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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
11 sheet music found
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1
Wind Quintet - One Rule
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Serv...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
Your Mother Should Know
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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EASY
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Rock
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The Beatles
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Ray Thompson
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Your Mother Should Know
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.912070 By The Beatles. By John Lennon and Paul M...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.912070 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Broadway,Musical/Show,Pop. 11 pages. RayThompsonMusic #518001. Published by RayThompsonMusic (A0.912070). Arranged standard wind quintet Your Mother Should Know is a song by the English rock band the Beatles from their 1967 EP and LP Magical Mystery Tour. It was written by Paul McCartney and credited to Lennon–McCartney.Titled after a line in the 1961 film A Taste of Honey, its lyrical premise centres on the history of hit songs across generations. McCartney said he wrote it as a plea for generational understanding and respect for a mother's life experience. In the Magical Mystery Tour television film, the song serves as a big production number in the style of a 1930s Hollywood musical. Some commentators view the sequence as cultural satire, as the Beatles are seen dancing and dressed in white evening tails. Your Mother Should Know is in the music hall style, further to McCartney's earlier composition When I'm Sixty-Four.He first offered it as the Beatles' contribution to the Our World satellite broadcast in June 1967, but the band favoured John Lennon's All You Need Is Love for its social significance. The initial sessions for the song took place at Chappell Recording Studios in London towards the end of August. The group were visited there by their manager, Brian Epstein, a visit that marked the last time he joined them in the studio before his death on 27 August.
$17.95
The Fool On The Hill
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Rock
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The Beatles
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Ray Thompson
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The Fool On The Hill
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.554033 By The Beatles. By John Lennon and Paul M...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.554033 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Contemporary,Pop. 16 pages. RayThompsonMusic #6517961. Published by RayThompsonMusic (A0.554033). The Fool on the Hill is a song by the English rock band the Beatles from their 1967 EP and album Magical Mystery Tour. It was written and sung by Paul McCartney and credited to the Lennon–McCartney partnership. The lyrics describe the titular fool, a solitary figure who is not understood by others, but is actually wise.McCartney said the idea for the song was inspired by the Dutch design collective the Fool, who derived their name from the tarot card of the same name, and possibly by Maharishi Mahesh Yogi. The song's segment in the Magical Mystery Tour television film was shot separately from the rest of the film and without the other Beatles' knowledge. Accompanied by a professional cameraman, McCartney filmed the scene near Nice in France.In 1968, Sérgio Mendes & Brasil '66 recorded a cover version of the song that reached the top ten in the US. By the late 1970s, The Fool on the Hill was one of McCartney's most widely recorded ballads. A solo demo and an outtake of the song were included on the Beatles' 1996 compilation album Anthology 2.  Arranged for standard wind quintet, the melody is taken first by the oboe, and then by the flute. Interesting parts for horn, clarinet and bassoon. The mp3 extract is of verse 2
$14.99
Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler for Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Robert Nathaniel Dett
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Richard Decker
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Two Spirituals: Music in the M
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Charles Decker Music Press
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1411725 Composed by Robert N...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1411725 Composed by Robert Nathaniel Dett. Arranged by Richard Decker. 20th Century,Chamber,Contest,Festival,Multicultural,Spiritual,World. 34 pages. Charles Decker Music Press #993974. Published by Charles Decker Music Press (A0.1411725). Early 20th century Black Canadian-American composer, conductor and pianist Robert Nathaniel Dett's  Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler combine his neo-romantic style and advocacy for spirituals in this engaging arrangement for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon. Music in the Mine provides a musical interpretation of the back-breaking and mind-numbing mining work in the steady accompaniment along with the dialogue of two miners yearning for better days, while Let Us Cheer the Weary Travelers is an upbeat dedication to our spiritual journey.  As Director of the Hampton Institute, Dett developed the college's choir with his compositions and conducting into one of the leading choirs in the nation. Dett studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and awarded an Honorary Masters Degree in 1932 from the Eastman School of Music . The recording is of the entire edition. To see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds†in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$17.99
Now And Then
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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EASY
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The Beatles
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Ray Thompson
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Now And Then
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1429221 By The Beatles. By George Harrison, John...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1429221 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Ray Thompson. 21st Century,Chamber,Pop. 11 pages. RayThompsonMusic #1009977. Published by RayThompsonMusic (A0.1429221). Now and Then is a song by the English rock band the Beatles, released on 2 November 2023. Dubbed the last Beatles song, it appeared on a double A-side single, paired with a new stereo remix of the band's first single, Love Me Do (1962), with the two serving as bookends to the band's history.Now and Then is a psychedelic soft rock balladthat John Lennon wrote and recorded around 1977 as a solo home demo but left unfinished. After Lennon's death in 1980, the song was considered as a potential third Beatles reunion single for their 1995–1996 retrospective project The Beatles Anthology, following Free as a Bird and Real Love, both based on two other Lennon demos of the same names.Instead, it was shelved for nearly three decades, until it was completed by his surviving bandmates Paul McCartney and Ringo Starr, using overdubs and guitar tracks by George Harrison (who died in 2001) from the abandoned 1995 sessions.Arranged here for wind quintet, the oboe takes most of the melody
$19.95
Eight Days A Week
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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EASY
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Rock
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The Beatles
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Kayleigh Huelin
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Eight Days A Week
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Kayleigh Huelin
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1290610 By The Beatles. By John Lennon and Paul ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1290610 By The Beatles. By John Lennon and Paul McCartney. Arranged by Kayleigh Huelin. Pop,Rock. 10 pages. Kayleigh Huelin #881332. Published by Kayleigh Huelin (A0.1290610). The Beatles' song Eight Days A Week, from their album Beatles for Sale, is a fun little pop song and was the first song to be recorded with a fade-in! Arranged for wind quintet.Like this? Why not check out my website for more arrangements: www.khuelinmusic.co.uk.
$19.99
Yesterday
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Rock
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The Beatles
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Ray Thompson
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Yesterday
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1271201 By The Beatles. By John Lennon and Paul ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1271201 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Standards,Wedding. 9 pages. RayThompsonMusic #863596. Published by RayThompsonMusic (A0.1271201). Arranged standard wind quintetYesterday is a song by English rock band the Beatles written by Paul McCartney (credited to Lennon–McCartney) first released on the album Help! in the United Kingdom in August 1965.Yesterday, with the B-side Act Naturally, was released as a single in the United States in September 1965. While it topped the American chart in October the song also hit the British top 10 in a cover version by Matt Monro.The song also appeared on the UK EP Yesterday in March 1966 and the Beatles' US album Yesterday and Today released in June 1966.McCartney's vocal and acoustic guitar, together with a string quartet, essentially made for the first solo performance of the band. It remains popular today with more than 2,200 cover versions and is one of the most covered songs in the history of recorded music.My arrangement differs from others you may find.Rather than giving the tune to one player, I have given it in turn to oboe, horn, flute and tutti.The flute enters after the 1st verse.The accompaning parts are not simply block chords, but are varied and full of interest to each player.The chorus section is treat as a chorale, with all the players playing.This is the wind quintet version you need!
$19.95
Martha My Dear
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Pop music
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The Beatles
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Ray Thompson
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Martha My Dear
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.841010 By The Beatles. By John Lennon and Paul M...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.841010 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop. 11 pages. RayThompsonMusic #447688. Published by RayThompsonMusic (A0.841010). Arranged standard wind quintet.Opening piano solo arr. clt and bsn, then melody is taken by oboe, chorus by flute.Fun for everyone. Martha My Dear is a song by the English rock band the Beatles from their 1968 eponymous double album The Beatles (also known as the White Album).Credited to Lennon–McCartney, the song was written solely by Paul McCartney about his Old English Sheepdog, Martha. It has been covered by several artists, including Slade, Herb Alpert & The Tijuana Brass, Phish, World Party, and Les Boréades de Montréal. The song incorporates elements from pop rock music; it also features a music hall-inspired piano line that recurs throughout the piece, as well as a brass section. The song modulates through several keys The song is notated mainly in the key of E♠major, showing up embellished chords with jazzy sprinkled dissonances. The verse is a syncopated replicate of the first melodic section adding two extra beats, a technique similar to that used later by McCartney in Two of Us. Though the bridge is in the key of F major, the manner in which it abruptly sets in and exits makes it sound more out-of-the-way than it really is.
$15.95
Let It Be
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Rock
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The Beatles
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Ray Thompson
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Let It Be
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1271473 By The Beatles. By John Lennon and Paul ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1271473 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Standards. 12 pages. RayThompsonMusic #863874. Published by RayThompsonMusic (A0.1271473). Arranged standard wind quintet.The melody is taken first by the clarinet, then horn and then the flute. The guitar break is given to the oboe and flute.The melody reprise is taken by all 4 top instruments.Let It Be is a song by the English rock band The Beatles, released on 6 March 1970 as a single, and (in an alternative mix) as the title track of their album Let It Be. It was written and sung by Paul McCartney, and credited to the Lennon–McCartney partnership.The single version of the song, produced by George Martin, features a softer guitar solo and the orchestral section mixed low, compared to the album version, produced by Phil Spector, featuring a more aggressive guitar solo and the orchestral sections mixed higher.At the time, it had the highest debut on the Billboard Hot 100, beginning its chart run at number 6 and eventually reaching the top. It was the Beatles' final single before McCartney announced his departure from the band. Both the Let It Be album and the US single The Long and Winding Road were released after McCartney's announced departure from and the subsequent break-up of the group.YouTube Link is my brass quintet arrangement.
$19.95
Every Night
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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EASY
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Paul McCartney
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Jeff Tincher
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Every Night
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1380598 Composed by Paul McCartney. Arranged by Jeff ...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1380598 Composed by Paul McCartney. Arranged by Jeff Tincher. Contemporary,Pop,Rock. 9 pages. Jeff Tincher #965376. Published by Jeff Tincher (A0.1380598). This is one of McCartney's early ballads and the first single he released when The Beatles broke up. In the original key, this arrangement includes the live ending from the Back In The U.S. Live 2002 project. Duration = 3:01. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
All Things Must Pass
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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George Harrison
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Jeff Tincher
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All Things Must Pass
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Digital Download SKU: A0.1086438 By George Harrison. By George Harrison. Arranged by Jef...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Digital Download SKU: A0.1086438 By George Harrison. By George Harrison. Arranged by Jeff Tincher. Contemporary,Pop,Rock. 12 pages. Jeff Tincher #690639. Published by Jeff Tincher (A0.1086438). This is the title cut from George Harrison's first solo project after leaving The Beatles. In the original key, this song is a great ballad. Duration = 3:56. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
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