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Step In Time - Bass
Jazz combo
Sheetmusic to print
5 sheet music found
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1
Only A Step, Heaven's Call
Jazz combo
Jazz Combo - Level 5 - Digital Download SKU: A0.778984 Composed by Don Hodell Chilc…
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Jazz Combo - Level 5 - Digital Download SKU: A0.778984 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Blues,Christian,Gospel,Jazz. Score and parts. 3 pages. Don Hodell Chilcote #3686629. Published by Don Hodell Chilcote (A0.778984). Only A Step, Heaven's Call. A setting of a hymn tune with great funky bebop riff which is simple and groovin at times and also harmonically daring and rich. Big Chords and great nonfunctional Gospel sounding voice leading produces a striking example of the beauty qualities of this astounding gem. Piece includes distinct and unique ideas and vamps and a setting of the hymn tune before concluding. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Deeply funky tune draws from inspiration in Hezekiah Walker, Chick Corea, Ricky Dillard, Charlie Parker, and Theolonious Monk. It was used for a piano and drum prelude in church, for a moment in time.
$2.99
2.76 €
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Jazz combo
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Don Hodell Chilcote
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Only A Step, Heaven's Call
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Don Hodell Chilcote
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SheetMusicPlus
It's Been A Long, Long Time
Jazz combo
Jazz Combo - Level 4 - Digital Download SKU: A0.1076789 Composed by Jule Styne and …
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Jazz Combo - Level 4 - Digital Download SKU: A0.1076789 Composed by Jule Styne and Sammy Cahn. Arranged by Aaron Hettinga. 20th Century,Film/TV,Jazz,Standards,Wedding. Score and parts. 17 pages. Aaron Hettinga #680902. Published by Aaron Hettinga (A0.1076789). The enduring World War II- era standard “It's Been A Long, Long Time†has been recorded by many great artists through the years. More recently, the song has found renewed popularity due to its use in the Marvel Cinematic Universe’s “Avengers†movies. This arrangement takes its cue from the recording by Harry James and his orchestra, and reworks the performance as presented here for Vocal soloist, 3 horns, and Rhythm section. This chart observes the original key and form of the classic recording by Harry James with vocal soloist Helen Forrest. The horn parts closely follow in the footsteps of the original recording, making this a good vehicle to showcase a talented trumpeter. The remaining horns play the supporting role of the most important elements of the large orchestra arrangement which requires strong players on all parts. The Rhythm section/Lead sheet incorporates the chord changes and most important rhythmic elements to allow a flexible instrumentation of rhythm section to adequately feature the trumpeter and vocalist. This arrangement is a great way to showcase talented instrumentalists and vocals on this classic piece of music!
$24.99
23.06 €
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Jazz combo
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Jule Styne and Sammy Cahn
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It's Been A Long, Long Time
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Aaron Hettinga
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SheetMusicPlus
Blame It On The Boogie
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.1238888 By Jacksons. By David Jacks…
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Jazz Combo - Level 3 - Digital Download SKU: A0.1238888 By Jacksons. By David Jackson-Rich, Elmar Krohn, Hans Kampschroer, Michael Jackson-Clark, and Thomas Meyer. Arranged by Gareth Lieske. Disco,Funk,Pop,Soul. 34 pages. Dot to Dot Orchestrations #834292. Published by Dot to Dot Orchestrations (A0.1238888). Step back in time with our arrangement of the classic Jackson 5 track, 'Blame It On The Boogie'. Arranged for 4 horns plus rhythm section. Perfect for cruise ship bands, functions and concerts.
$75.00
69.22 €
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Jazz combo
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Jacksons
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Blame It On The Boogie
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Dot to Dot Orchestrations
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SheetMusicPlus
Pi, Why?
Jazz combo
Jazz Combo - Digital Download SKU: A0.979629 Composed by Roger Aldridge. 20th Centu…
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Jazz Combo - Digital Download SKU: A0.979629 Composed by Roger Aldridge. 20th Century,Blues,Jazz. Score and parts. 1 pages. Roger Aldridge #427659. Published by Roger Aldridge (A0.979629). Pi, Why? is an unconventional blues that uses Pi (3.1415926....) as a sequence of melodic intervals. Do not let that scare you away -- the music swings. The structure of this 18-bar tune is based on 3-bar phrases and there is shifting time in places. The first 32 digits of Pi are used in this tune: 3.1415926535897932384626433832795. Here is how I converted the Pi numbers to melodic intervals: Simply, each number becomes an interval in relation to the root of the chord being used at the time. That is, the relationships change when the chords change. The intervals are natural or altered (b9, #9, #11, etc.) chord tones or higher tensions. For 3 on V7 chords, I use either natural 3 or minor 3 (enharmonically #9). The tune starts with the sequence of 3 (#9), 1, 4 (#11), 1, 5, 9 (b9) played twice with C7 (#9) and then transposed down a half-step for B7 (#9). The next sequence -- 2 (b9), 6, 5, 3 (natural), 5 -- is played with the Bb7 (#9) chord and so on through the rest of the 32-note sequence. While 3 is the first number of Pi, that is not why the tune is structured with 3-bar phrases. Simply, the 3-bar phrases felt natural and swinging to me. This tune has a strong blues flavor; however, it is not a conventional 12-bar blues in its structure or chord progression. The A part is 12 bars. Then, the B part is 6 bars with alternating 4/4 and 3/4 (one can think of it as 7/4). The B part also has a harmonic shift from V7 (#9) chords to V9 sus4 and major 7th chords. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 4:00 YEAR OF RELEASE: 1999.
$3.00
2.77 €
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Jazz combo
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Roger Aldridge
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Pi, Why?
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Roger Aldridge
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SheetMusicPlus
October Joy
Jazz combo
Jazz Combo - Digital Download SKU: A0.979641 Composed by Roger Aldridge. Celtic,Jaz…
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Jazz Combo - Digital Download SKU: A0.979641 Composed by Roger Aldridge. Celtic,Jazz. Score and parts. 1 pages. Roger Aldridge #432873. Published by Roger Aldridge (A0.979641). October Joy is a slip jig (Celtic dance music in 9/8) with touches of contemporary jazz. I consider it to be one of my best fusions of roots music and jazz. Besides being a blend of Celtic and jazz styles, this piece has a number of unusual features. Structurally, I think of it as AAAB. The first A is 5 bars, the second A is 3 bars (transposed up a half-step to Ab), and the third A is 3 bars (transposed back to G). The B part, 9 bars in length, has a sudden change to E for the first 3 bars. Then, the chord progression becomes harmonically vague -- including a shift from major 7th chords to V9 sus4 chords. Shifting time is used throughout the piece with single or multiple bars of 6/8 interjected into the 9/8. While it has some quirky touches, this is music with a driving and joyful spirit. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ YEAR OF RELEASE: 1999.
$3.00
2.77 €
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Jazz combo
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Roger Aldridge
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October Joy
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Roger Aldridge
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SheetMusicPlus
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