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"Stream" for String Orchestra
Sheetmusic to print
45 sheet music found
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"Stream" for String Orchestra
String Orchestra
String Orchestra - Digital Download SKU: A0.496823 By The Cloud Ensemble. By Andrew…
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String Orchestra - Digital Download SKU: A0.496823 By The Cloud Ensemble. By Andrew Hodges. Classical,Contemporary. Score and parts. 23 pages. Published by Andrew Hodges (A0.496823). Running water and glacial ice have shaped our landscape over the millenia. From high in the hills a stream, hasty and uplifting, wild and full of turns, runs down to the valley. This new work by Andrew Hodges captures the 'spirit' of the mountain stream. A delightfully orchestrated work especially for strings.
$29.99
27.42 €
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String Orchestra
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The Cloud Ensemble
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"Stream" for String Orchestra
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Andrew Hodges
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SheetMusicPlus
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
String Orchestra
String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven…
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String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00
26.51 €
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String Orchestra
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
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Upstream Music
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SheetMusicPlus
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
String Orchestra
String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven…
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String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages. Upstream Music #6353295. Published by Upstream Music (A0.933521). Both the Adagio molto (Hess 40) and the unfinished, originally intended Fugue date from November, 1817. It was the publisher Tobias Haslinger who requested a prelude and fugue for a publication in line with works published earlier. Beethoven completed the prelude but with the fugue he stopped after merely four bars of music. The short original fugue theme was later inserted into the second part (Molto vivace) of the Ninth Symphony (Opus 125).The prelude (Beethoven did not give any time indication) starts with 37 bars of solemn music followed by 12 bars Allegro. In terms of form, rhythm, and key, this material shows great similarity to the Molto vivace from Opus 125 referred to above. The present version has been arranged for a string orchestra instead of for a string quintet, thus being the first publication which enables it to be performed in its entirety. In order to balance the foundation, I opted for introducing a contrabass part, which largely follows the cello part composed by Beethoven. As regards the phrasing, dynamics, and rests as well as the time indication, this publication follows those in Willy Hess’ publication. So the prescribed time ‘Adagio molto’ is not that of Beethoven himself.The arguments to link the Maestoso to the Fugue in D major (Opus 137) published later are multiple. In the first place, the Fugue also dates from 1817. Secondly, the key is the same as is the number of instruments for a string quintet with two separate alto parts. Not only does the original fugue theme start at the tone a, but the timing too is the same, that is 3/8. So it seems reasonable to assume that Beethoven intended both works as a couple.The abnormal rhythmics of the bars 38 up to and including 49 is remarkable. I have preserved it because the part has been authentically composed by Beethoven, while it did not seem logical to me to have it immediately followed by the Fugue completed by myself. I have composed a number of bars of music based on the beginning of the prelude by way of a smooth transition.In the Fugue, I closely adhere to Beethoven, at the same time introducing a contrabass part here as well, so as to support the cello. At a number of places in the score, Beethoven recorded neither music nor rests. This refers to the bars 5 (second viola and cello), 11, 12, 25 and 26 (first and second violins), 39 to 41 (all parts), 43 and 44 (all parts except the first violin), 45 (first viola) and finally 45 and 46 (second violin). As in Willy Hess’ publication, I have just inserted rests here.
$29.00
26.51 €
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String Orchestra
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
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Upstream Music
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SheetMusicPlus
O Holy Night (String Orchestra)
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.850377 Composed by Adolphe-Ch…
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String Orchestra - Level 3 - Digital Download SKU: A0.850377 Composed by Adolphe-Charles Adam. Arranged by Tim Crooks. Christian,Christmas,Pop. Score and parts. 30 pages. STR:UK String Arrangements #6588511. Published by STR:UK String Arrangements (A0.850377). O Holy Night, arranged by Tim Crooks for String Orchestra (ABRSM Beginner - grade 6). Technical challenges include 12/8 and 6/8 time signatures and key of Eb meaning the main parts are best suited to ABRSM Grade 4+ standard players. The arrangement can be mostly played in first position, occasionally requiring 3rd position with an optional 8ve passage in first violins to a top Bb. The arrangement also includes an easy part for Violin & Viola suitable for grade 1-2 level. A piano part is included but is not needed for performance.A version of this arrangement for String Quartet is also available here:S0.1122215This recording is of the Quartet Version, by the Manchester String Quartet. Available for streaming and download, www.manchesterstringquartet.com About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK STRINGS - Education String Music, made in the UK We'd love to hear your feedback: strukstrings@gmail.com Subscribe to our social media to get news of all new releases: https://www.facebook.com/strukstrings https://twitter.com/strukstrings STR:UK Strings - Education String Music ©2021 S T Crooks Ltd All Rights Reserved
$24.99
22.85 €
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String Orchestra
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Adolphe-Charles Adam
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O Holy Night
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STR:UK String Arrangements
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SheetMusicPlus
A Little Stream: Score
String Orchestra
Arranged by Albert Wang. For String Orchestra. Instructional. Score. 16 pages. Published b…
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Arranged by Albert Wang. For String Orchestra. Instructional. Score. 16 pages. Published by Alfred Music - Digital Sheet Music
$7.00
6.4 €
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String Orchestra
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A Little Stream: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Adirondack Spring for String Orchestra
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1306194 Composed by Kim Diehn…
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String Orchestra - Level 4 - Digital Download SKU: A0.1306194 Composed by Kim Diehnelt. 21st Century,Classical. Score and Parts. 41 pages. Kim Diehnelt #895577. Published by Kim Diehnelt (A0.1306194). For Violin 1, Violin 2, Violin 3; Viola 1, Viola 2; Cello 1, Cello 2; Bass. The work also has a section using solo violin, solo viola, and solo cello. All parts are essential; parts 2 and 3 are less complex.About 7 -8 minutes.This includes Score and Parts. $28.00 Program note: The work opens with the majestic scene of spring’s first daybreak as the morning light shines on the snow-covered peaks of the Adirondacks. The sun, finally high enough in the sky to meet the snowy slopes and valley treetops, sets them ablaze.  And then it begins. Joyfully, a world comes back to life. Rivers thaw and unbound streams of fresh-melted water bounce, gurgle and surge. Animals stir, birds reappear, all rushing through the days, now relieved of the weight of winter. Hesitantly, bright-green sprouts, fuzzy buds, and flowers emerge. The springtime world dances. And all the while, the sun continues to rise, earlier and earlier, frantically, like a hound dashing to overtake its shadow. This galloping energy brings us to the majestic and final sunrise of spring, for summer will now insist on its turn. And as the morning fades into brilliant day, we are left with only a memory. A memory guaranteed to return. Next spring.
$28.00
25.6 €
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String Orchestra
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Kim Diehnelt
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Viola 1, Viola 2
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Adirondack Spring for String Orchestra
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Kim Diehnelt
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SheetMusicPlus
Living Water, Precious Stream
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1209357 By James Alexander Pa…
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String Orchestra - Level 3 - Digital Download SKU: A0.1209357 By James Alexander Pavlic. By James Alexander Pavlic. Christian,Classical,Contemporary,Praise & Worship. Score and Parts. 13 pages. James A. Pavlic #807476. Published by James A. Pavlic (A0.1209357). Scored for stringed orchestra, this work centers around the joy He brings and the peace that follows. The escalating melodies and lush beds will remind you just how real that joy can be. Possibly, may work well as an opener to maybe a good sermon centered around what Christ brings.
$15.99
14.62 €
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String Orchestra
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James Alexander Pavlic
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Living Water, Precious Stream
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James A. Pavlic
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SheetMusicPlus
Largo in Eb Major for String Orchestra
String Orchestra
String Orchestra - Digital Download SKU: A0.938719 Composed by Sam Lehn. Contempora…
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String Orchestra - Digital Download SKU: A0.938719 Composed by Sam Lehn. Contemporary. Score and parts. 6 pages. Sam Lehn #2832545. Published by Sam Lehn (A0.938719). Go to my Facebook Page - https://www.facebook.com/samlehn77music/ to buy my release Works for the Modern World. Individual tracks are also available there, and on many of your favorite online stores and streaming sites. Please e-mail me anytime at SAMLEHNMUSIC@gmail.com. I'd love to hear from you!
$6.99
6.39 €
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String Orchestra
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Sam Lehn
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Largo in Eb Major for String Orchestra
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Sam Lehn
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SheetMusicPlus
Who Wants To Fall In Love? (Ballad Version) for String Trio - CrusaderBeach - Romantic Wedding Music
String Trio: violin, viola, cello
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.759…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.759527 By CrusaderBeach. By Adrian Webster. Arranged by Tim Crooks. Classical,Contemporary,Holiday,New Age,Wedding. Score and parts. 10 pages. Adrian Webster #5026517. Published by Adrian Webster (A0.759527). String trio sheet music arrangement of the popular CrusaderBeach song 'Who Wants To Fall In Love? (Ballad Version)' from the album 'Wedding Piano Songs'.Based on the original solo piano version, this arrangement (specially commissioned by popular demand and exclusively arranged for string trio by Tim Crooks - one of the UK’s leading music arrangers, orchestrators and conductors of contemporary and classical music), includes a full score and set of individual parts for violin, viola and cello. The violin part can also be played by flute.This original, modern instrumental piece, beautifully arranged for violin (or flute), viola and cello, has a gentle, romantic melody that builds to an epic ending of soaring strings – perfect music for a wedding ceremony or reception. It is also suitable for other social functions, corporate events and recitals. This beautiful love song is a favorite with wedding musicians and brides-to-be.The piece is frequently played as pre-ceremony background music but is also ideal as processional music for the bridal party / bridesmaids’ entrance, or for the bride walking down the aisle. Can also be played as interlude music during the register signing, or as recessional music as the bride and groom exit the service.Sheet music for the solo piano version of this song is also available on this website.All CrusaderBeach music has been composed by Adrian Webster (PRS CAE/IPI: 702739746). If you like the contemporary classical, new age music of Ludovico Einaudi, Yiruma, Yann Tiersen, Alexis Ffrench or Jon Schmidt of the Piano Guys, you'll enjoy playing the beautiful, original piano music of CrusaderBeach.The song sheets are a popular choice with piano players, music teachers, students and wedding musicians. CrusaderBeach songs are available to stream from all major outlets (Apple Music, Amazon, Spotify, Pandora etc.) and are regularly used as background music for short films and wedding ceremonies.To find out more about CrusaderBeach please visit: www.crusaderbeach.com
$10.00
9.14 €
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String Trio: violin, viola, cello
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CrusaderBeach
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Who Wants To Fall In Love?
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Adrian Webster
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SheetMusicPlus
Speak to Your Mountain And Move it [chamber orchestra (2222.2200.timp.strings)]
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.596576 Composed by Juan Mar…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.596576 Composed by Juan MarÃa Solare. 20th Century,Christian,Contemporary,Wedding. Score and parts. 12 pages. Juan Maria Solare #4810669. Published by Juan Maria Solare (A0.596576). Meditative piece for chamber orchestra (2222.2200.timp.strings) Character: noble and majestic. Reflective, meditative. The title is an allusion to the Bible (Mark 11:23, Matthew 17:20, Matthew 21:21). If you have faith as small as a mustard seed, you can say to this mountain, ‘Move from here to there,’ and it will move. One possible interpretation is that the inner mountain symbolize those troubles and issues that you can speak to, i.e. face, and therefore solve. Listen to it on all usual streaming platforms: Spotify: https://open.spotify.com/album/5kuPwSQGnXK9CY9QNX4fks Apple Music: https://music.apple.com/us/album/speak-to-your-mountain-and-move-it-single/1462303377 Bandcamp: https://juanmariasolare.bandcamp.com/album/speak-to-your-mountain-and-move-it Nico Zwaneveld from the blog Christian Dance wrote (10 August 2019): Maybe you can appreciate the works of Hans Zimmer, Gustav Mahler, Edvard Grieg... or maybe this introduction to Juan Maria Solare will cause you to add him to the same list when you are looking for additions to your music collection... let's just say for those special moments where other music genres will not be able to bring you the same feelings of hope, serenity, calmness, nobleness, or tranquility. (http://blog.christiandance.eu/2019/08/juan-maria-solare-speak-to-your.html) As for the parts, contact the composer (www.JuanMariaSolare.com) or search (soon) in Sheet Music Plus (https://www.sheetmusicplus.com/publishers/juan-maria-solare-sheet-music/3003582?aff_id=565049)
$4.00
3.66 €
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Chamber Orchestra
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Juan MarÃa Solare
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Speak to Your Mountain And Move it [chamber orchestra
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Juan Maria Solare
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SheetMusicPlus
Shchostakobich - Adagio from The Limpid Stream for viola solo
String Orchestra
String Orchestra - Digital Download SKU: A0.924661 Composed by Shchostakovich. Arra…
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String Orchestra - Digital Download SKU: A0.924661 Composed by Shchostakovich. Arranged by Dmitrii Shchukin. 20th Century,Pop. Score and parts. 24 pages. Dmitrii Shchukin #3874233. Published by Dmitrii Shchukin (A0.924661). Shchostakobich - Adagio for viola solo from The Limpid Stream ballet, arranged for a chamber orchestra with flute, oboe and clarinet.
$20.00
18.28 €
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String Orchestra
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Shchostakovich
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Shchostakobich - Adagio from The Limpid Stream for viola solo
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Dmitrii Shchukin
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SheetMusicPlus
A Little Stream: String Bass
Doublebass (band part)
Arranged by Albert Wang. For String Orchestra. Instructional. Part. 2 pages. Published by …
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Arranged by Albert Wang. For String Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$5.99
5.48 €
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Doublebass (band part)
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A Little Stream: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Little Stream: Cello
Cello (band part)
Arranged by Albert Wang. For String Orchestra. Instructional. Part. 2 pages. Published by …
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Arranged by Albert Wang. For String Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$5.99
5.48 €
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Cello (band part)
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A Little Stream: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Little Stream: Viola
Viola
Arranged by Albert Wang. For String Orchestra. Instructional. Part. 2 pages. Published by …
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Arranged by Albert Wang. For String Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$5.99
5.48 €
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Viola
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A Little Stream: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Little Stream: 2nd Violin
Violin (band part)
Arranged by Albert Wang. For String Orchestra. Instructional. Part. 2 pages. Published by …
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Arranged by Albert Wang. For String Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$5.99
5.48 €
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Violin (band part)
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A Little Stream: 2nd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Little Stream: 1st Violin
Violin (band part)
Arranged by Albert Wang. For String Orchestra. Instructional. Part. 2 pages. Published by …
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Arranged by Albert Wang. For String Orchestra. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$5.99
5.48 €
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Violin (band part)
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A Little Stream: 1st Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Sunstream for Solo Violin & String Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.844059 Composed by Don Hicks. F…
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Full Orchestra - Level 3 - Digital Download SKU: A0.844059 Composed by Don Hicks. Folk. Score and parts. 17 pages. Don Hicks #3564199. Published by Don Hicks (A0.844059). This is an intermediate level solo piece with a strong Reggae flavor for Violin and String Orchestra. All of the lower string parts have fingering included. Score, all parts, an MP3 audio play along are included. There are also optional parts for a keyboard and/or drums.
$9.99
9.13 €
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Orchestra
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Don Hicks
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Sunstream for Solo Violin & String Orchestra
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Don Hicks
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SheetMusicPlus
Santiago in the Stream - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1393774 By Apostolos Paraskevas…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1393774 By Apostolos Paraskevas. By Apostolos Paraskevas. Classical,Contemporary,Holiday,Multicultural,New Age,World. 49 pages. Silver Sickle Publications #977243. Published by Silver Sickle Publications (A0.1393774). APOSTOLOS PARASKEVAS (b. 1964) Santiago in the StreamSantiago in the Stream was composed for the Landmarks Orchestra, which gave the first performance under the direction of Christopher Wilkins, at the Hatch Shell on August 23, 2017. Apostolos Paraskevas is a classical guitarist, composer, film director, and producer. Since 2001, he has taught composition at the Berklee College of Music. The spokenThe text was developed by Ryan Edwards (a student of Apostolos Paraskevas) out of Hemingwayâ??s short novel The Old Man and the Sea. The composer has written about the piece: â??The music describes Santiago's emotions, thoughts and actions during his last journey. The trumpet announces his signature theme, accompanied by the brass and strings depicting the sound of the seagulls and the ocean. The magnitude of the vast ocean, the anticipation of catching the fish, memories of a distant waltz, and the exciting fight that ends in triumph. Now, it's time to return home with his valuable possessions. He already won the last and most important fight of his life.
$50.00
45.71 €
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Orchestra
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Apostolos Paraskevas
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Santiago in the Stream - Score Only
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Silver Sickle Publications
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Anonymous: A Little Stream - string orchestra (full score)
String Orchestra
Instantly printable sheet music by Anonymous for string orchestra (full score) of MEDIUM s…
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Instantly printable sheet music by Anonymous for string orchestra (full score) of MEDIUM skill level. / instructional
$11.99
10.96 €
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String Orchestra
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Anonymous
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Virtualsheetmusic
Anonymous: A Little Stream (COMPLETE) - string orchestra
String Orchestra
Instantly printable sheet music by Anonymous for string orchestra of MEDIUM skill level. /…
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Instantly printable sheet music by Anonymous for string orchestra of MEDIUM skill level. / instructional
$53.99
49.36 €
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String Orchestra
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Anonymous
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Virtualsheetmusic
Better Together
String Trio: 2 violins, cello
String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.1038612 By Jack Johns…
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String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.1038612 By Jack Johnson. By Jack Johnson. Arranged by Sarah Cellobat Chaffee. Contemporary,Folk,Pop,Wedding. 14 pages. Sarah Cellobat Chaffee #643592. Published by Sarah Cellobat Chaffee (A0.1038612). *INSTRUMENTATION: 2 VIOLINS & CELLO*Better Together, written and recorded by singer-songwriter Jack Johnson, was released as a single from his third album in 2006. Featuring Johnson's signature stream-of-consciousness vocal style and peaceful acoustic guitar stylings, the song received critical and popular acclaim and has since been certified Gold in the US. This Cellobat arrangement for your two-violin and cello string trio features the lyrical melodies, cheerful harmonies, and the almost reggae-like feel of the original, for a chart that's sure to bring a smile to your audience's faces! Originally written for a wedding ceremony, this will also be perfect for receptions, proposals, parties, cocktail hour, or any other occasion you need a laid-back groove. Rated advanced intermediate for some tricky rhythms; this will be learnable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99
13.7 €
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String Trio: 2 violins, cello
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Jack Johnson
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Better Together
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Sarah Cellobat Chaffee
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SheetMusicPlus
Happy Xmas (war Is Over)
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.850380 By John & Yoko Ono W/h…
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String Orchestra - Level 3 - Digital Download SKU: A0.850380 By John & Yoko Ono W/harlem Comm. By John Lennon and Yoko Ono. Arranged by Tim Crooks. Contemporary. Score and parts. 21 pages. STR:UK String Arrangements #6569369. Published by STR:UK String Arrangements (A0.850380). Happy Xmas (War is Over), by Yoko Ono and John Lennon, arranged for string ensemble by Tim Crooks. This arrangement is suitable for beginner and intermediate ensembles and contains: - Full Score- Violin 1, 2 Viola and Cello (can be performed as string quartet) - Double bass - Piano (not necessary for performance) - Sleigh Bells - Easy Violin, Easy Viola and Easy Cello (ABRSM Grade 1)Parts can be printed multiple times. A version of this arrangement for String Quartet is also available here: https://www.sheetmusicplus.com/title/happy-xmas-war-is-over-string-quartet-version-digital-sheet-mus.... This recording is by the Manchester String Quartet and is available for streaming and download. www.manchesterstringquartet.comAbout the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK Get in touch - your feedback and requests are always welcome! strukstrings@gmail.com Twitter@strukstrings - Facebook@strukstrings
$24.99
22.85 €
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String Orchestra
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John & Yoko Ono W/harlem Comm
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Happy Xmas
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STR:UK String Arrangements
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SheetMusicPlus
Sweet Child O' Mine
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.850314 By Guns N…
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.850314 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Tim Crooks. Metal,Rock. Score and parts. 24 pages. STR:UK String Arrangements #6253253. Published by STR:UK String Arrangements (A0.850314). Guns ’N’ Roses’ iconic song, Sweet Child O’ Mine, arranged for string quartet by Tim Crooks. This arrangement is in D major, a semitone higher than the original record. It’s fast, furious and devilishly fun to play. Will you take on this beast? This recording by the Manchester String Quartet is also available on all streaming platforms. www.manchesterstringquartet.com About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK strukstrings@gmail.com twitter.com/strukstrings facebook.com/Strukstrings-102251248505787
$14.99
13.7 €
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String Quartet: 2 violins, viola, cello
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Guns N' Roses
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Sweet Child O' Mine
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STR:UK String Arrangements
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SheetMusicPlus
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