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The Basis Of It All
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
6 sheet music found
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1
Gallo: Trio Sonata No.1 in G Mvt.1 (reworked as Pulcinella Suite No.1 Sinfonia) - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Domenico Gallo
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Ray Thompson
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Gallo: Trio Sonata No.1 in G M
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1438084 Composed by Domenico Gallo. Arranged by ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1438084 Composed by Domenico Gallo. Arranged by Ray Thompson. Baroque,Chamber,Classical. 11 pages. RayThompsonMusic #1018160. Published by RayThompsonMusic (A0.1438084). Arranged wind quintetThis music was originally attributed to Giovanni Pergolesi, as they were so described in a Mr R. Bremner's original 1780 London publication. They were also arranged later by Hugo Riemann, and were again wrongly attributed to Giovanni Pergolesi.It is actually the 1st movement of Domenico Gallo's 1st Trio Sonata in G.It was used by Igor Stravinsky as a basis of the first movement (Sinfonia) of his Neo Classical Ballet Pulcinella.The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. This is the original music he used as the basis of the Sinfonia.But even though Stravinsky used Gallo's (Pergolesi's) melodies and bass lines with little change, he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.My arrangement is of the the original Gallo piece:The only change I have made is to move the bar lines so that my piece starts, as does Stravinsky's, with a quaver pickup, rather than Gallo's half bar and a quaver pickup.My arrangement is entirely in 4/4 using Gallo's classical/baroque harmonies.It does not sound too dissimilar to Stravinsky's which sadly will be in copyright for many years.
$19.95
Gallo: 3 movts from 2 Trio Sonatas (Pulcinella Suite Mvt.III Scherzino) - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Domenico Gallo
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Ray Thompson
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Gallo: 3 movts from 2 Trio Son
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1453916 Composed by Domenico Gallo. Arranged by ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1453916 Composed by Domenico Gallo. Arranged by Ray Thompson. Baroque. 18 pages. RayThompsonMusic #1033104. Published by RayThompsonMusic (A0.1453916). Arranged wind quintet.This music was originally attributed to Giovanni Pergolesi, as they were so described in a Mr R. Bremner's original 1780 London publication. They were also arranged later by Hugo Riemann, and were again wrongly attributed to Giovanni Pergolesi.They are actually 3 movements from 2 of Domenico Gallo's Trio SonatasThey were used by Igor Stravinsky as a basis of the third movement (Scherzino) of his Neo Classical Ballet Pulcinella.The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. But even though Stravinsky used Gallo's (Pergolesi's) melodies and bass lines with little change, he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.My arrangement is of the the original Gallo pieces:The only change I have made is to move the bar lines so that my piece starts, as does Stravinsky's, with a quaver pickup, rather than Gallo's half bar and a quaver pickup.My arrangement uses Gallo's classical/baroque harmonies.It does not sound too dissimilar to Stravinsky's which sadly will be in copyright for many years.Check out my other arrangements of other music used by Stravinsky in his Pulcinella Suite.
$9.95
Variant on "Battle Cry of Freedom"
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Stanley M
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Variant on "Battle Cry of Free
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stanleymhoffman.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.924846 Composed by Stanley M. Hoffman. 20th Century,Contemporary,Folk,Patriotic. 1 pages. S...
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Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.924846 Composed by Stanley M. Hoffman. 20th Century,Contemporary,Folk,Patriotic. 1 pages. Stanleymhoffman.com #3913603. Published by stanleymhoffman.com (A0.924846). Composed for and chosen for performance by the West Point Woodwind Quintet as part of a call for scores for Vox Novus' 15 Minutes of Fame series, the composer chose the tune Battle Cry of Freedom by George Root as the basis for this composition because, not only is it of the Civil War era (the theme for the call for scores), but it is also included in the song They Are There by Charles Ives, to whom the composer pays homage with an alternative ending. A fun miniature addition to any wind quintet recital or concert. .
$6.50
Geometria
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Kent Piper
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a mirror image in sound
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Geometria
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RKPiper
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1024240 Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. P...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1024240 Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. Published by RKPiper (A0.1024240). Geometria is a serial composition*.Geometria, Latin for geometry, is an arrangement of sound shapes. Beginning with a parallelogram it moves to a square and then to a triangle. At the apex of the triangle the piece retrogrades back through the previous shapes; a mirror image in sound. The parallelogram is achieved by use of canon, the square by homophony and the triangle by staggered entrances. There are 5 instruments and 5 notes; F, F#, A,C# and Bb. F#,Bb,C# form a major triad, F#,A,C# form a minor triad, A,Bb,C# form trichord 3-3, Bb,C#,F form trichord 3-11 and A,C#,F form trichord 3-12. Therefore, 5 geometric shapes, 5 instruments, 5 notes, 5 plus harmonic possibilities and 5 players. *Serial Music - the use of a sequence of notes in a definite order as a thematic basis for a composition and a source from which the musical material is derived. Serialism was an attempt to escape tonal-centered compositions prior to the twentieth century. It began with Arnold Schoenberg's twelve tone-technique in the early 1900's, though some of his contemporaries such as Anton Webern, Alban Berg, Karlheinz Stockhausen, Pierre Boulez, Luigi Nono and Milton Babbit were also working to establish serialism as a form of post-tonal thinking. Other composers such as Bela Bartok, Luciano Berio, Benjamin Britten, John Cage, Aaron Copland, Olivier Messiean, Arvo Part, Dmitri Shostakovich and Igor Stravinsky used serialism only for some of their compositions.
$5.99
C Jam Blues for Recorder Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Jazz
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Duke Ellington
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Keith Terrett
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C Jam Blues for Recorder Quint
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1271384 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Ter...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1271384 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Jazz,Standards,Traditional. 14 pages. Keith Terrett #863782. Published by Keith Terrett (A0.1271384). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Recorder Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.
$14.99
Pergolesi:Harpsichord Sonata in D - Gavotte & Variations (Pulcinella Suite Mvt VI) - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Giovanni Battista Pergolesi
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Ray Thompson
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Pergolesi:Harpsichord Sonata i
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1456520 Composed by Giovanni Battista Pergolesi....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1456520 Composed by Giovanni Battista Pergolesi. Arranged by Ray Thompson. Baroque. 10 pages. RayThompsonMusic #1035595. Published by RayThompsonMusic (A0.1456520). Arranged wind quintet.This music was used by Igor Stravinsky as a basis of the sixth movement (Gavotta) of the suite from his Neo Classical Ballet Pulcinella.The Pulcinella Suite was written for small chamber orchestra in 1922 But even though Stravinsky used Pergolesi's melodies and bass lines with little change, he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.My arrangement is of the the original piece.it uses Pergolesi's classical/baroque harmonies.I have added some harmony parts to itIt does not sound too dissimilar to Stravinsky's which sadly will be in copyright for many years.Check out my other arrangements of music used by Stravinsky in his Pulcinella Suite..
$9.95
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