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Pi, Why?
Jazz combo
Jazz Combo - Digital Download SKU: A0.979629 Composed by Roger Aldridge. 20th Centu…
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Jazz Combo - Digital Download SKU: A0.979629 Composed by Roger Aldridge. 20th Century,Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #427659. Published by Roger Aldridge (A0.979629). Pi, Why? is an unconventional blues that uses Pi (3.1415926....) as a sequence of melodic intervals. Do not let that scare you away -- the music swings. The structure of this 18-bar tune is based on 3-bar phrases and there is shifting time in places. The first 32 digits of Pi are used in this tune: 3.1415926535897932384626433832795. Here is how I converted the Pi numbers to melodic intervals: Simply, each number becomes an interval in relation to the root of the chord being used at the time. That is, the relationships change when the chords change. The intervals are natural or altered (b9, #9, #11, etc.) chord tones or higher tensions. For 3 on V7 chords, I use either natural 3 or minor 3 (enharmonically #9). The tune starts with the sequence of 3 (#9), 1, 4 (#11), 1, 5, 9 (b9) played twice with C7 (#9) and then transposed down a half-step for B7 (#9). The next sequence -- 2 (b9), 6, 5, 3 (natural), 5 -- is played with the Bb7 (#9) chord and so on through the rest of the 32-note sequence. While 3 is the first number of Pi, that is not why the tune is structured with 3-bar phrases. Simply, the 3-bar phrases felt natural and swinging to me. This tune has a strong blues flavor; however, it is not a conventional 12-bar blues in its structure or chord progression. The A part is 12 bars. Then, the B part is 6 bars with alternating 4/4 and 3/4 (one can think of it as 7/4). The B part also has a harmonic shift from V7 (#9) chords to V9 sus4 and major 7th chords. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 4:00 YEAR OF RELEASE: 1999.
$3.00
2.74 €
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Jazz combo
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Roger Aldridge
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Pi, Why?
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Roger Aldridge
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SheetMusicPlus
Those Were The Days (theme From All In The Family)
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.798248 Composed by Charles Strouse.…
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Jazz Combo - Level 3 - Digital Download SKU: A0.798248 Composed by Charles Strouse. Arranged by Paul Hemmer. Contemporary. Score and parts. 18 pages. PJMS MUSIC #5314643. Published by PJMS MUSIC (A0.798248). The All In The Family Theme arranged in the style of the Guy Lombardo Orchestra. A-A-T-B 2 trp. 2 trb. piano, bass, drums This is just one chorus and intended for use in a TV Show sequence at a variety show. Others in the series are also available on SMP.
$30.00
27.38 €
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Jazz combo
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Charles Strouse
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Those Were The Days
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PJMS MUSIC
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SheetMusicPlus
The Perfect Pair
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.1214527 By Beabadobee. By Beatrice …
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Jazz Combo - Level 3 - Digital Download SKU: A0.1214527 By Beabadobee. By Beatrice Laus and Jacob Bugden. Arranged by John Milne. Jazz,Latin,Pop. 64 pages. Odd Shoe Music #811505. Published by Odd Shoe Music (A0.1214527). This arrangement is up a semitone from the original - it makes it much easier to read!.It is in the key of Am, and both a transposed score and a score in C are included. Â I have added piano and horn parts, and a section with a contrasting chord sequence for improvised solos towards the end.There are optional parts for flute and clarinet.An extra bass part with TAB is included.There is an additional part for guitar which has chord diagrams and TAB. Â
$36.00
32.86 €
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Jazz combo
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Beabadobee
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The Perfect Pair
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Odd Shoe Music
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SheetMusicPlus
Connecticut Avenue SUVs
Jazz combo
Jazz Combo - Digital Download SKU: A0.979668 Composed by Roger Aldridge. Contempora…
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Jazz Combo - Digital Download SKU: A0.979668 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 5 pages. Roger Aldridge #546393. Published by Roger Aldridge (A0.979668). Shifting time funk (for 5 wind instruments and rhythm section)! The title expresses my disdain for contending with monster SUVs when driving on Connecticut Avenue in Washington, DC. As I envision this music, it is funky and adventurous. The piece is a minimalist composition -- the melody is only 16 bars. However, it has expanded improvisation concepts for the soloist and the ensemble. The ensemble's collective improvisation is to sound like music coming out of car windows in traffic. The sounds change quickly. Different kinds of music come, go, and overlap. Radios (or electronics) may be used for additional layers of sound. The soloists use four chord progression patterns. Each soloist determines which patterns to play and their sequence. The patterns can be played in any order. Ideally, the patterns are determined within a performance instead of before. The soloist communicates the patterns, and when to shift to a new pattern, to the ensemble by hand signals. Music styles can also shift within a solo. Performers can take the music in any creative direction they want to go with it. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011.
$3.00
2.74 €
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Jazz combo
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Roger Aldridge
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Connecticut Avenue SUVs
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Roger Aldridge
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SheetMusicPlus
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