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You've selected:
A Distant Light
Sheetmusic to print
70 sheet music found
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Light Immemorial
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1092895 Comp…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1092895 Composed by Aaron Gage. 20th Century,Broadway,Contemporary,Folk,Musical/Show. 10 pages. Aaron Gage #696997. Published by Aaron Gage (A0.1092895). A haunting contemporary work for SATB choir, Light Immemorial is a reflection on exploring the life of a photon traveling from billions of light years away. The music follows the journey of a proton as it leaves its parent star from a distant galaxy eventually landing itself into the eyes of an observer. This is a great piece for chamber-level high school choirs to tackle.
$2.49
2.3 €
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Choral SATB
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Aaron Gage
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Light Immemorial
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Aaron Gage
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SheetMusicPlus
A Distant Bell
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1190604 Composed by Wendy …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1190604 Composed by Wendy Fisher and ChatGPT. Christmas,Holiday. Octavo. 11 pages. Wendy Fisher #790182. Published by Wendy Fisher (A0.1190604). Introducing a choral piece perfect for your community choir's winter concert: Bells in Winter. This secular Christmas song is an intermediate-level composition that will delight both singers and audience members alike.A Distant Bell features an inventive use of the human voice to imitate bells, creating a unique and memorable sound. With simple rhythms and an easy-to-follow piano accompaniment, your choir will be able to master this piece with ease, making it a great addition to your repertoire.But don't be fooled by the simplicity of the composition - A Distant Bell sounds layered and textured, adding depth and richness to your choir's performance. This effect is sure to capture the attention of your audience and leave them with a lasting impression of your choir's talent and skill.Whether you're looking to showcase your choir's abilities, or simply add some seasonal cheer to your winter concert, Bells in Winter is a perfect choice. Order your copies today and let your choir ring in the holiday season with this delightful choral piece.
$1.99
1.84 €
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Choral SATB
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Wendy Fisher and ChatGPT
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A Distant Bell
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Wendy Fisher
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SheetMusicPlus
A Distant Memory
C Instruments
C Instrument - Level 4 - Digital Download SKU: A0.1183078 Composed by Christopher H…
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C Instrument - Level 4 - Digital Download SKU: A0.1183078 Composed by Christopher Hajian. Arranged by John Fries. 20th Century,Classical,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #782803. Published by John Fries (A0.1183078). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. This poignet melody is delightful. So much fun to play.
$3.99
3.69 €
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C Instruments
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Christopher Hajian
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A Distant Memory
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John Fries
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SheetMusicPlus
Lightly Suite (for violin and guitar)
Violin, Guitar (duet)
Instrumental Duet Guitar,Instrumental Duet,Violin - Digital Download SKU: A0.977033…
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Instrumental Duet Guitar,Instrumental Duet,Violin - Digital Download SKU: A0.977033 Composed by Paul SanGregory. Contemporary. Score and parts. 48 pages. Distant Engraver Music #3534793. Published by Distant Engraver Music (A0.977033). (Score and parts are included in a single download.)As the pun used for the title for this piece suggests, it is a suite of generally light movements that still possess a certain amount of depth. Though the harmonies are generally pleasant, seeming to have popular or jazz origins, there are various musical spices adding more body to that sweetness. The first movement, Improvisation, captures the mood of a free-form prelude, as if the players were improvising on a set of chords, some of which seem to be influenced by jazz or other non-classical idioms. Dialogue, the second movement, is a conversation between the violin and guitar. There are times when one instrument accompanies the other, but generally both players add important thoughts to the rhythmically diverse conversation. The third movement begins with a guitar accompaniment supporting the violin’s Song. Later, these two roles are reversed. Dance is essentially a disagreement. The violin plays a quasi-aristocratic eighteenth-century gavotte while the guitar prefers a sombre chromatic waltz. There is emphatic disagreement over which dance the players should perform, but in the end a solution seems to be found. The last movement, Pursuit, is a playful chase that is interrupted by a dreamy pause to catch one’s breath. Complete performance duration is ca. 15 minutes.
$12.00
11.1 €
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Violin, Guitar (duet)
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Paul SanGregory
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Lightly Suite
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Distant Engraver Music
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SheetMusicPlus
A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Ri…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939663 Composed by Richard St. Clair. 20th Century. 9 pages. Richard St. Clair #3000385. Published by Richard St. Clair (A0.939663). A modern-day romantic style setting of William Wordsworth's 1798 poem, A Night-Piece for mezzo-soprano with piano accompaniment. Duration about 5 minutes. The style is mostly tonal but with some nontraditional harmonies. The attached MP3 Audio Clip is computer-generated.Lyrics:A NIGHT-PIECEby William Wordsworth THE sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye 10 Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, 20 Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene. 1798.
$10.00
9.25 €
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Soprano voice, Piano
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Richard St
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A Night-Piece for Mezzo-Soprano and Piano after Wordsworth
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Richard St. Clair
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SheetMusicPlus
A Distant Light
Piano solo
By David Lanz and Gary Stroutsos. New Age. Piano Solo. 3 pages. Published by Hal Leonar…
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By David Lanz and Gary Stroutsos. New Age. Piano Solo. 3 pages. Published by Hal Leonard - Digital
$4.99
4.61 €
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Piano solo
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David Lanz and Gary Stroutsos
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A Distant Light
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Hal Leonard - Digital
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SheetMusicPlus
The Distant Shore Waltz on Arthur Sullivan's Popular Song. Suites de valses
Piano solo
Piano - Digital Download SKU: LV.7897 Composed by Charles D'Albert. Portraits, Beac…
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Piano - Digital Download SKU: LV.7897 Composed by Charles D'Albert. Portraits, Beaches, Moonlight, Dreaming, Porches. Lester S. Levy Collection. 9 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7897). The Distant Shore Waltz on Arthur Sullivan's Popular Song. Suites de valses. By Charles D'Albert. Published [n.d.] by Chappell & Co., 50 New Bond St. W. in London. Composition of introduction, seven sectional waltzes, and finale with piano instrumentation. Subject headings for this piece include Portraits, Beaches, Moonlight, Dreaming, Porches. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.54 €
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Piano solo
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Charles D'Albert
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Charles D'Albert
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The Distant Shore Waltz on Arthur Sullivan's Popular Song. Suites de valses
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Distant Fire
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1457289 Composed by Cameron Duncan. 21st Century,Chamber,Contest,Festival,Rock,Thriller. 33 pages. Cameron Duncan #1036337. Published by Cameron Duncan (A0.1457289). Distant Fire is written for string quartet. It captures the sense of urgency, raw power, and overwhelming nature of a fire making its way across a landscape. The expectant, undulating groove is punctuated with modal melodic figures, and unison rhythmic statements highlight the drama of the destruction. Length: 4'30.
$18.99
17.56 €
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String Quartet: 2 violins, viola, cello
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Cameron Duncan
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Distant Fire
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Cameron Duncan
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SheetMusicPlus
Frescoes on a Clay Wall: 12 miniatures for piano
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1033296 Composed by Frederick Frahm…
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Piano Solo - Level 3 - Digital Download SKU: A0.1033296 Composed by Frederick Frahm. 20th Century,Contemporary. Score. 16 pages. Frederick Frahm #6285043. Published by Frederick Frahm (A0.1033296). 12 evocative miniatures for piano solo inspired by scenery from the American Southwest. Medium difficulty.Titles include: Rain-drops and Sweet SageA Gecko on an Adobe WallSmoke Rising from a KivaFloating Clouds and Warming SunshineMesas and ArroyosAnts and ChamisasDistant Thunder and LightningCholla Cactus BloomsTwo Singers in a CanyonCoachwhipBricks without MortarDesert Meadow.
$11.99
11.09 €
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Piano solo
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Frederick Frahm
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Frescoes on a Clay Wall: 12 miniatures for piano
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Frederick Frahm
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SheetMusicPlus
Once upon a time...
Clarinet, viola, piano - difficult - Digital Download SKU: S9.Q42473 Five pieces…
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Clarinet, viola, piano - difficult - Digital Download SKU: S9.Q42473 Five pieces in fairy-tale style for clarinet, viola and piano. Composed by Joerg Widmann. This edition: score and parts. Narrative - fairy tale - fairy tales - Robert Schumann - depth psychology. 5 Stücke im Märchenton für Klarinette, Viola und Klavier. Downloadable, Score and parts. Duration 29 minutes. Schott Music - Digital #Q42473. Published by Schott Music - Digital (S9.Q42473). As far back as I can remember, I have always been fascinated with fairy tales: with their archetypal characters and set phrases like ‘Once upon a time …’ and ‘… they all lived happily ever after’. Fairy tales were however also a source of unrest for me as a seismograph of mankind’s underlying primal fears and desires. So as a performer and composer I have always felt that Robert Schumann’s Märchenerzählungen [Fairy Tales] (scored for the same instrumentation as my own composition) was a disjointed, complex contemporary work – despite the innocence and naivety of its initial appearance. I therefore do not intend my own Es war einmal … [Once upon a time …] to be a mere sentimental, nostalgic flight into the distant past, but as a naive and fantastical alternative concept to our genuine world with all its upheavals. Jörg Widmann.
$46.99
43.45 €
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Joerg Widmann
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Once upon a time...
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Schott Music - Digital
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SheetMusicPlus
Orbit: A Symphonic Fantasy (arr. for concert band)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.844112 Composed by Karim Elmahmou…
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Concert Band - Level 3 - Digital Download SKU: A0.844112 Composed by Karim Elmahmoudi. 20th Century,Contemporary. Score and parts. 54 pages. Karelm Music #55955. Published by Karelm Music (A0.844112). In 2010, the Los Angeles Doctors Symphony commissioned me to write a large scale orchestral work that would become Ancient Dreams. In that piece, I was focused on dreamers of the distant past. The concept of my new work, Orbit: A Symphonic Fantasy, is concerned with dreamers and visionaries who look towards the future. Orbit: A Symphonic Fantasy is an epic space themed symphonic poem. The original version was written for symphony orchestra and it is here arranged for symphonic band. The overall feeling I attempted to capture with this piece is one of vigorous heroism, evocative lyricism, and spirited adventure. The work is suggestive of this quote from Mark Twain: Sail away from the safe harbor. Catch the trade winds in your sails. Explore. Dream. Discover. Inspired by the final flight of NASA's Space Shuttle program that ended on July 21, 2011, I wanted to create a tribute of sorts to the spirit of adventure, heroism, and exploration from those who have a dream to explore and the courage to meet the future without fear. Orbit: A Symphonic Fantasy was first performed by the Los Angeles Doctors Symphony Orchestra with David Weiss conducting on November 18, 2012. Duration: 13 minutes Instrumentation: PICCOLO FLUTE 1 FLUTE 2 OBOE 1 OBOE 2 BASSOON 1 BASSOON 2 CONTRABASSOON Eb CLARINET Bb CLARINET 1 Bb CLARINET 2 Bb CLARINET 3 BASS CLARINET ALTO SAXOPHONE 1 ALTO SAXOPHONE 2 TENOR SAXOPHONE BARITONE SAXOPHONE Bb TRUMPET 1 Bb TRUMPET 2 Bb TRUMPET 3 F HORN 1 F HORN 2 F HORN 3 F HORN 4 TROMBONE 1 TROMBONE 2 BASS TROMBONE 3 EUPHONIUM 1 EUPHONIUM 2 TUBA TIMPANI PERCUSSION (4 PLAYERS) PIANO | CELESTA HARP (ad lib).
$300.00
277.42 €
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Concert band
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Karim Elmahmoudi
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Orbit: A Symphonic Fantasy
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Karelm Music
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SheetMusicPlus
A Gander in the Gloaming
String Ensemble Cello - Level 2 - Digital Download SKU: A0.1458746 Composed by Greg…
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String Ensemble Cello - Level 2 - Digital Download SKU: A0.1458746 Composed by Greg Woodward. 21st Century,Chamber,Classical,Contemporary. 10 pages. Greg Woodward #1037678. Published by Greg Woodward (A0.1458746). A Gander in the Gloaming is a charming minature for four cellos, written in 2023 and inspired by observing our new family of geese taking their family walks under strict instruction from the paterfamilias*. The harmonic language is largely diatonic and relies largely on bouncy rhythmic interplay and dynamics for forward momentum, although there are some forays into dissonance and distant key centres. The mood is wistful but optimistic and fun. This would make a great encore piece - the sudden ending in particular - and is highly accessible for younger players.The link is an multitrack recording - all parts played by me.Visit my YouTube page for more performances, arrangements and compositions.*Gander - a male goose; Gloaming - twilight, early evening.
$25.00
23.12 €
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Greg Woodward
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A Gander in the Gloaming
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Greg Woodward
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SheetMusicPlus
Dream of a Witches' Sabbath
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1028397 Composed by Hector Berlio…
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Concert Band - Level 5 - Digital Download SKU: A0.1028397 Composed by Hector Berlioz. Arranged by Vincent Fung Kin Yuen. Romantic Period. Score and parts. 150 pages. Vincent Fung Kin Yuen #3558347. Published by Vincent Fung Kin Yuen (A0.1028397). A few years ago, I attended a concert by the National University of Singapore Symphony Orchestra, a group of passionate students, at the National University of Singapore. They performed Berlioz’s Symphonie Fantastique, which has continuously captivated me through the wild, grotesque sounds. Recently, my friend, Joshua suggested that I could write an orchestral transcription for Dream of a Witches’ Sabbath. I have decided to keep the instrumentation to a minimum, where smaller size bands can give it a try without the fear of not owning unusual auxiliary instruments, but still able to maintain the original orchestral sounds. The original program notes by Berlioz is as follows: He sees himself at a witches' sabbath, in the midst of a hideous gathering of shades, sorcerers and monsters of every kind who have come together for his funeral. Strange sounds, groans, outbursts of laughter; distant shouts which seem to be answered by more shouts. The beloved melody appears once more, but has now lost its noble and shy character; it is now no more than a vulgar dance tune, trivial and grotesque: it is she who is coming to the sabbath ... Roar of delight at her arrival ... She joins the diabolical orgy ... The funeral knell tolls, burlesque parody of the Dies irae, the dance of the witches. The dance of the witches combined with the Dies irae.
$200.00
184.95 €
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Concert band
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Hector Berlioz
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Dream of a Witches' Sabbath
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Vincent Fung Kin Yuen
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.78 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
evening star I
Choral 3-part
Choral Choir (3-Part) - Level 1 - Digital Download SKU: A0.1074252 Composed by Dirt…
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Choral Choir (3-Part) - Level 1 - Digital Download SKU: A0.1074252 Composed by Dirtsa Givlof. Contemporary. Octavo. 6 pages. Dirtsa Givlof #678542. Published by Dirtsa Givlof (A0.1074252). LYRICS It's on this ship I'm sailing, where none has gone before Where newborn foam is breaking upon a distant shore Darkness it surrounds me, heavy is the sky Paint a path to Heaven, be my guiding light Though I cannot see what is ahead please light the way and set my compass right! Evening star...will light up the night.
$5.00
4.62 €
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Choral 3-part
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Dirtsa Givlof
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evening star I
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Dirtsa Givlof
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SheetMusicPlus
Valse Fantasie
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1408287 Composed by Davide Catalano…
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Piano Solo - Level 3 - Digital Download SKU: A0.1408287 Composed by Davide Catalano. 21st Century,Classical,Lent,Romantic Period. Score. 11 pages. Skaze #990862. Published by Skaze (A0.1408287). Valse Fantasie: An Enchanting Late Romantic DanceWithin the harmonic fabric of the late Romantic era emerges a melody that enchants the soul and tickles the imagination: it's 'Valse Fantasie'. This piano piece exudes the very essence of the period, intertwining virtuosity and emotions.The atmosphere surrounding 'Valse Fantasie' is shrouded in mystery, as if the music itself were a spell woven between the notes. The notes flow gracefully and expressively, evoking visions of dancing ballerinas in a palace illuminated by a dim and distant light.The harmonies unfold in skillful arpeggios, creating a whirlwind of contrasting emotions: joy and melancholy merge in a passionate embrace. Dynamic contrasts, from intimate to majestic, underline the dialogue between light and shadow, dream and reality.Valse Fantasie is a precious gem in the realm of piano music, a fusion of impeccable technique and artistic sensitivity. Its irresistible allure transports the listener on a journey through the depths of the human soul, continuously enchanting and surprising.In this piano piece, I wanted to evoke a magical world where the piano becomes the instrument through which to explore the depths of imagination and the human heart. Valse Fantasie will not disappoint you... it will enter your cells, creating a daily addiction.
$14.99
13.86 €
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Piano solo
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Davide Catalano
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Valse Fantasie
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Skaze
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
String Trio: violin, viola, cello
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.4 €
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String Trio: violin, viola, cello
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.4 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Di…
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Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Digital Download SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 64 pages. Musik Fabrik Music Publishing #3038607. Published by Musik Fabrik Music Publishing (A0.533689). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score and parts. The score is also available for sale as a seperate item.
$32.95
30.47 €
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Carson Cooman
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Carson Cooman: Concerto for Bass Trombone and Six Players
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 …
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - Digital Download SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score only. The score and parts are sold as another item
$19.95
18.45 €
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Musik Fabrik Music Publishing
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Carson Cooman: Concerto for Bass Trombone and Six Players
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Musik Fabrik Music Publishing
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SheetMusicPlus
Il mondo che non c'è
Piano solo
Piano Solo - Digital Download SKU: A0.976869 Composed by Monica Bergo. Contemporary…
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Piano Solo - Digital Download SKU: A0.976869 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3239709. Published by Monica Bergo (A0.976869). 2017 Holiday Contest Entry The world that there isn’t How did Dante one day in the hell and after I return Down in the world that there is not In pieces of ice It reduced your heart you walk, walk, do not you think the pain of lost things, caresses denied the cold that you feel and clouds the mind At What you cling and where are you going? it is dark at night and you think only that Close the eyes it means to die in this station might end the life,the joy, but which ? future and that what you have inside It makes you tougher you mirrors, reflect in the void of others Look at them in the eye precipitates, reel this is the life in the world that there is no and while run after a blind butterfly and meanwhile look back on fairy tale ever read and you search the laughter, games and friends return back, hope of happy days everyone is inside his sick world and that who you are looking for is not there, is lost only shadows lurking and the moon that shines but she is not always that here in the world that there is no and while you get lost in 1000 miseries and then you start up into the nothingness that awaits if you touch people they hastens and takes offense and lengthens the step that knows where it goes you don’t look, you don’t dare don’t hope and don’t you think and the snow falls and while you pray that this god distracted realizes that exist a deeper world what light does not but your soul is not dead yet walk, walk and she opens the door that goes to the world that out shines there is still a spark of love that awaits and here it is that rises the charm the flower is reborn fear and fright heat that feeds sun is shining and with its rays protects, defends and while you mirrors ,with the sun in your eyes and while you look back the dark of before there is that girl that inside the night smiles, turns and then goes away ... you look at her, until she is a distant shadow Turn around and answer to life calling As Dante did one day in the hell and after I return Down in the world that there is no ... Monica Bergo
$3.99
3.69 €
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Piano solo
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Monica Bergo
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Il mondo che non c'è
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Monica Bergo
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SheetMusicPlus
Beacon of Hope
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1149225 Composed by David …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1149225 Composed by David West. Arranged by Jeffery A. Smith. Christian,Religious,Sacred,Traditional. Octavo. 12 pages. Grace For All Publications #749362. Published by Grace For All Publications (A0.1149225). As we sail upon the sea of life and skies around us are gray. Heavy bur-dens seem to weigh us down, our fears cause us to sway. But on the distant shore shines a guiding light to help us on our way. ‘Tis a beacon of our Savior’s love that all mankind be saved.
$2.15
1.99 €
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Choral SATB
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David West
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Beacon of Hope
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Grace For All Publications
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SheetMusicPlus
Piano Sonata No. 1 Movement 3 "Reflection of Passing"
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel W…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764165. Published by Samuel Warren Hatch (A0.1025435). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. III. A Reflection of Passing depicts the shifting aspects about death as a person matures. It’s a piece that came from a time of great loss and much grieving. It begins with an innocent, hopeful understanding of death, followed by a major tone shift, where there is an odd utilization of the piano: the performer sings into the piano while holding down the sustain pedal, which vibrates certain overtones, producing what sounds like a distant choir. The piece closes with a triumphant, hopeful melody, borrowed from a song written by S. Warren Hatch when he was in high school.Composer Notes- Be sure to ensure that the stage hands lift the piano lid before the sonata’s start, as the strings will need to be exposed in order for you to sing into the piano’s body during A Reflection of Passing. For that section (page 22) you will need to face and sing directly into the strings while holding down the sustain pedal for the entire page. If you are playing with the sheet music (don’t worry, I’m not shaming you) simply slide the music holder in order to expose the part of the strings that are closest to you. For this sonata, I encourage you to find your own voice in these pieces. Your own interpretation should align with how you most relate to the message/story they’re telling. This could be using the una corda (leftmost) pedal during lighter sections to further differentiate them, or having a heavier rubato to strengthen the impact of certain phrases. As long as you bring these pieces to life, then it has my stamp of approval.
$3.99
3.69 €
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Piano, Voice
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Samuel Warren Hatch
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Piano Sonata No. 1 Movement 3 "Reflection of Passing"
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Samuel Warren Hatch
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SheetMusicPlus
Vox amoris
Violin and Piano
Violin and string orchestra - difficult - Digital Download SKU: S9.Q16384 Fantas…
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Violin and string orchestra - difficult - Digital Download SKU: S9.Q16384 Fantasy for Violin and String Orchestra. Composed by Peteris Vasks. This edition: piano reduction with solo part. Violin Library. Downloadable, Piano reduction with solo part. Duration 24 minutes. Schott Music - Digital #Q16384. Published by Schott Music - Digital (S9.Q16384). 'Vox amoris', apart from 'Tala gaisma' (Distant Light), is Vasks' second violin concerto with string orchestra accompaniment. The world premiere of this Fantasia per violino ed archi, as Vasks calls this one-movement work, took place in Sydney. The composer says about his piece: 'It is about the greatest power in the whole world - love. Love is, was and will be as long as we will be. I believe that solo violin and string orchestra is the best combination for a ‘love story’.' For study purposes, Schott has now published the piano reduction of the concerto with solo part.
$23.99
22.18 €
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Violin and Piano
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Peteris Vasks
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Vox amoris
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Schott Music - Digital
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SheetMusicPlus
Best of Songs of Inspiration and Celebration
Piano, Vocal and Guitar
Voice, piano and guitar - easy - Digital Download SKU: S9.Q45897 30 Songs from 2…
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Voice, piano and guitar - easy - Digital Download SKU: S9.Q45897 30 Songs from 250 Years of Pride, Patriotism and Praise. This edition: songbook. Schott Best Of. Downloadable, Songbook. Schott Music - Digital #Q45897. Published by Schott Music - Digital (S9.Q45897). Contained in this newest book from the 'Best of …' series are songs of pride, patriotism, and praise. The collection contains commemorative tunes such as national anthems, and songs of battle and glory. Also included are works sung at festivals, national events and times of rejoicing. Some songs recall past glories and others reach out to future hopes and aspirations. Finally, there are light-hearted songs - celebrating good English roast beef, a distant dream island, and the joy of home.
$18.99
17.56 €
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Piano, Vocal and Guitar
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Best of Songs of Inspiration and Celebration
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Schott Music - Digital
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SheetMusicPlus
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