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PIANO & KEYBOARDS

Piano solo 139 Easy Piano 22 Piano, Vocal and Guitar 20 Piano, Voice 15 Organ 8

Piano (band part) 2 1 Piano, 4 hands 2 Big Note Piano 2 C Instruments 1 Accordion 1 2 Pianos, 4 hands 1

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GUITARS

Guitar 25 Guitar notes and tablatures 10 2 Guitars (duet) 5 Guitar (band part) 4 Ukulele 4

Banjo 4 3 Guitars (trio) 1 Bass guitar 1 4 Guitars (Quartet) 1

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VOICE

Choral SATB 42 Alto voice, Piano 9 Choral 3-part 8 Choral TTBB 5 Choral SSAA 4

Voice solo 4 Choral 2-part 4 Soprano voice, Piano 3 Voix Masculines 2 Baritone voice, Piano 1

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WOODWIND

Clarinet 70 2 Saxophones (duet) 14 Flute and Piano 10 Saxophone (band part) 9 Saxophone, Clarinet (duet) 9 Flute 9 Clarinet Quartet: 4 clarinets 9 Oboe, Piano (duet) 8 2 Clarinets (duet) 7 Saxophone Quartet: 4 saxophones 7 Alto Saxophone 7 2 Flutes (duet) 6 Clarinet, Violin (duet) 6 Flute Trio: 3 flutes 5 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 5

Alto Saxophone and Piano 5 Clarinet and Piano 4 Flute Quartet: 4 flutes 4 Oboe (band part) 4 Tenor Saxophone and Piano 4 Tenor Saxophone 4 Flute ensemble 4 3 Clarinets (trio) 4 Oboe, Clarinet (duet) 4 Flute and Guitar 3 Flute, Violin 3 2 Oboes (duet) 3 Oboe, Bassoon (duet) 3 Bass Clarinet, Piano 3 Flute, Saxophone (duet) 3 Oboe, Flute 3 Flute, Clarinet and Bassoon. 2 Clarinet Ensemble 2 Flute, Viola (duet) 2 Clarinet and Viola 2 Saxophone ensemble 2 Baritone Saxophone, Piano 2 Flute, Oboe, Clarinet, Bassoon 2 Flute, Clarinet (duet) 2 Soprano Saxophone and Piano 1 Treble (Alto) Recorder 1 Oboe 1 Flute, Trumpet (duet) 1 3 Saxophones (trio) 1 Bass Clarinet 1 Pennywhistle 1 Clarinet Quintet: 5 clarinets 1 Clarinet, Bassoon (duet) 1 Recorder Quartet 1 Descent (Soprano) Recorder, Piano 1 Clarinet (band part) 1 Clarinet, Trumpet (duet) 1 Clarinet Quintet: Clarinet, String Quartet 1 Flute (band part) 1 Flute, Oboe, Clarinet (trio) 1 Flute, Violoncello 1

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WOODBRASS

Brass Quintet: 2 trumpets, horn, trombone, tuba 19 Trombone (band part) 10 Trumpet (band part) 10 Trumpet 8 Trumpet, Saxophone (duet) 6

Trombone 5 Trombone and Piano 5 2 Trombones (duet) 4 French horn 4 Trumpet, Piano 4 2 Trumpets (duet) 3 French Horn and Piano 3 Trumpet, Trombone (duet) 3 Tuba 3 Brass Quartet 2 Euphonium, Piano (duet) 2 Brass Quartet: 4 trombones 2 Brass quartet : 2 trumpets, trombone, tuba 2 3 Trombones (trio) 1 2 Tubas (duet) 1

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STRINGS

String Quartet: 2 violins, viola, cello 27 Violin 18 Harp 10 Violin and Piano 10 Cello 7

Viola, Piano 7 Violin, Cello (duet) 6 2 Harps (duet) 6 Cello, Piano 5 2 Violins (duet) 5 Violin, Viola (duet) 4 String Trio: violin, viola, cello 4 String Trio: 2 violins, cello 4 2 Cellos (duet) 4 Viola 3 Doublebass (band part) 2 Double bass, Piano (duet) 2 2 Violas (duet) 2 Violin (band part) 2 Double Bass 2 String Quintet: 2 violins, 2 violas, cello 1 4 Cellos 1 Cello, String Bass (duet) 1 String Trio: 2 violins, viola 1 Viola (band part) 1 String Trio: 3 violas 1 Cello, Guitar (duet) 1 String Trio: 3 cellos 1

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PERCUSSION & ORCHESTRA

Concert band 65 Jazz Ensemble 28 Orchestra 21 String Orchestra 13 Handbells 13

Jazz combo 11 Brass ensemble 10 Chamber Orchestra 8 Drum (band part) 3 Drums 3 Marching band 2 Piano and Orchestra 1 Percussion Ensemble 1

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Slow Up

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Sheetmusic to print

5 sheet music found

Preludes Book 1 No.6 "Footprints in the Snow" Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.942165 Comp…(+)

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.942165 Composed by Claude Debussy. Arranged by Armin Terzer. 20th Century. 7 pages. Armin Terzer #5038095. Published by Armin Terzer (A0.942165). This is an arrangement for woodwind quintet of Claude Debussy's Prelude book 1 no.6 Footprints in the Snow. There are few technical challenges, but a beautiful array of colours that can be unlocked through careful rehearsing and playing. This is an excellent slow (and not long) piece to break up a concert program. The level of difficulty, due to the lack of technical challenges, is intermediate.

$15.00 13.83 € #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #Claude Debussy #Preludes Book 1 No.6 "Footprints in the Snow" #Armin Terzer #SheetMusicPlus

Gaudete - wind quintet Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Digital Download SKU: …(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Digital Download SKU: A0.504005 Composed by Piae Cantiones. Arranged by Ray Thompson. Baroque,Christmas,Classical,Pop. 9 pages. Published by RayThompsonMusic (A0.504005). Gaudete rejoice [ye] is a sacred Christmas carol, thought to have been composed in the 16th century. It was published in Piae Cantiones, a collection of Finnish/Swedish sacred songs published in 1581. No music is given for the verses, but the standard tune comes from older liturgical books. It is sometimes entitled Gaudete, Christus est Natus. British folk rock group Steeleye Span had a hit in 1973 (No. 14, UK singles chart) with an a cappella recording of the song. Guitarist Bob Johnson had heard the song when he attended a folk-carol service with his father-in-law in Cambridge, and brought it to the attention of the rest of the band. (Unlike the album version which fades up slowly and fades down slowly, the single was at the same volume for the entire length of the song.) This single is one of only three top 50 British hits to be sung fully in Latin.

$9.95 9.17 € #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #Piae Cantiones #Gaudete - wind quintet #RayThompsonMusic #SheetMusicPlus

Woodwind Quintetã€Šæœ¨ç®¡äº”é‡å¥ã€‹ Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.961996 C…(+)

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.961996 Composed by Ma Shui Long é¦¬æ°´é¾. 20th Century,Contemporary. Score and parts. 47 pages. SpringAutumnmusic #2341877. Published by SpringAutumnmusic (A0.961996). ã€Šæœ¨ç®¡äº”é‡å¥ã€‹2002å¹´ï¼ˆè³´å¾·å’Œæ’°å¯«ï¼‰ æœ¬æ›²æ˜¯2002å¹´é¦¬æ°´é¾æ•™æŽˆç‰¹åœ°ç‚ºæ¬¡åå©šç¦®ç¾å ´æ¼”å‡ºæ‰€èœå¯«ã€‚ é€™ä¸€é¦–æ´»æ½‘æ„‰æ‚…çš„æ›²åæ¦‚åˆ†ç‚ºäº”æ®µï¼šç¬¬ä¸€ä¸»é¡Œäº”è²éŸ³éšŽå¾µèª¿å¼ï¼Œä¸»æ—‹å¾‹å‡ºç¾åœ¨é•·ç¬›è²éƒ¨ã€‚é€™å€‹ä¸»é¡Œè½‰åˆ°äº”åº¦ä¸Šçš„èª¿ï¼Œå…ˆå¾Œè¼ªæµå‡ºç¾åœ¨é›™ç°§ç®¡ã€è±Žç¬›åŠå·´æ¾ç®¡ã€‚ç”±æ³•åœ‹è™Ÿå¹å¥å‘å—æ—çš„ã€Œå©šç¦®ä¹‹æŒã€æ˜¯å½¢æˆå°æ¯”çš„æ…¢æ¿ç¬¬äºŒä¸»é¡Œã€‚æŽ¥è‘—æ´»æ½‘æ„‰æ‚…çš„ç¬¬ä¸€ä¸»é¡Œå†ç¾ï¼Œèª¿æ€§è½‰åˆ°é™DéŸ³å¾µèª¿å¼ï¼Œå‡ºç¾åœ¨é›™ç°§ç®¡è²éƒ¨ï¼ŒæŽ¥è‘—åœ¨è±Žç¬›è²éƒ¨åŠ ä»¥è®Šå¥ã€‚ç¬¬ä¸‰ä¸»é¡Œé€Ÿåº¦åŠ å¿«ï¼Œå‡ºç¾åœ¨å·´æ¾è²éƒ¨çš„ä¸»æ—‹å¾‹æ˜¯æ³°é›…æ—çš„ã€Œå£ç°§å°æŒã€ã€‚é€™æ˜¯ä¸€é¦–ç”·å¥³é’å¹´ä¸€é¢å¹å¥å–®ç°§å£ç´ï¼Œä¸€é¢æ¼”å”±æƒ…æŒçš„èˆžæ›²ã€‚é€™å€‹ç†±æƒ…çš„èˆžæ›²å…ˆå¾Œåœ¨é›™ç°§ç®¡å’Œè±Žç¬›è²éƒ¨åŠ ä»¥è®Šå¥ä¹‹å¾ŒçµæŸç¬¬ä¸‰ä¸»é¡Œã€‚æœ€å¾Œç¬¬ä¸€ä¸»é¡Œå†ç¾ï¼Œå †ç–Šå‡ºé«˜æ½®å¼çš„å°¾è²ã€‚ å€¼å¾—é‡è¦–çš„æ˜¯ï¼Œçˆ¶è¦ªé€çµ¦å…’åçš„çµå©šç¦®ç‰©ï¼Œé‚„è²»ç›¡å·§æ€ç²¾æŒ‘ç´°é¸äº†å…©é¦–åŽŸä½æ°‘è·Ÿæ„›æƒ…çµå©šæœ‰é—œçš„éŸ³æ¨‚ï¼Œæ®ç‘å‡ºä¸€é—•åˆ¥ç·»çš„å©šç¦®è¿´æ—‹æ›²ã€‚ â€»æœ¬æ›²æ–¼2002å¹´é¦–æ¼”æ–¼å°åŒ—äºžéƒ½é£¯åº—ï¼Œæ¼”å¥å®¶ç‚ºé•·ç¬›é»ƒé¦¥èŒ—ã€é›™ç°§ç®¡æ´ªåƒæ™ºã€å–®ç°§ç®¡é»ƒè²žè¯ã€ä½ŽéŸ³ç®¡éƒæ€¡èŠ¬ã€æ³•åœ‹è™Ÿé»ƒç¾©æ•¦ã€‚ ã€ŠWoodwind Quintetã€‹ï¼ˆ2002ï¼‰ The piece was composed for the wedding ceremony of the composerâ€™s second son. This pleasant and lively composition is divided into five parts, a small rondo form. The first theme is in Zi-pentatonic mode, mainly play by flute. The main theme is later transposed a fifth higher and orchestrated between the oboe, clarinet and bassoon parts. The second theme is in a slower, more sentimental mood. It builds up as a contrast section to the first theme. French horn plays the traditional Wedding Song of the Puyuma tribe and dominates in this section. In the third part of this composition, the melodic line returns to the first theme, transformed to D-flat Zi-pentatonic mode. The oboe plays the main theme and later the clarinet plays the variations of this melodic line. The fourth section brings out the third theme of this piece: a traditional Atayal tribeâ€™s Jew Harp Song melody that plays by the bassoon. This passionate, fast-tempo dancing theme is then composed into several variations and plays by oboe and clarinet. In the last section of the composition, the first theme returns again. Building up and reaches the climax then leads to the final of the piece. Professor Ma selected two aboriginal tribal songs, related to weddings and love, and quoted them in this piece and presented as a wedding gift for his beloved son. This father-son relationship and love, and also this unique composition, made that wedding ceremony a memorable event for the guests. This piece was premiered in 2002 at The Landis Taipei Hotel by Fu-Ming Huang (Flute), Chien-Chih Hung (Oboe), Jen-Hwa Huang (Clarinet), Yi-Fen Kuo (Bassoon) and Yih-Duen Huang (Horn).

$15.99 14.74 € #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #Ma Shui Long é¦¬æ°´é¾ # #Woodwind Quintetã€Šæœ¨ç®¡äº”é‡å¥ã€‹ #SpringAutumnmusic #SheetMusicPlus

Course of Empire Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.

$25.00 23.05 € #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #Kyle Vanderburg #Course of Empire #NoteForge #SheetMusicPlus

Wind Quintet - One Rule Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…(+)

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didnâ€™t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and â€˜back and forthâ€™ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a â€˜turning pointâ€™ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.

$35.00 32.27 € #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #Mike Lyons #Wind Quintet - One Rule #Lyons Music Services #SheetMusicPlus