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You've selected:
The Good Guy
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
2 sheet music found
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1
Guy Fawkes on the Prowl
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Stephen Lines
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Guy Fawkes on the Prowl
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Stephen Lines
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1110251 Composed by Stephen Lines. Chamber,Contemporary. 23 pages. Stephen Lines ...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1110251 Composed by Stephen Lines. Chamber,Contemporary. 23 pages. Stephen Lines #712587. Published by Stephen Lines (A0.1110251). This fun piece was entered into a competition on Composers' Forum. The brief was to write something depicting an historical occurrence for wind quintet. It's good fun (but difficult) to perform and its quirky nature is enjoyed by audiences of all sorts.
$10.50
Wind Quintet Op 91 No 4 - Movement 1: Andante. Allegro Assai
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Anton Reicha
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Adrian Barnes
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Wind Quintet Op 91 No 4 - Move
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Cammerayguy
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1261168 Composed by Anton Reicha. Arranged by Ad...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1261168 Composed by Anton Reicha. Arranged by Adrian Barnes. Chamber,Classical. 7 pages. Cammerayguy #854237. Published by Cammerayguy (A0.1261168). Anton (AntonÃn, Antoine) Joseph Reicha (Rejcha) (26 February 1770 – 28 May 1836) was a Czech-born, Bavarian-educated, later naturalized French composer and music theorist. A contemporary and lifelong friend of Beethoven, he is now best remembered for his substantial early contributions to the wind quintet literature and his role as teacher of pupils including Franz Liszt, Hector Berlioz and César Franck.Reicha's 25 wind quintets, composed in Paris between 1811 and 1820, were mostly premiered from 1817 in the foyer of the Théâtre Favart by some of the world's fifinest wind soloists. They were well received and were played al over Europe shortly afterward.Reicha claimed in his memoirs that his wind quintets filed a void:At that time, there was a dearth not only of good classic[al] music, but of any good music at al for wind instruments, simply because the composers knew little of their technique.[Wikipedia]Notes concerning this editionIn preparing this edition various manuscripts were consulted including the facimilies held by the IMSLP and Clarinet Institute. I also acknowledge the excel ent transcriptions prepared by Charles-David Lehrer for the International Double Reed Society.In addition, various editorial markings have been added to facilitate the performance of the quintet in a contemporary ensemble. Editorial additions marked in red in the score and may be considered optional. [Adrian Barnes]
$10.00
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