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Adagio Rubato
Sheetmusic to print
12 sheet music found
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Adagio Rubato
String Orchestra
String Orchestra - Level 1 - Digital Download SKU: A0.1011592 Composed by Joe Wiede…
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String Orchestra - Level 1 - Digital Download SKU: A0.1011592 Composed by Joe Wiedemann. Classical,Romantic Period. Score and parts. 17 pages. Joe Wiedemann #4283113. Published by Joe Wiedemann (A0.1011592). Designed to highlight acoustic elements of your venue, Adagio Rubato is arranged for string orchestra PLUS string quartet (or 1st chair players), and flute, English horn/Oboe, Fr. Horn, and Synthesizer. Strings may be separated from the quartet and other players by space or position, for a stereo effect that works well in a cathedral or large setting. The Synth part adds depth and modern context, as an equal player, rather than soloist. It also offers the most flexibility for custom sound creation.Contact WiedemannMusic.com for parts.
$10.95
10.08 €
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String Orchestra
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Joe Wiedemann
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Adagio Rubato
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Joe Wiedemann
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SheetMusicPlus
Adagio (Opus 9) by Tomaso Albinoni
Organ
Organ - Level 3 - Digital Download SKU: A0.915096 Composed by Tomaso Giovanni Albin…
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Organ - Level 3 - Digital Download SKU: A0.915096 Composed by Tomaso Giovanni Albinoni. Arranged by Paul Broadhurst. Baroque,Contemporary,Instructional,Spiritual,Wedding. Score. 4 pages. Molto rubato #6102545. Published by Molto rubato (A0.915096). A stunningly serene piece of music in a brand new arrangement as an organ trio, with a rippling accompaniment and soft pedal tread underpinning the timeless main melody. A very effective meditation piece before or during services and as a reflective interlude in recitals.
$5.99
5.52 €
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Organ
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Tomaso Giovanni Albinoni
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Adagio
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Molto rubato
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SheetMusicPlus
Consider The Lillies
Flute
Flute Solo - Level 3 - Digital Download SKU: A0.1196871 Composed by Chris Salerno. …
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Flute Solo - Level 3 - Digital Download SKU: A0.1196871 Composed by Chris Salerno. 20th Century,Baroque,Christian,Religious,Renaissance. Individual part. 4 pages. Chris Salerno Music #796031. Published by Chris Salerno Music (A0.1196871). Program NotesConsider The Lillies is inspired by Jesus’ sermon on the mount, specifically, His explanation of the futility of worrying. He uses two illustrations from nature, birds and flowers, as examples of living in quiet contentment. In each case, Jesus admonishes us to take a moment to either look at or consider. Both actions require us to engage in contemplation. The piece is cast loosely in the Loure dance form, with long pauses interrupting each phrase portion. The piece is an illustration of taking time to consider something in a deep and meaningful way. A technically simple tune embodies the quiet life of contented trust in God and contemplation. Consider The Lillies mimics the act of hearing an idea, then pausing to consider it. Both performer and audience are given time to contemplate the musical phrase portions during the moment of silence that follows each musical idea.Performance NotesWhen performing Consider The Lillies, approach each phrase portion as a melody in and of itself. The main tempo marking at the beginning, Adagio Rubato, allows the performer to  naturally act out the process of hearing an idea, then pausing for contemplation. Executing a strict tempo is not necessary. However, each phrase should be performed without drastic tempo changes.
$5.00
4.6 €
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Flute
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Chris Salerno
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Consider The Lillies
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Chris Salerno Music
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SheetMusicPlus
Dedication to Bill Evans
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1198473 Composed by Yury Markin. Ar…
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Piano Solo - Level 3 - Digital Download SKU: A0.1198473 Composed by Yury Markin. Arranged by Yury Chugunov and Zellev. 20th Century,Contemporary,Film/TV,Jazz,Wedding. Score. 4 pages. Zellev Music #797617. Published by Zellev Music (A0.1198473). Key Signature: Bâ™ MajTime Signature: 3/4Tempo: Adagio Rubato (Slowly as the performer feels like)Difficulty: Intermediatenot much known about the composer, the piece originally comes from jazz compilation by Yury Chugunov.from the excerpt: The publication is dedicated to the waltz - not quite an ordinary genre in jazz, where the quadruple meter reigned supreme. The waltz was established in many respects thanks to the creativity in the fifty of the musicians kula (the so-called cool jazz - cool jazz). Interest in the waltz was shown by several major musicians of this direction, such as Miles Davis, Bill Evans, Dave Brubeck. One of the first waltz themes to penetrate jazz was Frank Churchill's most popular melody from the movie Snow White and the Seven Dwarfs. Soon waltzes written by jazz musicians began to appear.The jazz waltz represents the lyrical side of jazz along with the jazz ballad and bossa nova. The collection includes works by Soviet and foreign authors.The latter are represented by the names of R. Rogers, B. Evans, D. Brubeck, P. Desmond with his famous Take Five waltz and others. Dave Brubeck (in whose ensemble alto saxophonist Paul Desmond played) was perhaps the first to experiment with five-, six-, seven-quarter time signatures, widely using variable time signatures, polyrhythm; a typical example of a waltz of variable size belongs to the young Moscow pianist Daniil Kramer (Caprice). Recall, by the way, that an example of a five-quarter waltz in symphonic music is found in Tchaikovsky (second movement of the Sixth Symphony).We hope that the collection will be of interest not only to jazz musicians, but also to a wider circle of music lovers.-Yuri Chugunov.
$4.50
4.14 €
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Piano solo
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Yury Markin
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Dedication to Bill Evans
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Zellev Music
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SheetMusicPlus
[Sacco] Book of Whimsy
Piano solo
Piano Solo - Digital Download SKU: A0.952627 Composed by Steven Sacco. Contemporary…
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Piano Solo - Digital Download SKU: A0.952627 Composed by Steven Sacco. Contemporary. Score. 48 pages. American Composers Alliance Inc. #4611267. Published by American Composers Alliance Inc. (A0.952627). A series of dedications to pianists whose influence upon Sacco was formative, organized in three folios of six pieces each. The first folio comprises the briefest pieces --- the original six; in the second folio the pieces become longer and more intricate, and, in the third folio, they extend into even longer pieces with a greater depth of form. Folio IAndante rubato: C major.....for William KomaikoAllegro furioso: A minor.....for William KomaikoAllegretto poco piu: G major.....for Nathan BucknerAllegro poco schmalzando: D major.....for Nathan BucknerAndante con moto: F# minor.....for William KomaikoAndante poco agitato: F major.....for Nathan BucknerFolio IILento rubato: Db major.....In memoriam Oscar PetersonPrestissimo brillante: B major.....for Olli MustonenModerato con moto: Eb major.....In memoriam Bill EvansVivace: D minor.....for Chick CoreaGrave: B minor.....In memoriam Beveridge WebsterAllegro con fuoco: Bb Major.....In memoriam Rebecca La BrecqueFolio IIIModerato quasi pizzicato: Ab minor.....In memoriam Bud PowellAllegro con brio: Ab major.....for Andras SchiffAdagio: Gb major.....for Amad JamalPresto: E minor.....for Mike NockMaestoso: E Major.....for Andrew ThomasAndante rubato: C Major.....for Alexandra Eames
$14.95
13.77 €
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Piano solo
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Steven Sacco
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[Sacco] Book of Whimsy
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American Composers Alliance Inc.
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SheetMusicPlus
Variations on an Original Theme
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.872421 Composed by Michael Momohara…
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Piano Solo - Level 4 - Digital Download SKU: A0.872421 Composed by Michael Momohara. Baroque,Contemporary,Jazz,Romantic Period,Standards. Score. 6 pages. Michael Momohara #553457. Published by Michael Momohara (A0.872421). Variations on an Original Theme is an assortment of pieces written for the piano, based upon an original melody. It features styles ranging from Baroque-like counterpoint to Romanticism to contemporary Jazz. Difficulty ranges from intermediate to advanced. Theme: Andante con espressivoVar. I: Un poco più vivoVar. II: Moderato con espressivo e rubatoVar. III: Allegro con fuocoVar. IV: Largo con molto espressivo e rubatoVar. V: PrestoVar. VI: Adagio cantabileFinale: Allegro agitato.
$3.99
3.67 €
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Piano solo
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Michael Momohara
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Variations on an Original Theme
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Michael Momohara
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SheetMusicPlus
Between Times for clarinet, viola and piano
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 5 - Digital Downloa…
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 5 - Digital Download SKU: A0.886685 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 52 pages. Panagiotis Theodossiou #3573129. Published by Panagiotis Theodossiou (A0.886685). Between Times Time past and time future... for clarinet, viola and piano (2017) op.73Work written within the framework of composer's postgraduate studies on Composition for Vocal and Instrumental Ensembles in Ionian university and dedicated to the professor Josef Papadatos. Based on an excerpt from the Four Quartets by T.S.Eliot is polystilistic in idiom and in concertante style. Time present and time past Are both perhaps present in time future And time future contained in time past. If all time is eternally present All time is unredeemable. What might have been is an abstraction Remaining a perpetual possibility Only in a world of speculation. What might have been and what has been Point to one end, which is always present. (T.S.Eliot, Four Quartets)Τα μÎÏη:I.Adagio misterioso (Outer Space, Gravity Zero)II.Allegro (Into a time vortex)III.L'istesso tempo (Escape) to Antonio Vivaldi & Dmitri ShostakovitchIV.Andante rubato (Tranquillity Nebula) to Olivier MessiaenV.Allegro (Gravitational Disorder) to Keith EmersonVI.Adagio misterioso (Eternal Present)Premier by Ionian Islands Festival Ensemble (Alexandros Michailidis, Helias Sdoukos, Stefanos Nassos) at Ionian Academy Theater in 2017.The work was chosen by International Society for the Contemporary Music to represent Greece in 2018 ISCM World New Music Days in BeijingModern Music Festival, China. Performance by Trio Clavino (Doris Hall - Gulati, Simon Maurer, Xun Pan).
$30.00
27.62 €
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Panagiotis Theodossiou
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Dmitri Shostakovitch
IV
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Between Times for clarinet, viola and piano
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Panagiotis Theodossiou
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SheetMusicPlus
The Lamentation for Piano
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.771707 Composed by Gregory Hamilton…
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Piano Solo - Level 5 - Digital Download SKU: A0.771707 Composed by Gregory Hamilton. 20th Century,Christian,Contemporary,Sacred,Spiritual. Score. 9 pages. Dr. Gregory Hamilton #32277. Published by Dr. Gregory Hamilton (A0.771707). The Lamentation, for solo Piano was inspired by a visit to a friends house. During the Lent, my friend had displayed an Ikon of the Lamentation of Christ. This ikon inspired me to create musical figures which expressed the drama of the ikon. The work should be performed with much drama. Some improvisatory details need the performer to 'complete' and fill in with the spirit of the work. The final quiet lyrical section is an extended meditation on the Passion and should be played with slow, Adagio cantabile style, with rubato and freedom. The work was premiered by the composer at the University of Dallas, April 21 2011. www.gregoryhamilton.org.
$15.00
13.81 €
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Piano solo
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Gregory Hamilton
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The Lamentation for Piano
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Dr. Gregory Hamilton
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SheetMusicPlus
Gioco. Sonata for guitar
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebulli…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00
5.52 €
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Guitar
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Concerto for Guitar and Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.809837 Composed by Robert E. Pr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by R. E. Proctor (A0.809837). Concerto for Guitar and Orchestra – Description and performance notes. The concerto provides a challenge for the performer and is delightful to the listener. It is written in the standard three movement concerto format: fast – slow – fast. A variety of musical colors, rhythms, and techniques are used. The first movement begins with an Adagio section which is marked Poco Rubato, followed by Allegro for the balance of the movement. The second movement is darker, and perhaps, a little sullen. The third movement is bright and harkens back to the guitar’s Spanish roots. The movement is happy and light, it has an abrupt and unexpected ending. Throughout the concerto the guitarist will use a wide range of techniques. The full sound spectrum of the guitar is utilized. The guitarist is asked to perform several rapid arpeggios (noted as Finger Roll) wherein the performer utilizes the thumb and fingers to rapidly play the notes in a chord. In other places, chords are to be played with three fingers playing up and the thumb to play down, using the nail (Flamenco style) – up and down referring to pitch. In the first movement, the thumb is used to tap the sound board. The guitar part is partially edited with suggested fingerings for clarity of intent. The balance is left for to the performer’s interpretation. In the second movement there is a completed tremolo section which requires the player to include the little or c finger. The inclusion of the c finger keeps the melodic line following without interruption. The second movement also has the melody played in artificial harmonics with the thumb playing simple a bass line. The third movement is the shortest. It has a challenging arpeggio pattern that uses the fingers strumming up and the thumb strumming down with rapid chord changes. The movements are in 4/4, 6/8, and 3/4 time respectively. Duration is approx. 13:18.
$19.95
18.37 €
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Orchestra
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Robert E
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Concerto for Guitar and Orchestra
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R. E. Proctor
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SheetMusicPlus
Pastrol Fantasy for Solo Oboe
Oboe (band part)
Oboe Solo - Level 4 - Digital Download SKU: A0.736228 Composed by Andrew Middleton.…
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Oboe Solo - Level 4 - Digital Download SKU: A0.736228 Composed by Andrew Middleton. Contemporary. Individual part. 6 pages. Andrew Middleton #6794683. Published by Andrew Middleton (A0.736228). Pastoral Fantasy for Solo Oboe is a soundscape inspired by the tranquillity of England’s outstanding countryside. The opening motif of a rising fourth is pivotal to the piece, allowing further ideas and themes develop from the simplicity of the motif in an almost improvised manner (indicated by the tempo marking, ‘Molto adagio con rubato quasi improvisation.’)This piece is also available for flute, soprano/tenor saxophone and bassoon too.
$5.99
5.52 €
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Oboe (band part)
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Andrew Middleton
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Pastrol Fantasy for Solo Oboe
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Andrew Middleton
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SheetMusicPlus
Elegien ... In Memoriam (2023)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1180570 Composed by Thomas Oboe Lee…
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Piano Solo - Level 4 - Digital Download SKU: A0.1180570 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. Score. 22 pages. Thomas Oboe Lee #780474. Published by Thomas Oboe Lee (A0.1180570). Wikipedia entry on Ferruccio Busoni's Elegies (German: Elegien): The Elegies mark a significant change in Busoni's compositional approach.  The harmonic language of the Elegies is extended, with the pedal used audaciously to blend disparate tones: unrelated triads are overlapped and juxtaposed; chords are constructed from intervals other than thirds; unusual and highly chromatic scales and runs, often differing from the surrounding harmonies, are extensively employed and varied; melodies, and solitary sighs, moving by whole and half steps, magnify these disorienting effects.Busoni recognized the change: My entire personal vision I put down at last and for the first time in the Elegies, and the Elegies signify a milestone in my development.  Almost a transformation ...  Inspired by his work, I gave myself a challenge to write my own version of Elegien.  Like the Busoni, it is in seven movements for solo piano.1. Recueillement ... Sostenuto, quasi Moderato2. Barcarolo in modo napolitano ... Andante3. Choralvorspiel ... Adagio4. Intermezzo ... Allegretto  TRIO 5. Walzer ... Andante, più tranquillo6. Notturno ... Moderato … quasi rubato, Andante7. Berceuse ... Largo calmoThis work is dedicated to the memory of Nika Shakarami and Sarina Esmailzadeh.
$9.99
9.2 €
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Piano solo
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Thomas Oboe Lee
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Elegien ... In Memoriam
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Thomas Oboe Lee
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SheetMusicPlus
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