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With One Voice
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Wind Quintet - One Rule
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
31.84 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Someone Like You
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 1 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 1 - Digital Download SKU: A0.1385671 By Adele. By Adele Adkins and Dan Wilson. Arranged by Jhonatan Lucio Viana. 21st Century,Holiday,Pop,R & B,Thriller. 10 pages. JLVPartitura #969608. Published by JLVPartitura (A0.1385671). Immerse yourself in this arrangement of Someone Like You by Adele for Woodwind Quartet + Chords (Flute, Oboe, Clarinet in Bb and Bassoon). Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level Intermediate, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Key Ab Major.Unlock the transformative power of music in your life! Purchase the sheet music today and immerse yourself in the beauty of this composition. Elevate your musical experience with every note of this carefully crafted arrangement. Don't hesitate any longer, embark on this unique musical journey and enrich your life with every chord.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$12.99
11.82 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Adele
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Someone Like You
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JLVPartitura
#
SheetMusicPlus
Someone Like You
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 1 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 1 - Digital Download SKU: A0.1385565 By Adele. By Adele Adkins and Dan Wilson. Arranged by Jhonatan Lucio Viana. 21st Century,Holiday,Pop,R & B,Thriller. 10 pages. JLVPartitura #969503. Published by JLVPartitura (A0.1385565). Immerse yourself in this arrangement of Someone Like You by Adele for Woodwind Quartet (Flute, Oboe, Clarinet in Bb and Bassoon). Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level Intermediate, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Key Ab Major.Unlock the transformative power of music in your life! Purchase the sheet music today and immerse yourself in the beauty of this composition. Elevate your musical experience with every note of this carefully crafted arrangement. Don't hesitate any longer, embark on this unique musical journey and enrich your life with every chord.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$12.99
11.82 €
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
Adele
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Someone Like You
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JLVPartitura
#
SheetMusicPlus
Debussy - The Girl with the Flaxen Hair for Wind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.74…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.748745 Arranged by Lin Yizhi Ernest. 20th Century. Score and parts. 10 pages. Lin Yizhi Ernest #6609931. Published by Lin Yizhi Ernest (A0.748745). Debussy's The Girl with the Flaxen Hair is an endearing piece and a great introduction to the musical world of Debussy. Every piano player would most probably be familiar with this piece, but not necessarily wind players. However, with this arrangement for Wind Quintet, the expressive voices of this piano piece are further explored by the colours of the Flute, Oboe, Clarinet, Horn and Bassoon.The opening solo is deliberately given to the flute, paying homage to another iconic piece of Debussy's, Prélude à l'après-midi d'un faune, which opens with a lower register flute solo starting with the same note Db.Conscious decisions were also made to give the phrases in bars 12-13 and 15-16 with larger melodic spreads to the Clarinet, whose expressive qualities across these ranges suit these phrases particularly well.The revisiting of the theme in bar 28, this time in a higher register, was deliberately given to the Oboe and not the flute (not every high register melodies needs to be assigned to the flute). Oboe's higher registers, when played delicately to the point of almost struggling to hang on to the higher notes, suit the sweetness (tre doux) of the solo passage particularly well.Not to forget the characteristic Debussy harmonies that is fully supported and suited to be powered by the French Horn and Bassoon. These lower voices provide the harmonic engine that powers this unmistakable Debussy sound.Truly, this arrangement is a challenge and masterclass in tone colour for the Wind Quintet that demands a simultaneous homogeneity, as well as balance that brings out the Debussy sound, yet allowing each of the characteristics of the Wind instruments to shine through.
$18.00
16.37 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Debussy - The Girl with the Flaxen Hair for Wind Quintet
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Lin Yizhi Ernest
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SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
22.74 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
When The Party's Over
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1302902 By Billie Eilish. By Finneas O'Connell. Arranged by Daniel E. Self. 21st Century,Contemporary,Pop,Rock. 17 pages. Daniel Self #892514. Published by Daniel Self (A0.1302902). An outstanding option for any wind quintet's popular music collection this arrangement of When The Party's Over features densely packed harmonies, abd subtle nuances of dynamics and texture. Scored for wind quintet (flute, oboe, clarinet, horn, and bassoon) the arrangmenet opens with a chorale like introduction of the songs main chord progression. The melody is introduced one voice at a time over long sustained notes only joining together in a tutti at the first chorus. The texture and intensity expands in the second verse before revisitng the gently stated tutti of the chorus once again. The bridge is led by the horn and punctuated by the upper voices of the woodwinds before passing off to a brief solo flute passage setting up the final chorus. The song closes just as it begun with a soft chorale of the songs opening chord progression. Score and parts included (17 pages).
$15.00
13.64 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Billie Eilish
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When The Party's Over
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Daniel Self
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SheetMusicPlus
Course of Empire
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.
$25.00
22.74 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Kyle Vanderburg
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Course of Empire
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NoteForge
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SheetMusicPlus
Chant d’Adieu (Romance sans Paroles), Op. 77 [by Charles Neudtedt, arr. for Wind Quintet]
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1228442 Composed by Charles Neustedt (1834–1908). Arranged by Andrew Lamb. 19th Century,Romantic Period. 23 pages. Andrew Lamb #824519. Published by Andrew Lamb (A0.1228442). Title: Chant d’Adieu (Romance sans Paroles), Op. 77 Composer: Charles Neustedt (1834-1908) Arranger: Andrew LambIntroducing our exquisite woodwind quintet arrangement of Chant d'Adieu composed by the talented Charles Neustedt (1834-1908). This captivating adaptation brings new life to the timeless beauty of the original composition, allowing woodwind ensembles to explore the intricate harmonies and expressive melodies of this cherished piece.Carefully crafted with meticulous attention to detail, our woodwind quintet arrangement of Chant d'Adieu showcases the unique timbres and characteristics of each instrument. From the rich and resonant tones of the flute to the warm and lyrical expressions of the clarinet, oboe, bassoon, and French horn, each voice intertwines to create a harmonious tapestry of sound.Chant d'Adieu is a profoundly moving composition that evokes a range of emotions, from introspection to longing. With its poignant melodies and heartfelt harmonies, this arrangement beautifully captures the essence of the original work, allowing woodwind ensembles to convey the depth and emotional impact of the music.Whether you are an established woodwind quintet looking to expand your repertoire or a group of passionate musicians seeking an engaging piece to perform, our woodwind quintet arrangement of Chant d'Adieu is a remarkable addition to your musical collection. Its versatility makes it suitable for a variety of performance settings, from intimate chamber recitals to formal concert hall performances.The sheet music for our arrangement is thoughtfully notated, providing clear and accurate scores for each member of the woodwind quintet. Detailed performance instructions and dynamic markings guide musicians to bring out the nuances and emotions within the music, enabling a truly captivating interpretation.Immerse yourself in the profound beauty of Charles Neustedt's Chant d'Adieu with our woodwind quintet arrangement. Let the enchanting voices of the flute, clarinet, oboe, bassoon, and French horn intertwine in perfect harmony, taking you and your audience on a captivating musical journey. This arrangement is a treasure trove of expressive possibilities, allowing woodwind ensembles to showcase their artistry and convey the timeless allure of Neustedt's composition.
$9.00
8.19 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Charles Neustedt
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Chant d’Adieu
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Andrew Lamb
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SheetMusicPlus
Easter Morn (A Meditation) for Wind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1205359 By Andrew Lamb. By John Ebenezer West. Arranged by Andrew Lamb. 19th Century,Chamber,Easter,Religious. 19 pages. Andrew Lamb #803550. Published by Andrew Lamb (A0.1205359). Title: Easter Morn (A Meditation) Â Â Â Â Â Â Â Composer: John Ebenezer West (1863-1929)Arranger: Andrew LambDescription:Introducing our exquisite wind quintet arrangement of Easter Morn composed by the talented John Ebenezer West. This captivating adaptation brings new life to the enchanting beauty of the original composition, allowing wind quintets to explore the rich harmonies and lyrical melodies of this cherished piece.Carefully crafted with meticulous attention to detail, our wind quintet arrangement of Easter Morn showcases the unique timbres and characteristics of each instrument. From the graceful and soaring melodies of the flute to the warm and expressive tones of the clarinet, oboe, bassoon, and French horn, each voice intertwines to create a harmonious tapestry of sound.Easter Morn is a profoundly moving composition that evokes the spirit of renewal and hope. With its contemplative melodies and serene harmonies, this arrangement beautifully captures the essence of the original work, allowing wind quintets to convey the depth and emotional impact of the music.Whether you are an established wind quintet looking to expand your repertoire or a group of passionate musicians seeking an engaging piece to perform, our wind quintet arrangement of Easter Morn is a remarkable addition to your musical collection. Its versatility makes it suitable for a variety of performance settings, from intimate chamber recitals to formal concert hall performances.The sheet music for our arrangement is thoughtfully notated, providing clear and accurate scores for each member of the wind quintet. Detailed performance instructions and dynamic markings guide musicians to bring out the nuances and emotions within the music, enabling a truly captivating interpretation.Immerse yourself in the profound beauty of John Ebenezer West's Easter Morn with our wind quintet arrangement. Let the enchanting voices of the flute, clarinet, oboe, bassoon, and French horn weave together in perfect harmony, taking you and your audience on a captivating musical journey. This arrangement is a treasure trove of expressive possibilities, allowing wind quintets to showcase their artistry and convey the timeless allure of West's composition.
$12.00
10.92 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Andrew Lamb
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Easter Morn
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Andrew Lamb
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SheetMusicPlus
Jingle Bells in Different Styles for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1290196 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1290196 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 35 pages. Woods Only, Arrangements #880904. Published by Woods Only, Arrangements (A0.1290196). Are you looking for a fun and creative way to play Jingle Bells, the famous Christmas song? Then you will love this arrangement for Woodwind Quintet, which explores the theme in different styles, from waltz to samba. In this arrangement, you will find a slow and gentle opening, which introduces the theme of the melody with delicacy and elegance, followed by a cheerful and lively version, which follows the original version of the song, with striking rhythm and simple harmony. Then, you will be charmed by a waltz version, which gives a different charm to the music, with smooth and graceful movements, and be infected by a samba version, which brings a Brazilian touch to the music, with dancing beat and elements of the samba root. Next, you will be moved by a sad and melancholic version, in minor tone, which shows a touching side of the music, with expressiveness and sensitivity. Finally, you will have fun with a return of the cheerful version, which explores the theme in different tones, with solos divided among all the voices of the arrangement, creating an impression of jumping party. This arrangement is ideal for Christmas parties, in chamber music groups, and can be used in recitals and concerts, inside or outside the academy. It is a different and innovative way to perform this beautiful music, which will surprise and delight your audience. Do not miss this opportunity to acquire this exclusive and fun arrangement of Jingle bells in Different Styles!
$9.99
9.09 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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James Lord Pierpont
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Jingle Bells in Different Styles for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Air In D For Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.889424 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.889424 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 12 pages. Luis Anjos Teixeira #4604487. Published by Luis Anjos Teixeira (A0.889424). Johann Sebastian Bach wrote some song-like, lyrical pieces, often movements in larger compositions for instrumental ensembles, the so called „Airs. This piece, the Air of the second movement of the Suite No.3 in D major, BWV 1068 is one of the most impressive master works ever written in the history of the human being. The piece does not require virtuoso skills to perform and is appropriate for students or amateurs. Without any doubt very pleasant to listen when played by a dedicated and very well rehearsed ensemble, it has always a very powerful effect on the audience. It can be used in concerts and all sorts of spiritual or religious events. In this arrangement for woodwind Quintet the bass is shared by the fagote and the horn as two independent voices that perform „as one. For a matter of study and comparison the original cello part is included in this work. It could be eventually used if the ensemble decides to double the original bass line with both the fagot and the horn. I also could not resist not to interchange the role of the flute and the oboe on the „repetition : I have shortened some of the notes and used various interpretation symbols, accents and nuances, they are mere suggestions for an interpretation and are total absent on the original score. The use of the dot over the notes is called „staccato, it means in this case that the note is shortened to approximately half of its length. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design tips, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all the Love All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: Most serene Highness and noble performer of the Holy Musical Empire, gracious and dread Artist, the most joyous occasion of your name day may your highness celebrate it in divine grace and enjoy it in complete well-being felicity with the performance of this score. The grandiose musical purchase contest takes place In the month of august. The cheapest price for this score is 15 Dollars. It would be of the greatest advantage to do your Highnesses gracious musical purchase during the month of august thus that would bring me the possibility of winning this grandiose selling competition. I therefore await your Highnesses gracious musical purchase I hope for your favor and gracious Highness, most humble, Luis Anjos Teixeira The score was written on Finale and the sound file was produced with Garritan instruments.
$15.00
13.64 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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Air In D For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Two English Carols (Coventry Carol; What Child Is This?) - Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bass Sa…
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bass Saxophone,Contrabassoon,E-Flat Clarinet,English Horn,Flute,Oboe,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1241962 Composed by Traditional. Arranged by Roger Wallace. Christmas,Renaissance,Sacred. 51 pages. Roger Wallace #837319. Published by Roger Wallace (A0.1241962). Christmas Quintet with Multiple Part Options. The beautiful melodies of both carols are shared by various parts. The conclusion (coda) combines both melodies.Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.The audio sample represents a Woodwind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99
9.09 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Traditional
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Two English Carols
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Roger Wallace
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SheetMusicPlus
I Had Much Grief
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.88…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
7.22 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
O Come, O Come, Immanuel (Emmanuel) - Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
B-Flat instrument,Bass Clef Instrument,C Instrument,E-Flat Instrument,Viola - Level 3 - Di…
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B-Flat instrument,Bass Clef Instrument,C Instrument,E-Flat Instrument,Viola - Level 3 - Digital Download SKU: A0.1240172 Composed by Traditional. Arranged by Roger Wallace. Christmas,Sacred. 27 pages. Roger Wallace #835525. Published by Roger Wallace (A0.1240172). Christmas Quintet with Multiple Part Options. Features all parts. The development section includes antiphonal lines accompanying the melody played by various voices.Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.The audio sample represents a Woodwind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon).This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$9.99
9.09 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Traditional
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O Come, O Come, Immanuel
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Roger Wallace
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SheetMusicPlus
5 Famous Songs by Bach for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957284 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957284 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748165. Published by Woods Only, Arrangements (A0.957284). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for woodwind quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11896992: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11898993: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900074: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901035: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190269Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known a.
$39.99
36.37 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Bach, Martin Luther
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where it is also known a.
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5 Famous Songs by Bach for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
5 Famous Songs by Bach for Tenor Sax Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957295 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957295 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748247. Published by Woods Only, Arrangements (A0.957295). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor sax quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897712: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899813: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900334: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901655: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190373Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism.
$39.99
36.37 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
Bach, Martin Luther
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5 Famous Songs by Bach for Tenor Sax Quintet
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Woods Only, Arrangements
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SheetMusicPlus
5 Famous Songs by Bach for English Horn Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957290 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957290 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748233. Published by Woods Only, Arrangements (A0.957290). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for english horn quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897512: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899713: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900214: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901435: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190361Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestant.
$39.99
36.37 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Bach, Martin Luther
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5 Famous Songs by Bach for English Horn Quintet
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Woods Only, Arrangements
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SheetMusicPlus
5 Famous Songs by Bach for Recorder Choir Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957288 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957288 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748227. Published by Woods Only, Arrangements (A0.957288). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for recorder choir quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897412: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899653: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900154: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901295: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190351Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protesta.
$39.99
36.37 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Bach, Martin Luther
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5 Famous Songs by Bach for Recorder Choir Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Prelude & Fugue No.4 in C# Minor from The Well-Tempered Clavier Book 1 by J.S.Bach for Wind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.891939 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.891939 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. 28 pages. Stephen Davies #5361315. Published by Stephen Davies (A0.891939). In this arrangement the key has been altered to suit the instruments range for the classic Wind Quintet combination of Flute, Oboe, Bb Clarinet, French Horn & Bassoon. Programme Notes: THE PRELUDE The solemn and expressive character of the melody line is somewhat reminiscent of much of Bach's passion music, and weaves between the players with utmost ease. The Preludes most prominent melodic feature is the octave leap heard on all parts throughout the music, which leads to a satisfying conclusion. THE FUGUE Coming in at a whopping 115 bars, this is one of Bach's longest and most complex fugues. With three themes woven through together in five voices as only Bach can, this fugue offers a competent group of instrumentalists with many technical and interpretive challenges! Also available here in Clarinet & Saxophone Quintet flavours!
$14.99
13.63 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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Bassoon
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Prelude & Fugue No.4 in C# Minor from The Well-Tempered Clavier Book 1 by J.S.Bach for Wind Quintet
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Stephen Davies
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SheetMusicPlus
Choral from the Cantata BWV 77 (for Woodwind Quintet)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1470685 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Christian,Praise & Worship,Religious. 7 pages. Rodrigo Faleiros #1048181. Published by Rodrigo Faleiros (A0.1470685). ---'---'---'---'---'---'---'---'---'---'---'---'---'This arrangement of Bach's Choral from Cantata BWV 77 for woodwind quintet preserves the integrity and beauty of the original harmonization while adapting it for a different ensemble. Each of the five woodwind instruments — flute, oboe, clarinet, french horn and bassoon — takes on one of the vocal lines, allowing the rich textures and intricate voice leading to shine through in a new timbral context. The arrangement maintains the Choral's straightforward structure, making it accessible yet deeply expressive, and highlights the individual voices while creating a cohesive, resonant sound that captures the essence of Bach's masterful composition.Key Features:- For Woodwind Quintet - flute, oboe, clarinet, french horn and bassoon- With Chord Symbols➡️ Check out my other arrangements clicking here! ⬅️'---'---'---'---'---'---'---'---'---'---'---'---'---'.
$7.99
7.27 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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Choral from the Cantata BWV 77
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Rodrigo Faleiros
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SheetMusicPlus
Noël Ecossais (Scotch Carol)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1266157 Composed by Alexandre Guilmant (1837-1911). Arranged by Andrew Lamb. 19th Century,Chamber,Christmas. 23 pages. Andrew Lamb #858902. Published by Andrew Lamb (A0.1266157). This arrangement of Noël Ecossais (Scotch Carol) by French composer Alexander Guilmant is a delightful addition to your Wind Quintet repertoire. Perfectly suited for the Christmas season, it brings a touch of festive cheer to any performance or holiday gathering. With careful attention to preserving the essence of Guilmant's original composition, this arrangement expertly adapts the enchanting melodies and harmonies for a Wind Quintet ensemble. The flute, oboe, clarinet, bassoon, and horn blend harmoniously to recreate the warm and joyful atmosphere of the piece. Designed to captivate audiences and evoke the spirit of Christmas, this Wind Quintet arrangement of Noël Ecossais showcases the versatility and expressive capabilities of each instrument. The spirited melodies and lively rhythms are brought to life through the interplay of the different voices, creating a vibrant and captivating musical experience. Whether you're performing at a holiday concert, church service, or simply gathering with loved ones around the fireplace, this arrangement of Noël Ecossais will add a touch of elegance and merriment to your Christmas celebrations. It is an ideal choice for both amateur and professional ensembles looking to share the joy and beauty of Guilmant's music with their audience. Immerse yourself in the enchanting world of Alexander Guilmant's Noël Ecossais with this captivating Wind Quintet arrangement, and let the harmonious sounds of the flute, oboe, clarinet, bassoon, and horn fill the air with festive delight.
$10.00
9.1 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Alexandre Guilmant
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Noël Ecossais
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Andrew Lamb
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SheetMusicPlus
The Old Rugged Cross (for woodwind quintet)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.720744 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.720744 Composed by Rev. George Bennard. Arranged by Ralph Raymond Hays. Contemporary,Easter,Gospel,Sacred. 16 pages. Ralph Raymond Hays #6273555. Published by Ralph Raymond Hays (A0.720744). Created by one of SMP's top arrangers, this captivating setting will highlight a recital or Worship Service during Lent, on Easter, or throughout the year. Masterful counterpoint, exquisite harmonies, and innovative rhythmic nuances bring a contemporary perspective to one of Christendom's most beloved masterworks.The Old Rugged Cross was my Papa's favorite hymn. Although it was played and sung at his funeral, my most vivid memories of it are from summer Friday nights when three generations of my family would convene around the piano in my grandparents' living room. My Nana would play through the Reader's Digest Songbook of Family Faith and Joy from cover to cover as the rest of sang -- improvising harmonies and blending our voices as only family can. We each had our favorites (it will surprise no one that mine was Climb Ev'ry Mountain) and it was obvious by how he sang a bit stronger and more fervently each time, that this was Papa's. With cherished recollections to guide me, I strove to embody the joy and warmth of those gatherings in this arrangement.- Ralph Raymond Hays
$12.99
11.82 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Rev
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The Old Rugged Cross
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Ralph Raymond Hays
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SheetMusicPlus
I Will Sing Of The Mercies
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind quintet - Grade 3 - Digital Download SKU: DX.130508 Composed by James H. F…
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Woodwind quintet - Grade 3 - Digital Download SKU: DX.130508 Composed by James H. Filmore. Arranged by Dana F. Everson. Sacred instrumental music. Key of G, Ab, Bb, Eb. Traditional. Score and parts. 20 pages. David E. Smith - Digital Sheet Music #130508. Published by David E. Smith - Digital Sheet Music (DX.130508). A woodwind quintet with opt. parts for Alto Sax and Bass Clar. This piece presents itself with a sense of joy throughout with the introduction itself in a motivic manner setting the tone The piece passes through several modulations where the upper voices carry the melodic material while the lower voices support the ensemble with strength. The writing of this arrangement is well crafted to take advantage of the woodwind quintet sounds. It continues that way right up to the very end with a declamatory statement of Mercy..
$9.00
8.19 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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James H
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I Will Sing Of The Mercies
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Silent Night
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1257238 Composed by Franz Xaver Gruber and Joseph Mohr. Arranged by Glauco Fernandes. Chamber,Christian,Christmas,Classical,Holiday. 8 pages. Glauco Fernandes #850569. Published by Glauco Fernandes (A0.1257238). Silent Night Arrangement for Woodwind Quintet with Chord Symbols We present our special arrangement of Silent Night for woodwind quintet, featuring chord symbols to assist with chord accompaniment. This version combines the sweetness and gentleness of woodwind instruments with the captivating harmony of this classic Christmas melody.Our arrangement has been carefully crafted to highlight the unique characteristics of each woodwind instrument, allowing each one to contribute to the richness of the quintet's sound. With the included chord symbols, you will have a practical guide to follow along with the chords and add a personal touch to your interpretation.Reasons to choose our Silent Night arrangement for woodwind quintet with chord symbols:1ï¸âƒ£ Enchanting Sound: The combination of woodwind instruments creates a delicate and captivating sound, bringing to life the beauty of the Silent Night melody.2ï¸âƒ£ Balance and Expressiveness: The interaction between the woodwind quintet provides a perfect balance of voices, allowing for expressive and engaging interpretations.3ï¸âƒ£ Ease of Playing: The included chord symbols make it easy to understand the chords, enabling musicians of different skill levels to confidently play this melody.4ï¸âƒ£ Musical Possibilities: Our arrangement offers room for improvisation and personalized interpretation, allowing you to add your own style and creativity to the music.Get your copy of our Silent Night arrangement for woodwind quintet with chord symbols now and immerse yourself in the magic of this classic melody. Celebrate Christmas with a unique and enchanting performance.Keywords: Silent Night, woodwind quintet arrangement, chord symbols, enchanting sound, Christmas performance, expressive interpretation.
$13.99
12.73 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Franz Xaver Gruber and Joseph Mohr
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Silent Night
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Glauco Fernandes
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SheetMusicPlus
Silent Night
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1257212 Composed by Franz Xaver Gruber and Joseph Mohr. Arranged by Glauco Fernandes. Chamber,Christian,Christmas,Classical,Holiday. 9 pages. Glauco Fernandes #850544. Published by Glauco Fernandes (A0.1257212). Silent Night Arrangement for Woodwind Quintet and Piano with Chord Symbols We present our special arrangement of Silent Night for woodwind quintet and piano, featuring chord symbols to assist with chord accompaniment. This version combines the sweetness and gentleness of woodwind instruments with the captivating harmony of this classic Christmas melody.Our arrangement has been carefully crafted to highlight the unique characteristics of each woodwind instrument, allowing each one to contribute to the richness of the quintet's sound. The piano, in turn, provides a solid and expressive harmonic foundation. With the included chord symbols, you will have a practical guide to follow along with the chords and add a personal touch to your interpretation.Reasons to choose our Silent Night arrangement for woodwind quintet and piano with chord symbols:1ï¸âƒ£ Enchanting Sound: The combination of woodwind instruments and piano creates a delicate and captivating sound, bringing to life the beauty of the Silent Night melody.2ï¸âƒ£ Balance and Expressiveness: The interaction between the woodwind quintet and piano provides a perfect balance of voices, allowing for expressive and engaging interpretations.3ï¸âƒ£ Ease of Playing: The included chord symbols make it easy to understand the chords, enabling musicians of different skill levels to confidently play this melody.4ï¸âƒ£ Musical Possibilities: Our arrangement offers room for improvisation and personalized interpretation, allowing you to add your own style and creativity to the music.Get your copy of our Silent Night arrangement for woodwind quintet and piano with chord symbols now and immerse yourself in the magic of this classic melody. Celebrate Christmas with a unique and enchanting performance.Keywords: Silent Night, woodwind quintet arrangement, piano, chord symbols, enchanting sound, Christmas performance, expressive interpretation.
$15.99
14.54 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
Franz Xaver Gruber and Joseph Mohr
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Silent Night
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Glauco Fernandes
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SheetMusicPlus
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