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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Chopin: Prelude No 6 in B Minor Op.28 No.6 (Transposed into C minor) - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1474513 Composed by Frederic Chopin. Arranged by Ray Thompson. 19th Century,Religious,Romantic Period. 8 pages. RayThompsonMusic #1052138. Published by RayThompsonMusic (A0.1474513). Chopin wrote a number of preludes for piano solo. His cycle of 24 Preludes, Op. 28, covers all major and minor keys.In addition, Chopin wrote three other preludes: a prelude in C♯ minor, Op. 45; a piece in A♭ major from 1834; and an unfinished piece in E♭ minor. These are sometimes referred to as Nos. 25, 26, and 27, respectively.This is no 6 in B minor.I have transposed it up to C minor, to fit the range of the Bb clarinet.Check out my original version In Bminor which has a Clarinet in A partIt is quite short - 28 bars longThis prelude was played at Chopin's funeral on organ.Its melancholy melody is primarily given to the pianist's left hand.Rather than giving the melody to the bassoon, I have given it primarly to the clarinet, with the 8 bar middle section given to the bassoonArranged here for wind quintetNOTE: CLARINET PART IS FOR CLARINET IN BbCheck out my other Chopin arrangements of some of his other Preludes (including Raindrop) and of Nocturne No.2.Arranged wind quintet.
$3.95
3.61 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Frederic Chopin
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Chopin: Prelude No 6 in B Minor Op.28 No.6
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RayThompsonMusic
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SheetMusicPlus
Wind Quintet - One Rule
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
32 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Quintet《木管五é‡å¥ã€‹
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.961996 C…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.961996 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 47 pages. SpringAutumnmusic #2341877. Published by SpringAutumnmusic (A0.961996). 《木管五é‡å¥ã€‹2002年（賴德和撰寫） 本曲是2002年馬水é¾æ•™æŽˆç‰¹åœ°ç‚ºæ¬¡å婚禮ç¾å ´æ¼”出所èœå¯«ã€‚ 這一首活潑愉悅的曲å概分為五段：第一主題五è²éŸ³éšŽå¾µèª¿å¼ï¼Œä¸»æ—‹å¾‹å‡ºç¾åœ¨é•·ç¬›è²éƒ¨ã€‚這個主題轉到五度上的調，先後輪æµå‡ºç¾åœ¨é›™ç°§ç®¡ã€è±Žç¬›åŠå·´æ¾ç®¡ã€‚由法國號å¹å¥å‘å—æ—的「婚禮之æŒã€æ˜¯å½¢æˆå°æ¯”çš„æ…¢æ¿ç¬¬äºŒä¸»é¡Œã€‚接著活潑愉悅的第一主題å†ç¾ï¼Œèª¿æ€§è½‰åˆ°é™D音徵調å¼ï¼Œå‡ºç¾åœ¨é›™ç°§ç®¡è²éƒ¨ï¼ŒæŽ¥è‘—在豎笛è²éƒ¨åŠ 以變å¥ã€‚ç¬¬ä¸‰ä¸»é¡Œé€Ÿåº¦åŠ å¿«ï¼Œå‡ºç¾åœ¨å·´æ¾è²éƒ¨çš„主旋律是泰雅æ—的「å£ç°§å°æŒã€ã€‚這是一首男女é’年一é¢å¹å¥å–®ç°§å£ç´ï¼Œä¸€é¢æ¼”唱情æŒçš„舞曲。這個熱情的舞曲先後在雙簧管和豎笛è²éƒ¨åŠ 以變å¥ä¹‹å¾ŒçµæŸç¬¬ä¸‰ä¸»é¡Œã€‚最後第一主題å†ç¾ï¼Œå †ç–Šå‡ºé«˜æ½®å¼çš„å°¾è²ã€‚ 值得é‡è¦–的是，父親é€çµ¦å…’åçš„çµå©šç¦®ç‰©ï¼Œé‚„費盡巧æ€ç²¾æŒ‘ç´°é¸äº†å…©é¦–原ä½æ°‘跟愛情çµå©šæœ‰é—œçš„音樂，æ®ç‘出一闕別緻的婚禮迴旋曲。 ※本曲於2002年首演於å°åŒ—亞都飯店，演å¥å®¶ç‚ºé•·ç¬›é»ƒé¦¥èŒ—ã€é›™ç°§ç®¡æ´ªåƒæ™ºã€å–®ç°§ç®¡é»ƒè²žè¯ã€ä½ŽéŸ³ç®¡éƒæ€¡èŠ¬ã€æ³•åœ‹è™Ÿé»ƒç¾©æ•¦ã€‚ 《Woodwind Quintet》（2002） The piece was composed for the wedding ceremony of the composer’s second son. This pleasant and lively composition is divided into five parts, a small rondo form. The first theme is in Zi-pentatonic mode, mainly play by flute. The main theme is later transposed a fifth higher and orchestrated between the oboe, clarinet and bassoon parts. The second theme is in a slower, more sentimental mood. It builds up as a contrast section to the first theme. French horn plays the traditional Wedding Song of the Puyuma tribe and dominates in this section. In the third part of this composition, the melodic line returns to the first theme, transformed to D-flat Zi-pentatonic mode. The oboe plays the main theme and later the clarinet plays the variations of this melodic line. The fourth section brings out the third theme of this piece: a traditional Atayal tribe’s Jew Harp Song melody that plays by the bassoon. This passionate, fast-tempo dancing theme is then composed into several variations and plays by oboe and clarinet. In the last section of the composition, the first theme returns again. Building up and reaches the climax then leads to the final of the piece. Professor Ma selected two aboriginal tribal songs, related to weddings and love, and quoted them in this piece and presented as a wedding gift for his beloved son. This father-son relationship and love, and also this unique composition, made that wedding ceremony a memorable event for the guests. This piece was premiered in 2002 at The Landis Taipei Hotel by Fu-Ming Huang (Flute), Chien-Chih Hung (Oboe), Jen-Hwa Huang (Clarinet), Yi-Fen Kuo (Bassoon) and Yih-Duen Huang (Horn).
$15.99
14.62 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Ma Shui Long 馬水é¾
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Woodwind Quintet《木管五é‡å¥ã€‹
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SpringAutumnmusic
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SheetMusicPlus
Satie: Sports et Divertissements 8. Le Yachting - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1289652 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 8 pages. RayThompsonMusic #880358. Published by RayThompsonMusic (A0.1289652). Sports et divertissements (Sports and Pastimes) is a cycle of 21 short piano pieces composed in 1914 by Erik Satie.The set consists of a prefatory chorale and 20 musical vignettes depicting various sports and leisure activities. First published in 1923, it has long been considered one of his finest achievements.Musically it represents the peak of Satie's humoristic piano suites (1912-1915), but stands apart from that series in its fusion of several different art forms. Sports originally appeared as a collector's album with illustrations by Charles Martin, accompanied by music, prose poetry and calligraphy. The latter three were provided by Satie in his exquisite handwritten scores, which were printed in facsimile. This is my arrangement for wind quintet of:8. Le Yachting (Yachting) - Modéré (Moderately.) (In half-notes, bass octaves). Legato. Satie's prose:Quel temps !Le vent souffle comme un phoque.Le yacht danse.Il a l'air d'un petit fou.La mer est démontée.Pourvu qu'elle ne se brise pas sur un rocher.Personne ne peut la remonter.Je ne veux pas rester ici, dit la jolie passagère.Ce n'est pas un endroit amusant.J'aime mieux autre chose.Allez me chercher une voiture.A stern ostinato in the lower reaches of the piano summons up a wind-blown sea as it tosses about members of a yachting party.A pretty lady passenger is not amused by the rough weather. I'd rather do something else, she pouts. Go fetch me a car. The sea ostinato returns to end the piece.Arranged standard wind quintetCheck out my other Satie arrangements3 Gymnopédies and 3 Gnossiennes. ( sold separately and as collections).Also: Rag-Time du Pacquebot (Ragtime of the Steampacket) and Sonatina Bureaucratique.
$2.99
2.73 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Erik Satie
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Satie: Sports et Divertissements 8. Le Yachting - wind quintet
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RayThompsonMusic
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SheetMusicPlus
LORD, WHO THROUGHOUT THESE FORTY DAYS - Wind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.774064 Arra…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.774064 Arranged by Anthony Giamanco. Christian,Concert,Easter,Sacred. 23 pages. Whole Tone Press #6638599. Published by Whole Tone Press (A0.774064). Expertly arranged for wind quintet, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the oboe above the drone of the horn and bassoon. Then the bassoon takes the melody, transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, now taken up by the clarinet. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a D6/9 chord. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel
$5.50
5.03 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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LORD, WHO THROUGHOUT THESE FORTY DAYS - Wind Quintet
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Whole Tone Press
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SheetMusicPlus
Course of Empire
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.
$25.00
22.86 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Kyle Vanderburg
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Course of Empire
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NoteForge
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Two Daydreams for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1248051 Composed by Sir Arthur Seymour Sullivan. Arranged by Ted R. Marcus. 19th Century,Chamber,Romantic Period,Wedding. 31 pages. Ted R. Marcus #842615. Published by Ted R. Marcus (A0.1248051). Day Dreams is a collection of six solo piano miniatures the young Arthur Sullivan published in 1867. The pieces amply demonstrate a natural melodic gift that would reach full fruition in the enduring comic operas Sullivan wrote with W.S. Gilbert. This is a contrasting pair of Daydreams, numbers 2 and 6, arranged for woodwind quintet. The first Daydream, Robert and Clara, is an expressive cantabile aria that evokes the music of Robert Schumann. The oboe, clarinet, and horn sing the complete melody, but everyone gets at least a fragment of it. (This selection is great for weddings and church services as well as for the concert hall.) The second, À l'Hongroise, is the flashy finale of the Day Dreams collection. It's a spirited Hungarian-inspired dance with a chromatic melody in shifting tonality, with harmonic turns audacious enough to thrill even 21st century listeners, culminating in a wide-ranging arpeggio passage for the four woodwinds. Both selections are transposed up half a step from the original keys of D major and f-sharp minor. Arranged for advanced players, the two selections make a great concert opener, closer, or encore. Duration: 6:12Please visit my Web site to explore more classics for adventurous woodwind quintets.
$18.00
16.46 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Sir Arthur Seymour Sullivan
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Two Daydreams for Woodwind Quintet
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Ted R. Marcus
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