down…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587862 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. 64 pages. David McKeown #5031039. Published by David McKeown (A0.587862). 16 Favourite Easter Hymns for Saxophone Quartet AAAT is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for three Alto and one Tenor Saxophone. Separate parts are included with the score in one single pdf file. You can watch and listen to two of these hymns via the youtube link above. 16 Favourite Easter Hymns for Saxophone Quartet AAAT are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Saxophone Quartet AAAT useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.12 €
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Saxophone Quartet: 4 saxophones
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Various
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16 Favourite Easter Hymns for Saxophone Quartet AAAT, three Alto and one Tenor Saxophone
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David McKeown
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SheetMusicPlus
Sweet Child O' Mine, by Guns N' Roses, for saxophone quartet (SATB)
Saxophone Quartet: 4 saxophones
Saxophone quartet (soprano, alto, tenor, baritone) - Intermediate - Digital Download…
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Saxophone quartet (soprano, alto, tenor, baritone) - Intermediate - Digital Download By Guns N' Roses. Arranged by Michael Compton. Score, Set of Parts. 14 pages. Published by Kreechur Kumfort Publishing
Sweet Child o' Mine was Guns N' Roses' only number 1 US single. It was released as a part of their debut album Appetite for Destruction in 1988. It is placed here as a saxophone quartet accessible by most intermediate-level players.
$15.00
13.69 €
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Saxophone Quartet: 4 saxophones
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Guns N' Roses
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Roses
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Sweet Child O' Mine, by Guns N' Roses, for saxophone quartet
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SheetMusicPlus
Elements for Saxophone Quartet and Orchestra
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.755221 Com…
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Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.755221 Composed by Sy Brandon. 20th Century,Contemporary. 229 pages. Sy Brandon #3422315. Published by Sy Brandon (A0.755221). Elements and is designed to musically portray the essential nature of the Classical Greek elements, fire, water, air and earth and their astrological implications. The first movement is Fire whose essential nature is strong and controlling. The music contains a lot of forceful sections, primarily in a homophonic style. The water element’s chief characteristic is sensitivity, therefore it is in a slow tempo and is lyrical and harmonically rich. The chief characteristic of the air element it is changeable, therefore this movement is filled with contrasts of texture, dynamics, articulation, meter, tonality, and orchestration. This last movement represents the Earth element whose main characteristic is stability. To represent stability musically, a lot of ostinatos were used. This work was commissioned by the h2 quartet in order to perform with a high school orchestra. Several substitute parts are provided. The score prints on legal size paper and the parts on letter.
$39.99
36.5 €
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Saxophone Quartet: 4 saxophones
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Sy Brandon
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Elements for Saxophone Quartet and Orchestra
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Sy Brandon
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SheetMusicPlus
5 Famous Songs by Bach for Baritone Sax Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU…
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1137884 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738138. Published by Woods Only, Arrangements (A0.1137884). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.2 €
#
Saxophone Quartet: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
5 Famous Songs by Bach for Baritone Sax Quartet
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Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Co…
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137887 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738143. Published by Woods Only, Arrangements (A0.1137887). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.2 €
#
Saxophone Quartet: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
5 Famous Songs by Bach for Saxophone Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Tenor Sax Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A…
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1137878 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738132. Published by Woods Only, Arrangements (A0.1137878). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.2 €
#
Saxophone Quartet: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
5 Famous Songs by Bach for Tenor Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Alto Sax Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1137872 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738125. Published by Woods Only, Arrangements (A0.1137872). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto sax quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.2 €
#
Saxophone Quartet: 4 saxophones
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
5 Famous Songs by Bach for Alto Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Symphony No. 7 by Beethoven for Alto Sax Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 1 - Digital Download SKU: A0…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 1 - Digital Download SKU: A0.1137254 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #737455. Published by Woods Only, Arrangements (A0.1137254). This arrangement adapted for alto sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
7.29 €
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Saxophone Quartet: 4 saxophones
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Ludwig van Beethoven
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Symphony No. 7 by Beethoven for Alto Sax Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Symphony No. 7 by Beethoven for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137258 Co…
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137258 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #737460. Published by Woods Only, Arrangements (A0.1137258). This arrangement adapted for sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
7.29 €
#
Saxophone Quartet: 4 saxophones
#
Ludwig van Beethoven
#
Symphony No. 7 by Beethoven for Saxophone Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Symphony No. 7 by Beethoven for Tenor Sax Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A…
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1137255 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #737456. Published by Woods Only, Arrangements (A0.1137255). This arrangement adapted for tenor sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
7.29 €
#
Saxophone Quartet: 4 saxophones
#
Ludwig van Beethoven
#
Symphony No. 7 by Beethoven for Tenor Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
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