Home page
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
The End of Time - Drumline Cadence
Not classified
2
Piano & keyboards
Piano solo
8
Organ
1
Guitars
Guitar
2
Guitar notes and tablatures
1
Voice
Choral SATB
2
Woodwind
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
2
Tuba
1
Strings
Harp
3
String Quartet: 2 violins, viola, cello
1
Violin, Cello (duet)
1
2 Violins (duet)
1
Orchestra & Percussion
String Orchestra
2
Concert band
2
Orchestra
1
Others
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
EN
EN
FR
Log in
Free Sheet Music
72
▽ INSTRUMENTS
ACCORDION
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET M…
BOOKS
BOUZOUKI
CELLO - VIOLO…
CHARANGO
CHOIR - VOCAL
CLARINET
CORNET
DOBRO - GUIT.…
DOUBLE BASS
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEORB
MANDOLIN
MARCHING BAND
MARIMBA
OBOE
ORCHESTRA - B…
ORGAN - ORGAO
OTHER INSTRUM…
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLA DA GAMB…
VIOLIN - FIDD…
XYLOPHONE
ZITHER
NEW ADDITIONS
|
GENRES
|
20th century
Afro-americans
Ballad
Baroque
Bluegrass
Blues
Brazilian/Choro
Celtic
Celebrations
Classical
Classical modern
Contemporary
National Anthems
Jazz
New age
Opera
Ragtime
Renaissance
Romantic
Sonata
Tango
Traditional
Waltz
Occitan song
Song
Chinese traditional
Ethnic
Klezmer
Flamenco
Folk
Japanese traditional
March
Medieval
Musette
Orientale
Pasodoble
French popular
Popular Dance
Reggae
Swing
Latin/World
INSTRUCTIONAL
:
Blank sheet music
Children
Dictionaries
Instructional methods
Music theory
Musicology
Rhythmic Solfege
Solfeges
Studies
SACRED
:
African Hymns
Chassidic
Christian
Christmas
Gospel
Gregorian
Israeli
Sacred Hymns
Wedding
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
TOP DOWNLOADS
|
TOP DOWNLOADS
TOP 100 SOCIAL RANKING
COMPOSERS
|
Member composers
Historical composers
All composers
INSTRUMENTATIONS
|
SOLO
DUET
TRIO
QUARTET
QUINTET
ENSEMBLE
ALL
ADVANCED SEARCH
|
Digital Sheet Music
30
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano sheet music
Piano solo
Piano, Voice, Guitar
Piano duet
Easy Piano
Piano Method
Methods
Studies
Organ sheet music
Organ solo
Organ duet
INSTRUMENTAL
|
Strings
Violin
Viola
Cello
Doublebass
Harp
Woodwinds
Flute
Clarinet
Oboe
Saxophone
Bassoon
Brass
Trumpet
Horn
Trombone
Tuba
Guitar
Guitar Tabs
Piano, Voice, Guitar
Bass
Folk
Accordion
Banjo
Dulcimer
Ukulele
Mandolin
Chamber music
String quartet
Wind quintet
Brass quintet
Handbells
ORCHESTRA
|
Concert Band
Jazz Ensemble
Jazz combo
Brass band
Marching band
Methods
Orchestra
String orchestra
CHOIR / VOICE
|
Choir
SATB
TTBB
SSAA
3-parts
2-parts
Voice
Piano, Voice, Guitar
Piano, Voice
Voice solo
Voice duet
GENRES
|
20th century
Asian
Bluegrass
Blues
Broadway / Musicals
Celtic
Christmas
Classical
Children
Country
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gospel
Halloween
Instructional
Instructional - Studies
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal / Hard
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alt.
Sacred / Church
Soul / Rap
Tango
Traditional
Video Game
Wedding / Love
CHRISTMAS
|
All Christmas
Christmas Piano
Christmas Guitar
Christmas Voice/Choir
Halloween
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
ADV.SEARCH
Sheet Music Books
11
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano (all)
Beginner Piano
Easy Piano
Piano Solo
PVG
Best Sellers
New additions
GUITAR
|
Guitar (all)
Beginner Guitar
Easy Guitar
Guitar TAB
Guitar (without TAB)
Best Sellers
New additions
VOICE/CHORAL
|
Choral & Voice (all)
Solo voice
Choral 2-Part
Choral 3-Part
Choral SATB
Choral TTBB
Choral SSAA
Choral UNISON
Best Sellers
New additions
INSTRUMENTATIONS
|
BEST SELLERS
|
CHRISTMAS
|
GENRES
|
20th century
African
Asian
Bluegrass
Blues
Broadway / Musical
Celtic
Christmas
Classical
Country
Children
Eastern Europe
Exams
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gypsy jazz
Gospel
Halloween
Instructional
Instructional - Studies
Instructional - Chords/Scales
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alternative
Sacred / Church
Soul / Rap
Tango
Traditional
Video Games
Wedding / Love
SECTIONS
|
ARTISTS
PUBLISHERS
CLASSROOM
GIFT IDEAS
BOOKS ABOUT MUSIC
PLAY-ALONG
ADV.SEARCH
Music Equipment
GUITAR
|
KEYBOARD
|
PERCUSSION
|
STUDIO
|
SOFT
|
PA
|
LIGHT
|
DJ
|
MIC
|
EFFECTS
|
WINDS
|
STRING & FOLK
|
FLIGHT
|
CABLES
|
ACCESSORIES
|
GIFT
|
BRANDS
|
ADV.SEARCH
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Active criteria:
The End of Time - Drumline Cadence
intermediate
Sheetmusic to print
30 sheet music found
<
1
26
The Spirit of the Lord - for Cantor and Congregation
#
Organ
#
INTERMEDIATE
#
Dr
#
Dr
#
The Spirit of the Lord - for C
#
School Sisters of St. Francis
#
SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1406728 By Dr. Sheri L. Masiakowski. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri L. Masiakowski. 20th C...
(+)
Organ - Level 3 - Digital Download SKU: A0.1406728 By Dr. Sheri L. Masiakowski. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri L. Masiakowski. 20th Century,Religious,Sacred. Score. 7 pages. School Sisters of St. Francis #989483. Published by School Sisters of St. Francis (A0.1406728). “The Spirit of the Lord† Sr. Theophane Hytrek OSFDedicated to Robert Verwoert on the occasion of his ordination to the priesthood — May 1971Sr. Theophane Hytrek OSF earned her PhD in composition from the University of Rochester (Eastman School of Music) in 1955.  She is known for a variety of compositional genres, e.g. keyboard (organ and piano), voice, and orchestra. Compositions for voice include masses, responses, psalm settings, hymns for congregation, choral music and solos.TEXT:The Spirit of the Lord is upon us. Send your Spirit upon us in this time and place, the Spirit who gives us comfort, the Spirit who brings light to our eyes, the Spirit who helps us say yes to your summoning Word.Bless us, Father, as you have done before, with the gift of your Spirit that he may stir new life within us.Blest are you in ev'rything that your Spirit makes new, now and for all ages to come.The source of this text is unknown. Though appropriate for Pentecost there is no direct connection to the scripture readings or sacramentary prayers for that Feast. The composition was written in the early years succeeding Vatican II (October 11, 1962 – December 8, 1965), a time of creative freedom. The language is period specific to that time, yet the music is universal.Rehearsal recommendation:The verse text is notated in consistent eighth-notes. Do not interpret this to mean that all syllables are to receive equal time.  Speak the text in natural cadence and then sing the pitches in that same natural cadence.  This will best represent Sr. Theophane’s intention.We invite you to browse other creative works by the School Sisters of St. Francis on our website:  https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm  Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.
$4.99
Come, Thou Fount of Every Blessing - For String Orchestra
#
String Quartet: 2 violins, viola, cello
#
INTERMEDIATE
#
Contemporary
#
John Wyeth, Robert Robinson
#
Andrew
#
Come, Thou Fount of Every Bles
#
Richard Sheldon
#
SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1028587 Composed by John Wyeth, Robert Robinson. Arrang...
(+)
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1028587 Composed by John Wyeth, Robert Robinson. Arranged by Andrew. 20th Century. Score and parts. 8 pages. Richard Sheldon #3585357. Published by Richard Sheldon (A0.1028587). Come, Thou Fount of Every Blessing is a longtime favorite of both religious and secular peoples across the world today. It is a very musical work that has stood the test of time because of how the reverent tone of the song is conveyed in the text, harmony, and melody. In this arrangement, a peaceful 5th is expanded into a majestic series of descending chords until there's a pause before the song begins with a quiet viola/cello soli. The song grows and grows changing, folding, and contorting until the whole group sweeps into the final verse, where the song quiets down and ends with a soft minor plagal cadence. This requires both musicianship and skill to master. The band must play as an ensemble and make music, not just play music.Happy Playing!
$14.99
Come, Thou Fount of Every Blessing - For Concert Band
#
Concert band
#
INTERMEDIATE
#
Contemporary
#
John Wyeth, Robert Robinson
#
Andrew
#
Come, Thou Fount of Every Bles
#
Richard Sheldon
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1028586 Composed by John Wyeth, Robert Robinson. Arranged by Andrew. 20th Century. Score and parts. 31 ...
(+)
Concert Band - Level 3 - Digital Download SKU: A0.1028586 Composed by John Wyeth, Robert Robinson. Arranged by Andrew. 20th Century. Score and parts. 31 pages. Richard Sheldon #3585341. Published by Richard Sheldon (A0.1028586). Come, Thou Fount of Every Blessing is a longtime favorite of both religious and secular peoples across the world today. It is a very musical work that has stood the test of time because of how the reverent tone of the song is conveyed in the text, harmony, and melody. In this arrangement, a peaceful 5th is expanded into a majestic series of descending chords until there's a pause before the song begins with quite woodwinds. The song grows and grows changing, folding, and contorting until the whole band sweeps into the final verse, where the song quiets down and ends with a soft minor plagal cadence. This requires both musicianship and skill to master. The band must play as an ensemble and make music, not just play music.Happy Playing!
$54.99
Brother James' Air — brass quintet
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
INTERMEDIATE
#
Sacred music
#
J
#
Todd Marchand
#
Brother James' Air — brass q
#
Con Spirito Music
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1261270 Composed by J.L. Macbeth Bain. Arranged by Todd Marchand. 19th Cent...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1261270 Composed by J.L. Macbeth Bain. Arranged by Todd Marchand. 19th Century,Christian,Folk,Sacred,Traditional. 16 pages. Con Spirito Music #854340. Published by Con Spirito Music (A0.1261270). Brother James' Air was composed by James Leith Macbeth Bain (1860-1925), a Scottish-born poet, author, mystic, and healer whose ministry took him to Liverpool and London, where he became known simply as Brother James. The tune is often sung to the metrical paraphrase of Psalm 23, The Lord's My Shepherd, by the Puritan religious author and English politician Francis Rous (c. 1581-1659), published in his The Psalms of David set forth in English meeter (1643). The angular, highly arpeggiated tune in bar form (AAB) is both stark and lovely, rising and falling before ascending to a high tonic cadence in its final phrase. Its harmonic simplicity — consisting primarily of I, IV, and V chords — lends itself to alternate harmonizations with substitute chords. Following a short introduction, this arrangement presents the tune four times: first, alternating between the two trumpets; second, by trio of horn, trombone, and tuba; third, in minor tonality (reflecting the psalm's verse 4 and the text's paraphrase, Yea, though I walk thro' death’s dark vale); and fourth, with powerful extended harmonies and surprise cadences resolving to a quiet, peaceful conclusion.  ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$15.00
THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
#
Choral SATB
#
INTERMEDIATE
#
Sacred music
#
Michael A
#
THE ICON OF THE INVISIBLE GOD
#
M.A. Morizio
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399...
(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M.A. Morizio (A0.926661). In the first chapter of Paul’s letter to the Colossians, we discover the next known Hymn to Christ right after his introductory passages, beginning at the 15th verse. Paul opens this letter with a blessing, then immediately flows to one of the 1st century hymns, which I have called, The Icon of the Invisible God. The lyrics of this hymn are declarative, bold and illuminating as to whom the Christ figure is-the icon, the very image of the invisible God, the firstborn of all creation. The text makes it abundantly clear that Jesus is the authority; that He was there before all things, that He created all things, and that through Him all things hold together. This anthem is composed for SATB choir with Pipe Organ accompaniment. The meter is set to 6/8 time, with a rhythm tempo of Totally Alive; which is one actual definition of the word Holy. The anthem starts at a good clip (♪=100). The key is G Major, with an incidental and occasional flatted 5th (Dâ™) as a surprise-landing befitting to the text presented, as if to say, This is so amazing, how can it be? The flatted 5th gives the piece it's own identity and causes the listener to stand up and take notice whenever it occurs. When the hymn's lyrics glide into the all-important resolution, having made peace through the blood of the cross, the song retards and lands on a surprising musical cadence, the sixth chord (E Major). In this piece, the pipe organ is boldly featured as it supports and under girds the musical line, occasionally trumpeting its own victorious motifs and adding some contrapuntal elements, such as this duplet motif, in the pedal line. The final lyrics about Christ having reconciled everything to Himself, whether things on the earth or in the heavens, finish the piece with a great, ‘High-Church’ choral ending.
$1.99
Monteverdi - The Seventh Book of Madrigals (1619) - 33. Tirsi e Clori
#
Classical
#
Claudio Monteverdi
#
Mike Lyons
#
Monteverdi - The Seventh Book
#
Lyons Music Services
#
SheetMusicPlus
Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.767368 Composed by Claudio Monteverdi. Arranged by Mik...
(+)
Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.767368 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 77 pages. Lyons Music Services #3557567. Published by Lyons Music Services (A0.767368). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.This section of the 7th book is really a miniature scena (although Monteverdi describes it as a ballet), telling the story of Tirsi and Clori (Thyrsis and Chloris) two lovers from ancient greek myths. This piece is the final section of Tirsi e Clori, which Monteverdi describes as the Ballo (Dance) where all the characters in the story provide a spectacle of celebration at the end of the performance. There is a short (12 measure) section forming an introduction at a slow tempo, followed by a 1-in-a-bar dance, a change occurs at measure 113 to simple duple time before returning to a rousing reprise of the lively 3/2 music. The whole is brought to a rousing conclusion with a long cadence in what is rapidly approaching the Baroque style.The instruments are divided between two 'choirs' a 5-part one, representing the singers (Cantus,Quintus, Alto, Tenor and Bass) and a four part accompanying group representing the continuo. There is also an optional percussion part, as the original would have been so accompanied, even though it was not notated in the score.At just over 8 minutes in length, this is a great finisher for a concert - or, in the right circumstances, a starter - especially as Monteverdi has made the ending very loud and full.The seventh book has been a challenge. The much more intricate music, showing Monteverdi's development towards a true operatic technique requires a really careful study of his orchestrations. It has been a great pleasure to set this music and I hope lots of ensembles will 'give it a go'!
$12.99
Waltz Op 69 No 2 (Arranged for Guitar)
#
Guitar notes and tablatures
#
INTERMEDIATE
#
Classical
#
Frederic Chopin
#
Brian Streckfus
#
Waltz Op 69 No 2
#
Brian Streckfus
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,C...
(+)
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
The Bird Song - piano solo
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Carrie Jacobs-Bond
#
Phil Beaman
#
The Bird Song - piano solo
#
Phil Beaman
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1192066 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical. Score. 1 pages. Phil Beaman #...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1192066 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical. Score. 1 pages. Phil Beaman #791565. Published by Phil Beaman (A0.1192066). The Bird Song is a piano solo arrangement of the 1899 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano. Â This is mostly a new composition inspired by the Jacobs-Bond piece. Â I took the tune's 8-bar vocal melody and changed several of the notes then put it in the Left Hand. Â In the Right Hand I created twittering birds. Â The ending section elongates the final cadence into a dozen measures of twittering and posturing, followed by a Coda in a new Time Signature of rest and twittered farewells. Â This makes a simple, delightful, lilting dance. Â 1 page score; 1:20 minutesThis piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.
$1.99
La Balançoire (The Swing)
#
Piano solo
#
INTERMEDIATE
#
Contemporary
#
Han Keuper
#
La Balançoire
#
Myriad Dreams Media
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.497969 Composed by Han Keuper. Classical,Contemporary. Score. 6 pages. Myriad Dreams Media #111310. Publi...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.497969 Composed by Han Keuper. Classical,Contemporary. Score. 6 pages. Myriad Dreams Media #111310. Published by Myriad Dreams Media (A0.497969). Inspired by endless hours he spent as a kid on the swing at his grandparents’ house and a slight touch of French chansons, composer Han Keuper captured in La Balançoire the cadence and rhythm of swinging back and forth in a world full of possibilities, a time full of fantasies, and a life on the wings of the future.
$3.99
We Gather Together, for Violin Duet
#
2 Violins (duet)
#
INTERMEDIATE
#
Eduard Kremser
#
Nigel Williams
#
We Gather Together, for Violin
#
Nigel Williams
#
SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.763567 Composed by Eduard Kremser. Arranged by Nigel Williams. Folk,Holiday,Instructional,Sacred,...
(+)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.763567 Composed by Eduard Kremser. Arranged by Nigel Williams. Folk,Holiday,Instructional,Sacred,Standards. 6 pages. Nigel Williams #6062597. Published by Nigel Williams (A0.763567). This arrangement is ideal in church services at any time during the year, and especially during Thanksgiving. It is also great repertoire for High School string players. The hemiola rhythm in measures 43-46 provides an interesting platform for the final extended cadence. The full score has both individual parts attached, and each part fits conveniently on one page. Enjoy browsing my extensive selection of duets, trios and quartets available on SMP.
$3.99
Colores de un otoño incipiente
#
Piano solo
#
INTERMEDIATE
#
Juan MarÃa Solare
#
clipboard-write
#
Colores de un otoño incipient
#
Juan Maria Solare
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.742752 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Instructiona...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.742752 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Instructional. Score. 15 pages. Juan Maria Solare #350886. Published by Juan Maria Solare (A0.742752). Colores de un otoño incipiente -- Colors of an incipient autumn seven somewhat abstract pieces for piano Recording of Colores de un otoño incipiente - piano in several platforms Colores de un otoño incipiente -- on Spotify In this work, an idea that has haunted me for a long time crystallizes: that the titles of the individual pieces are read like lines of a poem. Colores de un otoño incipiente Declina el dÃa. Cobriza de hojarasca, la tierra aguarda. Inocencia Apergaminada por las largas vigilias. Frugal ante la desmesura, Se resignó a lo inconcluso Y dejó un hueco de luz en esta nada. Colors of an incipient autumn The day declines. Coppery with old leaves, the earth awaits. Innocence Parched by the long vigils. Frugal in the face of excess, He resigned himself to the unfinished And he left a hole of light in this nothingness. Such a poem alludes without great subtlety to decadence and aging. The title Apergaminada por las largas vigilias is taken from a poem by Pedro Lastra. Y dejó un hueco de luz en esta nada comes from a micropoem attributed to Alejandro Güerri, written in memory of Javier Adúriz. This seventh piece, transparent and delicate, pictures a being definitively transformed into light. The idea of desmesura (excess) arises from the prologue by Javier Adúriz to his book Solos de conciencia (1985): Faced with the excess of death, consciousness perceives the weakness of its willful affirmation, the one for which it feels itself unique and safe from all decrepitude. Adúriz was one of the fundamental figures in my artistic training. And apparently he still is. Musically, this cycle of works abounds in harmony of chords by fourths in a minimalist neoclassical aesthetic. The way of working texturally with the piano as an instrument - my instrument - highlights the pedal, the resonances, the third dimension of sound. These seven somewhat abstract pieces were composed at the end of 2019 in and around Bremen, in several cases with my new-born daughter Laura in my arms, trying to put her at to sleep and staying asleep. This explains the cautious nature of the music and its prudent dynamics that never reach a mezzoforte. There were several unsuccessful attempts to release this recording (initially planned for September 2020, at the beginning of autumn in the northern hemisphere). Finally, the album will be released (on Spotify and other streaming platforms) on 22 April 2022, coinciding with what would be my father's 103rd birthday. It is also autumn but in the southern hemisphere. Recorded on a Steinway B grand piano (serial number: 568208) at the Musikschule Bremen (Germany) with two Neumann KM-184 microphones. Recording and mastering technician: Alexander Derben. For the artwork, the impressive photographer and visual storyteller Leon Drago, from London, has kindly authorised the use of his photograph Pathway, The Garden House and Pergola, Hampstead Heath extension, London. The recording of Colores de un otoño incipiente (with the composer on piano) can be found here: Colores de un otoño incipiente - piano
$5.00
Unaccompanied Tuba Suite #1 in B-flat Major
#
Tuba
#
INTERMEDIATE
#
Jason Allie
#
Unaccompanied Tuba Suite #1 in
#
Joaba LLC
#
SheetMusicPlus
Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC ...
(+)
Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99
Eternal Love
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Jose Valladares
#
Jose Valladares
#
Eternal Love
#
Circlesquare Music
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1368417 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 5 pages. C...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1368417 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 5 pages. Circlesquare Music #952764. Published by Circlesquare Music (A0.1368417). Introducing Eternal Love, a deeply moving piano composition that embodies the timeless essence and profound depth of love that endures through the ages. This heart-stirring piece, from the acclaimed album A Celebration of Love, and Life by the esteemed artist and composer Jose Valladares, is a tender ode to the unbreakable bonds and enduring promises of love.With a gentle tempo of 65, Eternal Love unfolds like a delicate blossom, revealing layer after layer of emotional depth and soulful expression. The composition is a heartfelt journey through the landscapes of affection and devotion, capturing the quiet strength and unwavering certainty that characterize love in its most enduring form. Each note resonates with the warmth of a cherished embrace, the whisper of a lover's promise, and the soft cadence of heartbeats in perfect harmony.Eternal Love is more than a musical piece; it's a narrative of affection that transcends time and space. It invites listeners to immerse themselves in the profound beauty of love that knows no bounds, to reconnect with memories of heartfelt moments, and to cherish the bonds that grow stronger with each passing day. This composition is perfect for those who wish to celebrate love, for pianists seeking to convey the depth of their emotions through the keys, and for anyone who believes in the enduring power of love.Let Eternal Love serenade you with its tender melody, enveloping you in the warmth and beauty of a love that lasts a lifetime and beyond. This piece is an eternal testament to the most cherished of human connections, a soothing balm for the soul, and a celebration of love's everlasting light.
$8.99
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - symphonic wind
#
Classical
#
Wolfgang Amadeus Mozart
#
Ray Thompson
#
Mozart: Requiem in D minor K62
#
RayThompsonMusic
#
SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1111159 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. ...
(+)
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1111159 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 16 pages. RayThompsonMusic #713434. Published by RayThompsonMusic (A0.1111159). Arranged standard wind decet/dectet/bass Mozart's textual inspiration is apparent in the Tuba mirum (Hark, the trumpet) movement, which is introduced with a sequence of three notes in arpeggio, played in B♠major by a solo tenor trombone, unaccompanied, in accordance with the usual German translation of the Latin tuba, Posaune (trombone). Two measures later, the bass soloist enters, imitating the same theme. At m. 7, there is a fermata, the only point in all the work at which a solo cadence occurs. The final quarter notes of the bass soloist herald the arrival of the tenor, followed by the alto and soprano in dramatic fashion. On the text Cum vix justus sit securus (When only barely may the just one be secure), there is a switch to a homophonic segment sung by the quartet at the same time, articulating, without accompaniment, the cum and vix on the strong (1st and 3rd), then on the weak (2nd and 4th) beats, with the violins and continuo responding each time; this interruption (which one may interpret as the interruption preceding the Last Judgment) is heard sotto voce, forte and then piano to bring the movement finally into a crescendo into a perfect cadence. My arrangement gives the trombone part to the first horn, and the vocal entries are given to the 4 wind instruments (All Player 1) I have added some additional sustaining notes on the horns, under the syncorpated section. Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$9.95
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - brass quintet
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
INTERMEDIATE
#
Classical
#
Wolfgang Amadeus Mozart
#
Ray Thompson
#
Mozart: Requiem in D minor K62
#
RayThompsonMusic
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1111962 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Christian,Classica...
(+)
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1111962 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Christian,Classical,Religious,Sacred. 10 pages. RayThompsonMusic #714140. Published by RayThompsonMusic (A0.1111962). Arranged standard brass quintet Mozart's textual inspiration is apparent in the Tuba mirum (Hark, the trumpet) movement, which is introduced with a sequence of three notes in arpeggio, played in B♠major by a solo tenor trombone, unaccompanied, in accordance with the usual German translation of the Latin tuba, Posaune (trombone). Two measures later, the bass soloist enters, imitating the same theme. At m. 7, there is a fermata, the only point in all the work at which a solo cadence occurs. The final quarter notes of the bass soloist herald the arrival of the tenor, followed by the alto and soprano in dramatic fashion. On the text Cum vix justus sit securus (When only barely may the just one be secure), there is a switch to a homophonic segment sung by the quartet at the same time, articulating, without accompaniment, the cum and vix on the strong (1st and 3rd), then on the weak (2nd and 4th) beats, with the violins and continuo responding each time; this interruption (which one may interpret as the interruption preceding the Last Judgment) is heard sotto voce, forte and then piano to bring the movement finally into a crescendo into a perfect cadence. My arrangement gives the trombone part to the horn, and the vocal entries are given to the trombone, horn and two trumpets. . Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa. I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$4.95
Tanguillo de Cádiz Guitar 2
#
Guitar
#
INTERMEDIATE
#
Flamenco
#
Traditional
#
Richard Hirsch
#
Tanguillo de Cádiz Guitar 2
#
Richard Hirsch
#
SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Tr...
(+)
Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Traditional,World. 3 pages. Richard Hirsch #855138. Published by Richard Hirsch (A0.1262076). I offer an arrangement in D major of the traditional Flamenco Tanguillo de Cádiz as a second guitar to accompany my arrangement of the Tanguillo for solo guitar. The solo guitar arrangement is written in A major. To work as guitar 1 in the duet, the solo version must be played with the capo at the fifth fret to transpose the score to D major. This is normal practice in Flamenco guitar playing. The guitarist simply plays the score as if the capo were the nut. The tones/notes are then referred to as if they were being played in the first position, but they sound of course different.I created the arrangement in D major to accompany a student I taught to play the solo version so we could play and perform together. It was a lot of fun working on the arrangement and we had a great time playing the Tanguillo as a duet. It was also a big hit with audiences. I particularly recommend this arrangement for instructors teaching the solo version to intermediate students of Flamenco guitar, especially young students who will find it easier to play the Tanguillo at the fifth fret in D major. It is a great inspiration for  students to play along with their instructor, making music together. The arrangement also, of course, works just as well as a duet for two students or two experienced guitarists.The D minor section contains the typical Andalusian cadence found in the more â??jondoâ? styles of Flamenco and serves as a first introduction to these darker more serious â??sonidos negrosâ? as Manuel de Falla referred to them. The many taps or â??golpesâ? found in the score are, as I said in the description of the Tanguillo solo, not absolutely essential, but they definitely add more â??punchâ? to the performance and give the arrangement a more earthy Gitano Andaluz character.
$3.99
TAPS A Rembrance
#
Orchestra
#
INTERMEDIATE
#
Traditional
#
Ken Litton
#
TAPS A Rembrance
#
Artist of Note, Inc.
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Sc...
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 28 pages. Artist of Note, Inc. #822125. Published by Artist of Note, Inc. (A0.1226101). TAPS  A Remembrance   Bb Solo Trumpet, Narrator, Piano/Organ/Orchestra, optional SATB Choir  > 2:00TAPS - A Remembrance is ideal for the kinds of brief but important Memorial Day and/or Independence Day observances so often called for in our time.The poignant narration recalls the story of United States Army Sergeant Keith Clark playing the bugle call know today as Taps for the interment of President John F. Kennedy (November of 1963). As author William Manchester later wrote, “The 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†that the whole world heard, and that remains part of our national heritage.The background arrangement (optionally with chorus) heightens the emotion of the story until both give way to a regulation trumpet solo version that includes the grace note error and fades at the end. The orchestration is done in a 4 Part + format that lends itself to optional performance by any section of the orchestra (originally for brass alone).The choral octavo carries the complete narration (also see below) with accompaniment (playable by/adaptable to organ) and the solo trumpet part (all that’s really needed to perform the piece) along with permission to reproduce the octavo for optional choir/ensemble.The choral writing involves divisi only at two easily sung cadence points.And, it can be performed by just the brass and the narrator.For those who may not know the story:CBS News video of A Bugle Call Remembered Gathering 11/16/2013  [01:15]  https://www.youtube.com/watch?v=E3u2qKWQ8io----NARRATOR:  Since the mid 1800s the bugle call known today as Taps has heralded rest for the weary, as well as comfort and encouragement in times of deep personal and collective grief.** music beginsAt about 3:00 p.m. on November 24th 1963, as the nation mourned the assassination of President John F. Kennedy, United States Army Sergeant Keith Clark raised his bugle at Arlington National Cemetery [†with thoughts of I Corinthians 15:51 in mind, “The trumpet shall soundâ€].Clearly broadcast throughout the country and around the world, the 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†as author William Manchester put it. But, as another observer** noted: “Like the crack in the Liberty Bell, it remains part of our national heritage.â€(Taps solo Trumpet with intentional error at m.14 continues)________† Optional text** Ed Hunter for www.TapsForever.com.
$29.99
Humility
#
Concert band
#
INTERMEDIATE
#
Jonathan S
#
Humility
#
Jonathan S. Laflamme
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.971613 Composed by Jonathan S. Laflamme. 20th Century,Christmas,Renaissance. Score and parts. 114 pages...
(+)
Concert Band - Level 3 - Digital Download SKU: A0.971613 Composed by Jonathan S. Laflamme. 20th Century,Christmas,Renaissance. Score and parts. 114 pages. Jonathan S. Laflamme #2018099. Published by Jonathan S. Laflamme (A0.971613). HUMILITY by Jonathan S. Laflamme ©2012 The people walking in darkness have seen a great light; on those living in the land of the shadow of death a light has dawned. Isaiah 9:2* Humility seeks to draw attention to the Advent portion of the holiday season. This programmatic composition seeks to create an aural picture of the atmosphere both physically and spiritually in the eastern world B. C. and then try and connect it to Christmas traditions today. Students will really enjoyed rehearsing and performing this piece because of it’s programmatic nature, use of a plethora of percussion as well as some unusual uses of and combinations of instruments. Piccolo flute in the low register, soprano saxophone, open tom drums and oboe to create some Middle Eastern ambiance. Then, in order to create ‘the land of the shadow of death’ some unusual techniques call for whispers through instruments, french horns ringing their hands in and out of the bell, flutes playing on the head joints only, attaching a tenor saxophone mouthpiece to a euphonium and a baritone saxophone mouthpiece to a sousaphone. Add some trumpets and trombones playing only on their lead pipes and double reeds buzzing on just the reed and a haunting canvas to build the chaos of a world without salvation is created. Then, with the calming of the piano to present an extremely stark and hallow arrangement of the 7th century antiphon Veni Immanuel, ‘O Come, O Come Immanuel’ which crescendos to the coming of the savior at measure 128 precipitates the a highly antiphonal arrangement of ‘Joy to World.’ The piece concludes with the same chord it started with-a bright C major! This is done in the beginning to show the intention of a beautiful creation story without death and in the end as kind of a, this is just the beginning, sentiment by way of a half cadence. After all, in regards to this composition, Christmas day is just the beginning of the purpose of the Word made flesh. While this piece has some characteristics of ‘novelty band music’ there are plenty of technical demands that must be met in order to make it a legitimate concert band literature selection. *THE HOLY BIBLE: NEW INTERNATIONAL VERSION®. NIV®. Copyright © 1973, 1978, 1984 by Biblica. All rights reserved worldwide.
$50.00
Si Je Peut T'Aimer
#
Choral SATB
#
INTERMEDIATE
#
Contemporary
#
Colby A
#
 
#
Si Je Peut T'Aimer
#
Colby Aguilar
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1028776 Composed by Colby A. Aguilar. 20th Century. 58 pages. Colby Aguilar #3927015. Pub...
(+)
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1028776 Composed by Colby A. Aguilar. 20th Century. 58 pages. Colby Aguilar #3927015. Published by Colby Aguilar (A0.1028776). Si Je Peut T'Aimer details the emotion of love through various seasons from the fruits of Spring to the requiems of Winter, and the roller-coaster rides throughout. Near the end, desperation starts to show, but as acceptance starts to settle in, the music slows and ends with a cadence signifying that it's time to move on.It can be performed by anyone who'd like to use, I have no set audience in mind. It can be performed by schools if they so wish and can be used to show the various displays of emotion that music can display using different methods of composition. However, I would refrain from any sorts of religious service as this is best served as entertainment. In regards to the choir, stagger breathing is highly recommended for the difficult parts, or whenever feels necessary- which could be after ever dotted half note/ measure, or after every phrase. The dynamics are left to the director or the people who shall perform it. This leaves it to be personalised for each group, and unique to each one's own story; I just gave the template. To note: one can replace the choir with another 2 cellos and 2 violins, if desired. It is also important to note that when playing, the choir is the accompaniment to the piano and strings, and serves to reinforce the story that is being told, not explicitly telling the story itself.  .
$5.99
Luz de Luna
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Jose Valladares
#
Jose Valladares
#
Luz de Luna
#
Circlesquare Music
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1368427 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 5 pages. C...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1368427 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 5 pages. Circlesquare Music #952773. Published by Circlesquare Music (A0.1368427). Introducing Luz de Luna, a captivating and ethereal piano composition that bathes the listener in the serene glow of moonlight. This exquisite piece, from the celebrated album A Celebration of Love, and Life by the accomplished artist and composer Jose Valladares, is a musical tribute to the tranquil beauty and quiet mystery of the moon's soft luminescence.With a tranquil tempo of 65, Luz de Luna gracefully cascades like moonbeams through the night sky, each note glistening with the gentle purity of celestial light. The composition is a delicate dance of shadows and illumination, weaving a tapestry of sound that reflects the moon's timeless journey across the heavens. It's a melody that speaks to the soul, inviting contemplation, introspection, and a deep connection with the silent poetry of the night.Luz de Luna is more than a piece of music; it's a nocturnal reverie, a meditative journey into the heart of stillness and peace. It offers listeners a respite from the clamor of daily life, a moment to bask in the luminous embrace of the moon's gentle rays. This composition is perfect for those seeking solace in music, for pianists who wish to convey the subtle nuances of light and shadow through their artistry, and for anyone who finds inspiration in the quiet majesty of the night.Allow Luz de Luna to envelop you in its tranquil melody, guiding you through a realm of serenity and grace. Let the piece be a companion in your moments of reflection, a gentle reminder of the quiet wonders that unfold under the moon's watchful gaze. This composition is a celebration of the moon's eternal light, a soothing serenade that resonates with the gentle cadence of the night.Embrace the serene beauty of Luz de Luna. Let this piece be a beacon in the stillness of the night, a musical homage to the moon's enduring radiance. Acquire your copy today, and let Luz de Luna illuminate your soul with its tranquil and ethereal melody, echoing the silent hymn of the moonlit sky.
$8.99
'Golaud's Letter' from Pelleas et Melisande
#
Guitar
#
INTERMEDIATE
#
Classical
#
Claude Debussy
#
Rod Whittle
#
for solo classical guitar
#
'Golaud's Letter' from Pelleas
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899117 Composed by Claude Debussy. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Magg...
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899117 Composed by Claude Debussy. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25803. Published by Maggie Creek Music (A0.899117). 2 pages; for solo classical guitar; published by Maggie Creek MusicClaude Debussy (1862 – 1918) Debussy’s compositions form part of an art movement known as French Impressionism that evolved in France at the end of the 19th Century. He was its leading musical exponent and a seminal influence on modern music. The aim of Impressionism was to reflect mood, which Debussy did with the use of unusual chords and modes which nevertheless progress unerringly through evocative landscapes to peaks of tension. Careful attention to form gives impalpable sentiments a sense of direction and completion. The excerpt 'Golaud's Letter' from early in Debussy's only opera, the hugely influential ‘Pelleas and Melisande’, demonstrates this, and exhibits his masterful expression of mood and drama. Exquisite without being flowery, forceful but not overblown, the Letter's spoken voice recitative style is a natural accompaniment to the Letter's contents, while it accentuates the arrival of cadences.
$7.00
Tchaikovsky - Russian Song in F Major - Intermediate
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Peter Ilyich Tchaikovsky
#
Piacere Music Sheets
#
Tchaikovsky - Russian Song in
#
Piacere Music Sheets
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1033949 Composed by Peter Ilyich Tchaikovsky. Arranged by Piacere Music Sheets. Instructional,Romantic Pe...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1033949 Composed by Peter Ilyich Tchaikovsky. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score. 2 pages. Piacere Music Sheets #639266. Published by Piacere Music Sheets (A0.1033949). Opus/Catalog Number: Op.39 ; TH 141, No. 11 Key/Tone: F Major Movements/Sections: Allegro Year/Date of Composition: 1878 Difficulty: Grade 5/12 (Intermediate) Obs.: This piece is the eleventh of 24 pieces in Tchaikovsky's Album for the Young. But some later editions use different numbering, based on the composer's autograph score. It features an unusual A- A'- A''- A'''- B musical form: Section A (measures 1 to 6): a six-bar phrase made up of two 3-bar fragments Section A' (measures 7 to 12): very similar to phrase A, but with minor differences in both hands Section A'' (measures 13 to 18): again similar to phrase A, but this time with more elaborate accompaniment in both hands Section A''' (measures 19 to 24): quite similar to phrase A'', but again slightly different Section B (measures 25 to 30): A contrasting section which acts as a coda and ends with a perfect cadence.
$4.95
French Overture for String Orchestra
#
String Orchestra
#
INTERMEDIATE
#
Michele Willis
#
French Overture for String Orc
#
Teton Music
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.887271 Composed by Michele Willis. Baroque,Classical,Contemporary. Score and parts. 9 pages. Teton ...
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.887271 Composed by Michele Willis. Baroque,Classical,Contemporary. Score and parts. 9 pages. Teton Music #3637155. Published by Teton Music (A0.887271). Original contemporary composition written in the french overture style. Excellent option for schools and educators teaching this musical form to students and audiences.History of the French overture musical formThe French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. They are complementary in styles (slow in dotted rhythms and fast in fugal style), and the first ends with a half-cadence (i.e., on a dominant harmony) that requires an answering structure with a tonic ending. The second section often but not always ends with a brief recollection of the first, sometimes even repeating some of its melodic contentInstrumentation:-Violin I-Violin II-Viola-Cello-Double Bass.
$19.95
Sanctuary
#
Piano solo
#
INTERMEDIATE
#
New Age
#
Contemporary
#
Christopher Alexander
#
Sanctuary
#
Christopher Alexander
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1199345 By Christopher Alexander. By Christopher Alexander. Contemporary,New Age. Score. 20 pages. Christ...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1199345 By Christopher Alexander. By Christopher Alexander. Contemporary,New Age. Score. 20 pages. Christopher Alexander #798405. Published by Christopher Alexander (A0.1199345). On our life's journeys, we look for moments to pause and reflect. Â In order to have these opportunities and fully immerse ourselves, we must find a quiet place, a safe haven, to do so. Â Our sanctuary becomes our peaceful environment, our own time to look inward. Â This solo piano work encompasses that idea with a calming presence. Â The opening chords ring with anticipation of the upcoming serenity, evolving into a chiming motif pervasive throughout the work complemented with an inner-voice countermelody and supportive harmonies. Â With this calming section of music, the next introduces a folk-like structure and variations of well-known church hymn melodies. Â Transitions based on common tones expand the song to heightened levels unfolded into recapitulations of the bell-like motif patterns. Â The song ends in an elongated, deeper sense of patience and tranquility reaching with extended plagal cadence and diminishing chime motifs fading into the distance. Â You and your audience can fully immerse into this safe haven work and become whole once again.
$2.50
<
1
26