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A Short Piece for Violoncello and Orchestra
Sheetmusic to print
9 sheet music found
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1
A Short Piece for Violoncello and Orchestra
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.981674 Composed by James C. Ivy. Conte…
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Chamber Orchestra - Digital Download SKU: A0.981674 Composed by James C. Ivy. Contemporary. Score and parts. 21 pages. Jim Ivy #6463329. Published by Jim Ivy (A0.981674). This cello solo with orchestra accompaniment is short (under 4 minutes) but beautiful. The woodwind parts are essential, but the trumpet and horn parts are not.
$39.00
36.03 €
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Chamber Orchestra
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James C
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A Short Piece for Violoncello and Orchestra
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Jim Ivy
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.89 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.89 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
#
SheetMusicPlus
Short piece for Orchestra in A minor
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.853532 Composed by Achilan Sric…
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Full Orchestra - Level 4 - Digital Download SKU: A0.853532 Composed by Achilan Srichantapong. Romantic Period. Score and parts. 26 pages. Achilan Srichantapong #460093. Published by Achilan Srichantapong (A0.853532). This piece is for an orchestra with Violin 1, Violin 2, Viola, Violoncello, ContraBass, Timpani, Cymbals, Tambourine, Triangle, Horn in F, Trumpet in Bb, Flute, Oboen Clarinet in Bb and Bassoon. This piece is in A minor, the tempo is andente (walking pace). This piece represent a fantasy world in video games and/or moives.
$5.00
4.62 €
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Orchestra
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Achilan Srichantapong
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Short piece for Orchestra in A minor
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Achilan Srichantapong
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SheetMusicPlus
MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment)
Cello, Piano
Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massen…
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Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Valentine's Day, St. Patrick's Day, Wedding. Individual Part, Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.<br> <br> The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.<br> <br> The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.
$5.99
5.53 €
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Cello, Piano
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Jules Massenet (1842-1912)
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MÉDITATION - From the Opera Thaïs
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Flavio Regis Cunha
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SheetMusicPlus
Prelude no. 1 in D Minor
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.921590 Composed by Matthew Mahone…
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Concert Band - Level 3 - Digital Download SKU: A0.921590 Composed by Matthew Mahoney. Contemporary. Score and parts. 6 pages. Matthew Mahoney #2916685. Published by Matthew Mahoney (A0.921590). A short prelude for a reduced orchestra of: Violins I, Violins II, Violoncellos, Tuba, Horns in F, Trombones, Oboes, Flutes, and Bassoons.The duration of this piece is roughly around 2 minutes 30 seconds.
$4.99
4.61 €
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Concert band
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Matthew Mahoney
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Prelude no. 1 in D Minor
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Matthew Mahoney
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SheetMusicPlus
Vivaldi Concerto RV 93 1st movement
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1417819 Composed by Antonio V…
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String Orchestra - Level 3 - Digital Download SKU: A0.1417819 Composed by Antonio Vivaldi. Arranged by Martin Lass. Baroque,Chamber,Children,Classical,Instructional. 19 pages. MA Lass & I Lass #999240. Published by MA Lass & I Lass (A0.1417819). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing. Vivaldi's Concerto RV 93 was originally written for lute or guitar solo plus strings and basso continuo. Here, the 1st movement of the concerto has been arranged for an intermediate-level student string orchestra without continuo or piano accompaniment. To this end, the work has been simplified: the original key of D major has been changed to C major; some rhythms have been simplified, including doubling all note values and changing the time signature to 2/2; some registers have been changed in order to keep parts in 1st position; and extensive dynamics and articulations have been added to assist students with musical interpretation according to Baroque music conventions. That said, some crescendos have been added for effect. It is anticipated that the one repeat will be done, as is traditional. The upper strings are expected to be able to play low 2nd and 4th fingers, and the cellos have both backward and forward extensions but only leave 1st position in two short identical passages. The main challenge of the piece lies in the bowing style and the articulations, aforementioned.Level: 2.0 - 2.5Duration: 3mParts ListViolin IViolin IIViolin III (from Viola) (optional)ViolaVioloncelloDouble BassFull Score.
$39.00
36.03 €
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String Orchestra
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Antonio Vivaldi
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Vivaldi Concerto RV 93 1st movement
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MA Lass & I Lass
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SheetMusicPlus
Capriccio Con Fuego
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1027404 Composed by EKJ Dittm…
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String Orchestra - Level 3 - Digital Download SKU: A0.1027404 Composed by EKJ Dittmer. Contemporary. Score and parts. 12 pages. Emily Dittmer #37825. Published by Emily Dittmer (A0.1027404). A short, fiery orchestral piece ideal for intermediate orchestras. Includes parts for Violin 1, Violin 2, Viola, Violoncello, and Double Bass. Performance time is approximately 1:10.
$24.99
23.09 €
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String Orchestra
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EKJ Dittmer
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Capriccio Con Fuego
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Emily Dittmer
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SheetMusicPlus
Gavotte n°2 in D major, op. 23.
Small Ensemble Cello - Level 4 - Digital Download SKU: A0.798122 Composed by David …
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Small Ensemble Cello - Level 4 - Digital Download SKU: A0.798122 Composed by David Popper. Arranged by Inacio Saldanha. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 37 pages. Inacio Saldanha #6320555. Published by Inacio Saldanha (A0.798122). Popper was a prolific composer of cello music, writing four concertos, a Requiem for three cellos and orchestra (1891) and a number of smaller pieces which are still played today, including the solo piece Tarantella. His shorter showpieces were written to highlight the unique sound and style of the cello, extending the instrument's range with pieces such as Spinnlied (Spinning Song), Elfentanz (Dance of the Elves), or the Ungarische Rhapsodie (Hungarian Rhapsody), which was published by the Friedrich Hofmeister Musikverlag.[9] He also wrote instructional pieces. Popper is also known for his High School of Cello Playing (Op. 73), a book of cello études that is widely used by advanced cello students.An old edition of the Grove Dictionary of Music and Musicians described him thus: His tone is large and full of sentiment; his execution highly finished, and his style classical.Gavotte n°2 in D major, op. 23 is originally for Violoncello and Piano. I've adapted piano part for a Cello Ensemble.
$14.99
13.85 €
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David Popper
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Gavotte n°2 in D major, op. 23.
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Inacio Saldanha
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SheetMusicPlus
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