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You've selected:
Who Has Seen The Wind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.
$15.00
13.71 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Antonin Dvorak
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Largo
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Regis Bookshar
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SheetMusicPlus
Komm, Jesu, komm - BWV 229 - for two Woodwind Quintets
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.954839 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.954839 Composed by Johann Sebastian Bach. Arranged by Wilian Dolfini. Contemporary. 59 pages. Wilian Dolfini #5790479. Published by Wilian Dolfini (A0.954839). Despite the great beauty and genius Bach demonstrated in this magnificent work, it is not very accomplished today, except by professional groups. So our intention in adapting it for two Woodwind Quintets was to bring the chance to make this work sound in music schools, in independent groups, in churches, etc. It is of intermediate level and quite possible to be carried out by students. Watch the video we made of this adaptation!Komm, Jesu, komm (Come, Jesus, come), BWV 229, is a motet by Johann Sebastian Bach, with a text by Paul Thymich. It was composed in Leipzig, and received its first performance by 1731–1732.Bach scored the motet for double choir. It was probably composed for a funeral, as others of his motets but exact dates of composition and performance are not known. It is his only motet without biblical text. He set a poem by Paul Thymich, which Johann Schelle set as a funeral aria in 1684. Also unusually, the motet is not closed by a chorale, but by an aria which is harmonized like a chorale.The work has been described as having a confident, intimate and tender character, and making more use of polychorality (interplay of the two choirs) than polyphony (interplay of the voices). The theme of the text is death as the happy moment when man, tired of earthly life, can confide in Jesus, who is seen as Truth and Life and the only way to eternal life.Source: https://en.wikipedia.org/wiki/Komm,_Jesu,_komm,_BWV_229
$22.95
20.98 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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Komm, Jesu, komm - BWV 229 - for two Woodwind Quintets
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Wilian Dolfini
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SheetMusicPlus
Flute and Onions for Wind Quintet and Narrator
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.889908 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.889908 Composed by Gary Friedman. Contemporary. 26 pages. Gary Friedman #3538901. Published by Gary Friedman (A0.889908). Musical setting of the poem, Music by Amy Lowell, which can be read on 2nd page of merged pdf. In brief, woman lying in bed hears beautiful flute playing at night and is disillusioned the next morning to see through her window the fat bald player eating onions. She prefers to picture handsome well-dressed young man. Main musical features, some beautiful flute passages, humorous depiction of actual player, and romantic waltz depicting preferred image. Duration 6 minutes. Audio clip is computer generated and has gaps where narration should take place. A performance at College of Marin by Mimi Braverman (who inserted her own flute cadenza), Shelley Hodgen (clarinet), Jay Williams (horn), Karen Wright (bassoon), me (oboe), and Harriet Spiegel (narrator) can be seen on YouTube at https://www.youtube.com/watch?v=uxF95ULZSL8&feature=youtu.be Parts for each instrument have text cues of the narration showing when to play and narrator's text tells what to listen for as cues to start reading.
$20.00
18.28 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Gary Friedman
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Flute and Onions for Wind Quintet and Narrator
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Gary Friedman
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SheetMusicPlus
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