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101
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.56 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.56 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.56 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.56 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bach: Wachet auf for Sax Quartet
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.549860 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 14 pages. Jmsgu3 #3557041. Published by jmsgu3 (A0.549860). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
36.69 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Bach: Wachet auf for Sax Quartet
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jmsgu3
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SheetMusicPlus
Thor's Mighty Toothbrush, rock concert piece for Saxophone Quartet AAAT
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 2 - Digital Dow…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1316104 Composed by David McKeown. 21st Century,Contemporary,Film/TV,Jazz,Rock. 10 pages. David McKeown #904851. Published by David McKeown (A0.1316104). Thor’s Mighty Toothbrush is a fun, original composition in a rock style by David McKeown and arranged for Saxophone Quartet. You will download the full score along with all the separate parts in one pdf file. Three parts are written for Alto Saxophone, with part 4 for Tenor. Two of the parts have split notes so the arrangement can be extended for more players and will work well with a much larger group. The arrangement lasts around two minutes.Thor’s Mighty Toothbrush is ideal for players of an Early Intermediate standard. Part 1 is more difficult, part 3 is easier. The keys and range are as accessible as possible for your instrument. Click the link above to hear a recording of this arrangement on YouTube.Thor’s Mighty Toothbrush;  is perfect for concert performances large and small  appeals to Marvel fans. has a title that will stand out on any concert program.  is fully articulated to help interpret each style.  is great for helping with simple rhythms and developing that internal pulse.  is road tested with scores of students and performed all over the world.  is fun to play.
$9.99
9.17 €
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Saxophone Quartet: 4 saxophones
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David McKeown
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Thor's Mighty Toothbrush, rock concert piece for Saxophone Quartet AAAT
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David McKeown
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SheetMusicPlus
Monstrous Mango for Saxophone Quartet AAAT
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 2 - Digital Dow…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1046006 Composed by David McKeown. Arranged by David McKeown. 20th Century,Holiday,Latin,Multicultural,World. 10 pages. David McKeown #650555. Published by David McKeown (A0.1046006). Monstrous Mango is a fun, original composition in a calypso style by David McKeown and arranged for Saxophone Quartet (AAAT). You will download the full score along with all the separate parts in one pdf file. The four parts are written for three Alto and one Tenor Saxophone. The arrangement lasts a little over two minutes. Monstrous Mango is ideal for players of an Early Intermediate standard. Part 1 is more difficult, part 3 is easier. The keys and range are as accessible as possible for your instrument. Click the link above to hear the arrangement on YouTube. Monstrous Mango is; perfect for concert performances large and small a spooky piece to get you and your audience in the mood for Halloween, but playable any time of year. fully articulated to help interpret each style. great for helping with simple rhythms and developing that internal pulse. road tested with scores of students and performed all over the world. fun to play.
$8.99
8.26 €
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Saxophone Quartet: 4 saxophones
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David McKeown
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Monstrous Mango for Saxophone Quartet AAAT
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David McKeown
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SheetMusicPlus
akSax (for Saxophone Quartet)
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1003612 Composed by Adrian Borza. 20th Century,Concert,Contemporary,Standards. 46 pages. Adrian Borza #2945999. Published by Adrian Borza (A0.1003612). akSax integrates an additive rhythm called aksak, which is a particularity of the Balkans folklore. However, this specific feature is less common in Western musical practices. The work’s metric structure is based on sequences of two, three and four sixteenth notes. These units of unequal length, such as the 2/16, 3/16, and 4/16 meters, are irregularly alternated in order to build musical phrases. The modal pitch structure has its origin in some Geamparale tunes, wedding dances from the Danube Plain and Dobrogea region. The mixture of the symmetrical and asymmetrical meters, together with an extremely fast tempo (i.e. 436 beats per minute or even 500), helps to turn the performer into a masterly artist.Instrumentation: Soprano saxophone in B-flat, Alto saxophone in E-flat, Tenor saxophone in B-flat, Baritone saxophone in E-flatAvailable version: the first movement of akSax may also be performed as a solo piece for Alto saxophone, and it is accessible as a separate file.Format: Full score with introductory text. Individual parts for soprano, alto, tenor and baritone saxophones are also included. Individual parts do not come with covers. Level: This music is best suited for intermediate and advanced musicians.Audio preview: An extract from the first part for solo saxophone
$7.99
7.34 €
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Saxophone Quartet: 4 saxophones
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Adrian Borza
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akSax
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Adrian Borza
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SheetMusicPlus
Stars and Stripes Forever- Intermediate Saxophone
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.951759 Composed by Michael Arell. Arranged by Michael Arell. Folk,Holiday,Patriotic. 3 pages. Michael Arell #6274205. Published by Michael Arell (A0.951759). Thank you for your interest in learning this music! I have designed the piece so that it will be approachable to musicians after about 2 years of playing, while still enjoyable for more advanced players. Included are a version in traditional Western notation and a second version with letter names to help with learning. Please visit my website www.MichaelArell.com to access a sample recording. Great fit for schools, students, and churches.
$1.99
1.83 €
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Saxophone Quartet: 4 saxophones
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Michael Arell
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Stars and Stripes Forever- Intermediate Saxophone
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Michael Arell
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SheetMusicPlus
For He's a Jolly Good Fellow - Folk Song and Toast - Saxophone Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.567698 Composed by Traditional. Arranged by Thomas Graf. Folk,Holiday,Wedding. 27 pages. Thomas Graf - the-hit-factory.com #423177. Published by Thomas Graf - the-hit-factory.com (A0.567698). The famous folk song is the best choice for any celebration party: Birthday, Wedding, Holiday, ….- This exceptional arrangement features all parts. I can be played by a small concert band as it consists of mainly of 5 melodic parts and rhythm. While beginning with a festive introduction it ends up with a melodic modulation: The best way, to say: thank you to a really Jolly good fellow! Players and audience will love it! Enjoy! Instrumentation: Soprano (Alto), Alto, Tenor, Baritone (Bass Saxophone) Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/cDyAxqjuos0.
$13.99
12.85 €
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Saxophone Quartet: 4 saxophones
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Traditional
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For He's a Jolly Good Fellow - Folk Song and Toast - Saxophone Quartet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
The Night Before
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.584328 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. 18 pages. Jeff Tincher #5711133. Published by Jeff Tincher (A0.584328). Here is another song from The Beatles 2nd movie Help!. In the original key from the soundtrack LP, this song was sung by the 4 out in a field. This is one of my favorite songs from the movie. The song is about two lovers that split and then the next day one is trying to make up with the other. A great uptempo rock song. Duration = 2:34. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
11.93 €
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Saxophone Quartet: 4 saxophones
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The Beatles
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The Night Before
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Jeff Tincher
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SheetMusicPlus
Minuet by Boccherini for Alto Sax Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1141024 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. 7 pages. Woods Only, Arrangements #741279. Published by Woods Only, Arrangements (A0.1141024). This simple arrangement adapted for alto sax quartet was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference. Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$7.99
7.34 €
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Saxophone Quartet: 4 saxophones
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Luigi Boccherini
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Minuet by Boccherini for Alto Sax Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Minuet by Boccherini for Baritone Sax Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU…
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1141026 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. 7 pages. Woods Only, Arrangements #741281. Published by Woods Only, Arrangements (A0.1141026). This simple arrangement adapted for baritone sax quartet was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference. Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$7.99
7.34 €
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Saxophone Quartet: 4 saxophones
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Luigi Boccherini
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Minuet by Boccherini for Baritone Sax Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Minuet by Boccherini for Tenor Sax Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A…
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1141025 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. 7 pages. Woods Only, Arrangements #741280. Published by Woods Only, Arrangements (A0.1141025). This simple arrangement adapted for tenor sax quartet was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference. Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$7.99
7.34 €
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Saxophone Quartet: 4 saxophones
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Luigi Boccherini
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Minuet by Boccherini for Tenor Sax Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Jingle Bells for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1125399 Co…
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1125399 Composed by James Pierpoint. Arranged by Hugh Levey. Christmas,Folk,Holiday,Traditional. 14 pages. Woodwindly.com #726182. Published by woodwindly.com (A0.1125399). Saxophone Quartet (Soprano, Alto, Tenor, Baritone) The ever popular Jingle Bells was written by James Pierpoint in the autumn of 1857 with the title, The One Horse Open Sleigh. It was not written as a Christmas Song, but it became increasingly associated with the festive season during the 1860s and 1870s, and has been a firm Christmas favourite for the last 150 years. Although attributed to Pierpoint, some authors suggest that little of the work was original. Nevertheless, it was copyrighted under his name during his lifetime. This is a simple and effective arrangement of Jingle Bells for saxophone quartet. It was created for a Scottish disabled children’s charity, to help support their Christmas celebrations during the challenging year of 2020. The ‘Saturday Café Clubs’ is based in Glasgow: Charity registration number SC046501. Please include this dedication if you record or perform this arrangement please. Thank you. Duration: 1’35
$9.50
8.72 €
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Saxophone Quartet: 4 saxophones
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James Pierpoint
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Jingle Bells for Saxophone Quartet
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woodwindly.com
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SheetMusicPlus
16 Favourite Hymns Vol.1 for Saxophone Quartet AAAT
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Tenor Saxophone - Level 2 - Digital Down…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.590399 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. 59 pages. David McKeown #6210127. Published by David McKeown (A0.590399). 16 Favourite Hymns for Saxophone Quartet AAAT (Vol 1.) is a collection of commonly performed traditional hymns. They are arranged for three Alto Saxophones and one Tenor Saxophone. The file contains the score plus the separate parts.The hymns are arranged in accessible keys and range for the instruments and are suitable for players at an early intermediate stage, after a year or two’s playing.The hymns are in alphabetical order and are as follows· Abide with Me, (Eventide)· All People that on Earth do Dwell, (Old 100th)· All Things Bright and Beautiful, (Bright and Beautiful)· Amazing Grace, (Old Britain)· Be Thou My Vision, (Slane)· Christ the Lord is Risen Today, (Crosby)· The Church’s One Foundation, (Aurelia)· City of God, (Richmond)· Crown Him with Many Crowns, (Diademata)· The Day Thou Gavest, (St Clement)· Dear Lord and Father of Mankind, (Repton)· Eternal Father Strong to Save, (Melita)· The God of Love My Shepherd Is, (University)· O God, Our Help in Ages Past, (St Anne)· Guide Me O Thou Great Jehovah, (Cwm Rhondda)· Praise My Soul the King of Heaven, (Laude Anima)
$9.99
9.17 €
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Saxophone Quartet: 4 saxophones
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Various
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16 Favourite Hymns Vol.1 for Saxophone Quartet AAAT
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David McKeown
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SheetMusicPlus
Can't Help Falling In Love
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1182605 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by César Madeira. Chamber,Children,Film/TV,Multicultural,Pop,World. 7 pages. Sheet Music To Play Editions #782352. Published by Sheet Music To Play Editions (A0.1182605). Can't Help Falling In Love by Elvis Presley. Arrangement for Saxophone Quartet - Soprano, Alto,Tenor and Baritone. With Full Score and Individual Parts. Enjoy it!For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$19.99
18.36 €
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Saxophone Quartet: 4 saxophones
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Elvis Presley
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Can't Help Falling In Love
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Sheet Music To Play Editions
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SheetMusicPlus
Can't Help Falling In Love
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1147433 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Abraham Maduro. Film/TV,Jazz,Pop,Standards,Wedding. 10 pages. Abraham Maduro #747659. Published by Abraham Maduro (A0.1147433). Saxophone Quartet arrangement of Can't Help Falling in Love, Soprano, Alto, Tenor and Baritone, Score and parts Eb major with a modulation to F major, 4/4, 80 Bpm, 3 minutes long approx., 10 pages. In this arrangement the melody remains almost the same manly in the Soprano part but all parts are interesting and musical sharing thematic elements in some points, special for weddings graduations, recitals and concerts, advanced intermediate level. For more information contact me at: contrabraham@gmail.com.
$14.99
13.76 €
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Saxophone Quartet: 4 saxophones
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Elvis Presley
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Can't Help Falling In Love
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Abraham Maduro
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SheetMusicPlus
Can't Help Falling In Love
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.818416 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Alvin Wong. Rock. 13 pages. Alvin Wong #5297557. Published by Alvin Wong (A0.818416). Can't Help Falling In Lovearranged for saxophone quartet (SATB)alvinwongmusic@gmail.com.
$18.99
17.44 €
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Saxophone Quartet: 4 saxophones
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Elvis Presley
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Can't Help Falling In Love
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Alvin Wong
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SheetMusicPlus
Can't Help Falling In Love
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.883563 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Garry Anderson. Rock. 7 pages. Garry Anderson #5021957. Published by Garry Anderson (A0.883563). Simple and effective Saxophone Quartet arrangement of Can't Help Falling in Love by Elvis Presley.Very popular for weddings. .
$30.00
27.55 €
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Saxophone Quartet: 4 saxophones
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Elvis Presley
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Can't Help Falling In Love
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Garry Anderson
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SheetMusicPlus
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