Download Digital Sheet Music of Experiment for Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Experiment

Resonance and Flow Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1015754 Com…(+)

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1015754 Composed by Dylan Dukat. Contemporary. 12 pages. D. Dukat #6431607. Published by D. Dukat (A0.1015754). This work is a representation of my experimentation with 20th-century harmonies and scales, as noted by Vincent Persichetti in his book Twentieth-Century Harmony. Through this process, I worked to combine aspects of these harmonic ideas with my own voice and focus on harmonic color and nature. Combining the harmonic tendencies of the 20th-century with my own harmonic language, and connecting them through digestible melodies led me to Resonance and Flow, a work that also capitalizes on the nature of the wind quintet's aural characteristics. The wind quintet can be equally homogenous or heterogeneous in timbre, and these can change based on combinations and roles of the instruments. In playing with all of these tools, Resonance and Flow is a representation of 20th-century music with a 21st-century attunement to the audience and their taste.
$12.00 11.06 € #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #Dylan Dukat #Resonance and Flow #D. Dukat #SheetMusicPlus

3 and 2 March for Wind Quintet Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1443973 Composed by James Smith. Contemporary,Contest,Festival,March. 14 pages. Ensemble Llama Music #1023933. Published by Ensemble Llama Music (A0.1443973). 3 and 2 March (or Three and Two March) is an original march, written to experiment with the traditional march in a modern way: adding 3:2 polyrhythms, subdivision changes in the melody, chromaticism and non-functional harmony. A piece that is sure to challenge your quintet, yet be fun to perform, and will leave audiences wondering what will happen next. 3'View my catalog here with Ensemble Llama Music!
$14.99 13.81 € #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #James Smith #3 and 2 March for Wind Quintet #Ensemble Llama Music #SheetMusicPlus

Winter Solstice Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.919170 Comp…(+)

Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.919170 Composed by Gordon J Citrine. Folk,Instructional,World. 2 pages. Gordon J Citrine #3015551. Published by Gordon J Citrine (A0.919170). Winter Solstice is a lively dance tune in 7/8 time with an eastern European feel - written chords, main melody and optional counter melody, two harmonies, and a bass line. Perfect for the classroom and easy chord progressions for those learning improvisation and harmony skills. Ideal instruments would be woodwind, particularly clarinet and flute, as well as guitar and other acoustic. Gordon J Citrine creates tunes for folk and dance, arranged in satisfying and simple to play harmony parts. Ideal for the small group learning to play together, school and student group sessions, or informal multi-track recordings in the home. Instruments are not specified and the notation is relatively clear of direction, so as to give the user freedom to experiment with different sounds and interpretations. Written chords are also provided All tunes are multi-part arrangements created by Gordon J Citrine, and unless credited otherwise, are also his original compositions. More information can be found at www.citrinehall.co.uk
$3.49 3.22 € #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #Gordon J Citrine #Winter Solstice #Gordon J Citrine #SheetMusicPlus

In The Pink Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.919183 Comp…(+)

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.919183 Composed by G J Citrine. Children,Folk,Instructional,World. 8 pages. Gordon J Citrine #3368575. Published by Gordon J Citrine (A0.919183). In The Pink is a flowing dance tune designed to make you happy!3/4 2/4 split time signatures, three harmony parts, bass part and basic guitar chords.Ideal instruments would be woodwind, particularly clarinet, oboe and flute, strings and guitar.Gordon J Citrine creates tunes for folk and dance, arranged in satisfying and simple to play harmony parts. Ideal for the small group learning to play together, school and student group sessions, or informal multi-track recordings in the home.Instruments are not specified and the notation is relatively clear of direction, so as to give the user freedom to experiment with different sounds and interpretations. Written chords are also provided.All tunes are multi-part arrangements created by Gordon J Citrine, and unless credited otherwise, are also his original compositions.More information can be found at www.citrinehall.co.uk
$3.49 3.22 € #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #G J Citrine #In The Pink #Gordon J Citrine #SheetMusicPlus

Bizzarie di Varie Figure (for Woodwind Quintet) Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1201736 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 23 pages. Brandon Nelson #800354. Published by Brandon Nelson (A0.1201736). Giovanni Battista Bracelli (1584-1609) was an Italian engraver and painter of the Baroque period. He is best known for his book of prints: Bizzarie di varie figure, published in 1624 in Livorno, and dedicated to Don Pietro Medici. The depiction of a variety of human shapes aggregated from a variety of objects or landscapes appears prescient of modern cubist experiments. Some of the figures are composed of boxes or raquets or curlicues.In this piece, I endeavored to illustrate in sound these beautiful, strange images. Traditional resources are used in unusual ways to depict for the listener what Bracelli so masterfully did in visual.
$12.99 11.97 € #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #Brandon Nelson #Bizzarie di Varie Figure #Brandon Nelson #SheetMusicPlus

SCHUBERT 5 MINUETS D.89 FOR WOODWIND QUINTET Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.811728 C…(+)

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.811728 Composed by Franz Schubert (1797 - 1828). Arranged by Pat Spence. Concert,Graduation,Romantic Period,Standards,Wedding. Score and parts. 38 pages. Piper Publications #5324185. Published by Piper Publications (A0.811728). 5 Minuets arranged for flute, oboe, clarinet in Bb, horn in F & bassoon. Numbers 1, 3 & 5 each have two trios, numbers 2 & 4 do not have trios. The originals for string quartet were composed on November 19th 1813 - exactly fifteen years before Schubert's death at the age of 31. They remained unpublished until 1886, though they were probably performed at social gatherings of Schubert and his friends along with the 5 German Dances with 7 trios and Coda composed around the same time. The variety of style and content shows Schubert experimenting and pushing the boundaries of the minuet beyond Classical into the Romantic era. Players of intermediate standard and above will enjoy exploring these exuberant pieces.
$18.00 16.59 € #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #Franz Schubert #bassoon. Numbers 1, 3 & #SCHUBERT 5 MINUETS D.89 FOR WOODWIND QUINTET #Piper Publications #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the â€žArt of playing the silence and the Art of the â€žduration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-â€žplease play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This â€žGhost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice â€žtakes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethovenâ€™s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 â€“1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. Thatâ€™s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethovenâ€™s life into three periods. Period 1 begins with Beethovenâ€™s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata PathÃ©tique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 â€“ 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous GroÃŸe Fuge) and the final five sonatas for piano. www.jamesguthrie.com

Les Trois Valses Distinguées du Précieux Dégoûté (Three Distinguished Waltzes of a Jaded Dandy) Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1392483 Composed by Erik Satie. Arranged by Steven Paxton. 20th Century,Chamber,Classical. 32 pages. Creative Spirit #976004. Published by Creative Spirit (A0.1392483). Transcription for woodwind quintet of the work originally composed by Erik Satie in 1914 for solo piano. By this time in his career Satie was filling his scores with non-standard performance instructions, satiric barbs and modernist prose, scattered about on a carefully, expertly fashioned musical structure of experimental harmonies, strangely static rhythms, and radically miniaturized forms. In the case of Les Trois Valses DistinguÃ©es du PrÃ©cieux DÃ©goÃ»tÃ©, Maurice Ravel was undoubtedly the target of Satieâ€™s satire. Ravel was the PrÃ©cieux DÃ©goÃ»tÃ© (a revolting or jaded dandy, a fop), and Satieâ€™s Trois Valses subtly derided Ravelâ€™s popular Valses nobles et sentimentales, composed four years earlier. (Another set, Avant-DerniÃ¨rniers PenseÃ©s, is also published by Creative Spirit in a transcription for woodwind quintet.)TOTAL DURATION: about 3â€“1/2 minutes.
$20.00 18.43 € #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #this time in his career Satie was filling his scores with non-standard performance instructions, satiric barbs and modernist prose, scattered about on a carefully, expertly fashioned musical structure of experimental harmonies, strangely static rhythms, and radically miniaturized forms #Erik Satie #Les Trois Valses Distinguées du Précieux Dégoûté #Creative Spirit #SheetMusicPlus

#this time in his career Satie was filling his scores with non-standard performance instructions, satiric barbs and modernist prose, scattered about on a carefully, expertly fashioned musical structure of experimental harmonies, strangely static rhythms, and radically miniaturized forms

AVANT-DERNIÈRES PENSEÉS (Next-to-Lasts Thoughts) Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1392507 Composed by Erik Satie. Arranged by Steven Paxton. 20th Century,Chamber,Classical. 32 pages. Creative Spirit #976030. Published by Creative Spirit (A0.1392507). Originally composed for solo piano by Erik Satie in 1915. Satie filled these three miniatures with non-standard performance instructions, satiric barbs and modernist prose, scattered about on a carefully, expertly fashioned musical structure of experimental harmonies, strangely static rhythms, and radically miniaturized forms. He seemed to be using his musical scores as his â€œsocial media, â€œtrollingâ€ the musical establishment. This is particularly the case with Avantâ€“DerniÃ¨res PenseÃ©s, as well as with Les trois valses distinguÃ©es du prÃ©cieux dÃ©goÃ»tÃ© (also published by Creative Spirit in a transcription for woodwind quintet).TOTAL DURATION: about 3â€“1/2 minutes.
$20.00 18.43 € #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #Erik Satie #AVANT-DERNIÈRES PENSEÉS #Creative Spirit #SheetMusicPlus