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3 graphic scores
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.924142 Composed by Michael J Murray…
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Piano Solo - Level 3 - Digital Download SKU: A0.924142 Composed by Michael J Murray. Contemporary. Score. 4 pages. Michael J Murray #3662691. Published by Michael J Murray (A0.924142). 3 experimental scores for performance or visual appeal.
$1.99
1.83 €
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Piano solo
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Michael J Murray
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3 graphic scores
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Michael J Murray
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SheetMusicPlus
The Time Machine (Excerpts), an Accompanied Reading
Small Ensemble Cello,Flute,Guitar,Handbell,Multi-Percussion,Piano,Viola,Violin - Level 3 -…
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Small Ensemble Cello,Flute,Guitar,Handbell,Multi-Percussion,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.835782 Composed by Paul Burnell. Contemporary. Score and parts. 88 pages. Paul Burnell #3222659. Published by Paul Burnell (A0.835782). Composed 2017. One of a series of fourteen accompaniments to texts published between the years 1886 and 1899. Duration 30:00 For narrator and ensemble Text from the novella by H.G. Wells (1866 - 1946) published in 1895 The subtitles for each of the six movements are: Part 1 - the Model Part 2 - the Journey Part 3 - the Eloi Part 4 - the Morlocks Part 5 - the Eclipse Part 6 - the Ghost 'The Time Machine' is a science fiction novel by Herbert George Wells, published in 1895. H. G. Wells is commonly credited with the popularisation of the concept of time travel - using a vehicle that allows an operator to travel intentionally and selectively backwards or forwards in time. Ensemble instrumentation: Keyboard(s) - accordion, organ, glass harmonica, vibraphone, piano, toy piano, etc. Flute or tenor/bass recorder Violin or viola or violincello. Wine glass 1 tuned to Bb Wine glass 2 tuned to C - ideally a minor seventh below wine glass 1 Handbells, three players using bows and beaters: Voice or guitar (acoustic, electric or bass guitar) Percussion - Suspended cymbal, low drum(s), whirly tube(s), ‘found’ resonant instruments, plastic bag(s), singing bowl, guiro(s) There is no overall score. Performers (except percussion) play from a series of graphic scores. The percussion parts are written in more traditional notation. It is not necessary for the ensemble to contain all the instruments. If all instruments are available then the ensemble may vary the instrumentation, or omit instruments, for each of the movements, or within movements. The dynamic balance between players should be sympathetic to the forces available. This may mean, for example, that an accordion is muted or sited away from the other players. Effects such as reverberation or distortion may be applied to the instrumental sounds. Variety of expression is encouraged. The narrator’s text readings must each have a duration of under five minutes.For each of the six movements the ensemble begins playing one minute after the speaker. It is allowed for the movements to be performed as single pieces, and without the narration.
$7.95
7.33 €
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Paul Burnell
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The Time Machine
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Paul Burnell
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SheetMusicPlus
Electric Nocturnes Book 8
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1012893 Composed by G…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1012893 Composed by Garry DW Judd. 20th Century,Contemporary. Score. 11 pages. The Artful Music Publishing Company #6347515. Published by The Artful Music Publishing Company (A0.1012893). Book 8 of the Electric Nocturnes, secret subtitle Synasthesia. This is a collection of ten graphic scores for any instrumentation. More info at www.garrydwjudd.com/electric-nocturnes
$4.99
4.6 €
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Piano, Vocal and Guitar
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Garry DW Judd
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Electric Nocturnes Book 8
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The Artful Music Publishing Company
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SheetMusicPlus
100 Electric Nocturnes
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Choir,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harp,Marimba,Multi-Percussion,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.1012898 Composed by Garry DW Judd. 20th Century,Contemporary. Score and parts. 135 pages. The Artful Music Publishing Company #6704837. Published by The Artful Music Publishing Company (A0.1012898). 100 Electric Nocturnes began as a series of pieces for solo piano and developed into a collection of standard notated and realbook, text, graphic and imaginary scores for any soloist/ensemble.The music, arranged in ten books of ten pieces can be thought of as a grid of interrelated works, all very calming and meditative in nature.
$21.99
20.27 €
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Garry DW Judd
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100 Electric Nocturnes
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The Artful Music Publishing Company
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SheetMusicPlus
Oratorio de Noël (Christmas Oratorio) - Alternate Accompaniment
Organ
Instrumental Duet Harp,Instrumental Duet,Organ - Level 3 - Digital Download SKU: A0.812…
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Instrumental Duet Harp,Instrumental Duet,Organ - Level 3 - Digital Download SKU: A0.812038 Composed by Camille Saint-Saens. Arranged by Lee G. Barrow. Christmas,Romantic Period,Sacred. Score and parts. 94 pages. Bargraphica #2076221. Published by Bargraphica (A0.812038). Alternate accompaniment for piano, organ, and optional harp, based on the original instrumentation. Compatible with all vocal scores.
$9.95
9.17 €
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Organ
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Camille Saint-Saens
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Oratorio de Noël
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Bargraphica
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SheetMusicPlus
Blues en mi [piano 4 hands]
1 Piano, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596550
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596550 Composed by Juan MarÃa Solare. 20th Century,Blues,Instructional,Latin,Sacred. Score and parts. 12 pages. Juan Maria Solare #4408887. Published by Juan Maria Solare (A0.596550). Blues en mà [Blues in E / Blues in me] for piano. Composed in Worpswede (Germany) from 9th to18th October 2001. Dedicated to Hans-Dieter Ludwig (H.D.). Duration: 3'20. First performance by the composer at the Music Hall in Worpswede on 3rd May 2002. This concert was filmed by Reinhard Hölker, who also held a scholarship at the Künstlerhäuser Worpswede. The Argentine first performance was given by Cecilia Strack on 17th December 2003 at the Conservatorio de la Ciudad de Buenos Aires, during a monographic concert (Compositions for Piano by Juan MarÃa Solare) organised by the Professors Silvia Dabul and Manuel Massone. The title is a pan in Spanish: Blues in E minor / Blues in me. At some moment I had a dream related with this piece. I cannot recall exactly when or where, but it must have been during 2003; any case not later. Possibly I've written it down somewhere, I will find it. Reconstructed by memory: It was an open-air concert, maybe in Worpswede. The audience sits down in banks around tables, eating; it is a kind of party. A music sounds that comes familiar to me. I recognized the Blues en mÃ. A young lady is performing it, whom I don't absolutely know. I ask myself: How could this lady get the score? She have possibly found it on the internet. And actually it was this dream that ended up convincing me to put some of my scores in Internet, beginning with the Blues en mÃ. According to my registers, I sent the sheet music to Mariano Rocca (webmaster of compositores e intérpretes, www.ciweb.com.ar) on 2nd November 2003 (ergo, this dream must have occurred before). Juan MarÃa Solare Worpswede, 15th February 2007 (four days after the dedicatee's death)
$4.00
3.69 €
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1 Piano, 4 hands
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Juan MarÃa Solare
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any case not later
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Blues en mi [piano 4 hands]
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Juan Maria Solare
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SheetMusicPlus
Embarking to Candleford
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1412677 Composed by Sembenuqk…
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String Orchestra - Level 3 - Digital Download SKU: A0.1412677 Composed by Sembenuqk Antoniin. Arranged by Sembenuqk Antoniin. Classical,Film/TV. 6 pages. Stefan L. #994708. Published by Stefan L. (A0.1412677). 'Embarking to Candleford' is a solo ensemble project I created due to my affinity for British Historical Period Dramas. Shows like 'The Paradise', 'Selfridges', 'Downton Abbey', etc. with phenomenal scores have impacted my creativity. It's not just BBC shows, however. Its also composers like the William-Gregson Brothers and Maurizio Malagnini. The title comes from the series, Lark Rise to Candleford' which in turn is based on a trilogy of semi-autobiographical novels written by author Flora Thompson.
$15.99
14.74 €
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String Orchestra
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Sembenuqk Antoniin
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Embarking to Candleford
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Stefan L.
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SheetMusicPlus
Rich Man's Frug
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1399608 By Various. By Cy Coleman…
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Concert Band - Level 3 - Digital Download SKU: A0.1399608 By Various. By Cy Coleman and Dorothy Fields. Arranged by John Ivor Holland. 20th Century,Broadway,Film/TV,Musical/Show,Pop. 139 pages. John Ivor Holland #982901. Published by John Ivor Holland (A0.1399608). Early on in the musical Sweet Charity, the lead character is taken to an exclusive nightclub and this sets the scene for the company to introduce Bob Fosse's choreographic showpiece The Rich Man's Frug (the melody of which is drawn from the song Big Spender). It's a wildly energetic dance number comprising three movements (The Aloof, The Heavyweight and The Big Finish) accentuating Fosse's creative use of unusual poses, gestures, and arm movements. This arrangement draws from the original Broadway and movie scores, presenting as full a version as possible, including the chorus singing towards the end - don't scimp on the percussion, particularly the anvil, as this will certainly conjure up the true spirit of the piece - groovy!
$69.99
64.52 €
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Concert band
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Various
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Rich Man's Frug
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John Ivor Holland
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SheetMusicPlus
Nowhere Man
2 Saxophones (duet)
Alto Saxophone Duet Alto Saxophone - Level 3 - Digital Download SKU: A0.588461 By T…
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Alto Saxophone Duet Alto Saxophone - Level 3 - Digital Download SKU: A0.588461 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. 2 scores. 5 pages. David McKeown #5335021. Published by David McKeown (A0.588461). Nowhere Man by the Beatles, was released on the 1965 album, Rubber Soul. Primarily written by John Lennon, he later described the song as autobiographical. The phenomenal success of the band had led to immense pressures on all of them. Nowhere Man later featured memorably in the film Yellow Submarine, personified as the lonely cartoon character, Jeremy Hillary Boob.This version of Nowhere Man is arranged as a duet for two Alto Saxophones. Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. The full YouTube performance linked above is the Alto Saxophone version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.52 €
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2 Saxophones (duet)
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The Beatles
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Nowhere Man
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David McKeown
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SheetMusicPlus
Three Chromicons for piano solo
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon For…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00
11.06 €
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Piano solo
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Joseph Dillon Ford
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Three Chromicons for piano solo
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David Warin Solomons
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SheetMusicPlus
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