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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
6 sheet music found
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1
Bach Fuga BWV 539 For Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
22.67 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Let It Be
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1271473 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Standards. 12 pages. RayThompsonMusic #863874. Published by RayThompsonMusic (A0.1271473). Arranged standard wind quintet.The melody is taken first by the clarinet, then horn and then the flute. The guitar break is given to the oboe and flute.The melody reprise is taken by all 4 top instruments.Let It Be is a song by the English rock band The Beatles, released on 6 March 1970 as a single, and (in an alternative mix) as the title track of their album Let It Be. It was written and sung by Paul McCartney, and credited to the Lennon–McCartney partnership.The single version of the song, produced by George Martin, features a softer guitar solo and the orchestral section mixed low, compared to the album version, produced by Phil Spector, featuring a more aggressive guitar solo and the orchestral sections mixed higher.At the time, it had the highest debut on the Billboard Hot 100, beginning its chart run at number 6 and eventually reaching the top. It was the Beatles' final single before McCartney announced his departure from the band. Both the Let It Be album and the US single The Long and Winding Road were released after McCartney's announced departure from and the subsequent break-up of the group.YouTube Link is my brass quintet arrangement.
$19.95
18.09 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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The Beatles
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Let It Be
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RayThompsonMusic
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SheetMusicPlus
City of Angels
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.10…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1026729 Composed by Jesse Holan. 20th Century,Contemporary,Wedding. Score and parts. 33 pages. Jesse Holan Enterprises #6363165. Published by Jesse Holan Enterprises (A0.1026729). City of Angels is a traditional woodwind quintet comprised of a bassoon, French horn (which is a brass-woodwind crossover instrument), clarinet, flute, and oboe. The piece was inspired by a road trip to LA during spring break of 2019, which later turned into a dystopian reality of traffic noise, smog, structural vandalism, and obvious wealth inequality. My expectations were built on 1960’s and 70’s sitcom shows like The Beverly Hillbillies and The Brady Bunch. It sure seemed like a gorgeous place to live, so this is how I begin the quintet, telling the story of the city’s development throughout time. Abundant orange groves in tall valleys swooping towards the Pacific ocean, slowly adding businesses and iconic features, followed by the decay. At the end of the piece, the first few hopeful melodies are remembered, but they’re somewhat distant and cold. The PDF download includes the score followed by each individual part.
$11.99
10.87 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Jesse Holan
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City of Angels
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Jesse Holan Enterprises
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SheetMusicPlus
That Naughty Waltz
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.786316 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.786316 Composed by Sol P. Levy. Arranged by Bill Malcolm. 20th Century,Instructional,Standards. 11 pages. Bill Malcolm #6535125. Published by Bill Malcolm (A0.786316). This is a flex-arrangement. The bassoon part has an bass clarinet alternate, the oboe part has a 2nd flute alternate, and the horn part has a 2nd clarinet alternate, which doesn't go above the break. The waltz itself is from 1920, one of the last things Sol P. Levy wrote and it was well received at that time although it sounds quite old-fashioned today. This is intended for young students.
$12.99
11.78 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Sol P
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That Naughty Waltz
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Bill Malcolm
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SheetMusicPlus
Mozart Fantasia in D Minor K. 397 for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.796886 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.796886 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert. 33 pages. Stephanie Daige #3514337. Published by Stephanie Daige (A0.796886). This Fantasia in D Minor, K. 397, really shows off Mozart's dramatic side. My arrangement of this Fantasy, one of Mozart's most popular piano pieces, gives each instrument the opportunity to play a different character. Fantasia in D Minor opens with somber arpeggios in the bassoon, and then goes to a pleading melody that goes back and forth between the flute and the oboe. The tension builds up until the clarinet breaks out into a wild cadenza. The pleading melodies and wild cadenzas go back and forth a few more times building tension until the final segment, which resolves with a bright, cheerful song-like melody in the horn. Duration is approximately 6 minutes.I had a great time arranging this piece, and I hope you will enjoy playing it. It presents some unique challenges and expressive opportunities, and it is a real crowd-pleaser.
$17.99
16.31 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Wolfgang Amadeus Mozart
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Mozart Fantasia in D Minor K. 397 for Woodwind Quintet
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Stephanie Daige
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SheetMusicPlus
Vonnegut Trilogy
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1404653 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 102 pages. Max Frank Music #987719. Published by Max Frank Music (A0.1404653). Experience the hauntingly beautiful Vonnegut Trilogy, a three movement suite for woodwind quintet composed to celebrate the centennial of acclaimed author Kurt Vonnegut. This captivating and thought-provoking piece captures the essence of Vonnegut's literary works through quirky arrangements and evocative melodies. Dive into the world of Vonnegut and let the music transport you to new and inspiring heights.Player Piano was Vonnegut’s first published novel and serves as the fist movement to this trilogy. The music begins with the sounds of a well-oiled-machine, with carefully played melodies interacting in classical synchronicity. But throughout there are interruptions by the unrest and displeasure that surrounds the harmonious flow.Who Am I This Time? is a short story from Vonnegut’s 1961 collection entitled Welcome to the Monkey House. It is a beautiful, yet quirky, love story. This movement explores a multitude of duets, symbolizing the two main characters as they maneuver through their courtship. It is a slow dance. In one of the few literal musical depictions in this suite, the questioning final chord represents both the title, and the last line of the story.The third movement is inspired by Breakfast of Champions, a 1973 novel that explores a mul- titude of themes through the eyes and actions of a prosperous midwestern car salesman and an obscure science fiction writer. The music is off and running from the start with a rhythmic them that reappears and connects the various diversions.
$29.99
27.19 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Terry Vosbein
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Vonnegut Trilogy
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Max Frank Music
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SheetMusicPlus
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