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You've selected:
Simply Three
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
5 sheet music found
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1
Bach Fuga BWV 539 For Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
22.86 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Schubert: Marche Militaire Op.51 No.1 in D D733 - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1048905 Composed by Franz Schubert. Arranged by Ray Thompson. Romantic Period,Wedding. 11 pages. RayThompsonMusic #653298. Published by RayThompsonMusic (A0.1048905). Arranged standard wind quintet. Clarinet part in A (Bb Clt. provided) Natural Horn in D (Horn in F provided) The Three Marches Militaires, Op. 51, D. 733, are pieces in march form written for piano four-hands by Franz Schubert. The first of the three is far more famous than the others. It is one of Schubert's most famous compositions, and it is often simply referred to as Schubert's Marche militaire.
$14.95
13.67 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Franz Schubert
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Schubert: Marche Militaire Op.51 No.1 in D D733 - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Schubert: Octet D803 Op.166 Mvt.I (written for string quintet/clarinet/bassoon/horn) - wind octet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Large Ensemble B-Flat Clarinet,Bassoon,Flute,Horn,Oboe - Level 4 - Digital Download SKU…
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Large Ensemble B-Flat Clarinet,Bassoon,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553307 Composed by Franz Schubert. Arranged by Ray Thompson. Holiday,Romantic Period,Standards,Wedding. Score and parts. 41 pages. RayThompsonMusic #2038241. Published by RayThompsonMusic (A0.553307). Originally written for an octet of 3 wind: clt, Hn & Bsn, and 5 strings: 2 Vlns, viola, cello and bass, this is a tricky piece to arrange for a standard wind octet. I have left the three original wind parts mostly unchanged, with some additional notes as required. I have simplified the string parts in places, making them more playable by the wind player: I have not simply allocated the 5 string parts to the 5 wind players. The second horn part is used for the low sustained notes originally played by the double bass. I have had to utilize notes not in the horns harmonic series, unlike horn 1.
$17.95
16.42 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Franz Schubert
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Schubert: Octet D803 Op.166 Mvt.I
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RayThompsonMusic
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SheetMusicPlus
3 Renaissance Dances (for Wind Quintet)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.845573 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.845573 Composed by Michael Praetorius, Thoinot Arbeau, and Tielman Susato. Arranged by Robert Newth. Classical,Renaissance. 17 pages. Robert Newth #3436757. Published by Robert Newth (A0.845573). These three dances from the renaissance period showcase the best music from the period. They are scored simply but sound great, the perfect addition to any wind quintet's repertoire! The PDF download includes a full score and parts for Flute, Oboe, Clarinet, Horn in F and Bassoon.La Mourisque by Tielman (or Tylman) Susato is possibly the most famous piece of music from the period. It is light and fast, and is instantly recognisable. Pavane by Thoinot Arbeau is an instrumental setting of the choral pavane Belle qui tiens ma vie. The final piece is a Volte by Michael Praetorius, an exciting dance with hemiola effects, and a rousing way to end the set!
$9.00
8.23 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Michael Praetorius, Thoinot Arbeau, and Tielman Susato
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3 Renaissance Dances
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Robert Newth
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SheetMusicPlus
Calico Skies
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.945714 By Paul McCartney. By Paul McCartney. Arranged by Paul Kirk. Rock. 14 pages. Paul Stephen Kirk #6306663. Published by Paul Stephen Kirk (A0.945714). Calico Skies is the sixth song on Paul McCartney's 1997 album, Flaming Pie. McCartney had been staying on Long Island when the category-three storm Hurricane Bob that made landfall had hit in August 1991. This made McCartney sit with an acoustic guitar and write what he describes as a gentle love song that becomes a 1960s protest song. The song was co-produced by George Martin and McCartney, being started, finished, and mixed within a single session on 3 September 1992 in Sussex, England. It is the earliest recording on Flaming Pie. Around the time of the release of the album, McCartney's Wife of nearly 30 years, Linda, was suffering from breast cancer and sadly passed away 7 months later. The music video also portrays this with shots of the two of them together in her last days. Put simply, the song, lyrics, melody are for her and trying to tell the story of how the two of them were destined to love each other forever.Â
$14.99
13.71 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Paul McCartney
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Calico Skies
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Paul Stephen Kirk
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SheetMusicPlus
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