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85390
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53095
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18972
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16262
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3802
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1520
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1067
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1061
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801
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457
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165
Melody line, Piano
140
2 Pianos, 4 hands
126
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101
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100
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54
Keyboard
51
Piano Quartet: piano, violin, viola, cello
39
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36
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33
2 Pianos, 8 hands
14
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13
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11
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8
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6
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5
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2
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1
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1
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1
2 Accordions
1
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1
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Guitar notes and tablatures
38905
Melody line, (Lyrics) and Chords
13556
Lyrics and Chords
13233
Bass guitar
7658
Ukulele
7545
Guitar
7201
Mandolin
415
Guitar (band part)
347
Dulcimer
324
Piano, Guitar (duet)
245
Electric Bass (band part)
243
Banjo
203
Guitar Ensemble
170
Baritone Ukulele
159
2 Guitars (duet)
73
Ukulele Ensemble
55
4 Guitars (Quartet)
47
3 Guitars (trio)
35
Dobro
24
2 Dulcimers (duet)
11
Mandolin, Guitar (duet)
4
Band Scores
3
2 Ukuleles
3
2 Mandolins (duet)
2
Guitar, Flute, Clarinet
2
3 Dulcimers (trio)
1
Zither
1
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VOICE
Choral SATB
6560
Choral 3-part
4442
Choral 2-part
2116
Voice solo
1930
Choral
1548
Choral TTBB
1432
Choral SSAA
854
Vocal duet, Piano
406
Choral Unison
252
Vocal duet
167
Alto voice, Piano
105
High voice
87
Baritone voice, Piano
80
Tenor voice, Piano
74
Soprano voice, Piano
68
Voice, Guitar
51
Tenor voice
37
Choral SSATBB
34
Soprano voice
27
Choral SSATB
14
Choral SSAB a cappella
13
Medium voice, Piano
12
Voix Masculines
10
Choral SSAATTBB
10
Choral SSAB, Piano
8
Choral SSATTB
6
Low voice
4
Mezzo-Soprano voice, Piano
3
Choral SATTB
3
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3
Choral SAATB A Cappella
2
Choral SATTBB, keyboard
2
Baritone voice
1
Choral SSAATB
1
Choral SATTBB A Cappella
1
Choral SSAATB A Cappella
1
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1
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10582
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7036
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6500
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3756
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3307
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3072
Flute and Piano
1501
Clarinet (band part)
1478
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1288
Clarinet and Piano
1205
Alto Saxophone and Piano
1051
Oboe, Piano (duet)
948
2 Saxophones (duet)
921
Flute, Oboe, Clarinet, Bassoon
908
Tenor Saxophone and Piano
860
Flute (band part)
759
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711
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662
2 Flutes (duet)
596
Oboe (band part)
589
Oboe
577
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505
2 Clarinets (duet)
503
Saxophone Quintet: 5 Saxophones
497
Recorder
461
Clarinet Quartet: 4 clarinets
399
Harmonica
378
Baritone Saxophone, Piano
250
Descant (Soprano) Recorder
243
Treble (Alto) Recorder
221
Eb Instruments
192
3 Saxophones (trio)
187
Flute Quartet: 4 flutes
165
Saxophone ensemble
163
Flute, Clarinet (duet)
160
Clarinet Ensemble
159
2 Recorders (duet)
156
Ocarina
151
2 Oboes (duet)
138
Baritone Saxophone
120
Saxophone, Clarinet (duet)
101
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97
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92
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91
Flute ensemble
90
3 Clarinets (trio)
86
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84
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81
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81
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73
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69
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67
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65
Flute, Violin
60
Recorder Ensemble
51
Piccolo
51
Oboe, Flute
46
Flute, Oboe, Clarinet (trio)
44
Flute, Saxophone (duet)
40
Bass Clarinet, Piano
40
Flute, Clarinet and Bassoon.
38
Flute Quintet : 5 flutes
37
Clarinet and Viola
36
Oboe, Clarinet, Bassoon (trio)
34
Flute, Viola (duet)
32
Flute, Trumpet (duet)
30
Recorder Quartet
28
Flute, Oboe (duet)
27
Clarinet, Bassoon (duet)
26
2 Flutes, Piano
24
Saxophone and Piano
22
Flute, Violin, Piano
22
Tenor Recorder
20
Flute, Oboe, Bassoon
19
2 Clarinets, Piano
19
Flute, Violoncello
18
Oboe, Guitar (duet)
16
Flute, Cello, Piano (trio)
16
Clarinet, Guitar (duet)
16
Flute, Clarinet, Horn and Bassoon (Quartet)
15
Clarinet, Cello, Piano (trio)
14
Treble (Alto) Recorder, Piano
14
Clarinet, Cello (duet)
13
2 Saxophones, Piano
13
Flute, Violin and Violoncello
13
Flute, Clarinet, Piano (trio)
12
Flute, Bassoon, and Piano
11
5 Recorders
10
Pennywhistle
10
Flute, Viola and Piano
9
Oboe, Cello
9
Flute, Oboe, Piano (trio)
9
Saxophone and Guitar
9
3 Recorders (trio)
9
Oboe, Violin (duet)
7
Recorder, Guitar (duet)
7
Clarinet, Harp (duet)
7
Recorder, Piano
5
Descent (Soprano) Recorder, Piano
5
Flute, trombone and piano
5
Clarinet, Bassoon, Piano (trio)
5
Flute, Violin, Violoncello and Piano
5
Oboe, Cello and Piano
4
Oboe, Clarinet and Piano (Trio)
4
Piccolo, Piano
4
3 Oboes
4
Oboe and viola (duet)
4
Flute, Trombone (duet)
4
Flute and Strings Trio
3
Clarinette, Viola and Piano (trio)
3
Saxophone and Harp
3
Oboe, Bassoon and Piano
3
Saxophone and Organ
3
Clarinet Quartet: Clarinet, Violin, Viola, Cello
3
Clarinet, trumpet and piano
3
Oboe, Harp
3
Oboe, Violin, Piano
3
2 Clarinets, Bassoon
3
2 Recorders, Piano
2
Flute, Viola and Cello
2
2 Flutes, 2 Clarinets (Quartet)
2
2 Oboes, Piano
2
Bagpipe
2
Flute, Cello, Guitar
2
Flute, Clarinet, Violin (trio)
2
Pan Flute
2
4 Oboes
1
Clarinet, Double bass (duet)
1
Clarinet, Organ
1
Flute, Oboe, Violin
1
2 Flutes and Harp
1
Treble (Alto) Recorder, Basso continuo
1
Flute and String Quartet
1
Flute, Organ (duet)
1
Clarinet, Trombone (duet)
1
2 Oboes, 2 Horns and 2 Bassoons
1
Saxophone and cello
1
2 English horns and Pianoforte
1
Wind ensemble
1
2 clarinets, 2 bassoons
1
Flute, Violin, Guitar
1
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1
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6289
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2604
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2083
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1724
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992
Trombone and Piano
928
Brass Quintet: 2 trumpets, horn, trombone, tuba
915
French Horn and Piano
604
French horn (band part)
602
Brass quartet : 2 trumpets, trombone, tuba
594
Tuba
588
Tuba (band part)
447
2 Trombones (duet)
411
2 Trumpets (duet)
396
Tuba and Piano
277
Bass Clef Instruments
264
Brass Quartet
252
Brass Quartet: 2 trumpets, horn, trombone
231
Bb Instruments
215
Euphonium
174
2 French horns (duet)
137
Tuba or Euphonium or Saxhorn
130
2 Euphoniums and 2 Tubas
124
Trumpet, Trombone (duet)
119
Euphonium, Piano (duet)
86
Trumpet, Saxophone (duet)
83
English Horn
73
English horn, Piano
69
Trumpet, Horn (duert)
67
2 Tubas (duet)
56
Brass Quartet: 4 trombones
51
4 Tubas
38
Brass Trio
34
Brass Quartet: 4 horns
31
Trombone ensemble
26
Brass Quartet: 4 trumpets
23
3 Trumpets (trio)
22
Brass Quartet: 2 trumpets, 2 trombones
20
Trumpet ensemble
20
Horn Ensemble
18
Tuba and Organ
14
3 Trombones (trio)
12
Horn, Tuba (duet)
11
Trumpet, Cello, Piano
10
Trombone, Horn (duet)
10
French Horn and Harp
9
Trombone, Tuba (duet)
8
Trumpet, Tuba (duet)
7
Trumpet, Harp
7
Bass Trombone and Piano
6
Bass Trombone
6
2 Trumpets, Keyboard (piano or organ)
6
Euphonium, Tuba (duet)
4
2 Euphoniums (duet)
4
Trombone, Organ
4
Trumpet, Trombone, Piano
3
3 French horns (trio)
3
Euphonium or Saxhorn and Piano
2
2 French horns, Piano
2
3 Tubas (trio)
2
2 Trombones, Piano
1
Horn and Organ
1
Trumpet, Euphonium (duet)
1
2 English horns and Pianoforte
1
Clarinet, Horn (duet)
1
Tuba ensemble
1
Horn, Trumpet, Trombone (trio)
1
Euphonium (band part)
1
Trumpet, Cello (duet)
1
Trumpet and Guitar
1
Trombone and Orchestra
1
English horn, Harp (duet)
1
Instrumentations suivantes
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STRINGS
String Quartet: 2 violins, viola, cello
4661
Violin
4650
Cello
3592
Viola
2853
Violin and Piano
1886
Cello, Piano
1568
Viola, Piano
1343
Doublebass (band part)
877
Harp
800
Violin (band part)
781
Violin, Cello (duet)
777
2 Violins (duet)
745
String Trio: violin, viola, cello
666
2 Cellos (duet)
630
Viola (band part)
557
String Quintet: 2 violins, viola, cello, bass
470
Double Bass
439
Double bass, Piano (duet)
281
Cello (band part)
278
String Trio: 2 violins, cello
266
Violin, Viola (duet)
221
2 Violas (duet)
216
Piano Trio: Violin, Viola, Piano
113
Viola, Cello (duet)
73
4 Cellos
69
String Trio: 3 violins
51
Violin, Guitar (duet)
47
String trio
45
2 Double basses (duet)
42
String Trio: 3 cellos
33
2 Harps (duet)
32
Cello, Guitar (duet)
28
String Quintet: 2 violins, 2 violas, cello
26
String quartet: 4 violins
24
String Quintet: 2 violins, viola, 2 cellos
23
Harp, Violin (duet)
21
2 Violins, Piano
16
2 Cellos, Piano
15
String Quartet : 4 violas
14
Harp, Flute (duet)
14
Viola, Guitar (duet)
14
String Trio: 3 violas
13
Violin ensemble
13
String Trio: 2 violins, viola
12
Cello, String Bass (duet)
10
Violin, Clarinet, Piano (trio)
9
2 Violas, Piano
8
Harp, Voice
8
Harp (band part)
6
Viola ensemble
5
Harp, Violin, Violoncello
5
Harp, Cello (duet)
5
Viola and Harp
5
Violin, Bassoon (duet)
5
3 Harps
4
Autoharp
4
Cello Ensemble
3
Cello, Organ
2
Harp, Trombone (duet)
2
Harp and Piano
2
Viola, Organ
1
Flute, Doublebass (duet)
1
Harp and Organ
1
Violin, Trumpet and Piano
1
Viola and orchestra
1
Violin, Basso continuo
1
Viola and Bassoon
1
Violin, Organ
1
Violin, Tuba (duet)
1
4 Double Basses
1
Instrumentations suivantes
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PERCUSSION & ORCHESTRA
Drums
7089
Concert band
5650
Orchestra
2607
Marching band
2001
Jazz Ensemble
1787
String Orchestra
1212
Percussion (band part)
977
Drum (band part)
698
Percussion
478
Brass ensemble
459
Handbells
415
Jazz combo
384
Xylophone
210
Chamber Orchestra
202
Marimba
125
Timpani (band part)
110
Percussion Ensemble
101
Timpani
93
Vibraphone
85
Snare drums
28
Vibraphone (band part)
22
Xylophone, Piano
20
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
16
3 Marimbas
12
Xylophone (band part)
10
Big band
9
Brass Quintet: other combinaisons
9
Piano and Orchestra
4
Xylophone or Marimba or Vibraphone
4
2 Xylophones
4
Voice and Orchestra
3
Bongos
3
Cajon
2
Vibraphone and Marimba
2
Woodwind Quintet
2
Woodwind Quartet: any 4 woodwinds
1
2 Percussions
1
2 Marimbas
1
Flexible Instrumentation
1
Instrumentations suivantes
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OTHERS
Musical course - Solfege
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9976
Popular Spanish Suite - No. 5 Asturiana
Violin
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Violin
#
Manuel de Falla
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Tomplay
Popular Spanish Suite - No. 5 Asturiana
Piano solo
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Piano solo
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Manuel de Falla
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Tomplay
Popular Spanish Suite - No. 1 El paño moruno (The Moorish Cloth)
Violin
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Violin
#
Manuel de Falla
#
Tomplay
Popular Spanish Suite - No. 4 Polo
Violin
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Violin
#
Manuel de Falla
#
Tomplay
Popular Spanish Suite - No. 6 Jota
Violin
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Violin
#
Manuel de Falla
#
Tomplay
Popular Spanish Suite - No. 3 Canción
Violin
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Violin
#
Manuel de Falla
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Tomplay
Popular Spanish Suite - No. 2 Nana
Piano solo
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Piano solo
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Manuel de Falla
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Tomplay
Popular Spanish Suite - No. 4 Polo
Piano solo
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Piano solo
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Manuel de Falla
#
Tomplay
Popular Spanish Suite - No. 3 Canción
Piano solo
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Piano solo
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Manuel de Falla
#
Tomplay
Popular Spanish Suite - No. 1 El paño moruno (The Moorish Cloth)
Piano solo
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Piano solo
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Manuel de Falla
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Tomplay
Popular Spanish Suite - No. 6 Jota
Piano solo
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Piano solo
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Manuel de Falla
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Tomplay
Eleanor Rigby - Beatles for Orchestra
Orchestra
Full Orchestra - Intermediate - Digital Download By David Cook, The Beatles. Arranged…
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Full Orchestra - Intermediate - Digital Download By David Cook, The Beatles. Arranged by Javier Martínez Maya. Score, Set of Parts. 40 pages. Published by Arte Nova Music Lab
"Eleanor Rigby" is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with "Yellow Submarine". The song was written primarily by Paul McCartney and credited to Lennon–McCartney.<br> <br> The song continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, "Eleanor Rigby" broke sharply with popular music conventions, both musically and lyrically. Richie Unterberger of AllMusic cites the band's "singing about the neglected concerns and fates of the elderly" on the song as "just one example of why the Beatles' appeal reached so far beyond the traditional rock audience".<br> <br> Taken from https://en.wikipedia.org/wiki/Eleanor_Rigby
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Orchestra
#
David Cook, The Beatles
#
Eleanor Rigby - Beatles for Orchestra
#
Arte Nova Music Lab
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SheetMusicPlus
Popular Songs
Marimba
Marimba - intermediate - Digital Download SKU: S9.Q582369 Composed by Michael GroÃ…
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Marimba - intermediate - Digital Download SKU: S9.Q582369 Composed by Michael Großmann. Downloadable. Musikverlag Zimmermann - Digital #Q582369. Published by Musikverlag Zimmermann - Digital (S9.Q582369). German • English.This issue contains 11 popular études in different keys and musical styles. Despite the pedagogical orientation the pieces are also effective performance pieces, which give room for improvisatory elements and can be enhanced with rhythm instruments. The drummer Michael Großmann (* 1961) leads the department of jazz and popular music at the Wiesbaden school of arts and music. In addition to that, he is a very wanted musician in several free projects.
$22.99
20.66 €
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Marimba
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Michael Großmann
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Popular Songs
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
My First Concert
Trumpet
Trumpet (B) and piano - easy to intermediate - Digital Download 26 Easy Concert Piece…
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Trumpet (B) and piano - easy to intermediate - Digital Download 26 Easy Concert Pieces from 5 Centuries. This edition: Sheet music. Trompete, Blasinstrument, Konzert. My first Concert. Downloadable. Schott Music - Digital #Q54864. Published by Schott Music - Digital
To every young musician, the first concert is a special experience. The choice of the 'right' performance piece is of vital importance: It should be technically and musically manageable, make a strong impression and give great pleasure in practising.<br> The edition .My First Concert .contains easy pieces for trumpet in B flat and piano for music lessons and first auditions. The selection of the works invites the performer on a trip through various music epochs - starting from 16th-century music via Baroque, Classical and Romantic to contemporary music. The musical journey through time ends in pleasant, modern pieces from the areas of pop and rock music which would add variety to lessons.<br> Most pieces can be played after 1-2 years of music lessons. .The edition also contains an easy piano part for accompaniment. It is deliberately kept simple so that the piano accompaniment can also be played by students - for example at concerts in music schools or at competitions.
$16.99
15.27 €
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Trumpet
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My First Concert
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Schott Music - Digital
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SheetMusicPlus
My First Concert
Trumpet
Trumpet in C - easy - Digital Download 26 Easy Concert Pieces from 5 Centuries. This …
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Trumpet in C - easy - Digital Download 26 Easy Concert Pieces from 5 Centuries. This edition: PDF. Trompete, Blasinstrument, Konzert. My first Concert. Downloadable. Schott Music - Digital #Q47091. Published by Schott Music - Digital
To every young musician, the first concert is a special experience. The choice of the 'right' performance piece is of vital importance: It should be technically and musically manageable, make a strong impression and give great pleasure in practising.<br> The edition .My First Concert .contains easy pieces for trumpet in B flat and piano for music lessons and first auditions. The selection of the works invites the performer on a trip through various music epochs - starting from 16th-century music via Baroque, Classical and Romantic to contemporary music. The musical journey through time ends in pleasant, modern pieces from the areas of pop and rock music which would add variety to lessons.<br> Most pieces can be played after 1-2 years of music lessons. Approaching the works is made easier by the enclosed CD which contains all pieces as a demo version and as a play-along version with just piano accompaniment. The edition also contains an easy piano part for accompaniment. It is deliberately kept simple so that the piano accompaniment can also be played by students - for example at concerts in music schools or at competitions.
$3.99
3.59 €
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Trumpet
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My First Concert
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Schott Music - Digital
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SheetMusicPlus
Popcorn
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015523 Composed by Brad Ross. …
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015523 Composed by Brad Ross. Musical. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0015523. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015523). ISBN 9780739093689. UPC: 038081452326. Hal Hackady.Little by Little premiered off-Broadway at The York Theatre Company, starring Liz Larsen, Christiane Noll, and Darrin Baker, with direction by Annette Jolles. After the York production, an original cast recording was released, the show was licensed and published by Samuel French, and it's performed around the world. With music by Brad Ross and lyrics by Ellen Greenfield and Hal Hackady, songs from the show have become favorites among musical theatre vocalists for auditions, recitals, and performances. Brad Ross and Alfred Music are proud to present this first-ever Little By Little vocal selections folio. Titles: Little by Little * Popcorn * I'm Not * Rainbows * Nocturne * Take the World Away * Okay * Tell Me * I Ought to Cry * Is This Real?
$3.99
3.59 €
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Piano, Vocal and Guitar
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Little vocal selections folio
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Brad Ross
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Popcorn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Popper: Cello Concerto in E Minor, Op. 24
String Instruments - Digital Download SKU: AX.00-PC-0010467 Cello Concerto in E …
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String Instruments - Digital Download SKU: AX.00-PC-0010467 Cello Concerto in E Minor, Op. 24 (Cello). Composed by David Popper. Classical. Part. 12 pages. Alfred Music - Digital Sheet Music #00-PC-0010467. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0010467). ISBN 9780757991172. UPC: 654979030898.A Cello solo with Piano Accompaniment composed by David Popper.
$3.95
3.55 €
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David Popper
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Popper: Cello Concerto in E Minor, Op. 24
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Popper: Cello Concerto in E Minor, Op. 24
String Instruments - Digital Download SKU: AX.00-PC-0010468 Cello Concerto in E …
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String Instruments - Digital Download SKU: AX.00-PC-0010468 Cello Concerto in E Minor, Op. 24 (Piano). Composed by David Popper. Classical. Part. 36 pages. Alfred Music - Digital Sheet Music #00-PC-0010468. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0010468). ISBN 9780757991172. UPC: 654979030898.A Cello solo with Piano Accompaniment composed by David Popper.
$3.95
3.55 €
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David Popper
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Popper: Cello Concerto in E Minor, Op. 24
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Easy Christmas Pops
Handbells
Handbell - Digital Download SKU: JX.00-WBHB9610 Volume 2. 2-3 Octaves…
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Handbell - Digital Download SKU: JX.00-WBHB9610 Volume 2. 2-3 Octaves. Arranged by Douglas E. Wagner. Collections; Handbell Music; Performance Music Ensemble. Warner Bell Pops. Christmas; Pop; Secular; Winter. Book. 34 pages. Jubilate Music Group - Digital #00-WBHB9610. Published by Jubilate Music Group - Digital (JX.00-WBHB9610). English.Includes: The Christmas Waltz * I Heard the Bells on Christmas Day * I'll Be Home for Christmas * Let It Snow! Let It Snow! Let It Snow! * Mistletoe and Holly * Rockin' Around the Christmas Tree * (There's No Place Like) Home for the Holidays * Toyland * We Wish You a Merry Christmas * When Santa Claus Gets Your Letter.
$6.95
6.25 €
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Handbells
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Handbell Music
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Easy Christmas Pops
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Jubilate Music Group - Digital
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.56 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
'Twas The Night Before Christmas (Solo and SAB)
Choral 3-part
Piano Accompaniment, Voice, Choir, SAB - Digital Download Composed by Stephen DeCesare.…
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Piano Accompaniment, Voice, Choir, SAB - Digital Download Composed by Stephen DeCesare. Broadway, Musicals, Movies, TV, Christmas. 34 pages. Published by Exultet Music
The ever popular Christmas poem "A Visit From St. Nicholas", has been arranged as a musical dialogue between a Narrator and an SAB choir with Piano accompaniment. Interspersed within the poem are three Christmas carols to help propel the story ("Jolly Old St. Nicholas with "Upon On The Housetop", "Jolly Santa Claus Is Here", and "We Wish You A Merry Christmas"). Accessible and appropriate for any school or concert setting.
$5.00
4.49 €
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Choral 3-part
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Stephen DeCesare
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'Twas The Night Before Christmas
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Exultet Music
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SheetMusicPlus
A Gershwin Portrait! The Music of George and Ira Gershwin
Choral SATB
Chorus - Digital Download SKU: AX.00-PO-0003559 A Gershwin Portrait! The Music o…
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Chorus - Digital Download SKU: AX.00-PO-0003559 A Gershwin Portrait! The Music of George and Ira Gershwin - SATB. Composed by George Gershwin and Ira Gershwin. Arranged by Mac Huff. Choral. 16 pages. Alfred Music - Digital Sheet Music #00-PO-0003559. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003559). ISBN 9780769259901. UPC: 029156098013.Music must reflect the thoughts and aspirations of the people and the time. My people are American. My time is today. This quote from George Gershwin sets the tone for this spectacular 25-minute Feature Medley showcasing the amazing artistic range of George and Ira Gershwin. The six flexible sections of timeless melodies highlight not only their popular songs, but also music for the Broadway and concert stage, the jazz musician and even an opera (Porgy and Bess).Mac Huff's spectacular Gershwin extravaganzahas been designed for all ages with accompaniment options of full combo, rhythm section, piano only or the dynamic ShowTrax CD. A magnificent tribute to two American musical masters!
$8.99
8.08 €
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Choral SATB
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George Gershwin and Ira Gershwin
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A Gershwin Portrait! The Music of George and Ira Gershwin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Sérénade populaire
Alto saxophone and piano - Digital Download SKU: S9.Q21329 Composed by Paul Lewis. …
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Alto saxophone and piano - Digital Download SKU: S9.Q21329 Composed by Paul Lewis. This edition: Sheet music. Downloadable. Schott Music - Digital #Q21329. Published by Schott Music - Digital (S9.Q21329). An effective piece ranging between romantic and jazz which, in places, is reminiscent of circus music! Originally composed for mouth organ by Paul Lewis, this popular little work has now been arranged for alto saxophone.
$12.99
11.68 €
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Paul Lewis
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Sérénade populaire
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Schott Music - Digital
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SheetMusicPlus
Good 4 U
Brass ensemble
Brass Choir or Ensemble, Drum Set, Brass Band - Early Intermediate - Digital Downloa…
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Brass Choir or Ensemble, Drum Set, Brass Band - Early Intermediate - Digital Download By Olivia Rodrigo. Arranged by K Davies. Score, Set of Parts. 32 pages. Published by Bandmusic.co.uk
An exciting arrangement for brass band of this contemporary popular music. Listen for the bass line and the soprano cornet in the later sections
$45.00
40.45 €
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Brass ensemble
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Olivia Rodrigo
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Good 4 U
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Bandmusic.co.uk
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SheetMusicPlus
U. F. O. A new & original 'Sci-Fi' stage musical
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.999346 Composed by Dennis …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.999346 Composed by Dennis A. Westgate. Contemporary,Musical/Show,Pop,World. Octavo. 107 pages. Tyne Music #5871343. Published by Tyne Music (A0.999346). U. F. O. : Is my newest sci-fi full length modern play in the TYNE ONSTAGE series of original musicals. I wrote this specifically for the senior students of the Performing Arts. It has many leading parts for both sexes and has a hint of the 60-70 style of writing found in those musicals of the times but modern in context. The story line includes opportunities for many individual performances covering song and dance numbers, group singing, contemporary dance, dramatic interludes and strong comedy parts. This is an original story taking a humorous look at a possible visitation from our space neighbours. The story begins with the arrival of GS2, an ‘Interstellar Space Surveyor’ on its mission to map this part of the Universe. Whilst reporting its position to the home base ‘Niva’, the surveyor informs them that one of the planets (Earth) appears to have intelligent life forms. On receiving this information Niva decides to dispatch a party of college students to study this unique planet, much to the annoyance of GS2 who take umbridge at being appointed, what he calls a Galactic Nanny! Events take a dramatic turn when the surveyor is called away on an ‘emergency rescue mission’ so has to beam the students down to planet Earth, where during transmutation, they are warned not to integrate with the population. But ‘students being students’ the consequences are both hilarious and profound.This album includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/u-f-oP.S. Owing to the high cost in orchestration The music is only available as a piano score with lyrics and chords. However this is reflected in the price. You would have to add your own instrumentation, but this would be an excellent opportunity for any up and coming senior student to take on.SONG TITLES 1) Earthbound 2) Hold the Front Page 3) Sex Talk 4) We’re In This Together 5) The Annual Bazaar 6) You Are Me 7) Body Talk 8) Bionic Love
$70.00
62.92 €
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Choral SATB
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Dennis A
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U. F. O. A new & original 'Sci-Fi' stage musical
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Tyne Music
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SheetMusicPlus
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