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2 Piano Sketches
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2 Piano Sketches
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1379961 Composed by Patrick Prejean…
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Piano Solo - Level 5 - Digital Download SKU: A0.1379961 Composed by Patrick Prejean. 21st Century,Contemporary. Score. 8 pages. Patrick Prejean #964671. Published by Patrick Prejean (A0.1379961). 2 Piano SketchesI - Heartbeat. The bell tolls and the sound of a beating heart thumps in my ears.II - Isolation. Basically all of January. Grey clouds, no sun, not enough sleep.
$30.00
27.43 €
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Piano solo
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Patrick Prejean
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2 Piano Sketches
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Patrick Prejean
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SheetMusicPlus
Piano Sketches Book 2
Piano solo
Piano - Digital Download 14 intermediate pieces for solo piano. Composed by Vitalij N…
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Piano - Digital Download 14 intermediate pieces for solo piano. Composed by Vitalij Neugasimov. Score. 31 pages. Oxford University Press Digital #9780193543980. Published by Oxford University Press Digital
ISBN 9780193543980.<br> <br> Piano Sketches 2 is a fabulous new collection for younger pianists at intermediate level (approx. Grades 4-5). The pieces include a broad range of appealing and accessible styles and will delight student and listener alike, as well as helping to reinforce technical skills. Get toes tapping with the 'Country Fiddler', lose yourself in the delicately beautiful 'Sweet Memories', take a trip into orbit with 'Space Wanderer', and step back into the Baroque with . the magnificent 'Sonatina Polifonica'. As well as being great fun to play, these pieces offer young pianists an adventure in texture, melody, and harmony and will support formal study.
$17.25
15.77 €
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Piano solo
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Vitalij Neugasimov
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Piano Sketches Book 2
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Oxford University Press Digital
#
SheetMusicPlus
Piano Sketches Book 1
Easy Piano
Piano - Digital Download 18 easy pieces for solo piano. Composed by Vitalij Neugasimo…
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Piano - Digital Download 18 easy pieces for solo piano. Composed by Vitalij Neugasimov. Score. 32 pages. Oxford University Press Digital #9780193543973. Published by Oxford University Press Digital
ISBN 9780193543973.<br> <br> Piano Sketches 1 is a fabulous new collection of easy pieces for younger pianists around the level of Grades 2-3. The pieces include a broad range of appealing and accessible styles and will delight student and listener alike, as well as helping to reinforce technical skills. Get ready to groove with the 'Frog Boogie', indulge in the beautiful harmonies of 'Lullaby', be transported by the energetic rhythms of the Scottish and Cuban dances, and sample the . sounds of the Orient. As well as being great fun to play, these pieces offer young pianists an adventure in texture, melody, and harmony and will support formal study.
$17.25
15.77 €
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Easy Piano
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Vitalij Neugasimov
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Piano Sketches Book 1
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Oxford University Press Digital
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SheetMusicPlus
Sketch #2 (from Sketches for Pedal Piano)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.788746 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.788746 Composed by Robert Schumann. Arranged by Karl Logue. Concert,Romantic Period. Score. 7 pages. LogueRhythm Productions #3371235. Published by LogueRhythm Productions (A0.788746). A realization for two pianos of the Sketches for Pedal Piano (Skizzen für den Pedal-Flügel).
$3.99
3.65 €
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2 Pianos, 4 hands
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Robert Schumann
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Sketch #2
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LogueRhythm Productions
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SheetMusicPlus
Sketch #1 (from Sketches for Pedal Piano)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.788745 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.788745 Composed by Robert Schumann. Arranged by Karl Logue. Concert,Romantic Period. Score. 7 pages. LogueRhythm Productions #3371233. Published by LogueRhythm Productions (A0.788745). A two-piano realization of the Robert Schumann Sketches for Pedal Piano (Skizzen für den Pedal-Flügel).
$3.99
3.65 €
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2 Pianos, 4 hands
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Robert Schumann
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Sketch #1
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LogueRhythm Productions
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SheetMusicPlus
Sketch #4 (from Sketches for Pedal Piano)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.788750 Composed by Robert Sc…
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.788750 Composed by Robert Schumann. Arranged by Karl Logue. Concert,Romantic Period. Score. 6 pages. LogueRhythm Productions #3371239. Published by LogueRhythm Productions (A0.788750). A two-piano realization of the Robert Schumann Sketches for Pedal Piano (Skizzen für den Pedal-Flügel).
$3.99
3.65 €
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2 Pianos, 4 hands
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Robert Schumann
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Sketch #4
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LogueRhythm Productions
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SheetMusicPlus
Sketch #3 (from Sketches for Pedal Piano)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.788747 Composed by Robert Sc…
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.788747 Composed by Robert Schumann. Arranged by Karl Logue. Classical,Concert. Score. 10 pages. LogueRhythm Productions #3371237. Published by LogueRhythm Productions (A0.788747). A two-piano realization of Schumann's Sketches for Pedal Piano (Skizzen für den Pedal-Flügel).
$3.99
3.65 €
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2 Pianos, 4 hands
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Robert Schumann
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Sketch #3
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LogueRhythm Productions
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.61 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.61 €
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Piano solo
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Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Bagatelle after sketches by Beethoven
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1357534 Composed by Ludwig van Beet…
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Piano Solo - Level 3 - Digital Download SKU: A0.1357534 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. 19th Century,Chamber,Classical,Romantic Period. Score. 3 pages. Adrian Gagiu #942081. Published by Adrian Gagiu (A0.1357534). A piece in C minor for fortepiano, entirely based on five sketches by Beethoven: Biam. 349b (1802-1803), Biam. 280 (c. 1800), Biam. 349a (1802-1803), Biam. 467 (1808), and Biam. 472 (1808). Its interest lies in the combination and adjustment of the respective fragments, to result in a fluent piece in late Classical style. The sketches were expanded to exploit a bit their passing ideas (the double bars in the score indicate the end of the original material). A mysterious introduction in C minor (Largo, Biam. 349b) is continued by modulations reminding of the Introduzione to the Finale of Beethoven’s Op. 53 and linking it to the vivacious central section, with triplets (first, Allegro assai, in B major as a possible reading of Biam. 280, which was originally written down without a key signature). This is continued by a section in A major (Biam. 349a) and then in D minor, in triple time (Biam. 467). After a sudden stop, the mysterious introduction in C minor returns abbreviated, ending discretely in C major. Composed for the contest at the Centro Ricerche Musicali (C.R.M.) LVBEETHOVEN Italy. Duration 2 min. 20 sec. Performing Rights Organization: SOCAN. The mp3 sample is a recording made on a Graf fortepiano sampled by Modartt's Pianoteq.
$2.25
2.06 €
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Piano solo
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Ludwig van Beethoven
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Bagatelle after sketches by Beethoven
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Adrian Gagiu
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SheetMusicPlus
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beeth…
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Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00
26.51 €
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Piano solo
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven
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Upstream Music
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SheetMusicPlus
Three Impressionist Sketches
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.938371 Composed by Colin Bayliss. 2…
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Piano Solo - Level 4 - Digital Download SKU: A0.938371 Composed by Colin Bayliss. 20th Century. Score. 19 pages. Colin Bayliss #4185. Published by Colin Bayliss (A0.938371). Three Impressionist Sketches (B11a) 1. September Sunlight 2. Thamesnight 3. Kaleidoscope – Matinée Musicale These three piano pieces date from the autumn of 1981. The titles refer to actual events of that time; number 1, a sunset on the North Downs in Kent, number 2 a rain-interrupted firework display on the South Bank, where the Thames theme, similar to Smetana’s Vltava theme, is transformed into a half-stated opening of Brahms’s 4th symphony in the quiet G major coda. Number 3 was written after a matinee performance of Richard Rodney Bennett’s Isadora. The kaleidoscope is a satirical treatment of Bennett’s dance pastiches, especially the tango. The sound sample is Sketch No 3 performed by David Martin The complete CD of Impressionist Sketches, Bagatelles and Tentative Tango, performed by David Martin, can be obtained from iTunes at: https://itunes.apple.com/us/album/bagatelles-expressionist-sketches/id619860635.
$10.00
9.14 €
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Piano solo
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Colin Bayliss
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Three Impressionist Sketches
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Colin Bayliss
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SheetMusicPlus
5 Variations for Piano in E flat major
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1444308 Composed by Ludwig van Beet…
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Piano Solo - Level 2 - Digital Download SKU: A0.1444308 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. Score. 5 pages. Adrian Gagiu #1024222. Published by Adrian Gagiu (A0.1444308). In 1797-1798, Beethoven sketched a piano sonata in E flat major which remained unfinished, yet its simple, Haydnesque Finale is the most elaborate movement. For this world premiere realization (suggested by Armando Orlandi at the Centro Ricerche Musicali www.lvbeethoven.it and dedicated to them), only completion of harmony was needed, as well as a few editorial choices to delete some unneeded asymetry and to repeat the codetta of the theme in the end with a different, more stable harmonization. Useful for people interested in studying Beethoven's sketches and the evolution of his style, as well as for intermediate piano students. Performing Rights Organization: SOCAN. The mp3 recording was made on a Walter fortepiano (1790). Total duration 6 min.
$2.25
2.06 €
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Piano solo
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Ludwig van Beethoven
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5 Variations for Piano in E flat major
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Adrian Gagiu
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SheetMusicPlus
Sketches of Christ 2 "Martha, Only One Thing is Needed" - Tone Poem for Instrumental Solo & Piano
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.818292 By Stephen R Dalrymple. By …
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Cello,Piano - Level 4 - Digital Download SKU: A0.818292 By Stephen R Dalrymple. By Stephen R Dalrymple. Classical,Contemporary. Score and part. 64 pages. Stephen R Dalrymple #4991043. Published by Stephen R Dalrymple (A0.818292). Sketches of Christ (Movement 2)  Only One Thing is Necessary♫ Tone Poem for Cello and Piano by Stephen R Dalrymple♫ transcribed for solo flute, clarinet, trumpet, euphonium/trombone, & violin ♫ music © 2010 Stephen R Dalrymple♫ recording ℗ 2020 Stephen R Dalrymple♫ presentation © 2023 Stephen R Dalrymple  ♫ sequenced by the composer ♫ The movements of the tone poem Sketches of Christ are written using contemporary classical music composition techniques.♫ The storyline behind the music is the interaction between Mary and Martha, 2 sisters with different personalities and goals.♫ Martha’s theme is set in the Dorian Mode. The 5/4 meter is hectic and efficient. Mary’s theme is set in the Mixolydian Mode in 3/4 alternating with 4/4 time (effectively 7/4. This theme is calm and deep in thought.♫ This .pdf file includes 14 score choices • Letter size score for Cello & piano • Letter size solo parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), & Cello, • 10 inch tablet size score for violin & piano • 10 inch tablet size score for the same solo parts. ♫ (Tell your computer which pages you want to print. Programs online that will allow you to split pdf files so that you can choose which pages to print.)
$6.50
5.94 €
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Cello, Piano
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Stephen R Dalrymple
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Sketches of Christ 2 "Martha, Only One Thing is Needed" - Tone Poem for Instrumental Solo & Piano
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Stephen R Dalrymple
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SheetMusicPlus
American Sketches (10-Piece Digital Pack)
String Orchestra
Level 2-3 - Digital Download SKU: HX.135027 Composed by James Curnow. Concert. 1 pa…
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Level 2-3 - Digital Download SKU: HX.135027 Composed by James Curnow. Concert. 1 pages. Duration 230. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.135027).
Digital Pack includes
:
American Sketches - Full Score
American Sketches - Violin 1
American Sketches - Violin 2
American Sketches - Violin 3 (Viola Treble Clef)
American Sketches - Viola
American Sketches - Cello
American Sketches - Bass
American Sketches - Piano
American Sketches - Percussion 1
American Sketches - Percussion 2
$40.00
36.57 €
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String Orchestra
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James Curnow
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American Sketches
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Hal Leonard - Digital
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SheetMusicPlus
Four Sketches, Opus 58 for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1362819
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1362819 Composed by Robert Schumann. Arranged by Robert Coulter. 19th Century,Romantic Period. 38 pages. Gordon Cherry #947199. Published by Gordon Cherry (A0.1362819). Robert Schumann, Four Sketches, Op. 58 were composed for the pedal-board piano in 1845. He and his wife Clara rented a pedal-board piano, which is an upright grand piano with an organ-like pedal-board played by the performer's feet primarily for the bass line. Thus, organ works could be practiced on this now mostly extinct instrument. He and Clara spent many hours practicing the revered organ works of Bach on this instrument.Robert Coulter has marvelously arranged these little-known works for Brass Quintet, suitable for advanced performers. Instrumentation is for 2 Trumpets in C, Horn, Trombone and Tuba. The Four Sketches are about 14 minutes in length.
$40.00
36.57 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Robert Schumann
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Four Sketches, Opus 58 for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
MacDowell: Woodland Sketches Op.51 No.1 “To a Wild Rose" - brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1224745
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1224745 Composed by Edward MacDowell. Arranged by Ray Thompson. Romantic Period. 9 pages. RayThompsonMusic #820855. Published by RayThompsonMusic (A0.1224745). To a Wild RoseEdward MacDowell was an American composer and pianist of the Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces, and New England Idylls. This is probably his most  well known and popular piece from 10 Woodland Sketches Op.51: originally written for piano.Arranged standard brass quintet: 2 tpt, hn, tbn and tba
$9.95
9.1 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Edward MacDowell
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MacDowell: Woodland Sketches Op.51 No.1 “To a Wild Rose" - brass quintet
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RayThompsonMusic
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SheetMusicPlus
Bandana Sketches (Set 2 - Intermediate) - piano solo
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.973258 Composed by Lynn L. Petersen…
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Piano Solo - Level 3 - Digital Download SKU: A0.973258 Composed by Lynn L. Petersen. 21st Century,Classical,Contemporary,Instructional. Score. 17 pages. Lynn L. Petersen #6536699. Published by Lynn L. Petersen (A0.973258). Bandana Sketches is a set of five character pieces for piano inspired by scenes from nature and life in rural Montana in the springtime. The pieces are entitled The First Crocus, Runaway Calf, The Mighty Wind, Rising Creek, and Early Morning Roundup. The pieces range from approximately half a minute to one-and-a-half minutes in duration. The five pieces may be performed individually or as a suite, as piano solos or with piano and violin (available separately). Bandana Sketches was commissioned by the Billings Music Teachers Association in 2021.
$9.00
8.23 €
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Piano solo
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Lynn L
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Bandana Sketches
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Lynn L. Petersen
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SheetMusicPlus
Bandana Sketches (Set 2 - Intermediate)
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.973255 Composed by Lynn L. Peters…
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Piano,Violin - Level 3 - Digital Download SKU: A0.973255 Composed by Lynn L. Petersen. 21st Century,Classical,Contemporary,Instructional. 35 pages. Lynn L. Petersen #6536693. Published by Lynn L. Petersen (A0.973255). Bandana Sketches is a set of five character pieces for solo piano or piano and violin, inspired by scenes from nature and life in rural Montana in the springtime. The pieces are entitled The First Crocus, Runaway Calf, The Mighty Wind, Rising Creek, and Early Morning Roundup. The pieces range from approximately half a minute to one-and-a-half minutes in duration. The five pieces may be performed individually or as a suite, as piano solos or with piano and violin. Bandana Sketches was commissioned by the Billings Music Teachers Association in 2021.
$14.99
13.7 €
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Violin and Piano
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Lynn L
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Bandana Sketches
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Lynn L. Petersen
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SheetMusicPlus
Glass-Colored Roses: Nine Watercolor Sketches for Piano
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1030895 Composed by Eric Pazdziora.…
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Piano Solo - Level 4 - Digital Download SKU: A0.1030895 Composed by Eric Pazdziora. 20th Century,Contemporary. Score. 8 pages. Eric Pazdziora #54901. Published by Eric Pazdziora (A0.1030895). Glass-Colored Roses: Nine Watercolor Sketches for Piano (11:30) by Eric M. Pazdziora (ASCAP) 1. Spectrum 2. Chrysalis 3. Crystal Drops 4. Light-Catcher 5. Willow Song 6. Unexpected Joke 7. Frost on the Holly 8. Autumn Rivers 9. After the Rain PROGRAM NOTES: Glass-Colored Roses has been described as exquisitely beautiful, silly, clever, and odd, but nice, and that’s just for the title. It also seems to be a fair summary of the composition itself. The nine miniature pieces in this set dabble in the wide palate of tonal colors available on the piano, using compositional techniques from aleatoric to modal. The titles are more evocative than descriptive. If you find a hidden meaning in any part of this composition, enjoy it, but I didn’t put one there. Video: http://www.ericpazdziora.com/glass-colored-roses-nine-watercolor-sketches-for-piano/ Contact: eric@ericpazdziora.com.
$15.00
13.71 €
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Piano solo
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Eric Pazdziora
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Glass-Colored Roses: Nine Watercolor Sketches for Piano
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Eric Pazdziora
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SheetMusicPlus
Sketches for Piano, Book 2 - No. 1 Cool
Piano solo
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
3.99 €
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Piano solo
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Charles Wood
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Tomplay
MacDowell: Woodland Sketches Op.51 No.5 "From an Indian Lodge"- string quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1219946 Composed by Edward MacDowell. Arranged by Ray Thompson. Romantic Period. 7 pages. RayThompsonMusic #816314. Published by RayThompsonMusic (A0.1219946). Edward MacDowell was an American composer and pianist of the Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces, and New England Idylls.Woodland Sketches Op.51 includes his most popular short piece, To a Wild Rose. This is No.5  From an Indian Lodge from the same suite arranged for string quartet.Other arrangements are available here
$3.95
3.61 €
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String Quartet: 2 violins, viola, cello
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Edward MacDowell
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MacDowell: Woodland Sketches Op.51 No.5 "From an Indian Lodge"- string quartet
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RayThompsonMusic
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SheetMusicPlus
MacDowell: Woodland Sketches Op.51 No.7 "From Uncle Remus"- string quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1220862 Composed by Edward MacDowell. Arranged by Ray Thompson. Romantic Period. 7 pages. RayThompsonMusic #817203. Published by RayThompsonMusic (A0.1220862). Edward MacDowell was an American composer and pianist of the Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces, and New England Idylls.Woodland Sketches Op.51 includes his most popular short piece, To a Wild Rose. This is my arrangement of No.7  From Uncle Remus from the same suite, arranged for string quartet.My other  string quartet arrangements, including To a Wild Rose  are available here.
$4.95
4.53 €
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String Quartet: 2 violins, viola, cello
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Edward MacDowell
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MacDowell: Woodland Sketches Op.51 No.7 "From Uncle Remus"- string quartet
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RayThompsonMusic
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SheetMusicPlus
MacDowell: A Selection of 3 Woodland Sketches Op.51 (Nos.1, 4 & 5) - string quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1219956 Composed by Edward MacDowell. Arranged by Ray Thompson. Romantic Period. 15 pages. RayThompsonMusic #816324. Published by RayThompsonMusic (A0.1219956). Edward MacDowell was an American composer and pianist of the Romantic period. He was best known for his second piano concerto and his piano suites: Woodland Sketches, Sea Pieces and New England Idylls.The Woodland Sketches Op.51 includes his most popular short piece, To a Wild Rose. I have included it in my selection of 3 pieces from that suite, arranged here for string quartet:Pieces are as follows:From an Indian LodgeTo a Wild RoseIn AutumnThey are available separately here.
$9.95
9.1 €
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String Quartet: 2 violins, viola, cello
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Edward MacDowell
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MacDowell: A Selection of 3 Woodland Sketches Op.51
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RayThompsonMusic
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SheetMusicPlus
Murray - Four Sketches - Piccolo and Piano
Piccolo, Piano
Instrumental Duet Instrumental Duet,Piano,Piccolo - Level 4 - Digital Download SKU: A0.…
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Instrumental Duet Instrumental Duet,Piano,Piccolo - Level 4 - Digital Download SKU: A0.823986 Composed by TK Tim Murray. Concert,Contemporary. Score and parts. 12 pages. TK (Tim) Murray #4762619. Published by TK (Tim) Murray (A0.823986). Four Sketches contain 2 lyrical and 2 rhythmical miniature variations on a theme. They range from atmospheric to lively and make beautiful use of the Piccolo's unique character. They were commissioned and subsequently recorded by Dannielle Eden and TK Murray. (c.6 mins) Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murrayâ??s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as â??Corruscatingâ?? (Independent) and â??Highly imaginativeâ?? (The Sunday Times). Contact; tkmurraycomp@aol.com
$7.95
7.27 €
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Piccolo, Piano
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TK Tim Murray
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tkmurraycomp@aol
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Murray - Four Sketches - Piccolo and Piano
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TK
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SheetMusicPlus
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