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You've selected:
5 To 9
Sheetmusic to print
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5 To 9
Bass Guitar,Clarinet,Drums,Electric Guitar,Medium Voice,Violin - Level 3 - Digital Downloa…
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Bass Guitar,Clarinet,Drums,Electric Guitar,Medium Voice,Violin - Level 3 - Digital Download SKU: A0.1306437 By Dolly Parton. By Dolly Parton. Arranged by Jack Ross. Country,Pop. 36 pages. Jack Ross #895800. Published by Jack Ross (A0.1306437). This arrangement of '9 to 5' by Dolly Parton is for a small band setup, including Clarinet in Bb, Violin, Electric Guitar, Drums, and Bass Guitar.3mins 30secs approximately.
$12.99
12 €
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Dolly Parton
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5 To 9
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Jack Ross
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SheetMusicPlus
5 To 9
String Quartet: 2 violins, viola, cello
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1082359 By Dolly Parton. By Dolly Parton. Arranged by Zuzu Davis. Contemporary,Country,Film/TV,Folk,Pop. Score and parts. 4 pages. Zuzu Davis #686510. Published by Zuzu Davis (A0.1082359). 9 to 5 by Dolly Parton. String Quartet- Violin 1, Violin 2, Cello, and Bass. Violin 2 part can be transcribed for viola as well. Violin 1 plays the melody with harmony from Violin 2. Cello and Bass lay down the foundation and bass line in the intro and throughout.
$12.99
12 €
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String Quartet: 2 violins, viola, cello
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Dolly Parton
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5 To 9
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Zuzu Davis
#
SheetMusicPlus
5 To 9
Choral 3-part
Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1412652 By Doll…
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Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1412652 By Dolly Parton. By Dolly Parton. Arranged by Guy Bunce. Broadway,Country,Musical/Show,Pop. 9 pages. Enigma Music #976428. Published by Enigma Music (A0.1412652). This fun and upbeat arrangement of the Dolly Parton classic captures all the joy and drive of the original and the award-winning musical of the same name. Ideal for any SAB choir up for a moderate level challenge. This is sure to be a show stopper!
$1.99
1.84 €
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Choral 3-part
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Dolly Parton
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5 To 9
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Enigma Music
#
SheetMusicPlus
Tomplay Scales, Vol. 5 – No. 9 C-sharp minor
Violin
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
0.99 €
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Violin
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Cherubini
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Tomplay
Tomplay Scales, Vol. 5 - No. 9 C-sharp minor
Oboe
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
1.99 €
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Oboe
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Cherubini
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Tomplay
Tomplay Scales, Vol. 5 - No. 9 C-sharp minor
Oboe
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
1.99 €
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Oboe
#
Cherubini
#
Tomplay
Tomplay Scales, Vol. 5 – No. 9 D-flat major
Cello
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
0.99 €
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Cello
#
Cherubini
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Tomplay
Tomplay Scales, Vol. 5 – No. 9 F-sharp minor
Viola
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
0.99 €
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Viola
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Cherubini
#
Tomplay
7 to 9
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.986863 Composed by Ben Pritchard.…
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Concert Band - Level 4 - Digital Download SKU: A0.986863 Composed by Ben Pritchard. Arranged by Ben Pritchard. 20th Century,Jazz,Latin,Rock. Score and parts. 19 pages. Benjamin Pritchard #5465. Published by Benjamin Pritchard (A0.986863). This piece was originally written for jazz ensemble and then arranged for concert band. This was done, in part, to make available concert band literature that utilizes jazz/rock instruments (guitar, bass, piano) and improvisation. There are many arrangements of rock and pop tunes available to band directors. While those arrangements sometimes include bass parts they rarely, if ever, have guitar or piano/keyboard parts. Why not? Why not include these parts, even if they are optional? In addition, I’ve noticed that there is very little concert band literature that involves improvisation. Again, why not? I believe that this is the concert band literature of the future – the integrated utilization of electric guitar, keyboards, and improvisation. This piece is my first attempt at such a venture. Having just finished the premier performance of the original jazz ensemble version of 7 to 9 I thought it would be a good platform. Most of 7 to 9 transitions between 7/4 and 9/4. It is a fun, quirky piece with a Latin feel. There is a short 5-bar swing section in the middle for open solos. There is also a one chord solo section later in the piece for less experienced improvisers. The students will really enjoy putting this together, especially with the electric guitar, piano, and bass. It adds a completely new dimension to the concert band as well as an overall excitement. The piece ends with a long building Latin groove with a jam feel to it. The guitarist ends this build with an improvised solo which soars above the rest of the band. It is a fun piece to play but requires a great deal of focus due to the changing meter and odd phrase lengths and entrances. There is only a midi recording available at this time. A live recording will be available soon.
$49.99
46.18 €
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Concert band
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Ben Pritchard
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7 to 9
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Benjamin Pritchard
#
SheetMusicPlus
O Word of God Incarnate - Dedicated to 9/11
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.848596 Composed by Traditional. Arr…
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Piano Solo - Level 4 - Digital Download SKU: A0.848596 Composed by Traditional. Arranged by Gene Roberson. Concert,Sacred. Score. 5 pages. Gene Roberson #3628429. Published by Gene Roberson (A0.848596). Advanced Piano Solo of the familiar hymn O Word of God Incarnate. with passages of Mendelssohn's Scherzo mingled in the intro and connectors.Perfect for recital, preludes and offertories.This arrangement is dedicated to the memory of 9/11 as we remember that date on 9/11/2018We Will Never Forget.
$3.99
3.69 €
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Piano solo
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Traditional
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O Word of God Incarnate - Dedicated to 9/11
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Gene Roberson
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SheetMusicPlus
WE ARE DIFFERENT NOW (A TRIBUTE TO 9/11)
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.991690 Composed by MICHAEL L…
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.991690 Composed by MICHAEL L. RICCIARDI. Arranged by TIMOTHY C. DORAN. Holiday,Patriotic. Score and parts. 5 pages. Creative Horizons Music Publishers (ASCAP) #3057923. Published by Creative Horizons Music Publishers (ASCAP) (A0.991690). WRITTEN AS A 9/11 TRIBUTE SONG, THIS SOARING BALLAD ANNOUNCES TO OUR ENEMIES IN THE WORLD THAT THEY AWOKEN THE SLEEPING GIANT WE WERE BEFORE THIS TERRIBLE INVASION OF OUR COUNTRY. RECORDED AND SUNG BY WESTBROOK AND SNYDER, JOSHUA KRANZ, GREG LASTRAPES AND JIMMY CHAPEL
$3.50
3.23 €
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Jazz Ensemble
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MICHAEL L
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WE ARE DIFFERENT NOW
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Creative Horizons Music Publishers
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SheetMusicPlus
Psalm to the Savior
(Guitar) - Digital Download SKU: H1.C5560PDP Composed by Pepper Choplin. General Wo…
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(Guitar) - Digital Download SKU: H1.C5560PDP Composed by Pepper Choplin. General Worship, Sacred. Guitar & strings/synthezied strings parts. 5 pages. Hope Publishing - Digital #C5560PDP. Published by Hope Publishing - Digital (H1.C5560PDP). Matthew 9:5 - Matthew 9:6 - Matthew 10:1 - Mark 2:9 - Mark 2:10 - Mark 2:11 - Luke 5:23 - Luke 5:24 - Philippians 4:13 - John 15:1 - John 15:2 - John 15:3 - John 15:4 - John 15:5 - John 15:6 - John 15:7 - John 15:8 - John 15:9 - John.Original composition The beauty of a stain-glass depiction of the Good Shepherd was the inspiration for this new Pepper Choplin original which unfolds with sincere adoration for Christ. The parts are easily learned with plenty of opportunities to shape the musical phrases framed by the graceful flow of the accompaniment. Prayerful in nature, this gorgeous, memorable melody beautifully expresses our praise and admiration for the Savior. The flute part is included in the anthem.
$22.95
21.2 €
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Pepper Choplin
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Psalm to the Savior
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Hope Publishing - Digital
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SheetMusicPlus
Psalm to the Savior
Choral SATB
Choral SATB choir & Piano with optional Flute - Digital Download SKU: H1.C5560DP Co…
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Choral SATB choir & Piano with optional Flute - Digital Download SKU: H1.C5560DP Composed by Pepper Choplin. General Worship, Sacred. Octavo. 12 pages. Hope Publishing - Digital #C5560DP. Published by Hope Publishing - Digital (H1.C5560DP). Matthew 9:5 - Matthew 9:6 - Matthew 10:1 - Mark 2:9 - Mark 2:10 - Mark 2:11 - Luke 5:23 - Luke 5:24 - Philippians 4:13 - John 15:1 - John 15:2 - John 15:3 - John 15:4 - John 15:5 - John 15:6 - John 15:7 - John 15:8 - John 15:9 - John.Original composition The beauty of a stain-glass depiction of the Good Shepherd was the inspiration for this new Pepper Choplin original which unfolds with sincere adoration for Christ. The parts are easily learned with plenty of opportunities to shape the musical phrases framed by the graceful flow of the accompaniment. Prayerful in nature, this gorgeous, memorable melody beautifully expresses our praise and admiration for the Savior. The flute part is included in the anthem.
$2.95
2.73 €
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Choral SATB
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Pepper Choplin
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Psalm to the Savior
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Hope Publishing - Digital
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
Flute Quintet : 5 flutes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Ant…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.86 €
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Flute Quintet : 5 flutes
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Antonin Dvorak
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
13.86 €
#
Saxophone Quintet: 5 Saxophones
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download SKU: A…
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
13.86 €
#
Saxophone Quintet: 5 Saxophones
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
13.86 €
#
Saxophone Quintet: 5 Saxophones
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
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