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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Sheetmusic to print
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Wind Quintet - One Rule
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
31.52 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Schubert Opus 72 1st movement for wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.786168 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.786168 Composed by Franz Schubert. Arranged by Bill Malcolm. Classical. 25 pages. Bill Malcolm #4363489. Published by Bill Malcolm (A0.786168). Only a fragment of the first movement of this work exists. Robert Patterson skillfully realized a complete octet arrangement of the fragment, which is the basis for this quintet arrangement. Everyone is busy all the time in this challenging arrangement. The 3rd and 4th movements are available on SMP.com.
$15.00
13.51 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Franz Schubert
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Schubert Opus 72 1st movement for wind quintet
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Bill Malcolm
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SheetMusicPlus
Second Movement from Sonata No. 8 Pathetique by Ludwig van Beethoven Op 13 for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956912 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956912 Composed by Ludwig van Beethoven. Arranged by Woods Only. Concert,Easter,Romantic Period,Standards,World. 13 pages. Woods Only, Arrangements #6515227. Published by Woods Only, Arrangements (A0.956912). The second movement represents one of the most beautiful pages ever written in music. The soft melody, accompanied by harmonies that could only have come from Beethoven's pen, create an atmosphere of tranquility and impressive calm. For beginning students it is a great piece to develop the notion of the cantabile, and can be performed in academic recitals or concerts. Piano Sonata No. 8 in C minor, op. 13, generally known as, the Pathetic Sonata, was published in 1799, although it was written the year before. Beethoven dedicated this work to his friend, Prince Karl Lichnowsky. With this sonata, Beethoven opened the door to the future - no one after hearing this work - could close their eyes to the possibilities of expression presented here.
$8.99
8.1 €
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Ludwig van Beethoven
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Second Movement from Sonata No. 8 Pathetique by Ludwig van Beethoven Op 13 for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Mozart Andante from Piano Concerto No 21 for Saxophone Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.796854 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.796854 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert,Wedding. 29 pages. Stephanie Daige #3214093. Published by Stephanie Daige (A0.796854). One of Mozart’s most beautiful melodies, the second movement of his iconic Piano Concerto No. 21, K.467, re-imagined for saxophone quintet. Unfortunately,Mozart never wrote anything for saxophone, so I transcribed it for you. I wonder if he would have, if the saxophone had existed during his lifetime. Would he have liked the saxophone, or considered it gauche? The melody moves around between the different instruments as if they are having a conversation. This is a challenging and enjoyable arrangement, suitable for advanced students or professionals. The beauty and romance of this piece would make it great as wedding music. It would also be suitable for a chamber music concert, or in a school or church. I hope you will enjoy playing this piece as much as I have enjoyed arranging it!
$17.99
16.2 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Wolfgang Amadeus Mozart
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Mozart Andante from Piano Concerto No 21 for Saxophone Quintet
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Stephanie Daige
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SheetMusicPlus
2nd Movement from Beethoven Symphony No.7 for Wind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1043850 Composed by Ludwig van Beethoven. Arranged by G L Harvey. Classical,Contest,Festival,Instructional,Romantic Period,Wedding. 28 pages. G L Harvey #648539. Published by G L Harvey (A0.1043850). This haunting piece of music from Beethoven's 7th Symphony has been carefully abridged and arranged for a standard Wind Quintet (Flute, Oboe, Clarinet, Horn in F and Bassoon). It is sympathetic to the original music and should be easily accessible for intermediate to advanced players. Alternative parts for Horn and Bassoon are also included for non standard ensembles on Tenor Horn in Eb and Bass Clarinet respectively. There is also an optional percussion part on Timpani (A & E) that can easily be played on old fashioned hand tuned instruments, and will lend a bit more gravitas to any performance. The piece is very musically satisfying to play and will sit well on any concert or recital programme. The duration of the piece is about 4:50 minutes. The PDF is 28 pages long (A4 portrait) containing a full score and parts. Printing guidance - Score (pages1-13 print A4 double sided), all parts p14-28 (with the exception of Timpani p28) are designed to fit 2 x A4 pages on A3). Look out for other similar works and arrangements by the same publisher.
$17.99
16.2 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Ludwig van Beethoven
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2nd Movement from Beethoven Symphony No.7 for Wind Quintet
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G L Harvey
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SheetMusicPlus
Alexander’s Feast - Concerto Grosso in C Major Movement 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.754834 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.754834 Composed by George Frideric Handel. Arranged by Sy Brandon. Baroque. 27 pages. Sy Brandon #3006609. Published by Sy Brandon (A0.754834). A transcription for woodwind quintet of this lively movement that was meant to be performed between parts one and two of Handel's Ode. The concertino parts are mainly in the flute, oboe and bassoon but the other instruments have sections of the solo parts in order to rest the concertino instruments. This transcription makes a great opener, closer or encore piece.
$9.99
9 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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George Frideric Handel
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Alexander’s Feast - Concerto Grosso in C Major Movement 1
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Sy Brandon
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SheetMusicPlus
L Adorazione Dei Magi Da Trittico Botticelliano
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.58…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.582096 By The Cleveland Orchestra The Cleveland Or. By Ottorino Respighi. Arranged by John Gibson. Christmas,Contemporary. Score and parts. 37 pages. JB Linear #4970103. Published by JB Linear (A0.582096). Ottorino Respighi's Adoration of the Magi from Three Botticelli Pictures set for WOODWIND QUINTET by John Gibson. Respighi composed the Trittico in 1927 in a three movement setting of musical impressions of paintings by Botticelli. The middle movement, Adoration of the Magi makes use of the ancient Christmas season hymn, O Come, O Come, Emanuel. This setting for woodwind quintet is for flute, oboe, clarinet in A (with an alternate Bb part provided), F Horn, and bassoon. In my opinion this is suitable for advanced players, due to the depth of the music as well as challenging key signatures and instrument ranges, especially for the bassoon. I kept the key relationships the same as in the original orchestration. In the original the clarinet switches from A clarinet to Bb clarinet, and I eliminated that but have provided an optional Bb part if desired. Â Â The short audio sample begins on page 3 of the score.
$17.50
15.76 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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The Cleveland Orchestra The Cleveland Or
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L Adorazione Dei Magi Da Trittico Botticelliano
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JB Linear
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SheetMusicPlus
Wind Quintet in One Movement
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.85…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.851497 Composed by Brett Thompson. Contemporary. Score and parts. 36 pages. Brett Thompson #13891. Published by Brett Thompson (A0.851497).
$14.99
13.5 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Brett Thompson
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Wind Quintet in One Movement
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Brett Thompson
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SheetMusicPlus
Sweet Suite
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.990156 Composed by Do…
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Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.990156 Composed by Don Bowyer (Sunway University). Contemporary. 94 pages. Dolphin Don's Music School #6435355. Published by Dolphin Don's Music School (A0.990156). Five movements for woodwind quintet. This piece explores jazz harmonies in the context of a traditional woodwind quintet. The five movements are titled:Sweetie PieSweet ToothSweet DreamsSweet EnoughSweeten the PotNote: This piece is an edited subset of the Wedding Suite composed for woodwind quintet in 2014. In the original, the horn part was written for trombone and included improvisation. This piece is rewritten to use horn, and improvisation has been removed. The original also included ceremonial music that is not part of this work.There is an optional vocal part (Love is patient, love is kind...) on one movement, with the melody doubled elsewhere.
$19.99
18 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Don Bowyer
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Sweet Suite
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Dolphin Don's Music School
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SheetMusicPlus
AEROS
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1145980 By …
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1145980 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical,Contemporary. 28 pages. Thinkling Music #746220. Published by Thinkling Music (A0.1145980).      AEROS is a one-movement piece about flying.      The composition begins with Latin dance rhythms and a clearly defined melodic motif. The threads gradually build to a tumble of ecstatic exuberance, engaging but short-lived. The remainder of the piece is a return to the mundane, ultimately settling on a plateau of stability which the listener senses to be merely a steppingstone, a pause before resuming the journey into an uncertain future …      Structurally, the work is a single movement built around an Afro-Cuban montuno pattern, with ostinati divided among the instruments. Stylistically it could be considered as “moody minimalist with a melodyâ€. Or if that is too long and unwieldy, then perhaps just “MMMMUSIC!â€Â      First performance in Laguna Beach, California on September 21st, 2021, by West Coast Wind Quintet, as part of the Sunset Serenades series. The outdoor venue, a small amphitheater in beautiful Heisler Park, high on a bluff overlooking the Pacific Ocean, was the perfect aerie from which to bring this piece into the world.
$15.00
13.51 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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West Coast Wind Quintet
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AEROS
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Thinkling Music
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SheetMusicPlus
La Serenissima (2013) for ten wind instruments
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.86…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.869288 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431451. Published by Thomas Oboe Lee (A0.869288). Instrumentation: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 horns in F, 2 bassoons Program note.Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music. Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo … III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99
9 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
La Serenissima (2013) for ten wind instruments
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.86…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.869301 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431227. Published by Thomas Oboe Lee (A0.869301). Program note. Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music.Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo …III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99
9 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
Carson Cooman: Solar Visions (2004) for woodwind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.53…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.533642 Composed by Carson Cooman. Contemporary. Score and parts. 58 pages. Musik Fabrik Music Publishing #3035193. Published by Musik Fabrik Music Publishing (A0.533642). Solar Visions (2004) for woodwind quintet was commissioned by and is dedicated to theArcadian Winds of Boston, Massachusetts, at the specific request of John Paul Aubrey,hornist. Hearing the Arcadian Winds perform contemporary music on numerous occasionswas an inspiration to the writing of this piece.The work is in three movements, each sharing the same basic musical material. The startingpoint for the work's conception is a dissonant cadential figuration from early American music,centered on Ab. Spinning out from this idea, the material extends to incorporate patterns ofperfect 5ths one semitone apart. This sense of cadence is extended in the work to makelarger-scale structures.The first movement, Recitatives and Chorales, consists of free, recitative-like material for theinstruments in solos. These recitatives often erupt into fast spirals. This texture is interruptedperiodically by chorale-like ideas presented by the full quintet.The second movement, Serenata, is a song-like with each instrument taking the melody inturn. Some of the recitative-ideas of the first movement re-emerge, as well as a rearticulationof the cadential figuration.The third movement, Dance, is energetic and driving. The dance is interrupted by arecollection of the first movement's material. The final resolution of the extended cadentialfigurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.
$29.95
26.97 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Carson Cooman
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Carson Cooman: Solar Visions
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Musik Fabrik Music Publishing
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SheetMusicPlus
[Perlongo] Groznjan Souvenir
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.952857 C…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.952857 Composed by Daniel Perlongo. 20th Century,Contemporary. Score and parts. 66 pages. American Composers Alliance Inc. #4625227. Published by American Composers Alliance Inc. (A0.952857). A wind quintet in one movement - PDF download includes score and parts.
$19.95
17.97 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Daniel Perlongo
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[Perlongo] Groznjan Souvenir
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American Composers Alliance Inc.
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SheetMusicPlus
Niobe and the Weeping Rock for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1028375 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1028375 Composed by Joe Boboige. Contemporary. 31 pages. Joseph Boboige #3502567. Published by Joseph Boboige (A0.1028375). In Greek mythology, Niobe was the wife of King Amphion of Thebes. She boasted the superiority of her six sons and six daughters to the gods. The deities Apollo and Artemis killed all of her children in response. After burying her children, she returned home and weeping, turned into a rock on Mount Sipylus.This one movement programmatic work features the oboe as the weeping mother using glissando produced by moving the reed out of the mouth, rather than slowly depressing the keys. Standard woodwind quintet instrumentation.
$24.99
22.51 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Joe Boboige
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Niobe and the Weeping Rock for Woodwind Quintet
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Joseph Boboige
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SheetMusicPlus
Mozart: Adagio in Bb K411 (originally for 2 clarinets/3 basset horns) - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1209667 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. 18 pages. RayThompsonMusic #807759. Published by RayThompsonMusic (A0.1209667). The Adagio in Bb K411 was originally written for 2 Bb Clarinets and 3 Basset Horns. It is a ''stand-alone'' movement and is believed to have been written for a Masonic function in late 1785. Arranged standard wind quintet with  natural horn part for horn in Bb basso. (Alt hn in F provided)This gives an autherntic feel to the arrangement.Also available arranged for clarinet quintet.
$9.99
9 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Wolfgang Amadeus Mozart
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Mozart: Adagio in Bb K411
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RayThompsonMusic
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SheetMusicPlus
Kinder- Symphonie (Toy Symphony): attrib. J Haydn & L Mozart) - wind quintet and percussion
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553894 Composed by Joseph Haydn/Leopold Mozart. Arranged by Ray Thompson. Children,Christmas,Classical,Standards. 35 pages. RayThompsonMusic #6050327. Published by RayThompsonMusic (A0.553894). This work was long reputed to be the work of Joseph Haydn, but later scholarship suggested that it was actually written by Leopold Mozart. Its authorship is still disputed, however, and other composers have been proposed as the symphony's true author, including Joseph Haydn's younger brother Michael Haydn, who purportedly contributed movements to the work.Recent research on a newly found manuscript suggests the Austrian Benedictine monk Edmund Angerer (1740–1794) to be the author. If Angerer's manuscript (from 1765, entitled Berchtolds-Gaden Musick) is the original, the Toy Symphony was originally written not in G but rather in C. These findings, however, are disputed among scholars. There is reason to believe that the true composer will likely never be known, in whole or in part, given its confused origins and the paucity of related manuscript sources.Even without a name attached to it, the piece has become a mainstay for children's shows and Christmastime concerts. Each of its three movements features the sounds of actual toys and instruments that sound like they came straight from Geppetto's workshop. The piece calls for a toy trumpet, ratchet, nightingale, cuckoo, drum, and triangle. ( A quail makes it’s only appearance in the 2nd movement.Noisemakers rattle throughout the first of its three movements. The cuckoo and trumpet  call out mischievously during the minuetto of the second movement , and a quail joins the nightingale in the trio. In the short third mvt which is played 3 times, they all play again, each repeat faster than the previous one.The presence of the toy instruments make this a fun piece for children to play, especially when there are also some toys waiting under the tree.My arrangement is based on the Kinder-Symphonie attributed to Leopold Mozart. It is scored in C.It is in 3 mvts and is arranged for wind quintet, and toy percussion.It can be peformed as a stand alone  wind quintet without percussion as all of the important cues (the trumpet and cuckoo) are written in to the instrumnt parts.i have distributed the original strings around the woodwind, and composed an original classical horn part.Sometimes known as The Children’s SymphonyAlso available as a wind dectet/bass arrangement.
$14.95
13.46 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Joseph Haydn/Leopold Mozart
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Kinder- Symphonie
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RayThompsonMusic
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SheetMusicPlus
Course of Empire
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.
$25.00
22.52 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Kyle Vanderburg
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Course of Empire
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NoteForge
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SheetMusicPlus
Recordare (from "Requiem") (F) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1108405 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711047. Published by Regis Bookshar (A0.1108405). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Woodwind Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Bb Clarinet, 1 French Horn and 1 Bassoon, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Woodwind Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.22 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Wolfgang Amadeus Mozart
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Recordare
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Regis Bookshar
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SheetMusicPlus
Interstellar
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.912635 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.912635 Composed by Johnson Lee. Contemporary,World. 35 pages. Johnson lee #2897207. Published by johnson lee (A0.912635). https://youtu.be/0hVSzb1pUP0INTERSTELLAR First movement - Astronomical Space Synopsis Astronomical Space is the void that exists between celestial bodies. However, the space is not completely empty, between, the vacuum consists of electromagnetic radiation, magnetic fields and dust and cosmic rays. Within this space, planets and moon freely orbits in their path. An unseen force is behind the organized path and movement of these planets in the galaxy. This movement uses different aspects of palindrome concept to depict the organised space in music. First, the time signature expands and contracts in palindromic fashion, indicating an orderly manner in which the music orbits. Next, the intervals expands exponentially and also contracts in retrograde fashion. Analysis This movement uses palindrome concept for compositional technique. Rhythmically, it is palindromic in nature. The note values starts from a minim to dotted crotchet, crotchet, quaver, semiquavers. The time signature also expands and contract palandromically, starting from 2/4, 3/4 , 4/4, 5/4, 6/4, 5/4, 4/4, 3/4, 2/4. The intervallic relationships are also in palindrome. Ascending from middle C the interval starts with Minor 2nd and expands exponentially to Major 2nd, Minor 3rd , Major 3rd, Perfect 4th , Augmented 4th , Perfect 5th to the tonic. Conversely, the intervals descend in similar fashion. French Horn begins with Low G (Concert C) and builds up this set of intervals reaching high B (Concert E). This melody is repeated by the Clarinet at the start of the new time signature of 3/ 4. Oboe enters at the next time signature of 4 /4. Flute at time signature of 5/4 and Bassoon at time signature of 6/4. The retrograde inversion of this motif is announced by the French Horn, this time starting on its high G (Concert C). Behind all this build up, the intervallic motif as shown above is played. At section A, this motif is announced without the rhythmic palindrome. The motif and its inversion builds up to a climax and re-asserts its presence with all the instruments playing at Bar before rehearsal mark B. The piece ends with the French horn performing the same motif at the beginning of this movement. Second Movement - Celestial Bodies Synopsis Celestial bodies or Astronomical objects refers to a single cohesive structure that is bound together usually by gravity or electromagnetism. Some examples includes asteroids, moons, planets and the stars. These objects or bodies may range from a single planet to star clusters, nebulae or entire galaxies and they have their position in space. This movement uses whole tone scale. The whole tone scale is used in this movement as it does not create sharp dissonances and the space between each interval is equal whichever way you stack the notes. The main melody, 8 bars long is repeated in canonic fashion. A countermelody is announced and also repeated by the ensemble in canonic fashion. Thereafter, both melodies will merge and this movement ends with a chord consisting of the whole tone scale starting on B. The music gradually unveils the each axis of the motion in which the astronomi.
$5.00
4.5 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johnson Lee
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Interstellar
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johnson lee
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SheetMusicPlus
American Quilt Sketches
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1139982 Composed by Nancy Bachmann. Chamber,Classical,Contemporary. 104 pages. Nancy Bachmann #740242. Published by Nancy Bachmann (A0.1139982). A taste of Americana, these five stand-alone movements for traditional woodwind quintet celebrate the artistic quilts of our foremothers. Appropriate for intermediate and advance players. INCLUDED IN PURCHASE: Full score and complete set of instrumental parts. NOTES FROM THE COMPOSER: Traditional quilting, like chamber music, is a cooperative, communal activity and the clean crisp lines delineating the sewn patterns bring woodwind sonorities to my mind. This suite celebrates the remarkable needlecraft of our American foremothers. They took scraps, rags and remnants of otherwise worn out garments and household fabrics to stitch together useful (often life saving) “blankets†that were also beautiful works of art. These early quilters favored certain shapes and designs that I have used for my musical inspiration. In these five pieces I have tried to honor the physical shapes of the patterns as well as emotions evoked by their use..
$60.00
54.04 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Nancy Bachmann
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American Quilt Sketches
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Nancy Bachmann
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com
$49.95
44.99 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Ludwig van Beethoven
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Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
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jmsgu3
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SheetMusicPlus
Emoticons III for Wind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.755253 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.755253 Composed by Sy Brandon. 20th Century,Concert,Contemporary. 21 pages. Sy Brandon #3602975. Published by Sy Brandon (A0.755253). Emoticons III is the third in a series of compositions that are designed to be aural representations of images that reflect emotions. This composition has eight short movements and is scored for wind quintet.I. Nebulous – The wandering tonality, slow tempo, frequent shifts of color, and lack of cadences gives this movement a feeling of vagueness.II. Puckish – This Allegretto movement has a playful quality that is created by staccato articulations, melodic leaps, unexpected use of rests and sudden tonality shifts to express an impish quality.III. Excited – A fast tempo and technical passages along with driving rhythms help this movement express excitement.IV. Horrified – Angular melodic lines, trills, dissonant chords, extreme ranges, and accents are all used to create this emotional representation.V. Jocular – This playful movement in an Allegretto tempo uses staccato, syncopation, meter change, dotted rhythms, and angular melodies for its laughing sounds.VI. Scattered – A Presto tempo with hemiola, staccato notes, and light scoring are used throughout this short movement that feels like it is constantly changing direction.VII. Regretful – This Lento movement has sad legato lines with unresolved dissonances at the beginning and end. The middle section creates a sense of hope but quickly returns to the sorrowful sound.VIII. Confident – This movement is in a march style with strong accents. Its clear lines and rhythms help portray strength in one’s beliefs.
$14.99
13.5 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Sy Brandon
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Emoticons III for Wind Quintet
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Sy Brandon
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SheetMusicPlus
Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.II Lento - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1127691 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period,Spiritual. 16 pages. RayThompsonMusic #728293. Published by RayThompsonMusic (A0.1127691). 2nd mvt Lento - Arranged wind quintet The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind quintet, so have given the horn repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and used the horn to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinet and bassoon.
$14.95
13.46 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Antonin Dvorak
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Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.II Lento - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Mozart's Symphony No. 29 for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.874038 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.874038 Composed by Wolfgang Amadeus Mozart. Arranged by Frank Starobin. Classical,Concert,Wedding. 40 pages. Frank Starobin #3023001. Published by Frank Starobin (A0.874038). W. A. Mozart's Symphony NO.29 in A major, K. 201, for horns, oboes, and strings is one of the composer's most notable early works. In this woodwind quintet arrangement of the first movement, Allegro moderato, I've emulated Mozart's scoring for winds to give it a genuine and honest Mozartesque air. A light and fun piece for winds! Clarinet in A and B-flat parts included. https://www.youtube.com/watch?v=pQjyKAoYVHM
$15.00
13.51 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Wolfgang Amadeus Mozart
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Mozart's Symphony No. 29 for Woodwind Quintet
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Frank Starobin
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SheetMusicPlus
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