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'The Spirit that Moves'
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You've selected:
'The Spirit that Moves'
Sheetmusic to print
74 sheet music found
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1
26
51
Beyond The Sea
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Choral SATB
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INTERMEDIATE/ADVANCED
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pag...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
'The Spirit that Moves'
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Piano solo
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INTERMEDIATE
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Amy Louise Lewis
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'The Spirit that Moves'
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Amy Lewis
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1188573 Composed by Amy Louise Lewis. Contemporary,New Age,Religious,Spiritual. Score. 1 pages. Amy Lewis...
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Piano Solo - Level 3 - Digital Download SKU: A0.1188573 Composed by Amy Louise Lewis. Contemporary,New Age,Religious,Spiritual. Score. 1 pages. Amy Lewis #788182. Published by Amy Lewis (A0.1188573). This score is a dramatic miniature piano solo that depicts the Spirit that moves us always for the Highest Good. It is composed in C minor, and has a lot of contrast between the upper and lower keys on the keyboard. As stated, it is a miniature score, so it is not even a page long. I have composed this piece with influence of the composition style of the great Estonian composer, Arvo Part. The pianist should peddle freely throughout and also use their own interpretation, but please view my YouTube to watch me play this piece on the piano.
$5.00
Wade in the Water - You Gotta Sing (medley)
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Piano solo
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ADVANCED
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Sacred music
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Bradley Sowash
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Bradley Sowash
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Wade in the Water - You Gotta
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Bradley Sowash
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SheetMusicPlus
Piano - Level 5 - Digital Download SKU: A0.1266284 By Bradley Sowash. By Traditional. Arranged by Bradley Sowash. Christian,Jazz,Praise & Worship,Sacred,...
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Piano - Level 5 - Digital Download SKU: A0.1266284 By Bradley Sowash. By Traditional. Arranged by Bradley Sowash. Christian,Jazz,Praise & Worship,Sacred,Spiritual. Full Performance. Duration 218. Bradley Sowash #834750. Published by Bradley Sowash (A0.1266284). From Bradley Sowash’s “We Gather Together†solo piano recorded album and associated sheet music (also available here).A big sound!A huge stride arrangement of this classic spiritual that moves into You Gotta Sing When the Spirit Says Sing over a jazzy walking bass line. Play this when you need to make a big statement.Learn more about this artist at https://bradleysowash.com.
$1.99
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Hope Prevails
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Brass ensemble
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His Own Hand - 4:26 in length:
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Arwyn Bailey
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Hope Prevails
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Galactic Publishers Limited
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galacti...
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Brass Ensemble - Digital Download SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Limited #3382201. Published by Galactic Publishers Limited (A0.1028133). Hope PrevailsThe composition consists of six movements and is for a Brass Quintet with guest instrumentalists of Oboe, Violin, Viola and Soprano voice.The piece explores the moods that many encounter as they go through life from loneliness through to elation. the composers brother experienced these extreme emotions and it resulted in him taking his own life. This piece is dedicated to his memory.The MP3 contains a very short extract from each movement that is a direct download from computer composition software and is therefore not of great quality.The composer is looking for a group to record this piece. Please get in touch if you wish to be part fo a collaborative project perhaps as a school, college, university or other group.The Struggle of the night - 4:09 in length:The first movement commences with sonorous chord sequences and quickly moves to a lively section. The piece incorporates the tune of the Welsh National Anthem along with the hymn tune Cwm Rhondda. The movement moves between the despair and loneliness of the night that one can feel, even when sleeping next to a close partner, and the racing desperation of the mind, whereby patriotic affiliations will calm the soul at these times. the movement finishes with the tune of Land of my father's resonating but even this is of no comfort, and the troubled mind lies awake and the movement finishes with a flurry of discord.The Solitude - 5.34 in length:The movement begins with a haunting melody led by the Oboe. the Horn soon joins in as do other instruments of the quintet. A simple Gregorian type rhythm and chant passes through the quintet with the Oboe leading the movement.Crescendos and attacked notes give the piece a rise and fall showing the mood of the soul that alternates between a calm and a peak of mood as sleep is hard to come by and a restless state is invoked.It appears that the oboe will be leading the soul into peace yet, at the last moment, the quintet joins in with chords of attack and crescendo followed by a sharp diminuendo to end the piece.The soul has sought solace, yet, all they find is loneliness.Brad's Broadcast - 3:01 in length:The restless soul awakes after a restless night. The world is full of voices, advice, motivation and answers.In this lively movement, the soul searches for solace and finds sense from some sources, yet, the cacophony of contrary advice and the nature of some disciples of business and life coaches becomes confusing. there are some real gems of advice available, but, the noise of others drowns out the sense and sanity.The soul manages to find some humour in the forums and media, they smile, but the relief is short lived.The movement ends with all voices descending away in a glissando and silence is restored.By His Own Hand - 4:26 in length:This movement reflects the desperation of the soul. they have sought solace, humour has passed them by, they do not feel that they can continue to live.The piece starts with a cadenza played by a viola. A violin soon duets in this Jewish styled lament.Throughout the movement the brass are spartan, reflecting the confusion of the soul. The ability to cling onto the world and to continue living is a losing battle.The waves of the lament increase in their presence, but not velocity, for the depressed souul is reaching the point of no return and of no choice.They will soon depart from the world by their own hand. The end ofthe movement is a descent and a unifying discordant sound as the soul leaves.Dreaming of Heaven - 2:31 in length:The soul is now rising and an ancient Celtic tune accompanies the soul in the form of a Soprano voice singing words of hope and light.The soul's path is lit and the ancient bell of.
$5.00
Echoes Of The American West
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Concert band
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INTERMEDIATE/ADVANCED
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Randy A
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Echoes Of The American West
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Randy A. Steinberg
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.870387 Composed by Randy A. Steinberg. Contemporary,Folk. Score and parts. 181 pages. Randy A. Steinber...
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Concert Band - Level 4 - Digital Download SKU: A0.870387 Composed by Randy A. Steinberg. Contemporary,Folk. Score and parts. 181 pages. Randy A. Steinberg #1932601. Published by Randy A. Steinberg (A0.870387). This work commemorates the founding and settlement of the western United States. The piece consists of a number of musical episodes that evoke key historic milestones that took place as the west developed and grew over time. The work opens with a fanfare tribute to the mountains and valleys that were first seen by those arriving there. The fanfare starts out majestically and leads into a chorale tune that evokes the calmness of the river and the greenery around it. The clock then moves to a later time when the area was settled by bands of Indian tribes, dwellings and villages. This then melds into tribal life along the river and growth of the Indian culture. Suddenly, the sound of Indian raiding tribes is heard. This then settles down and Pioneer Wagon Trains are heard heading west, their wheels stumbling through mud and rock. In comes the U.S. Calvary. Trumpet calls are heard as the Calvary advances and eventually overcome the Indians, pushing them out of the west. The choral tune heard earlier is brought back which then leads to the sounds of the first trains heading west. As more and more trains arrive, the sound of towns and cities sprouting up is heard. At this point, the music gains momentum as more and more settlers arrive. Dance hall music can suddenly be heard followed by a segment that evokes the building of farms and raising of livestock. The music picks up into the 20th century culminating in a grand return of the opening River Valley fanfare heard at the start of the piece. A popular piece that resonates well with audiences bringing them a spirit of renewal and hope that they will find most uplifting.
$45.00
Spirit of God
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Sacred music
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Michael Bedford
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Spirit of God
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Chorister's Guild - Digital
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SheetMusicPlus
Antiphonal voices - Digital Download SKU: C7.CGA977 Composed by Michael Bedford. General, Pentecost, Baptism. Combined Choirs. With Vibraphone or handchi...
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Antiphonal voices - Digital Download SKU: C7.CGA977 Composed by Michael Bedford. General, Pentecost, Baptism. Combined Choirs. With Vibraphone or handchimes (2 octaves). Sacred Anthem. Octavo. 20 pages. Chorister's Guild - Digital #CGA977. Published by Chorister's Guild - Digital (C7.CGA977). UPC: 749193008669.This multifaceted piece serves as the Kyrie in a liturgical service but works equally well as a general anthem in a non-liturgical format. In each case, the piece provides a number of possibilities for use that are listed in the anthem. The anthem begins with an optional handbell processional that moves directly into the Kyrie setting where choir (or cantor) and congregation engage in a call and response dialogue between stanza and refrain. An optional C instrument and handbells provide additional color to this unique composition. Parts for string quartet are included at the end of the score as an accompaniment alternative for the piano. Composer: Paradowski, John R. and Semmann, Barbara Text Author: Paradowski, John R.
$2.25
Spiritoso
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Spiritoso
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SheetMusicPlus
An original composition Riveting with energy, intensity and drive - this Arnold Sherman original composition is the first in a new series called AGAPE BRONZE: M...
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An original composition Riveting with energy, intensity and drive - this Arnold Sherman original composition is the first in a new series called AGAPE BRONZE: Music for Advanced Ensembles. With or without the addition of strings, this inspired composition moves like the wind that it reflects, capturing the listener from the very start, and leaving them almost breathless by the end. For 3-6 octave handbells with optional 3-4 octave handchimes & strings. The separate Instrumental packet contains a Conductor's Score and parts for: Violin 1 & 2, Viola, Cello & Contrabass
Song List
: Single
$6.50
Let Us Break Bread Together (Downloadable)
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Gwyneth W
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Let Us Break Bread Together
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Violin, violoncello, and piano - Medium - Digital Download SKU: MQ.8652-E Composed by Gwyneth W. Walker. 10 pages. E. C. Schirmer Music Company - Digital...
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Violin, violoncello, and piano - Medium - Digital Download SKU: MQ.8652-E Composed by Gwyneth W. Walker. 10 pages. E. C. Schirmer Music Company - Digital #8652-E. Published by E. C. Schirmer Music Company - Digital (MQ.8652-E). This purely instrumental version of the composer's very popular choral setting of this classic spiritual moves metaphorically from tears, to falling to our knees, to asserting the strength that comes through faith and unity. Dedicated to Heather Heyer, who lost her life in Charlottesville, Virginia, on August 12, 2017. Duration: 3:00.
$15.00
Let Us Break Bread Together (Downloadable)
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Gwyneth W
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Let Us Break Bread Together
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Violin, viola, and violoncello - Medium - Digital Download SKU: MQ.8651-E Composed by Gwyneth W. Walker. 11 pages. E. C. Schirmer Music Company - Digital...
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Violin, viola, and violoncello - Medium - Digital Download SKU: MQ.8651-E Composed by Gwyneth W. Walker. 11 pages. E. C. Schirmer Music Company - Digital #8651-E. Published by E. C. Schirmer Music Company - Digital (MQ.8651-E). This purely instrumental version of the composer's very popular choral setting of this classic spiritual moves metaphorically from tears, to falling to our knees, to asserting the strength that comes through faith and unity. Dedicated to Heather Heyer, who lost her life in Charlottesville, Virginia, on August 12, 2017. Duration: 3:00.
$15.00
Finding Strength in Shadows (from "Rising from the Ashes: Stories of Lahaina")
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Choral SATB
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INTERMEDIATE
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Christopher Alexander
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Finding Strength in Shadows
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1510475 By Christopher Alexander. By Christopher Alexander and Noah Richard. ...
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1510475 By Christopher Alexander. By Christopher Alexander and Noah Richard. A Cappella,Contest,Festival,Multicultural,World. 24 pages. Christopher Alexander #1085672. Published by Christopher Alexander (A0.1510475). This is the third movement from the extended choral work Rising from the Ashes: Stories of Lahaina.The three drums kick off this effervescent work, creating a joyful rhythmic cadence upon which the the choir sings. The inspiring text lifts the spirits of the singers and audience alike as the harmonies propel through slight modulations and resolutions to the original key. The work moves swiftly into a mele hula (dance that tells or depicts a story) about the Phoenix bird rising from its ashes and beginning to live a new life for itself. With a call and response setting transcending into the melodic treatment, the eight voices create a powerful and triumphant ending to this song.Full score and other movements (On That Night, Forever Anew, Kama'aina) also available for purchase.
$2.99
Veni Creator Spiritus for 4-part Trombone Ensemble
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Saint-Saëns
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Reynolds, Jeff
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Veni Creator Spiritus for 4-pa
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Gordon Cherry
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SheetMusicPlus
Trombone,Tuba - Level 4 - Digital Download SKU: A0.810810 Composed by Saint-Saëns (Saint Saens), Camille. Arranged by Reynolds, Jeff. Renaissance,Roma...
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Trombone,Tuba - Level 4 - Digital Download SKU: A0.810810 Composed by Saint-Saëns (Saint Saens), Camille. Arranged by Reynolds, Jeff. Renaissance,Romantic Period,Sacred,Spiritual. 20 pages. Gordon Cherry #3381005. Published by Gordon Cherry (A0.810810). Jeff Reyolds has arranged a beautiful setting of Saint-Saëns Veni Creator Spiritus (Come Creator Spirit, a 9th Century Pentecost plainsong hymn) for 4-part Trombone Ensemble. The original work for TTBB men's chorus and optional Organ was written in 1858. Saint-Saëns was a Roman Catholic Church organist in his early years and produced a volume of music that was easy to sing. Mr. Reynolds calls this music Church Polyphonic style that came out of the late Renaissance and endured for a couple centuries into the Romantic period. This work begins with a beautiful unison chant and moves into the four polyphony sections concluding with a soft Amen. The music is of moderate difficulty with the first part in tenor clef.
$27.50
Look for the Silver Lining
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Choral SSAA
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INTERMEDIATE
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Chet Baker
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Liz Garnett
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Look for the Silver Lining
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1122297 By Chet Baker. By Jerome Kern and Buddy da Sylva. Arranged by Liz Garnett. A Cappella,Ba...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1122297 By Chet Baker. By Jerome Kern and Buddy da Sylva. Arranged by Liz Garnett. A Cappella,Barbershop,Standards. Octavo. 5 pages. Liz Garnett #723455. Published by Liz Garnett (A0.1122297). The first chorus of Jerome Kern's classic is conceived to be delivered in a free-flowing, conversational ballad style. It’s chord choices cast the song in a yearny, poignant light; sung from the point of view of someone who is currently finding things hard. Looking for the silver lining as courageous moral effort rather than an act of easy optimism. It then moves into tempo to the place of joy that the lyric promises as its goal. Syncopation and interchange between the parts bring musical sparkle to express lightness of spirits. The tag returns to the original tempo and feel, revealing the joy to be a vision rather than reality, but one which provides hope: we’ll find it some day. This version of the arrangement was designed to be suitable for barbershop contest. It is notated in in treble and bass alta (i.e. sung an octave higher than written) clefs. Vocal Ranges: Tenor: F4 - F#5 Lead: A3 - D5 Bari: B3 - D5 Bass: D3 - f4.
$2.99
Were You There?
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Piano solo
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INTERMEDIATE
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Sacred music
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Sacred music
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African-American Spiritual
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John Lehrack
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Were You There?
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GGLS Publishing
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1110548 Composed by African-American Spiritual. Arranged by John Lehrack. Folk,Historic,Religious,Sacred,...
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Piano Solo - Level 3 - Digital Download SKU: A0.1110548 Composed by African-American Spiritual. Arranged by John Lehrack. Folk,Historic,Religious,Sacred,Spiritual. Score. 4 pages. GGLS Publishing #712849. Published by GGLS Publishing (A0.1110548). This arrangement of the African-American spiritual, Were You There, takes us through the crucifixion of Jesus, his entombment and resurrection. After the plaintive introduction, the first verse is a modified arrangement of the standard hymn and asks Were you there when they crucified my Lord? Verse 2 begins with a little hope that quickly turns to disbelief at watching nails being driven into the Christ: Were you there when they nailed him to a tree?. The left hand simulates the hammer and slowly, slowly, Jesus dies. The key of the third verse is lower than the first two, minor and dissonant and symbolic of Christ being lowered into a tomb. Were you there when they laid him in the tomb? The opening motif returns now, full of quiet despair but gradually evolves into light shining from the tomb and bringing forth hope. Finally, the last verse Were you there when he rose up from the grave? is in an entirely new key from the first three verses and moves with more excitement. Joy builds and the left hand never stays down for long, constantly rising again and again as Christ is raised from the dead in triumph. We conclude with a softening and slowly into contented joy, secure in our faith and knowledge of rebirth.
$4.99
Ain'a That Good News Everywhere
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Craig Curry
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Ain'a That Good News Everywher
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Jubilate Music Group - Digital
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SheetMusicPlus
Choral - Digital Download SKU: JX.00-PO-0002503 Ain'a That Good News Everywhere - SATB and Soprano or Tenor Solo. Arranged by Craig Curry. Sacred ...
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Choral - Digital Download SKU: JX.00-PO-0002503 Ain'a That Good News Everywhere - SATB and Soprano or Tenor Solo. Arranged by Craig Curry. Sacred Choral. 11 pages. Jubilate Music Group - Digital #00-PO-0002503. Published by Jubilate Music Group - Digital (JX.00-PO-0002503). UPC: 080689267239.Craig Curry offers this creative spiritual arrangement for your choir's Christmas repertoire. Beginning with a gentle, soulful adaptation of Ain'a That Good News, which includes a solo for soprano or a tenor, the tempo moves into a livelier swing and then pairs the opening theme with the all-time favorite, Go, Tell It on the Mountain. This piece is sure to be a favorite of both your choir and congregation!
$1.95
Ain'a That Good News Everywhere
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Choral SATB
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Sacred music
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Craig Curry
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Choral Octavo
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Ain'a That Good News Everywher
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred (SATB choir) - Digital Download SKU: JX.00-9267239 Arranged by Craig Curry. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Sing...
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Choir Sacred (SATB choir) - Digital Download SKU: JX.00-9267239 Arranged by Craig Curry. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Jubilate Music. Christmas; Sacred. Choral Octavo. 11 pages. Jubilate Music Group - Digital #00-9267239. Published by Jubilate Music Group - Digital (JX.00-9267239). English.Craig Curry offers this creative spiritual arrangement for your choir's Christmas repertoire. Beginning with a gentle, soulful adaptation of Ain'a That Good News, which includes a solo for soprano or a tenor, the tempo moves into a livelier swing and then pairs the opening theme with the all-time favorite, Go, Tell It on the Mountain. This piece is sure to be a favorite of both your choir and congregation!
$1.95
He's Got The Whole World In His Hands (Guitar Duet arrangement - both parts in standard notation wit
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Guitar Ensemble
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INTERMEDIATE/ADVANCED
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Country
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Traditional
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Bradley Powell (The Candleligh
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He's Got The Whole World In Hi
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Geofonica Artistworks
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.948681 Composed by Traditional (arr. Bradley Powell). Arranged by Bradley Powell (The Candlelight Guitar...
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Solo Guitar - Level 4 - Digital Download SKU: A0.948681 Composed by Traditional (arr. Bradley Powell). Arranged by Bradley Powell (The Candlelight Guitarist). Blues,Contemporary,Gospel,Jazz,Praise and Worship. Individual part. 11 pages. Geofonica Artistworks #3632557. Published by Geofonica Artistworks (A0.948681). Traditional spiritual, arranged for TWO GUITARS (or more!)... this is an Advanced-Intermediate level finger-style guitar duet, that also works great for ensembles. The arrangement begins in traditional Americana gospel style, then as it modulates, moves through different guitar styles, from Chet Atkins style country, to Wes Montgomery style jazz in octaves, to down-home earthy blues. The arrangement has a Lead Guitar (melody part) and a Rhythm Guitar part (chords played with classical and jazz inflections, including some Freddie Green style chord comping). Duos might decide to trade-off, alternating lead and rhythm parts as it moves from section A-to-B-to-C, etc. Ensembles might assign the different Lead sections to the groups of players. You can hear Brad play it (both duet parts) here: https://www.youtube.com/watch?v=0qgnGA_jMA8andfeature=youtu.be
$4.99
Spirit of the Living God
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Piano solo
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INTERMEDIATE
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Sacred music
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Christopher Alexander
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Christopher Alexander
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Spirit of the Living God
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Christopher Alexander
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1093956 By Christopher Alexander. By Daniel Iverson. Arranged by Christopher Alexander. Sacred,Traditiona...
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Piano Solo - Level 3 - Digital Download SKU: A0.1093956 By Christopher Alexander. By Daniel Iverson. Arranged by Christopher Alexander. Sacred,Traditional. Score. 8 pages. Christopher Alexander #698053. Published by Christopher Alexander (A0.1093956). Like grace falling from the heavens as the original hymn depicts, this arrangement illustrates that idea with descending lines in the supporting passages over the melody in the left hand. As the piece moves forward, the treatment becomes more resonant and full transcending to a final section reminding of the original grace motif from the start.
$2.00
Meditation on an Old English Carol (The Coventry Carol) - brass quintet (set of parts)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Tim Brooke
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Meditation on an Old English C
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Castleroyan Press
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.927938 Composed by Tim Brooke. 20th Century,Christmas,Concert,Contemporary,Standards. Score and parts...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.927938 Composed by Tim Brooke. 20th Century,Christmas,Concert,Contemporary,Standards. Score and parts. 17 pages. Castleroyan Press #4968863. Published by Castleroyan Press (A0.927938). Opening with dark clusters that outline the original 16th century melody, this 6½ minute fantasy for brass quintet moves from a straight setting of the theme, to a ground bass (paying passing homage to ‘Greensleeves’, Purcell and Vaughan Williams), before emerging as a spirited Renaissance dance in triple time.
$10.99
Meditation on an Old English Carol (The Coventry Carol) - brass quintet (score)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Tim Brooke
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Meditation on an Old English C
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Castleroyan Press
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.927939 Composed by Tim Brooke. 20th Century,Christmas,Concert,Contemporary,Standards. Score and parts...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.927939 Composed by Tim Brooke. 20th Century,Christmas,Concert,Contemporary,Standards. Score and parts. 10 pages. Castleroyan Press #4968857. Published by Castleroyan Press (A0.927939). Opening with dark clusters that outline the original 16th century melody, this 6½ minute fantasy for brass quintet moves from a straight setting of the theme, to a ground bass (paying passing homage to ‘Greensleeves’, Purcell and Vaughan Williams), before emerging as a spirited Renaissance dance in triple time.
$6.99
Meditation on an Old English Carol (The Coventry Carol) - brass quintet (score and parts)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Tim Brooke
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Meditation on an Old English C
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Castleroyan Press
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.927940 Composed by Tim Brooke. 20th Century,Christmas,Concert,Contemporary,Standards. Score and parts...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.927940 Composed by Tim Brooke. 20th Century,Christmas,Concert,Contemporary,Standards. Score and parts. 25 pages. Castleroyan Press #4968865. Published by Castleroyan Press (A0.927940). Opening with dark clusters that outline the original 16th century melody, this 6½ minute fantasy for brass quintet moves from a straight setting of the theme, to a ground bass (paying passing homage to ‘Greensleeves’, Purcell and Vaughan Williams), before emerging as a spirited Renaissance dance in triple time.
$15.00
Leaning On The Everlasting Arms
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Piano solo
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INTERMEDIATE/ADVANCED
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Sacred music
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Gospel/Spiritual
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Anthony J
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Glenn Calcote
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Leaning On The Everlasting Arm
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Glenn Calcote
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.903654 Composed by Anthony J. Showalter. Arranged by Glenn Calcote. Christian,Gospel,Sacred,Spiritual. Sc...
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Piano Solo - Level 4 - Digital Download SKU: A0.903654 Composed by Anthony J. Showalter. Arranged by Glenn Calcote. Christian,Gospel,Sacred,Spiritual. Score. 4 pages. Glenn Calcote #6417789. Published by Glenn Calcote (A0.903654). Arranged for piano/keyboard. This lively arrangement moves through various styles that will keep the congregation's attention. Another fresh, unique, arrangement by Glenn Calcote for the church pianist that can be used as a prelude, offertory or a stand alone solo.
$3.99
God moves in a mysterious way. A new tune to a wonderful William Cowper hymn.
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Choral Unison
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EASY
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Harry Hicks
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God moves in a mysterious way.
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Harry Hicks
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.994020 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4338...
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.994020 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4338723. Published by Harry Hicks (A0.994020). New music - by Harry Hicks, (taken from his forthcoming second book of over 400 hymns entitled Praise! 2) to an old hymn that deserves to be better known.The first book - and other compositions - are also available.
$1.99
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