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A los Tambores
Sheetmusic to print
9 sheet music found
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1
A los Tambores
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1043928 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1043928 Composed by Manny Cepeda. Instructional,Jazz,Latin. Score and parts. 61 pages. Manny Cepeda #648625. Published by Manny Cepeda (A0.1043928). In English, the word Jam means when players perform their solos on a Chart. The idea Manny has created here is a Percussion Jam featuring any of the Afro-Cuban Percussion instruments. Manny picked the Timbales as a guide by performing Afro-Cuban Ad-Lib rhythms. For a novice in Afro-Cuban Music, this written solo would give you plenty of ideas to work with. You can either do the written solo or create one of your own. You must remember that Afro-Cuban Drumming is based heavily on syncopation so, soloing as if you were playing a drumset won't work here. The solo can be shared not only by the Timbales but also by the Congas and Bongo Player. The chart is rich with ostinato breaks of the percussion that tie the phrase of the melody with the song. The breaks must be played as written but if the section creates a break of its own, that will work too. The only requirement is the number of bars for each break must match the chart.
$60.00
54.97 €
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Jazz Ensemble
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Manny Cepeda
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A los Tambores
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Manny Cepeda
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SheetMusicPlus
A los Tambores
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1024915 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1024915 Composed by Manny Cepeda. Jazz,Latin,Standards. Score and parts. 61 pages. Manny Cepeda #6808597. Published by Manny Cepeda (A0.1024915). The word Jam in English means when players perform their solos in a Chart. The idea Manny has created here is a Percussion Jam featuring any of the Afro-Cuban Percussion instruments. Manny picked the Timbales as a guide by performing Afro-Cuban Ad-Lib rhythms. For a novice in Afro-Cuban Music, this written solo would give you plenty of ideas to work with. You can either do the written solo or create one of your own. You must remember that Afro-Cuban Drumming is based heavily on syncopation so, soloing as if you were playing a drumset won't work here. The solo can be shared not only by the Timbales but also by the Congas and Bongo Player. The chart is rich with ostinato breaks of the percussion that tie the phrase of the melody with the song. The breaks must be played as written but if the section creates a break of its own, that will work too. The only requirement is the number of bars for each break must match the chart.
$60.00
54.97 €
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Jazz Ensemble
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Manny Cepeda
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A los Tambores
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Manny Cepeda
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SheetMusicPlus
Suenan los tambores
Mixed Percussion Bongos,Cajon,Congas,Drum Set,Multi-Percussion,Timbales - Level 3 - Digita…
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Mixed Percussion Bongos,Cajon,Congas,Drum Set,Multi-Percussion,Timbales - Level 3 - Digital Download SKU: A0.1203300 By Leonardo Mendoza S. By Leonardo Mendoza S. Arranged by Leonardo Mendoza S. Chamber,Instructional,Latin. 11 pages. Leonardo Mendoza S. #801974. Published by Leonardo Mendoza S. (A0.1203300). Suenan los tambores es una obra instruccional basada en ritmos latino como el cha cha cha. La obra está conformada por instrumentos de percusión: Bongó, triángulo, güiro, pandereta, clave o yambloc, campana, timbales, congas, baterÃa y cajón.
$25.00
22.9 €
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Leonardo Mendoza S
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Suenan los tambores
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Leonardo Mendoza S.
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SheetMusicPlus
Tambores de Chambacú - Cumbiamba por Lucho (Luis Eduardo) Bermúdez (Acosta)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1120576 By Luis Eduardo Bermúdez…
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Piano Solo - Level 4 - Digital Download SKU: A0.1120576 By Luis Eduardo Bermúdez Acosta. By Luis Eduardo Bermúdez Acosta. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #721822. Published by Juan Carlos Cortés Aguirre (A0.1120576). Transcripción para Piano Solo por: Juan Carlos Cortés A. Obra que data del año 1939, dedicada al popular sector de la ciudad de Cartagena de Indias denominado como Chambacú. Grabado con la voz de la célebre cantante de San Bernardo, Cundinamarca y criada en Icononzo, Tolima: Matilde DÃaz y acompañado por la orquesta del propio compositor. Cumbiamba: Cumbia es apocope (Pérdida de una o varias letras al final de una palabra) de cumbiamba, este término tiene relación con la voz antillana cumbancha que en Cuba se significa jolgorio o parranda, ambas se deriva de la voz negra cumbe, baile negro de la Guinea continental española o kumba palabra que según el antropólogo Fernando Ortiz significa hacer ruido. La Cumbia tiene su dominio en todo la costa norte de Colombia, partiendo de Cartagena, donde se supone tiene su nacimiento aunque en El Banco, Plato, Mompox y Cienaga, también reclaman ese derecho. Esta danza tradicional se extendió por todo el departamento de BolÃvar para seguir a Sucre, Córdoba, Cesar, Atlántico y Magdalena. Generalmente se confunde cumbia con cumbiamba pero en la practica son dos cosas diferentes, ya que cumbiamba se refiere al festival o lugar donde se baila, no solo cumbia; si no otros ritmos como bullerengue, mapalé, porro, etc. También se le llama cumbiamba a las comparsas que bailan cumbia en los carnavales de Barranquilla. En el Magdalena también se le dice asà a la reunión de bailadores de cumbia, en tanto es la tonada musical y coreográfica, aire tÃpico predominante en todo el litoral atlántico. Cumbia Tradicional del Caribe Colombiano inscrita en la Lista Representativa de Patrimonio Cultural de la Nación (2022).
$7.99
7.32 €
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Piano solo
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Luis Eduardo Bermúdez Acosta
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Tambores de Chambacú - Cumbiamba por Lucho
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Tambores y otros sones
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1021519 Composed by Victor…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1021519 Composed by Victor Rebullida. Contemporary,Instructional,Standards,World. Octavo. 14 pages. Victor Rebullida #6056645. Published by Victor Rebullida (A0.1021519). This piece was commissioned as a compulsory work for a choral singing contest. It is based on popular songs and the typical drum beats that are performed in Easter in some in some towns of Aragon (Spain).Esta pieza fue encargada como obra obligada para un concurso de canto coral. Se basa en cantos populares y los tÃpicos toques de tambor que se interpretan en la Semana Santa en algunos pueblos de Aragón (España)
$4.75
4.35 €
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Choral SATB
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Victor Rebullida
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Tambores y otros sones
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Victor Rebullida
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestra
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.73 €
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Orchestra
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Manuel de Espinosa de los Monteros (1730-1810)
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Haiku
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1021516 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1021516 Composed by Victor Rebullida. A Cappella,Instructional,Multicultural,Traditional,World. 15 pages. Victor Rebullida #6051639. Published by Victor Rebullida (A0.1021516). Haiku is an entertaining work composed as a vocal studio for choir. The intention was to get the choirs to work on the pentatonic scales. In addition, the work is a vocal articulation exercise for singers. It consists of three brief parts, the first two with texts of two haiku and the third based on a Sansa-daiko dance, a dance for taiko drums that is learned by memorizing certain syllables that represent the text of the latter piece. The rhythm is literally that of the dance itself but that melodically is embedded in pentatonic scales just like the two previous pieces.For the management of copyright the work is registered with the SGAE (Copyright Management Society of Spain) The score contains the data of the work and the composer for the management of Rights.The author will appreciate being informed of any interpretation of the work.------------Haiku es una obra divertida que compuse como un estudio vocal para coro. La intención era hacer que los coros trabajasen las escalas pentatónicas. Además la obra es un ejercicio de articulación vocal para los cantantes. Está formada por tres breves partes, las dos primeras con textos de dos haiku y la tercera basada en una danza Sansa-daiko, una danza para tambores taiko que se aprende mediante la memorización de determinadas sÃlabas que suponen el texto de esta última pieza. El ritmo es literalmente el de la propia danza pero que melódicamente está encajada en unas escalas pentatónicas igual que las dos piezas precedentes.El autor agradecerÃa se le comunicase cualquier interpretación de la obra.
$4.75
4.35 €
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Choral SATB
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Victor Rebullida
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Haiku
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Victor Rebullida
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SheetMusicPlus
Arrurú (Guabina). Villancico Colombiano por Luis Uribe Bueno.
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1143458 By Luis Uribe Bueno. By Lui…
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Piano Solo - Level 3 - Digital Download SKU: A0.1143458 By Luis Uribe Bueno. By Luis Uribe Bueno. Arranged by Juan Carlos Cortés Aguirre. Christmas,Instructional,Latin,Multicultural,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #743777. Published by Juan Carlos Cortés Aguirre (A0.1143458). Transcripción musical para Piano Solo por: JUAN CARLOS CORTÉS A. Basado en la versión fonográfica Nochebuena en Colombia realizada por el propio Compositor para la extinta casa Discográfica Sonolux. Arrurú. Villancico – Guabina por : LUIS URIBE BUENO . Introducción. Sobre una cueva agreste, De nuestros campos, Una fulgente estrella, Se ve brillar. Porque del cielo vino, La luz celeste, Un primoroso niño, Dios de bondad. Arrurú, Arrurú, Arrurú, rú. Arrurú, Arrurú, Arrurú, rú. ( Bis ). Introducción. Con castañuelas Y con tambores, Vamos rendidos Al Niño Dios. Para ofrendarle Nuestros amores, Ante la cuna Del dulce amor. Arrurú, Arrurú, Arrurú, rú. Arrurú, Arrurú, Arrurú, rú. ( Bis ). Orquesta. Con castañuelas Y con tambores, Vamos rendidos Al Niño Dios. Para ofrendarle Nuestros amores, Ante la cuna Del dulce amor. Arrurú, Arrurú, Arrurú, rú. Arrurú, Arrurú, Arrurú, rú. ( Bis ).
$7.99
7.32 €
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Piano solo
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Luis Uribe Bueno
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Arrurú
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
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