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End Of The Line
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
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Your Mother Should Know
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.912070 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Broadway,Musical/Show,Pop. 11 pages. RayThompsonMusic #518001. Published by RayThompsonMusic (A0.912070). Arranged standard wind quintet Your Mother Should Know is a song by the English rock band the Beatles from their 1967 EP and LP Magical Mystery Tour. It was written by Paul McCartney and credited to Lennon–McCartney.Titled after a line in the 1961 film A Taste of Honey, its lyrical premise centres on the history of hit songs across generations. McCartney said he wrote it as a plea for generational understanding and respect for a mother's life experience. In the Magical Mystery Tour television film, the song serves as a big production number in the style of a 1930s Hollywood musical. Some commentators view the sequence as cultural satire, as the Beatles are seen dancing and dressed in white evening tails. Your Mother Should Know is in the music hall style, further to McCartney's earlier composition When I'm Sixty-Four.He first offered it as the Beatles' contribution to the Our World satellite broadcast in June 1967, but the band favoured John Lennon's All You Need Is Love for its social significance. The initial sessions for the song took place at Chappell Recording Studios in London towards the end of August. The group were visited there by their manager, Brian Epstein, a visit that marked the last time he joined them in the studio before his death on 27 August.
$17.95
16.33 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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The Beatles
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Your Mother Should Know
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RayThompsonMusic
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SheetMusicPlus
Take Me Out To The Ball Game for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.72…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.722757 Composed by Albert Von Tilzer. Arranged by Jari A. Villanueva. 20th Century,Folk,Holiday,Patriotic,Traditional. Score and parts. 9 pages. JV MUSIC #3484197. Published by JV MUSIC (A0.722757). Take Me Out To The Ball Game for Woodwind QuintetA delightful setting of the iconic baseball tune for Woodwind Quintet by Jari VillanuevaA young lady by the name of Katie was a devoted baseball fanatic. In fact almost every penny she had was spent on tickets to see her favorite team. Her boyfriend wanted to take her to see a show on a weekend afternoon but Katie declined instead insisting on going to the ballpark. This was not uncommon for her as she attended every home game sitting where she could call the players (usually by the first name) and let the umpires have it when an unfavorable ruling was made. In the heat of a game when the score was tied Katie would get other fans to cheer on the team by singing.https://www.youtube.com/watch?v=OWgCdUlmtpY
$12.00
10.92 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Albert Von Tilzer
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Take Me Out To The Ball Game for Woodwind Quintet
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JV MUSIC
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SheetMusicPlus
Dreams of the White Tiger
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind quintet - Digital Download SKU: IZ.CMS169 Composed by Daniel Baldwin. Scor…
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Woodwind quintet - Digital Download SKU: IZ.CMS169 Composed by Daniel Baldwin. Score and Parts. 72 pages. Imagine Music - Digital #CMS169. Published by Imagine Music - Digital (IZ.CMS169). 9 x 12 in inches.Dreams of the White Tiger is a work that had a complicated path to completion. Upon receiving this commission, Icontacted several of my friends (Jeff McCray, Matt Morris, and Richard Ramey) and requested lists of the mosthighly regarded staples of the wind quintet repertoire. After studying these works, I selected one of my favoritesubjects from Norse mythology as inspiration. Unfortunately, this did not work out as the work wanted to be toolarge and I could not reduce it down to a small chamber work.At that point, I decided to switch gears and find a new source of inspiration, which I found in a poem by James Yatestitled White Tiger Trilogy. I sketched out three movements based on this poem and was, again, displeased with theresulting work. However, I did very much like many elements from the sketches, so I decided to strip the piece downto these elements and construct one single cohesive movement. I chose my favorite line from the original sketchesand made that the central theme in an extended sonata rondo movement. I was finally pleased with this product thatincluded elements from all of the different versions. Dreams of the White Tiger was commissioned by 111 wind quintets in consortium led by my friend Richard Rameyand is dedicated to all of those who contributed to making this project a reality.
$30.00
27.29 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Daniel Baldwin
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Dreams of the White Tiger
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Imagine Music - Digital
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SheetMusicPlus
In the Bleak Midwinter - Wind Quintet by Hugh Levey
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1312131 By …
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1312131 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Advent,Chamber,Christmas,Religious. 15 pages. Woodwindly.com #901006. Published by woodwindly.com (A0.1312131). Wind Quintet (Flute, Oboe, Bb Clarinet, Horn, Bassoon)In the Bleak Mid-Winter is a popular Christmas Carol which has been set to music by both Gustav Holst and Harold Darke. This wind quintet arrangement is based on the Holst version and combines the composer's beautifully simple harmony with the arranger's counter-melodies and intricate wind writing. Lovely writing for all instruments. An ideal work for Christmas concert programming.This is a through-composed instrumental arrangement that explores the melody and harmonies of the Holst hymn in 3 differently arranged verses. After a short introduction the first verse uses Holst’s original 4-part harmonisation in its beautiful simplicity, with oboe and flute taking turns to play the top line. In verse 2, the French horn presents the tune in a lower register while the bassoon plays a Baroque style ‘walking bass’. The flute,oboe, and clarinet weave countermelodies above them, introducing new material for a Pachelbel-like interlude of an ascending sequence - bringing the music to a climax before subsiding into verse 3. Here a slightly ornamented version of the tune returns to the flute and oboe with the new material continuing in the bass line. After another smaller climax we return to the original Holst as the work ends quietly and thoughtfully.
$12.50
11.37 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Hugh Levey
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In the Bleak Midwinter - Wind Quintet by Hugh Levey
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woodwindly.com
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SheetMusicPlus
Jeanie with the Light Brown Hair
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind quintet - Digital Download SKU: IZ.CMS1612 Composed by Stephen Foster. Arr…
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Woodwind quintet - Digital Download SKU: IZ.CMS1612 Composed by Stephen Foster. Arranged by Judith Katz. Score and Parts. 18 pages. Imagine Music - Digital #CMS1612. Published by Imagine Music - Digital (IZ.CMS1612). 9 x 12 in inches.Jeanie With The Light Brown Hair is one of the most enduring, and popular American songs of all times.Characterized as a parlor song, it was written by Stephen Foster, and published by Firth, Pond & Co. of NewYork, in1854.In 1850, Foster married Jane Denny McDowell, whose nickname was Jennie. However, this was an unhappymarriage, short-lived, with numerous conflicts and separations. Jeanie With The Light Brown Hair, was written asperhaps an attempt to win his wife back. To add to his problems, Foster also ran into deep financial difficulties.Jeanie With the Light Brown Hair was virtually unknown during its time. When it was first published, the royaltieson the ten thousand copies sold, earned just $200 for Stephen Foster. To make ends meet, he had to sell the rights toJeanie, as well as other songs. After his death, the rights to Jeanie With The Light Brown Hair reverted back to hiswife and daughter.It would indeed be a pleasant surprise to Stephen Foster, if he only knew what a wide range of artists have adaptedthis song to different genres. Among solo instrumentalists, Jascha Heifitz, and William Primrose have arranged itfor solo violin and viola. The big bands of Gene Krupa, and Glen Miller have recorded it. The great R & B artist,Sam Cooke used it, as well as opera stars, Marilyn Horne and John McCormick, who added it to their concertrepertoire.The song's frequent airplay in the 1940's, led Spike Jones to create a parody, called, I Dream of Jeanie with theLight Blue Jeans. Les Brown in 1941, created a big band song, Joltin' Joe DiMaggio with the line.....We Dream ofJoey With the Light Brown Bat. Even Bugs Bunny got into the act. The 1960 short, From Hare To Heir, featuresBugs singing, I dream of Jeanie, she's a light brown hareMy arrangement, for woodwind quintet is written to capture a lyric, singing style, which I think Foster had in mind.
$12.00
10.92 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Stephen Foster
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Jeanie with the Light Brown Hair
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Imagine Music - Digital
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SheetMusicPlus
Wind Quintet - One Rule
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
31.84 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Prelude and Fugue XX from The Well-Tempered Clavier (arranged for woodwind quintet)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1419502 Composed by Johann Sebastian Bach. Arranged by Daniel Kaplan. Baroque,Chamber,Classical. 37 pages. Daniel Kaplan #1000937. Published by Daniel Kaplan (A0.1419502). Arrangement by Daniel Kaplan for woodwind quintet of Bach's Prelude and Fugue No. 20 in A minor from Book 1 of The Well Tempered Clavier. This monumental fugue employs a dramatic subject that later appears in inversion, leading to some very striking counterpoint; by the end, the emotional impact is overwhelming. Kaplan is engaged in a project to make classics from other genres available to woodwind players and has arranged several other great works for this ensemble, including many of his favorites from The Well Tempered Clavier (also avaiable on this website). The woodwind quintet is especially well suited for contrapuntal music since the distinctive tone colors of the wind instruments bring out the contrapuntal lines and make them clearer to the listener.
$4.95
4.5 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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Prelude and Fugue XX from The Well-Tempered Clavier
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Daniel Kaplan
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SheetMusicPlus
SECOND LINE - Sax Quintet (SATTB or AATTB) with optional Acoustic Bass and Drum Set - New Orleans Pa
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.734402 By W…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.734402 By Wynton Marsalis. By Joe Avery. Arranged by Dennis Ruello. Blues,Contemporary,Jazz,Wedding. 35 pages. Chicory Music #4349091. Published by Chicory Music (A0.734402). Second Line, some time called Joe Avery’s Blues, is a song written by the eponymous trombonist that is popular at second line parades. It is usually played at wedding receptions, parties, parades and at the end of a jazz funeral. The song is based on a simple 12-bar blues form and has a very singable melody. Before the melody starts, Soprano Sax (Opt. Alto Sax) plays a loud, high call to which the crowd responds, Hey! The group then proceeds to play the melody while second line parade festivities ensue.This arrangement, written at the Advanced / Intermediate level for Sax Quintet, is a fun and easy to perform tune for students or professionals. Solos for Soprano Sax (Opt. Alto Sax), Tenor Sax 2, and Baritone Sax may be played as written or improvised with the included chord symbols. Optional Acoustic Bass and Drum Set parts are also included for a more realistic performance. Performance time approx. 2 min. 40 sec.
$17.99
16.36 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Wynton Marsalis
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SECOND LINE - Sax Quintet
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Chicory Music
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SheetMusicPlus
Sweet Caroline
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1435671 By Neil Diamond. By Neil Diamond. Arranged by Jhonatan Lucio Viana. Folk,Pop,Rock,Singer/Songwriter,Wedding. 11 pages. JLVPartitura #1015760. Published by JLVPartitura (A0.1435671). Elevate your musical repertoire with our adaptation of Sweet Caroline by Neil Diamond for Woodwind Quintet.This arrangement offers a delightful rendition of the beloved classic, ensuring a seamless transition to your instrument while preserving the song's inherent charm and emotion. Ideal for pianists at the beginner or easy intermediate level, our professionally edited PDF format simplifies both study and performance. Infusing elements of pop and folk with Neil Diamond's signature style, this arrangement captivates listeners of all ages, evoking a sense of nostalgia and joy.Key Features:- Smooth adaptation to your instrument, maintaining the charm and emotion of the original song;- Level: Easy or easy intermediate players;- Professionally edited PDF format for effortless study and performance;- Genre: Blends pop and folk elements with Neil Diamond's distinctive style, appealing to a wide audience;- Evokes a sense of nostalgia and joy with its timeless melody.I'm thrilled to offer this exclusive arrangement to enrich your musical journey. Upon purchasing your preferred sheet music, I encourage you to explore my extensive collection, available on the website under my name: Jhonatan Lucio Viana. Discover a diverse selection of meticulously crafted arrangements for various instruments and voices, all offered at accessible prices.
$13.99
12.73 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Neil Diamond
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Sweet Caroline
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JLVPartitura
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SheetMusicPlus
Beauty And The Beast
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1085189 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Ralph Raymond Hays. Broadway,Children,Film/TV,Musical/Show,Standards,Wedding. 9 pages. Ralph Raymond Hays #687851. Published by Ralph Raymond Hays (A0.1085189). For Woodwind Quintet. As sung by Angela Lansbury. With an extended introduction and countermelodies (both transcribed from the original soundtrack and of the arranger's own creation), this arrangement captures the warmth and beauty of one of Disney's most beloved tunes. All members of the quintet are featured, working in concert to recreate the tenderness of one of filmdom's most cherished scenes.
$12.99
11.82 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Celine Dion & Peabo Bryson
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Beauty And The Beast
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Ralph Raymond Hays
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SheetMusicPlus
The Mysterious Barricades for Flute Choir or Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.886263 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.886263 Composed by Francois Couperin. Arranged by Barbara A. Eberhart. Baroque. 12 pages. Barbara A Eberhart #2988873. Published by Barbara A Eberhart (A0.886263). The Mysterious Barricades by François Couperin was written in 1717 for harpsichord. This arrangement is in 5 parts for Flute 1, Flute 2, Alto, Bass and Contrabass Flutes. The piece is in the Style Brisé of the French Baroque. The music is syncopated and the melodic line ambiguous. With arranging this work for flute ensemble the character of the piece is changed through the flutes’ ability to sustain notes. It enables a darker more blended tone enhancing the sense of mystery of this unusual piece. The typical Baroque embellishments were purposefully omitted; however performers should feel free to add stylistic embellishments.
$15.95
14.51 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Francois Couperin
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The Mysterious Barricades for Flute Choir or Quintet
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Barbara A Eberhart
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SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
22.74 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
To the West Wind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind quintet - Digital Download SKU: IZ.CMF193 Composed by Lee Heritage. Score …
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Woodwind quintet - Digital Download SKU: IZ.CMF193 Composed by Lee Heritage. Score and Parts. 55 pages. Imagine Music - Digital #CMF193. Published by Imagine Music - Digital (IZ.CMF193). 9 x 12 in inches.To the West Wind is a three-movement work, written in a lyrical, post-tonal style. The title alludes to Ode to the West Wind by nineteenth century British poet Percy Shelley. A breezy classicism in the first movement, Breath of Autumn, gives way to an elegiac second movement marked Grave. This movement, Tangles of Heaven, is dedicated to Toledo's great musical leader Bernard Sanchez who died in October, 2013. Heritage writes, While I was composing the quintet, the news came suddenly - and with a great sense of shock and tragedy - that Bernie had died. Deeply saddened, I realized that the second movement was taking shape as an elegy to a great friend. The flute plays an angular, emotional melody, accompanied by somber chords in the rest of the ensemble. An optimistic energy pervades the third movement, Crystalline Streams, interrupted by moments of lyricism and humor. Throughout the 10-minute work, Heritage explores the unique timbres of each instrument and the rich textures of the woodwind quintet. The Toledo Symphony Woodwind Quintet premiered To the West Wind at the 2015 Festival of New Music at The University of Toledo. Performers were Joel Tse, flute; Michele Tosser-Smith, oboe; Georg Klaas, clarinet; Sandra Clark, horn, and Gareth Thomas, bassoon.
$32.00
29.11 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Lee Heritage
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Michele Tosser-Smith, oboe
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To the West Wind
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Imagine Music - Digital
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SheetMusicPlus
Air On The G String (from Suite No.3 in D Major) (Bach) - Woodwind quintet with Piano
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
B-Flat Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1205711
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B-Flat Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1205711 By André Alberto Santos. By Johann Sebastian Bach. Arranged by André Alberto Santos. Baroque,Christian,Christmas,Classical,Wedding. 10 pages. Soul - Musical Creations #803894. Published by Soul - Musical Creations (A0.1205711). Get now the complete score of Air On The G String from Suite No.3 by BachAir On The G String by J. S. Bach is a versatile piece that can be played on many occasions. Whether in a formal concert, in a school or university performance, or even in an informal performance among friends, this piece guarantees a classic and elegant sound. Plus, the PDF sheet music lets you print as many copies as you need, making it an affordable option for music groups and orchestras.With a streamlined arrangement that allows for easy reading and interpretation, this arrangement is an excellent choice for music students, professional musicians, and amateurs looking to add a timeless piece to their repertoire.Don't miss the opportunity to have this masterpiece in your hands. Get now the sheet music in PDF of Air on the G String from Suite No.3 by J. S. Bach and discover the beauty and magic of baroque music. Order now and instantly receive the full score in your email to print or access on any device.Johann Sebastian Bach, Suite No.3, D Major, Orchestral Suite No. 3, Baroque period, Classical music, Air on the G string, Violin, Sheet music, PDF, Transcription, Arrangement, Solo instrument, Chamber orchestra, Music theory, Counterpoint, Musical composition, Musical form, String ensemble, Musical notation, woodwind ensemble , saxophone ensemble.
$12.99
11.82 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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André Alberto Santos
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Air On The G String
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Soul - Musical Creations
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SheetMusicPlus
Air On The G String (from Suite No.3 in D Major) (Bach) - Woodwind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
B-Flat Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1205852
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B-Flat Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1205852 By André Alberto Santos. By Johann Sebastian Bach. Arranged by André Alberto Santos. Baroque,Christian,Christmas,Classical,Wedding. 8 pages. Soul - Musical Creations #804039. Published by Soul - Musical Creations (A0.1205852). Get now the complete score of Air On The G String from Suite No.3 by BachAir On The G String by J. S. Bach is a versatile piece that can be played on many occasions. Whether in a formal concert, in a school or university performance, or even in an informal performance among friends, this piece guarantees a classic and elegant sound. Plus, the PDF sheet music lets you print as many copies as you need, making it an affordable option for music groups and orchestras.With a streamlined arrangement that allows for easy reading and interpretation, this arrangement is an excellent choice for music students, professional musicians, and amateurs looking to add a timeless piece to their repertoire.Don't miss the opportunity to have this masterpiece in your hands. Get now the sheet music in PDF of Air on the G String from Suite No.3 by J. S. Bach and discover the beauty and magic of baroque music. Order now and instantly receive the full score in your email to print or access on any device.Johann Sebastian Bach, Suite No.3, D Major, Orchestral Suite No. 3, Baroque period, Classical music, Air on the G string, Violin, Sheet music, PDF, Transcription, Arrangement, Solo instrument, Chamber orchestra, Music theory, Counterpoint, Musical composition, Musical form, String ensemble, Musical notation, woodwind ensemble , saxophone ensemble.
$10.99
10 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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André Alberto Santos
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Air On The G String
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Soul - Musical Creations
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SheetMusicPlus
A Repton Fugue
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1463474 By Philip Le Bas. By Philip Le Bas. Arranged by Philip Le Bas. Chamber,Classical. 21 pages. Philip Le Bas #1042196. Published by Philip Le Bas (A0.1463474). A short, attractive fugue for wind quintet (flute, oboe, clarinet, horn and bassoon) by Philip Le Bas, inspired by and based on Hubert Parry's much-loved hymn Dear Lord and Father, whose melody is entitled Repton. The fugue's structure results from a fascinating online Fugue Writing course run by CityLit, London, which the composer attended in the first half of 2024. The course presents and explains the eighteenth-century ideas of a fully developed fugue, which culminated in J.S. Bach's extraordinary achievement, the Well Tempered Clavier, and which has been used in various forms by composers ever since. The fugal rules are here treated rather as guidelines in order to create a fugue more immediately appealing to 21st century listeners, but the piece attempts to maintain the general structure found in classic fugues. The initial subject is quirky and tuneful (in fact a bit of an ear-worm), but it immediately goes on to include counter-subjects, tonal answers, codettas, episodes, middle entries, inverted subjects, strettos, a pedal and a final entry, plus a relatively long coda in which Parry's original melody is celebrated exuberantly. These different sections and techniques are all labeled in the score to add an educational dimension to the composition. Those who know the composer's Repton Variations for wind sextet will recognise the opening and ending, at least in outline, but they will soon find the rest to be more technically developed, if rather less serious, from the very beginning! The piece lasts just under three minutes.
$5.99
5.45 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Philip Le Bas
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A Repton Fugue
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Philip Le Bas
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SheetMusicPlus
Gnossienne No.1 (Erik Satie) - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.563991 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Spiritual,Wedding. 18 pages. Austin Ralphson #5801859. Published by Austin Ralphson (A0.563991). Satie wrote a set of three Gnossiennes for the piano right at the end of the 19th Century. Always one to challenge convention, he invented the word 'Gnossienne' especially for theses pieces - it has no other meaning. He also decided to notate the pieces without key signatures, time signatures or even bar lines and I have decided to do the same here in this arrangement.The piece gradually unfolds in a kind of trance-like hypnotic ambiance; this arrangement features the melody in all parts, starting unusually in the bass.
$7.99
7.27 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Erik Satie
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Gnossienne No.1
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Austin Ralphson
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SheetMusicPlus
Wedding March, Op. 77, No. 2 (for Wind Quintet)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download …
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.1205321 By Andrew Lamb. By Felix Alexandre Guilmant. Arranged by Andrew Lamb. 19th Century,Chamber,Wedding. 46 pages. Andrew Lamb #803509. Published by Andrew Lamb (A0.1205321). This arrangement of Wedding March (Souvenir de la Marche de Procession) Op. 77, No. 2 by the renowned French organist and composer Alexander Guilmant (1837–1911) is a delightful addition to any wedding ceremony. Crafted specifically for wind quintet, this arrangement beautifully captures the grandeur and elegance of Guilmant's original composition while providing a fresh and dynamic interpretation. The quintessential sounds of the flute, oboe, clarinet, bassoon, and French horn intertwine to create a harmonious blend that will enchant both the couple and their guests.Ideal for processionals, recessionals, or other key moments throughout the wedding celebration, this arrangement of the Wedding March adds a touch of sophistication and musical splendor to the occasion. The melodic lines are skillfully distributed among the wind instruments, allowing each one to shine individually and collectively, creating a rich and vibrant sonic tapestry.With its timeless appeal and classical elegance, this wind quintet arrangement of the Wedding March is a perfect choice for couples seeking a distinctive and memorable musical experience on their special day. Whether performed by a professional ensemble or a group of talented friends, this arrangement will enhance the romantic atmosphere and create lasting memories for the happy couple and their loved ones.Make your wedding ceremony truly unforgettable with this exquisite wind quintet arrangement of Wedding March (Souvenir de la Marche de Procession) Op. 77, No. 2 by Alexander Guilmant. Allow the enchanting melodies and harmonies to accompany you on your journey of love and celebration.
$10.00
9.1 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Andrew Lamb
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Wedding March, Op. 77, No. 2
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Andrew Lamb
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SheetMusicPlus
O Christmas Tree (G) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813957 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 8 pages. Regis Bookshar #6632171. Published by Regis Bookshar (A0.813957). Woodwind Quintet - Intermediate - Digital Download. This arrangement of O Christmas Tree, or in German, O Tannenbaum, would be a fabulous addition to any music library and could be performed for Christmas concerts and recitals, and, perhaps, even church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of part (8 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.O Christmas Tree is a German Christmas song based on a traditional folk song which was unrelated to Christmas. The custom of the Christmas tree developed in the course of the 19th century, and the song came to be seen as a Christmas carol. The modern lyrics were written in 1824 by the Leipzig organist, teacher and composer, Ernst Anschutz. A tannenbaum is a fir tree. The lyrics do not actually refer to Christmas or describe a decorated tree. Instead, they refer to the fir's evergreen quality as a symbol of constancy and faithfulness.In this arrangement of O Christmas Tree, Regis Bookshar has kept the basic outline of this familiar song, but has inserted a short interlude, which brings to mind the sound of alphorns, or alpenhorns, instruments which may be made from red pine, or fir trees. and are used by mountain dwellers in the Bavarian Alps. I think that students will enjoy this imitative section in the song. In addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, there are also other arrangements of O Christmas Tree available for a variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of O Christmas Tree will continue to entertain both performers ands audiences alike for years to come.
$5.00
4.55 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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German Folk Song
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O Christmas Tree
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Regis Bookshar
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SheetMusicPlus
Viva La Vida
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.868292 By C…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.868292 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Wayne Neilson (APRA/AMCOS/MAGA). Rock. 26 pages. Wayne Neilson #3530427. Published by Wayne Neilson (A0.868292). This arrangement is a beautiful rendition of the Coldplay original. Material is treated true to the original with an energetic drive. The main melodic and harmonic themes are seamlessly shared. The Horn takes centre stage at times, capturing the essence of the vocal line. The arrangement and voicing demonstrates the variety of tones that a Woodwind Quintet can produce. A great arrangement for official Ceremonies, Corporate events, School, College, or Community ensembles. Visit my website and subscribe to stay up to date with the latest arrangements. Website: https://www.wayne-neilson.com
$15.00
13.64 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Coldplay
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Viva La Vida
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Wayne Neilson
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SheetMusicPlus
H.P. Takes Five Wind Quintet Edition
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.955719 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.955719 Composed by Henry Purcell. Arranged by Phil Thrift. Baroque,Contemporary. 19 pages. Phil Thrift #5314603. Published by Phil Thrift (A0.955719). H.P. Takes Five is a cheeky take on Henry Purcell’s famous trumpet tune. Instead of 4/4 time, it’s in 5/4, with a few 7/4 measures thrown in for a bit more fun! Purcell (1659–95) wrote much incidental music for plays and so-called semi-operas performed in London’s theaters, and often included a trumpet tune as a signal for the next act. A trumpet was the only instrument that could be heard above the noise of the audience! This is the wind quintet adaptation of the arrangement originally written for brass quintet. The lead moves around the parts and so this is indicated to make sure that the appropriate line remains prominent. Pay attention to all the tenuto and staccato marks. Make sure that the ff in measures 26, 42, 52, and at the end are as loud as you can get them without overblowing. The fluid lines of the lyrical middle section will test your powers of concentration.
$7.99
7.27 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Henry Purcell
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H.P. Takes Five Wind Quintet Edition
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Phil Thrift
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SheetMusicPlus
I Had Much Grief
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.88…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
7.22 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
BACH: ITALIAN CONCERTO BWV 971 for woodwind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 4 - Di…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 4 - Digital Download SKU: A0.1291890 Composed by Johann Sebastian Bach (1685 - 1750). Arranged by Pat Spence. Baroque,Chamber,Contest,Early Music,Festival,Instructional. 60 pages. Piper Publications #882501. Published by Piper Publications (A0.1291890). Bach’s Italian Concerto BWV 971 was composed for a two manual harpsichord and was first published in 1735.The style is that of the Italian concerto grosso and clearly reflects Bach’s great admiration of the works of Antonio Vivaldi which he had studied extensively. The ritornello style opening and closing movements are lively and joyful enclosing the arioso style Andante of great melancholy beauty. In arranging the Andante I have shared the long melodic line between the five players which will require some careful blending of tone and tuning as the melody passes from player to player. The effect intended is that of a sympathetic conversation between good friends.Players of advanced intermediate standard standard will, I hope, enjoy the challenge of this arrangement of this amazing music.
$29.00
26.38 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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BACH: ITALIAN CONCERTO BWV 971 for woodwind quintet
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Piper Publications
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SheetMusicPlus
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