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You've selected:
A Passing Shadow
Sheetmusic to print
20 sheet music found
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1
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.85 €
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Matthew Scott Phillips
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The Sundials: III; Tempus Fugit Velut Umbra
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Matthew Scott Phillips
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SheetMusicPlus
A Passing Shadow (Sam Hartley)
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1021425 Composed by Sam Hartley. Co…
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Piano Solo - Level 5 - Digital Download SKU: A0.1021425 Composed by Sam Hartley. Concert,Contemporary,Standards. Score. 10 pages. Sam Hartley #5996687. Published by Sam Hartley (A0.1021425). Contemporary classical piano solo piece in F minor. Duration: 4 minutesFor more information on composer, see https://samhartleymusic.com.
$4.99
4.63 €
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Piano solo
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Sam Hartley
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A Passing Shadow
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Sam Hartley
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SheetMusicPlus
The Sundials: I;Tempus Edax Rerum (Time devours things)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.85 €
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Matthew Scott Phillips
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The Sundials: I;Tempus Edax Rerum
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Matthew Scott Phillips
#
SheetMusicPlus
The Sundials: II; Pereunt et Imputantur (They pass and are counted)
String Trio: violin, viola, cello
String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew …
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String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.85 €
#
String Trio: violin, viola, cello
#
Matthew Scott Phillips
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The Sundials: II; Pereunt et Imputantur
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Matthew Scott Phillips
#
SheetMusicPlus
The Sundials
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
6.49 €
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
Antoine Tisné : Les Contes de la Lune Bleue : Suite of 14 pieces for intermediate pianists
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.532844 Composed by Antoine Tisne. 2…
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Piano Solo - Level 2 - Digital Download SKU: A0.532844 Composed by Antoine Tisne. 20th Century,Children,Concert,Contemporary,Standards. Score. 3 pages. Musik Fabrik Music Publishing #59649. Published by Musik Fabrik Music Publishing (A0.532844). The suite of 14 pieces is intended to be used for students with 1-5 years of piano. The titles are all inspired by poetic images and the music is very drescriptive, but uses atonal and polytonal vocabulary. A great introduction to contemporary music for students! 1. Par les sentiers du Jardin (From the garden paths) 2. En écoutant le ruisseau (Upom Listening to the Stream) 3. Là -bas, un petit train passe (Over there, a little train is passing) 4. Ce qui dit la fée des bois (That which the woodfairy says) 5. Dans la clairière bleue (In the Blue clearingFrom the garden paths) 6. Les diamants de l'étang (The Diamonds in the Pond) 7. Dans la pénombre du chateau (In the shadow of the castle) 8. Ballet des Cigales et des lucioles (Ballet of the crickets and the fireflies) 9. Le marchand de sable d'or passe (The Sandman is going by) 10. Sous le grand chêne endormi (Underneath the big oak tree asleep) 11. Au clocher lointain, l'heure sonne (In the far steeple, the clock strikes) 12. La Montagne enchantée (The enchanted mountain) 13. Le Lutin chez la sorcière (The dwarf visits the witch) 14. Sous le regard, un cœur veille (Looking on, a heart watches).
$12.95
12 €
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Piano solo
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Antoine Tisne
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Antoine Tisné : Les Contes de la Lune Bleue : Suite of 14 pieces for intermediate pianists
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Musik Fabrik Music Publishing
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SheetMusicPlus
Plato's Fire
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1199288 By Christopher Alexander. B…
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Piano Solo - Level 3 - Digital Download SKU: A0.1199288 By Christopher Alexander. By Christopher Alexander. Contemporary,New Age. Score. 12 pages. Christopher Alexander #798350. Published by Christopher Alexander (A0.1199288). Plato's Fire is an allegory to the haunting shadow images projected on blank rock walls that were meant to frighten chained inmates, though in reality these images were created (behind the inmates without their knowledge) by harmless objects and people passing in front of a fire. Â The prisoners were scared by the pictures they were told instead of learning the innocent truth that was merely behind them. Â The music resembles the tribal ceremony, with a heavy percussive bass imitating drums and sonorous melody, in which one instance of this performance fabrication takes place.
$2.50
2.32 €
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Piano solo
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Christopher Alexander
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Plato's Fire
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Christopher Alexander
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SheetMusicPlus
Because I Could Not Stop for Death
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical,Opera,Romantic Period. 4 pages. Richard deCosta #897289. Published by Richard deCosta (A0.1308012). Words by Emily DickinsonMusic by Richard deCostaBecause I could not stop for Death –He kindly stopped for me –The Carriage held but just Ourselves –And Immortality.We slowly drove – He knew no hasteAnd I had put awayMy labor and my leisure too,For His Civility –We passed the School, where Children stroveAt Recess – in the Ring –We passed the Fields of Gazing Grain –We passed the Setting Sun –Or rather – He passed Us –The Dews drew quivering and Chill –For only Gossamer, my Gown –My Tippet – only Tulle –We paused before a House that seemedA Swelling of the Ground –The Roof was scarcely visible –The Cornice – in the Ground –Since then – 'tis Centuries – and yetFeels shorter than the DayI first surmised the Horses' HeadsWere toward Eternity –-=-In the reclusive chambers of Emily Dickinson's 19th-century Massachusetts home, the haunting poem, 'Because I Could Not Stop for Death,' was conceived. Living much of her life in isolation, Dickinson's thoughts often ventured into the shadowlands of existence. This poem, published posthumously in 1890, offers a chilling reflection of her contemplation. The Grim Reaper, a timeless symbol, is portrayed as a carriage driver, guiding the reader through a somber journey that mirrors the ephemeral nature of life. Passing scenes of childhood innocence, maturity's labor, and the twilight of existence, it culminates in the cold embrace of the grave. Her words, etched in a gothic darkness, resonate with the uncertainties and fears of her time, transcending to speak to the eternal human condition.
$7.99
7.41 €
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Choral SATB
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Richard deCosta
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Because I Could Not Stop for Death
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Richard deCosta
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SheetMusicPlus
Baker Street
Flute
Flute Solo - Level 2 - Digital Download SKU: A0.518939 By Foo Fighters. By Gerry Ra…
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Flute Solo - Level 2 - Digital Download SKU: A0.518939 By Foo Fighters. By Gerry Rafferty. Arranged by Antônio S. Fernandes. Pop,Rock,Traditional. Individual part. 2 pages. Antônio S. Fernandes #129611. Published by Antônio S. Fernandes (A0.518939). Baker Street is a song written and recorded by Scottish singer-songwriter Gerry Rafferty. Released as a single in 1978, it reached No. 1 in Cash Box and No. 2 on the Billboard Hot 100, where it held its Billboard position for six weeks, blocked from the top spot by Andy Gibb's Shadow Dancing. It spent four weeks at No. 1 in Canada, No. 1 in Australia. and South Africa, hit No. 3 in the United Kingdom, and the top 10 in the Netherlands. Rafferty received the 1978 Ivor Novello Award for Best Song Musically and Lyrically.The arrangement is known for its saxophone riff. In October 2010, the song was recognised by BMI for surpassing five million performances worldwide. It was awarded Gold Certification on two occasions, on 1 April 1978 and 22 July 2013 by the BPI in the UK.
$4.99
4.63 €
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Flute
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Foo Fighters
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Baker Street
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Antônio S. Fernandes
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SheetMusicPlus
Baker Street
Clarinet
Clarinet Solo - Level 2 - Digital Download SKU: A0.518938 By Foo Fighters. By Gerry…
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Clarinet Solo - Level 2 - Digital Download SKU: A0.518938 By Foo Fighters. By Gerry Rafferty. Arranged by Antônio S. Fernandes. Pop,Rock,Traditional. Individual part. 2 pages. Antônio S. Fernandes #129610. Published by Antônio S. Fernandes (A0.518938). Baker Street is a song written and recorded by Scottish singer-songwriter Gerry Rafferty. Released as a single in 1978, it reached No. 1 in Cash Box and No. 2 on the Billboard Hot 100, where it held its Billboard position for six weeks, blocked from the top spot by Andy Gibb's Shadow Dancing. It spent four weeks at No. 1 in Canada, No. 1 in Australia. and South Africa, hit No. 3 in the United Kingdom, and the top 10 in the Netherlands. Rafferty received the 1978 Ivor Novello Award for Best Song Musically and Lyrically.The arrangement is known for its saxophone riff. In October 2010, the song was recognised by BMI for surpassing five million performances worldwide. It was awarded Gold Certification on two occasions, on 1 April 1978 and 22 July 2013 by the BPI in the UK.
$4.99
4.63 €
#
Clarinet
#
Foo Fighters
#
Baker Street
#
Antônio S. Fernandes
#
SheetMusicPlus
Baker Street
Saxophone (band part)
Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.518937 By Foo Fighters. B…
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Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.518937 By Foo Fighters. By Gerry Rafferty. Arranged by Antônio S. Fernandes. Pop,Rock,Traditional. Individual part. 2 pages. Antônio S. Fernandes #129609. Published by Antônio S. Fernandes (A0.518937). Baker Street is a song written and recorded by Scottish singer-songwriter Gerry Rafferty. Released as a single in 1978, it reached No. 1 in Cash Box and No. 2 on the Billboard Hot 100, where it held its Billboard position for six weeks, blocked from the top spot by Andy Gibb's Shadow Dancing. It spent four weeks at No. 1 in Canada, No. 1 in Australia. and South Africa, hit No. 3 in the United Kingdom, and the top 10 in the Netherlands. Rafferty received the 1978 Ivor Novello Award for Best Song Musically and Lyrically.The arrangement is known for its saxophone riff. In October 2010, the song was recognised by BMI for surpassing five million performances worldwide. It was awarded Gold Certification on two occasions, on 1 April 1978 and 22 July 2013 by the BPI in the UK.
$4.99
4.63 €
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Saxophone (band part)
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Foo Fighters
#
Baker Street
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Antônio S. Fernandes
#
SheetMusicPlus
Baker Street
Alto Saxophone
Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.518936 By Foo Fighters. By…
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Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.518936 By Foo Fighters. By Gerry Rafferty. Arranged by Antônio S. Fernandes. Pop,Rock,Traditional. Individual part. 2 pages. Antônio S. Fernandes #129608. Published by Antônio S. Fernandes (A0.518936). Baker Street is a song written and recorded by Scottish singer-songwriter Gerry Rafferty. Released as a single in 1978, it reached No. 1 in Cash Box and No. 2 on the Billboard Hot 100, where it held its Billboard position for six weeks, blocked from the top spot by Andy Gibb's Shadow Dancing. It spent four weeks at No. 1 in Canada, No. 1 in Australia. and South Africa, hit No. 3 in the United Kingdom, and the top 10 in the Netherlands. Rafferty received the 1978 Ivor Novello Award for Best Song Musically and Lyrically. The arrangement is known for its saxophone riff. In October 2010, the song was recognised by BMI for surpassing five million performances worldwide. It was awarded Gold Certification on two occasions, on 1 April 1978 and 22 July 2013 by the BPI in the UK.
$4.99
4.63 €
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Alto Saxophone
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Foo Fighters
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Baker Street
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Antônio S. Fernandes
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SheetMusicPlus
Renew
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1102168 By Brad Jacobsen. By Brad J…
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Piano Solo - Level 4 - Digital Download SKU: A0.1102168 By Brad Jacobsen. By Brad Jacobsen. Contemporary,New Age. Score. 4 pages. Brad Jacobsen #705570. Published by Brad Jacobsen (A0.1102168). A reflective solo piano piece, inspired by the feeling of renewed hope after passing through moments of darkness. From the album, Shadowlight, available on all streaming services.
$4.99
4.63 €
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Piano solo
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Brad Jacobsen
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Renew
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Brad Jacobsen
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SheetMusicPlus
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Full Score Only
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420554
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420554 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. Classical,Contemporary. 14 pages. Heemrec #1001987. Published by Heemrec (A0.1420554). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$130.00
120.49 €
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Dmitry Klevansky
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Проводник / Conductor
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Heemrec
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SheetMusicPlus
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Score And Parts
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420561
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420561 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1001994. Published by Heemrec (A0.1420561). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$140.00
129.76 €
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Dmitry Klevansky
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Проводник / Conductor
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Heemrec
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SheetMusicPlus
The Messenger (Romance for Voice And Orchestra) - Score And Parts
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420568
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420568 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1002001. Published by Heemrec (A0.1420568). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$140.00
129.76 €
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Dmitry Klevansky
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The Messenger
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Heemrec
#
SheetMusicPlus
The Messenger (Romance for Voice And Orchestra) - Full Score Only - Score Only
Level 5 - Digital Download SKU: A0.1420570 By Dmitry Klevansky. By Galina Vasilevsk…
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Level 5 - Digital Download SKU: A0.1420570 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 14 pages. Heemrec #1002003. Published by Heemrec (A0.1420570). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$130.00
120.49 €
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Dmitry Klevansky
#
The Messenger
#
Heemrec
#
SheetMusicPlus
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