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Organ: Theme
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
7 sheet music found
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1
Fantasia and Fugue in C minor by J S Bach BWV 537 for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.956902 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.956902 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Concert,Instructional,Standards,World. 38 pages. Woods Only, Arrangements #6480707. Published by Woods Only, Arrangements (A0.956902). This arrangement was written for woodwind quintet respecting the beautiful essence of the original work, however, with the sonority of chamber music. Not recommended for very beginners, however, it can be played by average students. It can be played in several ceremonies, academic recitals and concerts.The Fantasia that precedes the Fugue in C minor is a lamento pur sang. The rarefied notes floating high up seem to be lamenting some tragic loss or other. The sense of desolation is further reinforced by the dispirited, deep droning of the organ notes in the far distance. The lamento mood does not lessen on the introduction of the second theme, as now the notes start to descend breathlessly still further in pairs. Even after an extensive repetition of the two themes, we are still not done with the misery, as it closes with a question.
$14.99
13.83 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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Fantasia and Fugue in C minor by J S Bach BWV 537 for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
PACHELBEL CHACONNE IN C MAJOR P. 38 FOR WOODWIND QUINTET
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.81…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.811768 Composed by Johann Pachelbel (1653 - 1706). Arranged by arranged by Pat Spence. Baroque,Concert,Graduation,Standards,Wedding. Score and parts. 48 pages. Piper Publications #6092455. Published by Piper Publications (A0.811768). The Chaconne was composed for organ but not published during Johann Pachelbel’s lifetime. First Publication was in 1901 by Breitkopf und Härtel. The four bar/measure theme is repeated as are all 25 variations. In almost every instance the repeat would have been more elaborate or played in a different register on the organ.In arranging the Chaconne for wind players I have used the different characteristics of the wind instruments in varying combinations and changes of register to create what I hope is an enjoyable and entertaining concert piece for players of advanced intermediate standard. The three part writing has been expanded to the five instruments of the standard woodwind quintet to give a wider scope for variation of scoring which also enables the players some breathing space.The dynamic markings are editorial so do feel free to use your own.
$20.00
18.46 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Pachelbel
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PACHELBEL CHACONNE IN C MAJOR P. 38 FOR WOODWIND QUINTET
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Piper Publications
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SheetMusicPlus
Clef Club March for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - …
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1411895 Composed by James Reese Europe. Arranged by Charles Decker. 20th Century,Contest,Festival,Historic,Multicultural,World. 23 pages. Charles Decker Music Press #994126. Published by Charles Decker Music Press (A0.1411895). Organizer, promoter, composer and conductor James Reese Europe, called by Eubie Blake the Martin Luther King of Musicâ€, was the leading figure in the African-American music scene of New York City in the 1910's. Europe composed the spirited Clef Club March as the signature theme for his 125 member Clef Club orchestra that performed at Carnegie Hall from 1912 to 1915. During World War I, Europe directed the 369th Infantry Regiment Harlem Hellfighters Band to great acclaim in performances throughout France. Arranged for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon, the historically important work has audience appeal and is accessible for less experienced performers. The recording is of the entire edition.To see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds†in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$12.99
11.99 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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James Reese Europe
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Clef Club March for Woodwind Quintet
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Charles Decker Music Press
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SheetMusicPlus
Carmen Fantasy
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.942156 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.942156 Composed by Georges Bizet. Arranged by Armin Terzer. Opera,Romantic Period. 46 pages. Armin Terzer #4742455. Published by Armin Terzer (A0.942156). This arrangement for woodwind quintet of the famous Bizet opera Carmen strings together (almost all) major themes into a 13-minute medley. The themes appear in chronological order (like in the opera):- Prelude- Chorus of the Street Boys- Habanera- Song and Recitative- Seguidilla and Duet- Act II: Entr'acte- Toreador Song- Act III: Entr'acte- Sextet and Chorus- Air- Act IV: Entr'acte- March and ChorusSections are clearly marked so cuts are possible and easy to do.All instruments are featured both within the ensemble and as soloists (taking over the singers' lines). The level of difficulty is aspiring intermediate to advanced - the arrangement is meant to rival the orchestral suites in excitement and colours (but in a more organic/continuous format).
$25.00
23.07 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Georges Bizet
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Carmen Fantasy
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Armin Terzer
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SheetMusicPlus
Peer Gynt
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.942158 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.942158 Composed by Edvard Grieg. Arranged by Armin Terzer. Romantic Period. 39 pages. Armin Terzer #4747245. Published by Armin Terzer (A0.942158). This arrangement for woodwind quintet of the famous Grieg incidental music to Peer Gynt op.23 strings together many of the famous themes into a 13-minute medley. The themes appear in chronological order: - At the wedding - The abduction of the bride; Ingrid’s lament - In the hall of the Mountain King - The death of Ase - Morning mood - Peer Gynt’s homecoming. Stormy evening on the sea - Solveign sings in the hut Sections are clearly marked so cuts are possible and easy to do. It is also possible to play individual sections on their own. The level of difficulty is aspiring intermediate to advanced - the arrangement is meant to rival the orchestral suites in excitement and colours (but in a more organic/continuous format).
$25.00
23.07 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Edvard Grieg
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Peer Gynt
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Armin Terzer
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SheetMusicPlus
I Had Much Grief
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.88…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
7.33 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
Johann Sebastian Bach
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
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