Download Digital Sheet Music of The Way We Were - Percussion for Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

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PIANO & KEYBOARDS

Piano solo 80 Piano, Voice 42 Piano, Vocal and Guitar 37 Easy Piano 16 C Instruments 7

Accordion 2 2 Pianos, 4 hands 2 Big Note Piano 2 Piano Quartet: piano, violin, viola, cello 2 Organ 2 Piano Quartet: piano, 2 violins, cello 1 Piano (band part) 1

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GUITARS

Guitar 14 Melody line, (Lyrics) and Chords 13 Guitar notes and tablatures 11 Dulcimer 2 2 Mandolins (duet) 2

Guitar (band part) 2 Lyrics and Chords 2 Bass guitar 2 2 Guitars (duet) 1

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VOICE

Choral SATB 42 Choral 3-part 11 Alto voice, Piano 10 Choral 2-part 6 Choral TTBB 4

Tenor voice 2 Choral SSATTB 2 Choral Unison 2 High voice 2 Choral SSAA 1 Tenor voice, Piano 1 Voice solo 1 Baritone voice, Piano 1

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WOODWIND

Saxophone (band part) 23 2 Saxophones (duet) 14 Clarinet 14 Flute 9 Oboe, Piano (duet) 7 Alto Saxophone 7 Saxophone Quartet: 4 saxophones 7 Saxophone, Clarinet (duet) 7 Clarinet and Piano 7 Clarinet, Trumpet (duet) 6 Flute and Piano 6 Alto Saxophone and Piano 6 2 Flutes (duet) 6 Tenor Saxophone 6 2 Clarinets (duet) 5 Clarinet Quartet: 4 clarinets 5 Baritone Saxophone, Piano 5 Clarinet, Violin (duet) 5 Tenor Saxophone and Piano 5 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 5

Soprano Saxophone and Piano 4 Oboe (band part) 4 English horn, Piano 4 Clarinet (band part) 3 2 Oboes (duet) 3 Flute, Clarinet (duet) 3 Flute, Viola (duet) 3 Clarinet and Viola 3 Oboe, Flute 2 Bass Clarinet 2 Flute Quartet: 4 flutes 2 Flute, Oboe, Clarinet, Bassoon 2 Flute, Viola and Piano 2 Flute, Saxophone (duet) 2 Flute and Strings Trio 1 Treble (Alto) Recorder, Piano 1 3 Clarinets (trio) 1 Descent (Soprano) Recorder, Piano 1 Clarinet Ensemble 1 Oboe, Bassoon (duet) 1 Oboe, Clarinet (duet) 1 English Horn 1 Clarinet Quintet: 5 clarinets 1 Flute ensemble 1 Oboe 1 Flute, Violin 1 English horn, Harp (duet) 1 Flute, Trumpet (duet) 1

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WOODBRASS

Trumpet (band part) 12 Trombone (band part) 10 Trombone 9 Brass Quintet: 2 trumpets, horn, trombone, tuba 8 French horn 7

Trumpet 6 Trumpet, Saxophone (duet) 6 Trombone and Piano 6 Trumpet, Piano 4 2 Trombones (duet) 4 French Horn and Piano 4 Tuba 4 Trumpet, Trombone (duet) 4 English horn, Piano 4 Euphonium 2 2 Tubas (duet) 2 Euphonium, Piano (duet) 2 2 Trumpets (duet) 2 2 French horns (duet) 1 Brass quartet : 2 trumpets, trombone, tuba 1 Tuba (band part) 1 Tuba or Euphonium or Saxhorn 1 English Horn 1 3 Trumpets (trio) 1 English horn, Harp (duet) 1 Brass Quartet: 4 horns 1

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STRINGS

String Quartet: 2 violins, viola, cello 21 Violin 11 Cello 8 Viola 7 Cello, Piano 7

Violin and Piano 7 Viola, Piano 7 Violin (band part) 6 Violin, Cello (duet) 5 2 Violins (duet) 4 Doublebass (band part) 4 2 Cellos (duet) 3 Violin, Viola (duet) 3 Harp, Flute (duet) 2 Viola (band part) 2 String Quartet : 4 violas 1 4 Cellos 1 Harp 1 String Trio: 3 cellos 1 String Trio: violin, viola, cello 1 2 Violas (duet) 1 Harp, Voice 1 String Trio: 2 violins, cello 1 Cello (band part) 1

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PERCUSSION & ORCHESTRA

Orchestra 13 Concert band 13 String Orchestra 12 Jazz Ensemble 9 Brass ensemble 9

Chamber Orchestra 7 Jazz combo 3 Vibraphone 2 Drum (band part) 1 Drums 1 2 Marimbas 1 Handbells 1

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The Way We Were - Percussion

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

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5 sheet music found

The Way We Were Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1239058 By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Marsha Schweitzer. Chamber,Film/TV,Pop. 8 pages. Music For Winds #834450. Published by Music For Winds (A0.1239058). This arrangement is one of many created by Marsha Schweitzer, bassoonist of the Spring Wind Quintet. MUSIC for WINDS is Marsha's publishing company, specializing in music for wind instruments but also offering arrangements for brass quintet, string quartet, double reed ensemble, and mixed string-wind ensembles. For a complete catalog of MUSIC FOR WINDS publications, visit www.musicforwinds.net.

$15.00 13.83 € #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #Barbra Streisand #The Way We Were #Music For Winds #SheetMusicPlus

Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.78…(+)

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâ€™d like.Â· Choose a tempo.Â· Choose a dynamic.Â· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

$17.50 16.13 € #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #Joshua Hauser # #Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet #Slide Ride #SheetMusicPlus

Bach Fuga BWV 539 For Woodwind Quintet Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…(+)

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the â€žArt of playing the silence and the Art of the â€žduration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-â€žplease play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This â€žGhost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice â€žtakes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.

$25.00 23.05 € #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #Johann Sebastian Bach #Bach Fuga BWV 539 For Woodwind Quintet #Luis Anjos Teixeira #SheetMusicPlus

Holst: Masters in this Hall (3 Carols H.133) - wind quintet Woodwind Quintet: flute, oboe, bassoon, clarinet, horn

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1209582 Composed by Gustav Holst. Arranged by Ray Thompson. Christmas. 9 pages. RayThompsonMusic #807733. Published by RayThompsonMusic (A0.1209582). This is my arrangement of Gustav Holst's arrangement.It is arranged for wind quintetThe French composer Marin Marais composed the tune as a dance for his opera Alcyone of 1706, with the title Marche pour les Matelots.The tune was subsequently included in Raoul Auger Feuillet's 1706 Recueil de contredansealong with a longways proper dance, La Matelotte, which Feuillet had himself written to go with the tune.In 1710 John Essex (d. 1744) published an English translation of Feuillet's work called, For the Further Improvement of Dancing, in which the dance is given as The Female Saylor.The words were written around 1860 while William Morris, then 26, was working as an apprentice in the office of the architect, Edmund Street, presumably under the persuasion of his fellow students who at that time had a taste for part-song. It became known as the Christmas Carol Masters in This Hall (alternative title: Nowell, Sing We Clear)Â Gustav Holst incorporated the carol into his work Three Carols H133 (1916â€“17) along with Christmas Song: On this Day and I Saw Three Ships. Holst wrote the Three Carols for amateurs singing in his Thaxted festivals.You can check out my arrangemet of this and other Marin Marais compositions here.

$14.95 13.78 € #Woodwind Quintet: flute, oboe, bassoon, clarinet, horn #Gustav Holst #Holst: Masters in this Hall #RayThompsonMusic #SheetMusicPlus