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Sheetmusic to print
48 sheet music found
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26
Les Chansons Francaises
Concert band
Concert Band - Grade 2 - Digital Download SKU: B0.PDF-BAND213 Composed by Jerry Fra…
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Concert Band - Grade 2 - Digital Download SKU: B0.PDF-BAND213 Composed by Jerry Frazier. Les Chansons Francaises is a compelling choice for Grade 2 level band students. Multicultural. Score and Parts. 60 pages. PDF Band Music #PDF-BAND213. Published by PDF Band Music (B0.PDF-BAND213). 8.5 x 11 inches.Les Chansons Francaises provides cross-curricular subject material that is fun for the students to play. Included in the composition are children's folk songs from Canada and France, some of which are familiar, and others which might not be. Jerry has masterfully woven these melodies into a delightful medley. There are key changes, the ranges are moderate, and students will enjoy rehearsing and performing the medley.
$38.70
36.12 €
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Concert band
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Jerry Frazier
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Les Chansons Francaises
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PDF Band Music
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SheetMusicPlus
Trois chansons
Choral SATB
SATB chorus - Digital Download SKU: BJ.1202 Composed by Clement Janequin. Arranged …
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SATB chorus - Digital Download SKU: BJ.1202 Composed by Clement Janequin. Arranged by Bo Holten. Michaeli Early Music Series. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1202. Published by Bo Ejeby Forlag - Digital (BJ.1202). 8.27 x 11.7 inches.Three renaissance chansons with lyrics in both Swedish and original, old French. Swedish lyrics by Eva Sommestad Holten.Contents: Le chant du rossignol (Min naktergal) Mais que ce fust secretement (Om blott det sker i hemlighet) De ta bouche tant vermeille (Ah! Fran dina roda lappar)Michaeli Early Music Series is edited by Mikael Paulsson, luteplayer and choral conductor, specialized in early music.
$2.80
2.61 €
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Choral SATB
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Clement Janequin
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Trois chansons
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Deux chansons Sepharades
Voice, Guitar
By Dusan Bogdanovic (1955-). For guitar and voice. Level 4. 8 pages. Published by Les Edit…
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By Dusan Bogdanovic (1955-). For guitar and voice. Level 4. 8 pages. Published by Les Editions Doberman-Yppan (digital)
$6.95
6.49 €
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Voice, Guitar
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Dusan Bogdanovic
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Deux chansons Sepharades
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Les Editions Doberman-Yppan
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SheetMusicPlus
Paladilhe-L'oiseleur amour,from 'Deux chansons de Guy de Maupassant',in G Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1383720 Composed by Paladilh…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1383720 Composed by Paladilhe (Émile Paladilhe). Arranged by OSM Press. Classical. Score. 8 pages. Open Cloud #968176. Published by Open Cloud (A0.1383720).
$5.99
5.59 €
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Piano, Voice
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Paladilhe
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Paladilhe-L'oiseleur amour,from 'Deux chansons de Guy de Maupassant',in G Major
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Open Cloud
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SheetMusicPlus
Divertissement sur des chansons suisses de J.Offenbach - arrangement for string quartet JCM2019 - FU
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.878762 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.878762 Composed by Jacques Offenbach. Arranged by Jean-Christophe Masson. Contemporary. Score and parts. 64 pages. Jean-Christophe Masson #6253227. Published by Jean-Christophe Masson (A0.878762). Duration : 8 minutes Parts and levels : for string quartet. Professional level Commissioned by Yako Quartet. Creation of the work at the French institut of Köln, 21 may 2019.
$20.00
18.67 €
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String Quartet: 2 violins, viola, cello
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Jacques Offenbach
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Divertissement sur des chansons suisses de J.Offenbach - arrangement for string quartet JCM2019 - FU
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Jean-Christophe Masson
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SheetMusicPlus
Trois Chansons
Choral SATB
Composed by Maurice Ravel (1875-1937). This edition: choral score. Schott Chamber Ch…
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Composed by Maurice Ravel (1875-1937). This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 8 minutes. Schott Music - Digital #Q8371. Published by Schott Music - Digital
$9.99
9.32 €
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Choral SATB
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Maurice Ravel (1875-1937)
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Trois Chansons
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Schott Music - Digital
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SheetMusicPlus
Deux Chansons d'amour
Piano solo
Composed by Russell Olesh. Romantic Period, Contemporary Classical, Valentine's D…
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Composed by Russell Olesh. Romantic Period, Contemporary Classical, Valentine's Day, Pop, Anniversary. 8 pages. Published by Russell Olesh
$6.99
6.52 €
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Piano solo
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Russell Olesh
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Deux Chansons d'amour
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Russell Olesh
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SheetMusicPlus
Twelve Songs, Opus 8 - No. 10 Romance (accompaniment part)
Piano solo
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
1.99 €
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Piano solo
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Arnold Mendelssohn
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Tomplay
Op. 1, No. 8: Illusions perdues from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-32E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-32E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-32E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-32E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 8: Illusions perdues from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 8: Mon bel et doux tourment from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-08E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-08E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-08E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-08E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 8: Mon bel et doux tourment from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Janequin, C. - Chanson No. 8 For Four Violins
String Quartet: 2 violins, viola, cello
String Quartet String Quartet,Violin - Level 2 - Digital Download SKU: A0.540481 Co…
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String Quartet String Quartet,Violin - Level 2 - Digital Download SKU: A0.540481 Composed by C. Janequin. Arranged by Linda M. Scott. Renaissance. Score and parts. 7 pages. Linda M Scott #4290147. Published by Linda M Scott (A0.540481). Clement Janequin (1485-1558) was a French Renaissance composer. He wrote many choral chansons, of which this piece is one, arranged for four violins. This piece is engaging for all 4 voices, and is in first position only. Beginning adult students find this lively piece very rewarding to play.
$5.99
5.59 €
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String Quartet: 2 violins, viola, cello
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C
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Janequin, C. - Chanson No. 8 For Four Violins
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Linda M Scott
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SheetMusicPlus
8 Chansons
Recorder Quartet
SATB recorders - intermediate - Digital Download SKU: S9.Q15869 Composed by Pierre …
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SATB recorders - intermediate - Digital Download SKU: S9.Q15869 Composed by Pierre Attaingnant. This edition: performance score. Original Music for Recorder. Downloadable, performance score. Schott Music - Digital #Q15869. Published by Schott Music - Digital (S9.Q15869).
$12.99
12.12 €
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Recorder Quartet
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Pierre Attaingnant
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8 Chansons
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Schott Music - Digital
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SheetMusicPlus
In An English Garden
Guitar
Guitar - Advanced - Digital Download SKU: ZY.DO-1529 Composed by Dusan Bogdanovic. …
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Guitar - Advanced - Digital Download SKU: ZY.DO-1529 Composed by Dusan Bogdanovic. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1529. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1529). Homage to the English guitarist-composer John Duarte, In an English Garden, is a short Neo-Baroque triptych based on a charming harmonic fragment from the second movement of the composer?s well-known work English Suite. The blueprint for the Prelude is in the French Overture style and Sarabande with the accompanying Double is modelled after Bach?s Partita no.1 in B minor. The quote Sitting in an English garden, waiting for the sun, is from one of my favorite songs by John Lennon, I Am The Walrus.Hommage au guitariste-compositeur anglais John Duarte, In an English Garden est un court triptyque néo-baroque basé sur un charmant fragment harmonique du deuxième mouvement de l??uvre bien connue du compositeur English Suite. Le plan du Prélude est dans le style de l?Ouverture française et la Sarabande accompagnée du Double est calquée sur la Partita n°1 en si mineur de Bach. La citation « Assis dans un jardin anglais, attendant le soleil » est tirée d?une de mes chansons préférées de John Lennon, I Am The Walrus.
$5.95
5.55 €
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Guitar
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Dusan Bogdanovic
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In An English Garden
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Les Editions Doberman-Yppan
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SheetMusicPlus
Renaissance Guitar Music for Fingerstyle Ukulele
Guitar - Intermediate - Digital Download SKU: M0.31089MEB Classical. Ebook and onli…
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Guitar - Intermediate - Digital Download SKU: M0.31089MEB Classical. Ebook and online audio. 77 pages. Mel Bay Publications - Digital Sheet Music #31089MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31089MEB). ISBN 9781513477619. 8.75X11.75 inches.This book presents 37 pieces of Renaissance guitar music transcribed for solo fingerstyle ukulele together with the author’s recordings of every transcription. Moreover, a generous introduction provides a brief history of the Renaissance guitar, tips on period ornamentation and musicianship, recommended recordings, and invaluable resources for further research of your own.Throughout Europe, the Renaissance guitar was a popular instrument in the middle of the sixteenth century. Its composers left us a treasure-trove of music, from rustic dances to chansons and elaborate fantasias. Five-hundred years later, this music fits beautifully on the Renaissance guitar’s musical descendant, the ukulele.The Renaissance guitar and the ukulele share an almost identical tuning. As the transcriptions in this book are written in standard notation and tablature, any type of ukulele, from soprano to baritone—as well as the top four strings of the guitar— can be used to play them. Most of the pieces are in standard gCEA or GCEA tuning; the seven pieces in the second section of the book, however, require low-G tuning to render the counterpoint as written. It’s also possible for guitar and baritone uke players to read the tablature provided. The music will sound a perfect 4th lower than the notation, but as there was no standard pitch in the time of the Renaissance guitar, modern players should feel no obligation to play this music at fixed pitch. If you wish to read from the tablature and sound in the same key as the notation for ensemble purposes, guitar and baritone uke players merely need to place a capo at the fifth fret. With a certain sense of historical irony, the music of the Renaissance guitar is here reborn on modern fretted instruments.
Song List: Branle Allemande Branle Quand i’entens le perdu temps Gaillarde Tourdion Bransle De Poictou Branle Bransle Haulbaroys Chi dira mai Villanesque Bransle De Poictou Almande tournée Vous estes la personne Branle Pavane Branle de Bourgogne I Branle de Bourgogne III Gaillarde Almande le Pied de cheval Branle gay Le Branle precedent plus diminue Gaillarde Gaillarde Pimontoyse Lo, what it is to love Il estoit une fillette en basse-dance Ma bouche rit Contreclare La Seraphine Prelude I Prelude Ii Fantasie V Fantasia Fantasie III Canon Fantasie I
$17.99
16.79 €
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Renaissance Guitar Music for Fingerstyle Ukulele
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Chanson de nuit Op. 15 - Viola and Piano
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.735229 Composed by Edward Elgar. A…
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Piano,Viola - Level 4 - Digital Download SKU: A0.735229 Composed by Edward Elgar. Arranged by Andrew Middleton. Romantic Period. Score and part. 8 pages. Andrew Middleton #4102905. Published by Andrew Middleton (A0.735229). From Edward Elgar's, Chansons Op. 15, Chanson de nuit, arranged for viola and piano accompaniment.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
4.66 €
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Viola, Piano
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Edward Elgar
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Chanson de nuit Op. 15 - Viola and Piano
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Andrew Middleton
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SheetMusicPlus
Let All Mortal Flesh Keep Silence - trombone and piano
Trombone and Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.726086 Composed by Traditional …
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Piano,Trombone - Level 3 - Digital Download SKU: A0.726086 Composed by Traditional French Carol. Arranged by Todd Marchand. Christian,Sacred. Score and part. 8 pages. Con Spirito Music #4775413. Published by Con Spirito Music (A0.726086). Let All Mortal Flesh Keep Silence is a eucharistic hymn translated from the fifth-century Liturgy of St. James and set to a 17th-century French carol.In this particular liturgy (attributed to St. James the Less, first bishop of Jerusalem), a hymn of preparation and adoration is sung by the celebrating priest as the communion bread and wine is brought to the altar of the Lord. The Anglican priest and hymnodist Gerard Moultrie (1829-1885) translated and paraphrased the hymn, whose opening words are based on the words of the prophets Habakkuk (But the Lord is in his holy temple; let all the earth keep silence before him. 2:20) and Zechariah (Be silent, all flesh, before the Lord, for he has roused himself from his holy dwelling. 2:13).Ralph Vaughan Williams, editor of the English Hymnal of 1906, adapted a French carol dating from the 17th century and published in Chansons Populaires des Provinces de France (1860) for Moultrie's text, naming the hymn tune PICARDY for the region of France from which it is thought to originate.Contemporary, jazz-flavored harmonies characterize this arrangement for trombone and piano.©2019 Todd Marchand / ConSpiritoMusic.com
$6.00
5.6 €
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Trombone and Piano
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Traditional French Carol
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Let All Mortal Flesh Keep Silence - trombone and piano
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Con Spirito Music
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SheetMusicPlus
Op. 45, No. 16: Je sens fleurir les plaisirs… from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-16E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-16E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-16E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-16E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 16: Je sens fleurir les plaisirs… from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-34E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 11: Rosette from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-11E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-11E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-11E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-11E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 11: Rosette from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 9: Beaux yeux aimés from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-33E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-33E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-33E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-33E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 9: Beaux yeux aimés from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Chanson de nuit Op. 15 - Cello and Piano
Cello, Piano
Small Ensemble Bassoon,Cello,Piano,Trombone - Level 4 - Digital Download SKU: A0.735108…
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Small Ensemble Bassoon,Cello,Piano,Trombone - Level 4 - Digital Download SKU: A0.735108 Composed by Edward Elgar. Arranged by Andrew Middleton. Romantic Period. Score and parts. 8 pages. Andrew Middleton #3492585. Published by Andrew Middleton (A0.735108). From Edward Elgar's, Chansons Op. 15, Chanson de nuit, arranged for cello and piano accompaniment. This arrangement would also be suitable for trombone and bassoon.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
4.66 €
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Cello, Piano
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Edward Elgar
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Chanson de nuit Op. 15 - Cello and Piano
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Andrew Middleton
#
SheetMusicPlus
Josquin: Five Duets for Viola & Cello
Viola, Cello (duet)
Cello,Instrumental Duet,Viola - Level 1 - Digital Download SKU: A0.550313 Composed …
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Cello,Instrumental Duet,Viola - Level 1 - Digital Download SKU: A0.550313 Composed by Josquin des Prez (1450-1521). Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Sacred,Standards. 11 pages. Jmsgu3 #4605095. Published by jmsgu3 (A0.550313). Five Duets, Duration: ca. 8:00. Great music for sightreading.Josquin des Prez (1450-1521) was a French-Flemish composer who lived during the Renaissance period. His chamber music was influential in the development of modern tonality and musical genres. Josquin's compositions encompassed both secular and sacred works, including chansons and Italian frottola. He is widely regarded as one of the greatest composers of the Renaissance and was among the first to use innovations such as multiple voices and counterpoint. His achievements as a musical magician-mathematician remain stunning even centuries after his death. The importance of Josquin des Prez's chamber music lies in its influence on the development of modern music and its enduring legacy as a masterpiece of the Renaissance period.
$29.95
27.95 €
#
Viola, Cello (duet)
#
Josquin des Prez
#
Josquin: Five Duets for Viola & Cello
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jmsgu3
#
SheetMusicPlus
Josquin: Five Duets for Viola Duo
2 Violas (duet)
Viola Duet Viola - Level 1 - Digital Download SKU: A0.550315 Composed by Josquin de…
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Viola Duet Viola - Level 1 - Digital Download SKU: A0.550315 Composed by Josquin des Prez (1450-1521). Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Sacred,Standards. Score. 11 pages. Jmsgu3 #4605293. Published by jmsgu3 (A0.550315). Five Duets, Duration: ca. 8:00. Great music for sightreading.Josquin des Prez (1450-1521) was a French-Flemish composer who lived during the Renaissance period. His chamber music was influential in the development of modern tonality and musical genres. Josquin's compositions encompassed both secular and sacred works, including chansons and Italian frottola. He is widely regarded as one of the greatest composers of the Renaissance and was among the first to use innovations such as multiple voices and counterpoint. His achievements as a musical magician-mathematician remain stunning even centuries after his death. The importance of Josquin des Prez's chamber music lies in its influence on the development of modern music and its enduring legacy as a masterpiece of the Renaissance period.
$29.95
27.95 €
#
2 Violas (duet)
#
Josquin des Prez
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Josquin: Five Duets for Viola Duo
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jmsgu3
#
SheetMusicPlus
Josquin: Five Duets for Flute Duo
2 Flutes (duet)
Flute Duet Flute - Level 1 - Digital Download SKU: A0.550318 Composed by Josquin de…
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Flute Duet Flute - Level 1 - Digital Download SKU: A0.550318 Composed by Josquin des Prez (1450-1521). Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Sacred,Standards. Score. 11 pages. Jmsgu3 #4605303. Published by jmsgu3 (A0.550318). Five Duets, Duration: ca. 8:00. Great music for sightreading.Josquin des Prez (1450-1521) was a French-Flemish composer who lived during the Renaissance period. His chamber music was influential in the development of modern tonality and musical genres. Josquin's compositions encompassed both secular and sacred works, including chansons and Italian frottola. He is widely regarded as one of the greatest composers of the Renaissance and was among the first to use innovations such as multiple voices and counterpoint. His achievements as a musical magician-mathematician remain stunning even centuries after his death. The importance of Josquin des Prez's chamber music lies in its influence on the development of modern music and its enduring legacy as a masterpiece of the Renaissance period.
$29.95
27.95 €
#
2 Flutes (duet)
#
Josquin des Prez
#
Josquin: Five Duets for Flute Duo
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jmsgu3
#
SheetMusicPlus
Josquin: Five Duets for Flute & Alto Flute
2 Flutes (duet)
Alto Flute,Instrumental Duet - Level 1 - Digital Download SKU: A0.550319 Composed b…
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Alto Flute,Instrumental Duet - Level 1 - Digital Download SKU: A0.550319 Composed by Josquin des Prez (1450-1521). Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Sacred,Standards. 11 pages. Jmsgu3 #4605331. Published by jmsgu3 (A0.550319). Five Duets, Duration: ca. 8:00. Great music for sightreading.Josquin des Prez (1450-1521) was a French-Flemish composer who lived during the Renaissance period. His chamber music was influential in the development of modern tonality and musical genres. Josquin's compositions encompassed both secular and sacred works, including chansons and Italian frottola. He is widely regarded as one of the greatest composers of the Renaissance and was among the first to use innovations such as multiple voices and counterpoint. His achievements as a musical magician-mathematician remain stunning even centuries after his death. The importance of Josquin des Prez's chamber music lies in its influence on the development of modern music and its enduring legacy as a masterpiece of the Renaissance period.
$29.95
27.95 €
#
2 Flutes (duet)
#
Josquin des Prez
#
Josquin: Five Duets for Flute & Alto Flute
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jmsgu3
#
SheetMusicPlus
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