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melody H
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
6 sheet music found
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1
Barnacle Bill
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1340157 Composed by H. Ashworth-Hope. Arranged by Trevor Wharton. 20th Century,Chamber,Film/TV. 28 pages. Bumpmusic Editions #925824. Published by Bumpmusic Editions (A0.1340157). Barnacle Bill by H Ashworth-Hope is an instantly recognised melody for generations of people in the UK. It has been used as the signature tune to Blue Peter, the longest-running children's TV show in the world. The original recording of the theme by Sidney Torch and the New Century Orchestra was used until 1979 when it was replaced by an arrangement by Mike Oldfield of 'Tubular Bells' fame. Since then there have been several versions.This lively arrangement for Wind Quintet features the upper woodwind sharing the main melody between them. The lower parts have their moment with the second theme before the recapitulation of the tune. Also available is an arrangement for Clarinet, Tenor Sax, Baritone Sax, Euphonium and Keyboard (strings). Score and parts for both versions are available from Sheet Music Direct.
$19.75
18.06 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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H
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Barnacle Bill
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Bumpmusic Editions
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SheetMusicPlus
"Once upon a Time" for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1119158 Composed by E.H.Grieg. Arranged by Tomo Hirayama. Chamber,Classical. 17 pages. Tomo Hirayama #720575. Published by Tomo Hirayama (A0.1119158). Once upon a Time / E.H.Grieg is a small piece for Piano. This is an arragement of Once upon a Time for Woodwind Quintet ( Fl, Ob, Cl, Fg, Hr ). Its melancholy melody and fun middle section are interesting. It's good for concerts, weddings, and other occasions.
$9.99
9.13 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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E
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"Once upon a Time" for Woodwind Quintet
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Tomo Hirayama
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SheetMusicPlus
Abide With Me
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.85…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.850772 Composed by William H. Monk. Arranged by Spike Maiden Müller. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 24 pages. Spike Maiden Mueller #6878065. Published by Spike Maiden Mueller (A0.850772). Here is a very playable arrangement for woodwind quintet of 'Eventide', a tune by William H. Monk often used for the hymn, Abide With Me. Lush traditional harmonies with everyone getting a chance to play the melody somewhere in the five verse settings. An optional bass clarinet part is included for ensembles lacking a bassoon.Search terms: Maiden, Müller, Mueller, Muller, Maiden Müller, Maiden Mueller, Maiden Muller.
$10.95
10.01 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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William H
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Abide With Me
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Spike Maiden Mueller
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SheetMusicPlus
MacDowell: Woodland Sketches Op.51 No.1 "To a Wild Rose" - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.553348 Composed by Edward MacDowell. Arranged by Ray Thompson. 20th Century,Contemporary,Holiday,Standards,Wedding. 10 pages. RayThompsonMusic #2081651. Published by RayThompsonMusic (A0.553348). Edward Alexander MacDowell (December 18, 1860 – January 23, 1908) was an American composer and pianist of the late Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces and New England Idylls. Woodland Sketches, Op. 51, is a suite of ten short piano pieces . It was written during an 1896 stay at MacDowell's summer retreat in Peterborough, New Hampshire, where each piece was inspired by a different aspect of the surrounding nature and landscapeThe suite's first piece, To a Wild Rose, is MacDowell's best known single work according to the musicologist H. Wiley Hitchcock,and it achieved what Bomberger described as phenomenal popularity. MacDowell believed the work's popularity arose because the publisher spread its score generously across two pages.The piece begins with a spare melody, based on a simple one from the Brotherton Indians.The melody is played in short fragments and accompanied by chords and pedal points. The climax consists of a repeated dominant ninth chord, which can also be heard as a version of the Tristan chord. The piece concludes with a Scotch snap rhythm. Crawford opined that the piece's harmony saves it from blandness.Arranged for wind quintet…It could have been written for wind quintet!Other pieces are available.
$4.95
4.53 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Edward MacDowell
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MacDowell: Woodland Sketches Op.51 No.1 "To a Wild Rose" - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Honesty
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1252003 By Billy Joel. By Billy Joel. Arranged by Thomas Graf. 20th Century,Pop. 17 pages. Thomas Graf - the-hit-factory.com #846185. Published by Thomas Graf - the-hit-factory.com (A0.1252003). Honesty is a great song by American singer and songwriter Billy Joel. Columbia Records released the song as the third single from his sixth studio album 52nd Street (1978) in 1979. A wonderful Ballad, melody goes through allparts. Have fun!About this arrangement:Â Composed by: By Billy JoelArranged by: Thomas H. GrafInstrumentation:Â Full Score and Parts as listed below:FluteOboeClarinet in BbHorn in FBassoonAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 Â E-Mail: info@the-hit-factory.com. Â www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$20.00
18.28 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Billy Joel
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Honesty
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Wind Quintet - One Rule
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
32 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
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