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3 African American Spirituals - SSAA
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Co…
(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
13.72 €
#
Brass quartet : 2 trumpets, trombone, tuba
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 2 Trb)
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.813825 Compose…
(+)
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533903. Published by Regis Bookshar (A0.813825). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets and 2 Trombones, he has made quite a few other arrangements of this selection wh.
$15.00
13.72 €
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Cello, 1 Ba
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813834 Composed…
(+)
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533937. Published by Regis Bookshar (A0.813834). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this selection which a.
$15.00
13.72 €
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Viola, 1 Ce
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813835 Composed…
(+)
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813835 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533939. Published by Regis Bookshar (A0.813835). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Viola and 1 Violoncello, he has made quite a few other arrangements of this selection which ar.
$15.00
13.72 €
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Spirituals for Organ
Organ
Organ: 3-staff - Intermediate SKU: LO.70-1002 Composed by Gilbert M. Martin. Sacred…
(+)
Organ: 3-staff - Intermediate SKU: LO.70-1002 Composed by Gilbert M. Martin. Sacred, General, Spiritual. Sacred Music Press #70/1002. Published by Sacred Music Press (LO.70-1002). UPC: 000308018110.Gilbert M. Martin has arranged eight very familiar African American spirituals in compelling organ settings that are not difficult to prepare and display his signature expressivity. Most of the arrangements are introspective in character, though there is also a festive postlude on In Christ There Is No East or West..
Song List: Were You There In Christ There Is No East Or West Steal Away Nobody Knows The Trouble Ive Seen Let Us Break Bread Together We Are Climbing Jacobs Ladder Lord I Want to Be a Christian There Is A Balm In Gilead
$25.00
22.87 €
#
Organ
#
Gilbert M
#
Spirituals for Organ
#
Sacred Music Press
#
SheetMusicPlus
An American Trilogy
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1205846 By Elvis Presley. By Mi…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1205846 By Elvis Presley. By Mickey Newbury. Arranged by Marek Czekala. 20th Century,Pop. Score and parts. 38 pages. Marek Czekala #804033. Published by Marek Czekala (A0.1205846). An American Trilogy is a 1972 song medley arranged by country composer Mickey Newbury and popularized by Elvis Presley, who included it as a showstopper in his concert routines. The medley uses three 19th-century songs: Dixie — a popular folk song about the southern United States.The Battle Hymn of the Republic — a marching hymn of the Union Army during the American Civil War;[1] andAll My Trials — a Bahamian lullaby related to African American spirituals and widely used by folk music revivalistsVikipedia.
$75.00
68.62 €
#
Orchestra
#
Elvis Presley
#
An American Trilogy
#
Marek Czekala
#
SheetMusicPlus
Five African-American Preludes for the Church Year
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1359045 By Henrietta Atkin. By Afri…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1359045 By Henrietta Atkin. By African-American Spirituals. Arranged by Henrietta Atkin. Christian,Religious,Sacred,Spiritual. Score. 16 pages. Henrietta Atkin #943470. Published by Henrietta Atkin (A0.1359045). This collection of preludes based on African-American spirituals include two preludes for Lent, one for Christmas, one for Good Friday and one for Ordinary Time. If you love the beautiful melodies and historical tradition of African-American music, these arrangements are for you.
$12.99
11.88 €
#
Piano solo
#
Henrietta Atkin
#
Five African-American Preludes for the Church Year
#
Henrietta Atkin
#
SheetMusicPlus
African-American Suite No. 2
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.697729 Composed by Sandy McIntire. …
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Piano Solo - Level 3 - Digital Download SKU: A0.697729 Composed by Sandy McIntire. Arranged by Sandy McIntire. Classical,Contemporary,Folk,Spiritual,Standards. Score. 24 pages. Sandy McIntire #6563321. Published by Sandy McIntire (A0.697729). McIntire's African-American Suite No. 2, Opus 2, is a classical composition for Piano that uses themes developed from African-American spirituals. It has four parts: 1. Didn't It Rain, 2. Deep River, My Home Is Over Jordan and I Ain't Gonna Study War No More, 3. Let Us Break Bread Together, 4. Soon-a Will Be Done. These pieces, as well as African-American Suite 1, by McIntire are also available separately on sheetmusicplus.com.
$14.99
13.71 €
#
Piano solo
#
Sandy McIntire
#
African-American Suite No. 2
#
Sandy McIntire
#
SheetMusicPlus
African American Suite No. 1 for Piano
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.697665 Composed by Sandy McIntire. …
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.697665 Composed by Sandy McIntire. Contemporary,Contest,Festival,Instructional,Standards,Traditional. Score. 22 pages. Sandy McIntire #6318167. Published by Sandy McIntire (A0.697665). African-American Suite No. 1, Opus 2 is a classical composition for Intermediate Piano that uses themes developed from African-American spirituals. It has four parts: 1. Ride on, King Jesus/In That Great Getting Up Morning, 2. Hold On, 3. Joshua Fit de Battle of Jericho, 4. Gospel Medley with themes from Little David, Play on Your Harp, Didn't My Lord Deliver Daniel, and Go Tell It on the Mountain. These pieces are also available separately at this web site.A YouTube video is available for you to hear samples of this composition.
$14.99
13.71 €
#
Piano solo
#
Sandy McIntire
#
African American Suite No. 1 for Piano
#
Sandy McIntire
#
SheetMusicPlus
Songs of Heaven (A collection of 5 hymns and spirituals for String Quartet)
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1445994 By Sharon Wilson. By African-American Spiritual, American Folk Song, Emmett S. Dean, Fanny J. Crosby, Folk Song, James W. Acuff, John R. Sweney, and Traditional. Arranged by Sharon Wilson. Christian,Folk,Sacred,Spiritual,Traditional. 44 pages. Sharon Wilson #1025815. Published by Sharon Wilson (A0.1445994). This collection contains five (5) sacred hymns arranged for a STRING QUARTET. These arrangements are straight-forward and suitable for late beginner to intermediate string groups since all notes for all instruments can be played in the first position. An optional repeat is provided for each song in case a longer selection is desired. The audio sample plays one verse of Good News and the YouTube video features I Shall Know Him.The VIOLIN 3 part is the same as the VIOLA part in case a Viola player is not available. For each of the five songs in this collection there is a 3 or 4 page grand staff score plus a 1-page, 1-staff score for each part (VIOLIN 1, VIOLIN 2, VIOLIN 3, VIOLA, and CELLO).Each string quartet arrangement is also available separately with accompanying preview pages and audio samples. Titles included in this collection: Good News, the Chariot's A-ComingI Shall Know Him (My Savior First of All)Jerusalem, My Happy Home (LAND OF REST)Just Over in the Glory Land When I Can Read My Title Clear (PISGAH)More collections of sacred songs for EASY STRING QUARTETS (sold separately):Songs for Reflection (A collection of 5 hymns and spirituals for String Quartet)Songs for Worship (A collection of 5 hymns and spirituals for String Quartet) Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$24.99
22.86 €
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String Quartet: 2 violins, viola, cello
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Sharon Wilson
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Songs of Heaven
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Sharon Wilson
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SheetMusicPlus
We are the Children
Choral 3-part
Choral Choir,Choral (SAB) - Level 1 - Digital Download SKU: A0.976918 Composed by S…
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Choral Choir,Choral (SAB) - Level 1 - Digital Download SKU: A0.976918 Composed by Sabrina Pena Young. African,Blues,Children,Folk,World. 2 pages. Sabrina Peña Young #3425617. Published by Sabrina Peña Young (A0.976918). Beautiful inspirational call and response song inspired by African American spirituals. Simple enough for the classroom and mature enough for high school, community groups, professional ensembles, or college choir. Ideal for celebration of African American music, holidays like Martin Luther King's day and Black History month, or for choir recitals and concerts. Truly a beautiful work written by award-winning composer and educator. A song of hope for the children of the world. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$5.99
5.48 €
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Choral 3-part
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Sabrina Pena Young
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We are the Children
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Sabrina Peña Young
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SheetMusicPlus
Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - …
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1411725 Composed by Robert Nathaniel Dett. Arranged by Richard Decker. 20th Century,Chamber,Contest,Festival,Multicultural,Spiritual,World. 34 pages. Charles Decker Music Press #993974. Published by Charles Decker Music Press (A0.1411725). Early 20th century Black Canadian-American composer, conductor and pianist Robert Nathaniel Dett's  Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler combine his neo-romantic style and advocacy for spirituals in this engaging arrangement for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon. Music in the Mine provides a musical interpretation of the back-breaking and mind-numbing mining work in the steady accompaniment along with the dialogue of two miners yearning for better days, while Let Us Cheer the Weary Travelers is an upbeat dedication to our spiritual journey.  As Director of the Hampton Institute, Dett developed the college's choir with his compositions and conducting into one of the leading choirs in the nation. Dett studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and awarded an Honorary Masters Degree in 1932 from the Eastman School of Music . The recording is of the entire edition. To see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds†in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$17.99
16.46 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Robert Nathaniel Dett
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Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler for Woodwind Quintet
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Charles Decker Music Press
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SheetMusicPlus
7. Spirituals From the from the cantata FEET OF JESUS by Judith Cloud (text by Langston Hughes) Sop
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.981235 Composed by Judith Cloud. Con…
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Choral Choir (SATB) - Digital Download SKU: A0.981235 Composed by Judith Cloud. Contemporary. Octavo. 11 pages. Judith Cloud #6710263. Published by Judith Cloud (A0.981235). 1. Feet o' Jesus (From the cantata FEET OF JESUS by Judith Cloud (text by Langston Hughes)Feet of Jesus is a cantata for mixed chorus, soprano saxophone, soprano and baritone soloists and organ. It is made up of seven movements: 1) Feet of Jesus; 2) Prayer; 3) Shout; 4) Litany/Sinner; 5) Fire; 6) Angels Wings; 7) Spirituals. It is approximately eighteen minutes in length. It has been performed by church choirs, professional choirs and amateur choirs, as well as university choirs.I was very fortunate to have Anders Paulsson believe in the beauty and significance of Feet of Jesus. He promoted it in Sweden and returned to the United States to perform it in San Francisco. In May of 1997, the Saint Jacobs Chamber Choir under the direction of Gary Graden recorded Feet of Jesus, along with some other original works by Anders Paulsson and arrangements of spirituals. I requested that the soloists be African-Americans, Marymal Holmes and John Williams. The cross-cultural exchange was a vibrant one and proved to be enlightening. The very idea of what was truly considered spiritual in music was put to the question and answered admirably by Gary Graden and his marvelous Swedish choir. The BIS Northern Lights CD was released under the title Spirituals.
$2.99
2.74 €
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Choral SATB
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Judith Cloud
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2) Prayer
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7. Spirituals From the from the cantata FEET OF JESUS by Judith Cloud
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Judith Cloud
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SheetMusicPlus
Hear the Rain
Choral 3-part
Choral Choir,Choral (SAB) - Level 1 - Digital Download SKU: A0.976914 Composed by S…
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Choral Choir,Choral (SAB) - Level 1 - Digital Download SKU: A0.976914 Composed by Sabrina Pena Young. African,Children,Folk,Instructional,World. 1 pages. Sabrina Peña Young #3425611. Published by Sabrina Peña Young (A0.976914). Delightful and easy call-and-response beginner song inspired by African-American spirituals. Can be for beginner choir, used in the classroom as an exercise, used in recital, or excellent for recording for community choir. The Teacher role can be a soloist, the instructor, or another choir. Ideal for elementary to college, community, and professional choral ensembles. Composed by award-winning Cuban-American composer and seasoned educator. A fun lovely piece!Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$2.99
2.74 €
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Choral 3-part
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Sabrina Pena Young
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Hear the Rain
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Sabrina Peña Young
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SheetMusicPlus
Suite #3 "Deep in My Heart" from LIFT EVERY VOICE Spirituals for String Quartet: inc. "Swing Low" /
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.982347 Arranged …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.982347 Arranged by Paul Ferington. Christian,Gospel,Sacred,Spiritual. Score and parts. 17 pages. Paul K Ferington #6431525. Published by Paul K Ferington (A0.982347). Suite #3 Deep in My Heart from LIFT EVERY VOICE Spirituals for String Quartet:inc. Swing Low / We Shall Overcome / Lift Every Voice; Part of a four Suite collection celebrating the African American Spiritual – appropriate for educational and religious settings; for moderately advanced string quartets
$6.95
6.36 €
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String Quartet: 2 violins, viola, cello
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Suite #3 "Deep in My Heart" from LIFT EVERY VOICE Spirituals for String Quartet: inc. "Swing Low" /
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Paul K Ferington
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SheetMusicPlus
Sonata Hymnica No. 3
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.972647 Composed by James Siddons. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
8.69 €
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Piano solo
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Didn't My Lord Deliver Daniel - low voice edition
Choral 3-part
Choral Choir (3-Part Mixed) - Level 3 - Digital Download SKU: A0.829027 Composed by…
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Choral Choir (3-Part Mixed) - Level 3 - Digital Download SKU: A0.829027 Composed by David Neff and Traditional. Arranged by David Neff. Christian,Concert,Gospel,Spiritual. Octavo. 5 pages. David Neff #4368744. Published by David Neff (A0.829027). The anonymous song Didn’t My Lord Deliver Daniel is one of many African-American spirituals that borrow biblical imagery to talk about hope for freedom from oppression. The classic arrangement of this spiritual by H. T. Burleigh will no doubt remain a standard, but I hope the rhythmic variety, jazz harmonies, and big finish of this version will add spice to your church and recital repertoire. The audio accompanying this catalog listing features soprano Alexandria Bradshaw Crichlow singing the high-voice edition. This arrangement is be available in high-, medium-high, medium-, and low-voice editions.
$5.99
5.48 €
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Choral 3-part
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David Neff and Traditional
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Didn't My Lord Deliver Daniel - low voice edition
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David Neff
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SheetMusicPlus
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