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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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1
Easter Morn (A Meditation) for Wind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1205359 By Andrew Lamb. By John Ebenezer West. Arranged by Andrew Lamb. 19th Century,Chamber,Easter,Religious. 19 pages. Andrew Lamb #803550. Published by Andrew Lamb (A0.1205359). Title: Easter Morn (A Meditation) Â Â Â Â Â Â Â Composer: John Ebenezer West (1863-1929)Arranger: Andrew LambDescription:Introducing our exquisite wind quintet arrangement of Easter Morn composed by the talented John Ebenezer West. This captivating adaptation brings new life to the enchanting beauty of the original composition, allowing wind quintets to explore the rich harmonies and lyrical melodies of this cherished piece.Carefully crafted with meticulous attention to detail, our wind quintet arrangement of Easter Morn showcases the unique timbres and characteristics of each instrument. From the graceful and soaring melodies of the flute to the warm and expressive tones of the clarinet, oboe, bassoon, and French horn, each voice intertwines to create a harmonious tapestry of sound.Easter Morn is a profoundly moving composition that evokes the spirit of renewal and hope. With its contemplative melodies and serene harmonies, this arrangement beautifully captures the essence of the original work, allowing wind quintets to convey the depth and emotional impact of the music.Whether you are an established wind quintet looking to expand your repertoire or a group of passionate musicians seeking an engaging piece to perform, our wind quintet arrangement of Easter Morn is a remarkable addition to your musical collection. Its versatility makes it suitable for a variety of performance settings, from intimate chamber recitals to formal concert hall performances.The sheet music for our arrangement is thoughtfully notated, providing clear and accurate scores for each member of the wind quintet. Detailed performance instructions and dynamic markings guide musicians to bring out the nuances and emotions within the music, enabling a truly captivating interpretation.Immerse yourself in the profound beauty of John Ebenezer West's Easter Morn with our wind quintet arrangement. Let the enchanting voices of the flute, clarinet, oboe, bassoon, and French horn weave together in perfect harmony, taking you and your audience on a captivating musical journey. This arrangement is a treasure trove of expressive possibilities, allowing wind quintets to showcase their artistry and convey the timeless allure of West's composition.
$12.00
10.99 €
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Andrew Lamb
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Easter Morn
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Andrew Lamb
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SheetMusicPlus
Chant d’Adieu (Romance sans Paroles), Op. 77 [by Charles Neudtedt, arr. for Wind Quintet]
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1228442 Composed by Charles Neustedt (1834–1908). Arranged by Andrew Lamb. 19th Century,Romantic Period. 23 pages. Andrew Lamb #824519. Published by Andrew Lamb (A0.1228442). Title: Chant d’Adieu (Romance sans Paroles), Op. 77 Composer: Charles Neustedt (1834-1908) Arranger: Andrew LambIntroducing our exquisite woodwind quintet arrangement of Chant d'Adieu composed by the talented Charles Neustedt (1834-1908). This captivating adaptation brings new life to the timeless beauty of the original composition, allowing woodwind ensembles to explore the intricate harmonies and expressive melodies of this cherished piece.Carefully crafted with meticulous attention to detail, our woodwind quintet arrangement of Chant d'Adieu showcases the unique timbres and characteristics of each instrument. From the rich and resonant tones of the flute to the warm and lyrical expressions of the clarinet, oboe, bassoon, and French horn, each voice intertwines to create a harmonious tapestry of sound.Chant d'Adieu is a profoundly moving composition that evokes a range of emotions, from introspection to longing. With its poignant melodies and heartfelt harmonies, this arrangement beautifully captures the essence of the original work, allowing woodwind ensembles to convey the depth and emotional impact of the music.Whether you are an established woodwind quintet looking to expand your repertoire or a group of passionate musicians seeking an engaging piece to perform, our woodwind quintet arrangement of Chant d'Adieu is a remarkable addition to your musical collection. Its versatility makes it suitable for a variety of performance settings, from intimate chamber recitals to formal concert hall performances.The sheet music for our arrangement is thoughtfully notated, providing clear and accurate scores for each member of the woodwind quintet. Detailed performance instructions and dynamic markings guide musicians to bring out the nuances and emotions within the music, enabling a truly captivating interpretation.Immerse yourself in the profound beauty of Charles Neustedt's Chant d'Adieu with our woodwind quintet arrangement. Let the enchanting voices of the flute, clarinet, oboe, bassoon, and French horn intertwine in perfect harmony, taking you and your audience on a captivating musical journey. This arrangement is a treasure trove of expressive possibilities, allowing woodwind ensembles to showcase their artistry and convey the timeless allure of Neustedt's composition.
$9.00
8.25 €
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Charles Neustedt
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Chant d’Adieu
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Andrew Lamb
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SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
22.9 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Canon (Pachelbel) (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.813433 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 27 pages. Regis Bookshar #6259513. Published by Regis Bookshar (A0.813433). Canon (Pachelbel) (Bb) (Woodwind Quintet) - Advanced/Intermediate - Digital Download. This selection, Johann Pachelbel's celebrated Canon, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Woodwind Quintet consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon. The Flute, Oboe and Clarinet play the melody in canon while the ostinato accompaniment is played by the French Horn and the Bassoon. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages). This version is written in the key of Bb Major, to make it a little easier for some younger performers, but another version is also available in the key of D Major if you would prefer. Other versions of Pachelbel's Canon have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$20.00
18.32 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Pachelbel
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Canon
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Regis Bookshar
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SheetMusicPlus
Amazing Grace
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 1 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 1 - Digital Download SKU: A0.1400625 By Traditional. By John Newton. Arranged by Jhonatan Lucio Viana. Classical,Folk,Religious,Spiritual,Traditional. 8 pages. JLVPartitura #983823. Published by JLVPartitura (A0.1400625). Acquire now the arrangement of the song AMAZING GRACE - a Traditional Song for Woodwind Quintet.Key Features:1 - Adaptation preserving the magic and emotion of the original music;2 - Easy or Easy Intermediate level;3 - Professionally edited PDF format;4- Simple melody allowing versatility and appreciation in different musical contexts;Purchase the sheet music today and immerse yourself in the beauty of this composition!I invite you to explore my extensive music collection. Enter Jhonatan Lucio Viana in the search field and discover my variety of arrangements tailored for various instruments, voices, and musical ensembles.
$4.99
4.57 €
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
Traditional
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Amazing Grace
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JLVPartitura
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SheetMusicPlus
Amazing Grace
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 1 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 1 - Digital Download SKU: A0.1400628 By Traditional. By John Newton. Arranged by Jhonatan Lucio Viana. Classical,Folk,Religious,Spiritual,Traditional. 8 pages. JLVPartitura #983826. Published by JLVPartitura (A0.1400628). Acquire now the arrangement of the song AMAZING GRACE - a Traditional Song for Woodwind Quintet + Chords.Key Features:1 - Adaptation preserving the magic and emotion of the original music;2 - Easy or Easy Intermediate level;3 - Professionally edited PDF format;4- Simple melody allowing versatility and appreciation in different musical contexts;Purchase the sheet music today and immerse yourself in the beauty of this composition!I invite you to explore my extensive music collection. Enter Jhonatan Lucio Viana in the search field and discover my variety of arrangements tailored for various instruments, voices, and musical ensembles.
$4.99
4.57 €
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Traditional
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Amazing Grace
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JLVPartitura
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
9.11 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Introductory Voluntary
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1215123 Composed by Edward Francis Rimbault (1816-1876). Arranged by Andrew Lamb. 19th Century,Chamber,Religious. 10 pages. Andrew Lamb #811990. Published by Andrew Lamb (A0.1215123). Title: Introductory VoluntaryComposer: Edward Francis Rimbault (1816-1876)Arranger: Andrew LambThis arrangement of Edward Francis Rimbault's Introductory Voluntary is a captivating wind quintet adaptation that brings new life to the classical masterpiece. With its intricate harmonies and expressive melodies, this arrangement seamlessly showcases the individual voices of the flute, oboe, clarinet, bassoon, and French horn. Prepare to be enchanted as the quintet takes you on a musical journey filled with elegance, charm, and a touch of virtuosity. Perfect for both professional performances and chamber music enthusiasts, this wind quintet arrangement of Introductory Voluntary is a must-have addition to your repertoire.
$6.00
5.5 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Edward Francis Rimbault
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Introductory Voluntary
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Andrew Lamb
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SheetMusicPlus
Wind Quintet - One Rule
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
32.07 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
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