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You've selected:
A Man and His Soul: Timpani
Sheetmusic to print
10 sheet music found
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1
A Man and His Soul: Timpani
Timpani (band part)
Arranged by Patrick Roszell. For Concert Band. Instructional. Part. 1 pages. Published by …
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Arranged by Patrick Roszell. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
2.73 €
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Timpani (band part)
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A Man and His Soul: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe …
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Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.09 €
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.09 €
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Orchestra
#
Thomas Oboe Lee
#
Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Blessed Are They, from A German Requiem, Op. 45
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.740267 Composed by Johannes Bra…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.740267 Composed by Johannes Brahms. Arranged by Craig Garner. Christian,Romantic Period,Sacred. Score and parts. 36 pages. Dorm 40 Music #3037635. Published by Dorm 40 Music (A0.740267). This arrangement is part of the Chicago Gargoyle Brass & Organ Ensemble Signature Series. Brahms said he wanted to write a Requiem to comfort the living, not for the souls of the dead. This arrangement is of the first movement, which is based on one of the Beatitudes from the Sermon on the Mount: Blessed are they that mourn, for they shall be comforted. The movement begins hushed and solemn, but slowly transforms its somber mood into music which conveys a sense of peace and comfort. This arrangement is suitable for any church service or concert. Includes alternate C trumpet parts and an optional timpani part. Performance time, 9:00. Published by Dorm 40 Music, www.dorm40music.com.2017 Sacred Music Contest Entry
$20.00
18.19 €
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Brass ensemble
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Johannes Brahms
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Blessed Are They, from A German Requiem, Op. 45
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Dorm 40 Music
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SheetMusicPlus
Clair de Lune
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1323446 Composed by Claude Debuss…
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Concert Band - Level 3 - Digital Download SKU: A0.1323446 Composed by Claude Debussy. Arranged by Clayton Fannin. 20th Century. 76 pages. Clayton Fannin #911617. Published by Clayton Fannin (A0.1323446). The third movement of Suite Bergamasque composed by Debussy around 1890 and published in 1905, the piece was inpired by the 1869 poem of the same name by Paul Verlaine.Your soul is a chosen landscapeOn which masks and Bergamasques cast enchantment as they go,Playing the lute, and dancing, and all butSad beneath their fantasy-disguises.Singing all the while, in the minor mode,Of all-conquering love and life so kind to themThey do not seem to believe in their good fortune,And their song mingles with the moonlight, With the calm moonlight, sad and lovely,Which makes the birds dream in the trees,And the plumes of the fountains weep in ecstasy,The tall, slender plumes of the fountains among the marble sculptures.DeBussy's piece captures the tranquility and passionate Romantisism of the poem with one of his most famous works. The arrangement captures the rich vibrance and expression of the original piano piece while adding new hints of modernism and tone color.Level 3-41 Piccolo2 Flutes2 Oboes1 Cor Anglais2 Bassoons3 B-flat Clarinets1 B-flat Bass Clarinet2 Alto Saxophone in E-flat1 Tenor Saxophone in B-flat1 Baritone Saxophone in E-flat4 Horns in F2 Trumpets in B-flat2 Trombones1 Euphonium1 Tuba1 ContrabassPianoTimpaniGlockenspiel2 MarimbaVibraphoneAuxillary Percussion (Bass drum, suspended cymbal, and tam-tam).
$19.99
18.18 €
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Concert band
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Claude Debussy
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Clair de Lune
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Clayton Fannin
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SheetMusicPlus
Con Te Partiro (time To Say Goodbye)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1139872 By Andrea Bocelli. By F…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Opera,Pop,Wedding. Score and Parts. 59 pages. Flavio Regis Cunha #740145. Published by Flavio Regis Cunha (A0.1139872). Introducing the most romantic and emotive piece of music composed by two legendary Italian artists - Lucio Quarantotto and Francesco Sartori - 'Con Te Partiro (Time to Say Goodbye). This timeless piece of music has the power to hit the heartstrings and the mind in equal measure. It is the perfect choice for any orchestra or group of musicians wanting to create an atmosphere of emotion in their performance. Â Let this venerable music take your performance to a new level of excellence as you transport your audience to a world of romance and deep emotion. 'Con Te Partiro (Time to Say Goodbye) will be sure to create a powerful, lasting impression on even your toughest critics. Â Download your copy today and add a classic touch to your music.Sheet music download, complete score and all individual instruments and voice parts. Advanced Intermediate.Format: Concert, 9 x 12 inches59 pages.Time To Say Goodbye (FULL SCORE) Con te partiro for Soprano, Tenor and Orchestra. Andrea Bocelli and Sarah Brightman: Time To Say Goodbye. Live From Teatro Del Silenzio, Italy / 2007 Artist Andrea Bocelli & Sarah Brightman Composers Frank Peterson, Lucio Quarantotto, Francesco Sartori Complete version of TIME TO SAY GOODBYE from Andrea Bocelli & Sarah Brightman for Soprano, Tenor, Choir and Orchestra.Orchestration: FLUTE 1, FLUTE 2, OBOE 1, OBOE 2, CLARINET 1 IN Bb, CLARINET 2 IN Bb, BASSOON 1, BASSOON 2 , HORN 1 IN F, HORN 2 IN F, HORN 3 IN F, TRUMPET 1 IN Bb, TRUMPET 2 IN Bb, TROMBONE 1, TROMBONE 2, BASS TROMBONE, TUBA, PERCUSSION (Timpani, Snare Drum, Bass Drum, Cymbals) - 4 players, HARP, PIANO, CHOIR (SATB), VIOLIN 1, VIOLIN 2, VIOLA, VIOLONCELLO, DOUBLE BASS.Program NotesCon Te Partiro (Time To Say Goodbye), composed by Lucio Quarantotto and Francesco Sartori, is an Italian aria of immense power and emotional intensity. The iconic performance of the song was delivered by world renowned artists Andrea Bocelli and Sarah Brightman at the Teatro del Silenzio in Italy during 2007. The song emerged from a commingling of their beautiful voices in perfect harmony, ultimately delivering an emotionally charged performance that transcended beyond language barriers and touched the souls of people around the world. Â This heartfelt performance of Con Te Partiro (Time To Say Goodbye) takes its audience on a journey. From the emotion-filled verses, to the powerful build up of the instruments supporting the crescendo of the chorus, the energy and emotion reach a crescendo before slowly fading out to a beautiful and melancholic farewell. The combination of affective singing and passionate playing of the instruments created an intimate atmosphere, leaving the audience with a sense of heartache and clarity. Â This song represents a beautiful goodbye to a loved one, and the emotions portrayed echo each listener's hope for a meaningful and beautiful farewell. With its powerful vocals and evocative arrangement, Con Te Partiro (Time to Say Goodbye) by Lucio Quarantotto and Francesco Sartori will remain a timeless classic.
$89.99
81.85 €
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Orchestra
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Andrea Bocelli
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Con Te Partiro
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Flavio Regis Cunha
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SheetMusicPlus
When I Survey the Wondrous Cross
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac W…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
2.27 €
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Choral SATB
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Isaac Watts / Lowell Mason
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When I Survey the Wondrous Cross
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WheatMyer Music
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SheetMusicPlus
Nessun Dorma
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.740277 By The Usaf Band. B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.740277 By The Usaf Band. By Giacomo (Dp) Puccini and Giacomo Puccini. Arranged by Craig Garner. Contemporary. Octavo. 27 pages. Dorm 40 Music #4411085. Published by Dorm 40 Music (A0.740277). This arrangement is part of the Chicago Gargoyle Brass & Organ Ensemble Signature Series. Nessun dorma (None shall sleep) is an aria from the final act of Giacomo Puccini's opera Turandot and is one of the best-known arias in all of opera. Although Nessun dorma has long been a staple of operatic recitals, Luciano Pavarotti popularized the piece well beyond the world of opera with his many recordings and live performances. Nessun dorma became his signature aria. Nessun dorma also appeared on the best-selling classical album of all time, The Three Tenors in Concert. However, our favorite version will always be the soul-infused rendition by Aretha Franklin during the 1998 Grammy Awards, in which she sang in place of Pavarotti when he was unable to perform due to throat problems. This arrangement, for mixed choir (SATB), organ, brass quintet and timpani/suspended cymbal, includes the aria, as well as the final chorus of the opera. Brass and organ play the entirety of the aria, and choir begins to sing at the final chorus, to dramatic effect. This arrangement includes a full score, organ/vocal score with English text, percussion and brass parts (trumpet parts are provided for both B-flat and C; the percussion part is designed for one player). Vocal score may be freely copied for all members of the choir. Perfect for any concert, and it makes a great encore, as well! If you don’t have a choir, we’ve got you covered. Dorm 40 Music has a published a version for brass quintet, organ and percussion. And, it is available for sale on Sheet Music Plus. Performance time, 4:00. Published by Dorm 40 Music, www.dorm40music.com.
$25.00
22.74 €
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Choral SATB
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The Usaf Band
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Nessun Dorma
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Dorm 40 Music
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SheetMusicPlus
Nessun Dorma
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.740278 By The Usaf Band. By Gia…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.740278 By The Usaf Band. By Giacomo (Dp) Puccini and Giacomo Puccini. Arranged by Craig Garner. Contemporary. Score and parts. 22 pages. Dorm 40 Music #4413145. Published by Dorm 40 Music (A0.740278). This arrangement is part of the Chicago Gargoyle Brass & Organ Ensemble Signature Series. Nessun dorma (None shall sleep) is an aria from the final act of Giacomo Puccini's opera Turandot and is one of the best-known arias in all of opera. Although Nessun dorma has long been a staple of operatic recitals, Luciano Pavarotti popularized the piece well beyond the world of opera with his many recordings and live performances. Nessun dorma became his signature aria. Nessun dorma also appeared on the best selling classical album of all time, The Three Tenors in Concert. However, our favorite version will always be the soul-infused rendition by Aretha Franklin during the 1998 Grammy Awards, in which she sang in place of Luciano Pavarotti when he was unable to perform due to throat problems. This arrangement for brass quintet, organ, timpani/suspended cymbal, includes a full score, organ, percussion and brass parts (trumpet parts are provided for both B-flat and C; percussion part is designed for one player). Perfect for any concert and it makes a great encore, as well! And, if you want to add voices, we’ve got you covered. Dorm 40 Music has also published a version for mixed choir (SATB), brass quintet, organ and percussion. And, it is available for sale on Sheet Music Plus. Performance time, 2:45. Published by Dorm 40 Music, www.dorm40music.com.
$20.00
18.19 €
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Brass ensemble
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The Usaf Band
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Nessun Dorma
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Dorm 40 Music
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SheetMusicPlus
Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David War…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #1791985. Published by David Warin Solomons (A0.578875). This letter to my grandmother is a recollection of her final years in the 1970s. She suffered from Parkinsons and became very frustrated with the fact that her body simply didn't follow the commands of her brain. But she was always a very polite, gentle and yet determined person - others in this situation might have used swear words, but, when she found herself immobilised, my gran would simply shout Bunny Rabbits!. This would make us laugh and she would laugh along with us. The frustration is represented in the music by the Delians melodic fragment DEFGEDE (in the D Dorian mode) interrupted by the timpani, and eventually other instruments, repeating the frustrated bunny rabbits theme. Finally - following her Christian beliefs, her soul goes up to an afterlife in which she is released from the frustration and the bunny rabbits, who have a final grumble on brass and timpani and give way to an ethereal minor chord with a major sixth, as suggested by the Dorian mode. The sound sample here is an electronic preview. The piece was premiered on 30 January 2016 by the Octava Chamber Orchestra along with various other short movements composed by other members of the Delian Society as part of Delian Suite No 8.
$5.00
4.55 €
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Chamber Orchestra
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David Warin Solomons
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Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
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David Warin Solomons
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SheetMusicPlus
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